3 Movements: I. Prelude | | | | | | | |
3 Movements: II. Cantilena | | | | | | | |
3 Movements: III. Toccata | | | | | | | |
5 Toccatas: I. — | | | | | | | |
5 Toccatas: II. — | | | | | | | |
5 Toccatas: III. — | | | | | | | |
5 Toccatas: IV. — | | | | | | | |
5 Toccatas: V. — | | | | | | | |
Amanti, io vi so dire | | | | | | | |
An Evening Hymn, Z. 193 "Now that the sun hath veiled his light" | | | | | | | |
Chromatische Fantasie und Fuge d-Moll, BWV 903: I. Fantasie | | | | | | | |
Chromatische Fantasie und Fuge d-Moll, BWV 903: II. Fuge | | | | | | | |
Ciaccona | | | | | | | |
Concertino da Camera: I. Allegro non troppo | | | | | | | |
Concertino da Camera: II. Molto moderato | | | | | | | |
Concertino da Camera: III. Presto | | | | | | | |
Concertino for Harpsichord and String Orchestra: I. Allegro | | | | | | | |
Concertino for Harpsichord and String Orchestra: II. Andante | | | | | | | |
Concertino for Harpsichord and String Orchestra: III. Allegro vivace | | | | | | | |
Concerto for Harpsichord and Strings | | | | Concerto | | | |
Concerto for Harpsichord and Strings, op. 42: I. Allegro leggiero | | | | | | | |
Concerto for Harpsichord and Strings, op. 42: II. Andante | | | | | | | |
Concerto for Harpsichord and Strings, op. 42: III. Allegro vivo | | | | | | | |
Dear Pretty Youth | | | | Aria | | | |
Flute Sonata in E-flat major, BWV 1031: I. Allegro moderato | | | | | | | |
Flute Sonata in E-flat major, BWV 1031: II. Siciliano | | | | | | | |
Flute Sonata in E-flat major, BWV 1031: III. Allegro | | | | | | | |
Goldberg-Variationen, BWV 988: Aria | | | | | | | |
Goldberg-Variationen, BWV 988: Aria da capo | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 1. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 2. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 3. Canone all Unisuono. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 4. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 5. a 1 ô vero 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 6. Canone alla Seconda. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 7. a 1 ô vero 2 Clav. al tempo di Giga | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 8. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 9. Canone alla Terza. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 10. Fughetta. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 11. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 12. Canone alla Quarta | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 13. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 14. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 15. Canone alla Quinta. a 1 Clav. andante | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 16. Ouverture. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 17. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 18. Canone alla Sexta. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 19. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 20. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 21. Canone alla Settima | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 22. a 1 Clav. alla breve | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 23. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 24. Canone all'Ottava. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 25. a 2 Clav. adagio | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 26. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 27. Canone alla Nona. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 28. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 29. a 1 ô vero 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 30. a 1 Clav. Quodlibet | | | | | | | |
Gyre | | | | | | | |
Harpsichord Sonata: I. Fast, very rhythmic | | | | | | | |
Harpsichord Sonata: II. Slowly and expressively | | | | | | | |
Harpsichord Sonata: III. Very fast | | | | | | | |
Huitiême ordre de clavecin en si mineur: No. 1. La Raphaéle | | | | | | | |
Huitiême ordre de clavecin en si mineur: No. 2. Allemande. L'Ausoniéne | | | | | | | |
Huitiême ordre de clavecin en si mineur: No. 3. Première Courante | | | | | | | |
Huitiême ordre de clavecin en si mineur: No. 4. Seconde Courante | | | | | | | |
Huitiême ordre de clavecin en si mineur: No. 5. Sarabande. L'Unique | | | | | | | |
Huitiême ordre de clavecin en si mineur: No. 6. Gavotte | | | | | | | |
Huitiême ordre de clavecin en si mineur: No. 7. Rondeau | | | | | | | |
Huitiême ordre de clavecin en si mineur: No. 8. Gigue | | | | | | | |
Huitiême ordre de clavecin en si mineur: No. 9. Passacaille | | | | | | | |
Huitiême ordre de clavecin en si mineur: No. 10. La Morinéte | | | | | | | |
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] | | | | | | | |
Italienisches Konzert F-Dur, BWV 971: III. Presto | | | | | | | |
L' Incoronazione di Poppea: Act 2 - Adagiati, Poppea | | | | | | | |
La Dauphine | | | | | | | |
Les Petits marteaux | | | | | | | |
Menuet en Rondeau | | | | | | | |
Nouvelles Suites de Pièces de Clavecin: L'Égyptienne | | | | | | | |
Nouvelles Suites de Pièces de Clavecin: L'Enharmonique. Gracieusement. | | | | | | | |
Nouvelles Suites de Pièces de Clavecin: L'indifférente | | | | | | | |
Nouvelles Suites de Pièces de Clavecin: La Poule | | | | Suite | | | |
Nouvelles Suites de Pièces de Clavecin: Les Sauvages | | | | | | | |
Nouvelles Suites de Pièces de Clavecin: Les Tricotets. Rondeau. | | | | | | | |
Nouvelles Suites de Pièces de Clavecin: Les Triolets | | | | | | | |
Oedipus, King of Thebes, Z. 583: II. "Music for a While" | | | | | | | |
Ouvertüre nach französischer Art h-Moll, BWV 831: I. Ouverture | | | | | | | |
Ouvertüre nach französischer Art h-Moll, BWV 831: II. Courante | | | | | | | |
Ouvertüre nach französischer Art h-Moll, BWV 831: III. Gavotte I | | | | | | | |
Ouvertüre nach französischer Art h-Moll, BWV 831: IV. Gavotte II | | | | | | | |
Ouvertüre nach französischer Art h-Moll, BWV 831: IX. Bourree II | | | | | | | |
Ouvertüre nach französischer Art h-Moll, BWV 831: V. Passepied I | | | | | | | |
Ouvertüre nach französischer Art h-Moll, BWV 831: VI. Passepied II | | | | | | | |
Ouvertüre nach französischer Art h-Moll, BWV 831: VII. Sarabande | | | | | | | |
Ouvertüre nach französischer Art h-Moll, BWV 831: VIII. Bourree I | | | | | | | |
Ouvertüre nach französischer Art h-Moll, BWV 831: X. Gigue | | | | | | | |
Ouvertüre nach französischer Art h-Moll, BWV 831: XI. Echo | | | | | | | |
Pausanias, the Betrayer of his Country, Z. 585: I. "Sweeter than roses" | | | | | | | |
Pièces de clavecin : Premier Livre : Suite I : II. Courante | | | | | | | |