| Bosques | | | | Symphonic poem | | | |
| Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima | | | | | | | |
| Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | | | | | | | |
| Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera | | - Ernst Hinreiner, Richard Brünner, Gerda Hartmann, Rudolf Knoll, Salzburg Mozarteum Chorus, The European Philharmonic Orchestra, Salzburg Mozarteum Orchestra, Hymisher Greenburg, Kurt Prestel
- Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 82 more)
| | Cantata | | | |
| Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna | | | | | | | |
| Carmina Burana: I. Primo vere: III. Veris leta facies | | | | | | | |
| Carmina Burana: I. Primo vere: IV. Omnia Sol temperat | | | | | | | |
| Carmina Burana: I. Primo vere: V. Ecce gratum | | | | | | | |
| Carmina Burana: II. In Taberna: XI. Estuans interius | | | | | | | |
| Carmina Burana: II. In Taberna: XII. Olim lacus colueram | | | | | | | |
| Carmina Burana: II. In Taberna: XIII. Ego sum abbas | | | | | | | |
| Carmina Burana: II. In Taberna: XIV. In taberna quando sumus | | | | | | | |
| Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula | | | | | | | |
| Carmina Burana: III. Cour d’amours: XV. Amor volat undique | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Norma Burrowes, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- Ann Archibald, Boys of the Temple Church Choir, London, Royal Philharmonic Orchestra, Richard Cooke
- Lucia Popp, Wandsworth School Boys’ Choir, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 76 more)
| | | | | |
| Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia | | | | | - Latin
- French, Old (842-ca.1400)
| | |
| Carmina Burana: III. Cour d’amours: XVII. Stetit puella | | | | | | | |
| Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora | | | | | - Latin
- German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- (show 77 more)
| | | | | |
| Carmina Burana: III. Cour d’amours: XXIII. Dulcissime | | | | | | | |
| Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe | | | | | - German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: VI. Tanz | | | | | | | |
| Carmina Burana: Uf dem Anger: VII. Floret silva nobilis | | | | | - Latin
- German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir | | | | | - German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: X. Were diu werlt alle min | | | | | - German, Middle High (ca.1050-1500)
| | |
| Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto | | | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato | | | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza | | | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con moto | | | | | | | |
| Concerto for Piano and Orchestra in F major: I. Allegro | | | | | | | |
| Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto | | | | | | | |
| Concerto for Piano and Orchestra in F major: III. Allegro agitato | | | | | | | |
| Concierto II para violín y orquesta: I. | | | | | | | |
| Concierto II para violín y orquesta: II. | | | | | | | |
| Concierto II para violín y orquesta: III. Ritmico e giustoso | | | | | | | |
| Don Lindo de Almería, op. 7 | | | | Ballet | | | |
| Homenaje a Federico García Lorca: I. Baile - Lento (quasi recitativo) - Allegro | | | | | | | |
| Homenaje a Federico García Lorca: II. Duelo | | | | | | | |
| Homenaje a Federico García Lorca: III. Son | | | | | | | |
| Huapango | | | | | | | |
| Janitzio | | | | | | | |
| La noche de los mayas: I. La noche de los mayas. Molto sostenuto | | | | | | | |
| La noche de los mayas: II. La noche de jaranas. Scherzo | | | | | | | |
| La noche de los mayas: III. La noche de Yucatán. Andante espressivo | | | | | | | |
| La noche de los mayas: IV. La noche de encantamiento. Tema y variaciones | | | | | | | |
| Obertura concertante, op. 5 | | | | Overture | | | |
| Ocho por radio | | | | | | | |
| Rhapsody in Blue | | | | | | - 5263348 (APA ID)
- 2275432 (APDAYC ID)
- (show 21 more)
- 000116 925 06 (SUISA ID)
| 4 |
| Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 | | - [unknown]
- Henry Mancini
- Deutsches Symphonie‐Orchester Berlin, The English Philharmonic Orchestra, Ljubljana Radio Symphony Orchestra, London Festival Orchestra, London Philharmonia Orchestra, Philharmonic Orchestra London, Musici di San Marco, New Philharmonic Orchestra London, New Philharmonia Orchestra London, Royal Promenade Orchestra, Rundfunk‐Sinfonieorchester Berlin, Simfonični orkester RTV Slovenija, Alfred Gehardt, Alfred Scholz, Laurence Siegel, Nodar Tsatishvili, George Ralph Warren, Peter Wohlert
- Royal Philharmonic Orchestra, Louis Clark
- (show 176 more)
| | Symphonic poem | | | |
| Root Beer Rag | | | | | | | |
| Sensemayá | | | | Symphonic poem | | | |
| Siete canciones: I. Caballito | | | | Song | | | |
| Siete canciones: II. Las cinco horas | | | | Song | | | |
| Siete canciones: III. Canción tonta | | | | Song | | | |
| Siete canciones: IV. El lagarto y la lagarta | | | | Song | | | |
| Siete canciones: V. Canción de cuna | | | | Song | | | |
| Siete canciones: VI. Serenata | | | | Song | | | |
| Siete canciones: VII. Es verdad | | | | Song | | | |
| Sinfonía en re mayor: I. Obertura. Allegro vivo | | | | | | | |
| Sinfonía en re mayor: II. Andante | | | | | | | |
| Sinfonía en re mayor: III. Fuga. Allegro | | | | | | | |
| Sones de mariachi | | | | | | | |
| Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto | | | | | | | |
| Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo | | | | | | - C-sharp minor (Key)
- D-flat major (Key)
| |
| Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto | | | | | | | |
| Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco | | | | | | - E major (Key)
- E minor (Key)
| |
| Symphony no. 2 "Sinfonía india" | | | | Symphony | | | |
| Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo | | | | | | | |
| Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato | | | | | | | |
| Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo and Trio: Allegro molto vivace | | | | | | | |
| Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai – Allegro vivo | | | | | | | |
| Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | | | | | | | |
| Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | | | | | | | |
| Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | | | | | | | |
| Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso | | | | | | | |
| Toccata for Orchestra | | | | | | | |
| Variations on "I Got Rhythm" for Piano and Orchestra | | | | | | | |
| Variations on "I Got Rhythm" for Piano and Orchestra | | | | | | | |
