| 10 Variations on a Prelude of Chopin in C minor, BV 213a | | | | | | | |
| 24 Preludes, op. 37: 1. Moderato (C major) | | | | | | | |
| 24 Preludes, op. 37: 2. Andantino sostenuto (A minor) | | | | | | | |
| 24 Preludes, op. 37: 3. Andante con moto (G major) | | | | | | | |
| 24 Preludes, op. 37: 4. Allegretto (E minor) | | | | | | | |
| 24 Preludes, op. 37: 5. Vivace assai quasi presto (D major) | | | | | | | |
| 24 Preludes, op. 37: 6. Moderato in carattere d'un corale (B minor) | | | | | | | |
| 24 Preludes, op. 37: 7. Allegro vivace (A major) | | | | | | | |
| 24 Preludes, op. 37: 8. Allegro moderato (F-sharp minor) | | | | | | | |
| 24 Preludes, op. 37: 9. Allegretto vivace e con brio in carattere campestre (E major) | | | | | | | |
| 24 Preludes, op. 37: 10. Vivace ed energico (C-sharp minor) | | | | | | | |
| 24 Preludes, op. 37: 11. Allegretto piacevole "alla danza" (B major) | | | | | | | |
| 24 Preludes, op. 37: 12. Andantino (G-sharp minor) | | | | | | | |
| 24 Preludes, op. 37: 13. Allegretto scherzando (F-sharp major) | | | | | | | |
| 24 Preludes, op. 37: 14. Lento funebre (E-flat minor) | | | | | | | |
| 24 Preludes, op. 37: 15. Andatino sostenuto con espressione (D-sharp major) | | | | | | | |
| 24 Preludes, op. 37: 16. Maestoso ed energico (B-flat minor) | | | | | | | |
| 24 Preludes, op. 37: 17. Allegretto vivace (A-flat major) | | | | | | | |
| 24 Preludes, op. 37: 18. Allegretto con moto (F minor) | | | | | | | |
| 24 Preludes, op. 37: 19. Allegro vivo (E-flat major) | | | | | | | |
| 24 Preludes, op. 37: 20. Allegro moderato (C minor) | | | | | | | |
| 24 Preludes, op. 37: 21. Andantino sostenuto (B-flat major) | | | | | | | |
| 24 Preludes, op. 37: 22. Vivace e scherzoso (G minor) | | | | | | | |
| 24 Preludes, op. 37: 23. Allegro vivace (F major) | | | | | | | |
| 24 Preludes, op. 37: 24. Presto (D minor) | | | | | | | |
| An die Jugend, BV 254: I. Preludietto, fughetta ed esercizio | | | | | | | |
| An die Jugend, BV 254: II. Preludio, fuga e fuga figurata (Studie nach Bach) | | | | | | | |
| An die Jugend, BV 254: III. Giga, bolero e variazione (Studie nach Mozart) | | | | | | | |
| An die Jugend, BV 254: IV. Introduzione, capriccio (paganinesco) e epilogo | | | | | | | |
| Apocalipsis cum figuris | | | | | | | |
| Berceuse, (Elegies no. 7), BV 252 | | | | | | | |
| Concerto no. 1 for Piano and Orchestra: I. Allegro moderato | | | | | | | |
| Concerto no. 1 for Piano and Orchestra: II. Andante cantabile | | | | | | | |
| Concerto no. 1 for Piano and Orchestra: III. Allegro vivace - Presto | | | | | | | |
| Concerto no. 2 for Piano and Orchestra: I. Allegro molto vivace | | | | | | | |
| Concerto no. 2 for Piano and Orchestra: II. Andantino | | | | | | | |
| Concerto no. 2 for Piano and Orchestra: III. Allegro moderato | | | | | | | |
| Concerto no. 3 for Piano and Ten Wind Instruments: I. Moderato | | | | | | | |
| Concerto no. 3 for Piano and Ten Wind Instruments: II. Andante sostenuto | | | | | | | |
| Concerto no. 3 for Piano and Ten Wind Instruments: III. Allegro giocoso | | | | | | | |
| Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 | | | | | | | |
| Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 | | | | | | | |
| Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 | | | | | | | |
| Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 | | | | | | | |
| Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima | | | | | | | |
| Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 | | | | | | | |
| Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese | | | | | | | |
| Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem | | | | | | | |
| Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 | | | | | | | |
| Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4 alla Decima | | | | | | | |
| Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 | | | | | | | |
| Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) | | | | | | | |
| Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) | | | | | | | |
| Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) | | | | | | | |
| Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) | | | | | | | |
| Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti | | | | | | | |
| Drei Albumblätter, BV 289: I. Zurich | | | | | | | |
| Drei Albumblätter, BV 289: II. Rome | | | | | | | |
| Drei Albumblätter, BV 289: III. Berlin | | | | | | | |
| Elegien, BV 249: I. Nach der Wendung | | | | | | | |
| Elegien, BV 249: II. All'Italia! (in modo napolitano) | | | | | | | |
| Elegien, BV 249: III. Meine Seele bangt und hofft zu Dir (Chorale-prelude) | | | | | | | |
| Elegien, BV 249: IV. Turandots Frauengemach (Intermezzo) | | | | | | | |
| Elegien, BV 249: V. Die Nachtlichen (Walzer) | | | | | | | |
| Elegien, BV 249: VI. Erscheinung (Notturno) | | | | | | | |
| Étude no. 1, op. 10 no. 1 (1st version) C major | | | | Étude | | | |
| Étude no. 2, op. 10 no. 1 (2nd version) D-flat major (left hand) | | | | Étude | | | |
| Étude no. 3, op. 10 no. 2 (1st version) A minor (left hand) | | | | Étude | | | |
| Étude no. 4, op. 10 no. 2 (2nd version) A minor: "Ignis fatuus" | | | | Étude | | | |
| Étude no. 5, op. 10 no. 3 D-flat major (left hand) | | | | Étude | | | |
| Étude no. 6, op. 10 no. 4 C-sharp minor (left hand) | | | | Étude | | | |
| Étude no. 7, op. 10 no. 5 (1st version) G-flat major | | | | Étude | | | |
| Étude no. 8, op. 10 no. 5 (2nd version) C major | | | | Étude | | | |
| Étude no. 9, op. 10 no. 5 (3rd version) A minor: "Tarantella" | | | | Étude | | | |
| Étude no. 10, op. 10 no. 5 (4th version) A major: "Capriccio" | | | | Étude | | | |
| Étude no. 11, op. 10 no. 5 (5th version) G-flat major | | | | Étude | | | |
| Étude no. 12, op. 10 no. 5 (6th version) G-flat major | | | | Étude | | | |
| Étude no. 12a, op. 10 no. 5 (7th version) G-flat major (left hand) | | | | Étude | | | |
| Étude no. 13, op. 10 no. 6 E-flat minor (left hand) | | | | Étude | | | |
| Étude no. 14, op. 10 no. 7 (1st version) C major: "Toccata" | | | | Étude | | | |
| Étude no. 15, op. 10 no. 7 (2nd version) G-flat major: "Nocturne" | | | | Étude | | | |
| Étude no. 15a, op. 10 no. 7 (3rd version) E-flat major (left hand) | | | | Étude | | | |
| Étude no. 16, op. 10 no. 8 (1st version) F major | | | | Étude | | | |
| Étude no. 16a, op. 10 no. 8 (2nd version) G-flat major (left hand) | | | | Étude | | | |
| Étude no. 17, op. 10 no. 9 (1st version) C-sharp minor | | | | Étude | | | |
| Étude no. 18,, op. 10 no. 9 (2nd version) F minor: Imitation of, op. 25, no. 2 | | | | Étude | | | |
| Étude no. 18a, op. 10 no. 9 (3rd version) F-sharp minor (left hand) | | | | Étude | | | |
| Étude no. 19, op. 10 no. 10 (1st version) D major | | | | Étude | | | |
| Étude no. 20, op. 10 no. 10 (2nd version) A-flat major (left hand) | | | | Étude | | | |
| Étude no. 21, op. 10 no. 11 A major (left hand) | | | | Étude | | | |
| Étude no. 22, op. 10 no. 12 C-sharp minor (left hand) | | | | Étude | | | |
| Étude no. 23, op. 25 no. 1 (1st version) A-flat major (left hand) | | | | Étude | | | |
| Étude no. 24, op. 25 no. 1 (2nd version) A-flat major: like for 4 hands | | | | Étude | | | |
| Étude no. 25, op. 25 no. 1 (3rd version) A-flat major | | | | Étude | | | |
| Fantasia contrappuntistica, BV 256: I. Preludio corale | | | | | | | |
| Fantasia contrappuntistica, BV 256: II. Fuga I | | | | | | | |
| Fantasia contrappuntistica, BV 256: III. Fuga II | | | | | | | |
| Fantasia contrappuntistica, BV 256: IV. Fuga III (on B-A-C-H) | | | | | | | |
| Fantasia contrappuntistica, BV 256: IX. Cadenza | | | | | | | |
| Fantasia contrappuntistica, BV 256: V. Intermezzo | | | | | | | |
