| Danses Symphoniques, op. 45 : II. Andante con motto (Tempo di valse) | | | | | | | |
| Danses Symphoniques, op. 45 : III. Lento assai - Allegro vivace | | | | | | | |
| Das Wandern, S. 565 no. 1 | | | | | | | |
| Der Kontrabandiste (from Schumann's Spanisches Liederspiel, op. 74) | | | | | | | |
| Deus Meus, TN ii/60 | | | | Motet | | | |
| Deux morceaux, op. 10: No. 2. Humoresque in G major | | | | | | | |
| Die schöne Müllerin, D. 795: Nr. 1. Das Wandern | | | | Song | | | |
| Die Toteninsel, Tondichtung, op. 29 | | | | | | | |
| Douze Études caractéristiques de concert, op. 2: No. 6 in F-sharp major "Si oiseau j'étais, à toi je volerais" | | | | Étude | | | |
| Dreams, op. 38 no. 5 | | | | | | | |
| E sarà così | | | | Song | | | |
| Etude-tableau in E-flat, op. 33 no. 4 | | | | | | | |
| Étude-Tableau, op. 33 no. 8 | | | | Étude | | | |
| Étude-Tableaux: Funeral March, op. 39 no. 7 | | | | | | | |
| Étude-Tableaux: La Foire, op. 33 no. 4 | | | | | | | |
| Étude-Tableaux: La Mer et les mouettes, op. 39 no. 2 | | | | | | | |
| Étude-Tableaux: Little Red Riding Hood, op. 39 no. 6 | | | | | | | |
| Étude-Tableaux: March, op. 39 no. 9 | | | | | | | |
| Études-tableaux, op. 33 | | | | | | | |
| Études-tableaux, op. 33: No. 1 in F minor: Allegro non troppo | | | | | | | |
| Études-tableaux, op. 33: No. 2 in C major | | | | | | | |
| Études-tableaux, op. 33: No. 2 in C major: Allegro | | | | | | | |
| Études-tableaux, op. 33: No. 3 in C minor: Grave | | | | | | | |
| Études-tableaux, op. 33: No. 4 in D minor: Moderato | | | | | | | |
| Études-tableaux, op. 33: No. 5 in E-flat minor: Non allegro – Presto | | | | | | | |
| Études-tableaux, op. 33: No. 6 in E-flat major: Allegro con fuoco | | | | | | | |
| Études-tableaux, op. 33: No. 7 in G minor: Moderato | | | | | | | |
| Études-tableaux, op. 33: No. 8 in C-sharp minor: Grave | | | | | | | |
| Études-tableaux, op. 39 | | | | | | | |
| Études-tableaux, op. 39: No. 1 in C minor: Allegro agitato | | | | | | | |
| Études-tableaux, op. 39: No. 2 in A minor: Lento assai | | | | | | | |
| Études-tableaux, op. 39: No. 3 in F-sharp minor: Allegro molto | | | | | | | |
| Études-tableaux, op. 39: No. 4 in B minor: Allegro assai | | | | | | | |
| Études-tableaux, op. 39: No. 5 in E-flat minor: Appassionato | | | | | | | |
| Études-tableaux, op. 39: No. 6 in A minor: Allegro | | | | | | | |
| Études-tableaux, op. 39: No. 7 in C minor: Lento lugubre | | | | | | | |
| Études-tableaux, op. 39: No. 8 in D minor: Allegro moderato | | | | | | | |
| Études-tableaux, op. 39: No. 9 in D major: Allegro moderato | | | | | | | |
| First Quartet (unfinished): Romance. Andante espressivo | | | | | | | |
| First Quartet (unfinished): Scherzo. Allegro | | | | | | | |
| Flight of the Bumblebee | | | | | | | |
| Flight of the Bumblebee, TN iii/9 | | | | | | | |
| Floods of Spring, op. 14 no. 11 | | | | | | | |
| Fragment (1917), TN ii/19/3 | | | | | | | |
| Francesca da Rimini, op. 25 | | | | Opera | | | |
| Francesca da Rimini, op. 25 Act I: Francesca’s Aria | | | | | | | |
| Francesca da Rimini, op. 25: Epilogue | | | | | | | |
| Francesca da Rimini, op. 25: Epilogue. "A-a..." (The Tormented) | | | | | | | |
| Francesca da Rimini, op. 25: Epilogue. "A-a..." / "O, v étot den' mï ból'se ne citáli!" (Francesca, Paolo, The Tormented) | | - Makvala Kasrashvili, Vladimir Atlantov, Bolshoi Theatre Choir, Bolshoi Theatre Orchestra, Mark Ermler
- Maria Guleghina, Sergej Larin, GöteborgsOperans Kör, Göteborgs Symfoniker, Neeme Järvi
- Maria Guleghina, Sergei Larin, GöteborgsOperans Kör, Göteborgs Symfoniker, Neeme Järvi
| | | | | |
| Francesca da Rimini, op. 25: Prologue | | | | | | | |
| Francesca da Rimini, op. 25: Prologue. (Largo) | | | | | | | |
| Francesca da Rimini, op. 25: Prologue. Part 1. "M-m..." (The Tormented) | | | | | | | |
| Francesca da Rimini, op. 25: Prologue. Part 1. "Tepér' vstupáyem mï v slepúyu bézdnu" (Virgil Shade, Dante) | | - Alexander Laptev, Mikhail Maslov, Bolshoi Theatre Choir, Bolshoi Theatre Orchestra, Mark Ermler
- Сергей Васильевич Рахманинов
- Sergei Aleksashkin, Ilya Levinsky, GöteborgsOperans Kör, Göteborgs Symfoniker, Neeme Järvi
- Sergei Aleksashkin, Ilya Levinsky, Göteborgs Symfoniker, Neeme Järvi
| | | | | |
| Francesca da Rimini, op. 25: Prologue. Part 2. "A-a..." (The Tormented) | | | | | | | |
| Francesca da Rimini, op. 25: Prologue. Part 2. "A-a..." (The Tormented) | | | | | | | |
| Francesca da Rimini, op. 25: Prologue. Part 2. "A-a..." / "Moy sïn" (The Tormented, Virgil's Shade, Dante) | | - Alexander Laptev, Mikhail Maslov, Makvala Kasrashvili, Vladimir Atlantov, Bolshoi Theatre Choir, Bolshoi Theatre Orchestra, Mark Ermler
- Sergei Aleksashkin, Ilya Levinsky, GöteborgsOperans Kör, Göteborgs Symfoniker, Neeme Järvi
- Sergei Aleksashkin, Ilya Levinsky, Maria Guleghina, Sergei Larin, GöteborgsOperans Kör, Göteborgs Symfoniker, Neeme Järvi
| | | | | |
| Francesca da Rimini, op. 25: Prologue. Part 2. "Kto éti dva, cto tak legkí dlya vétra?" (Dante, The Tormented, Virgil's Shade) | | - Сергей Васильевич Рахманинов
- Ilya Levinsky, Sergei Aleksashkin, GöteborgsOperans Kör, Göteborgs Symfoniker, Neeme Järvi
- Sergei Aleksashkin, Ilya Levinsky, Maria Guleghina, Sergei Larin, GöteborgsOperans Kör, Göteborgs Symfoniker, Neeme Järvi
| | | | | |
| Francesca da Rimini, op. 25: Prologue. Part 2. "Net bóleye velíkoy skórbi v míre" (Francesca, Paolo) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau 2. (Moderato - Allegro vivace) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau 2. Scene I. "Gde tï, tam scast'ye bez koncá!" (Francesca, Paolo) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau 2. Scene I. "Kak dúmayes', Francéska" (Paolo, Francesca) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau 2. Scene I. "Net! Vécnoye proklyát'ye!" (Lanceotto) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau 2. Scene I. "O, kak im bïlo sládostno i zútko" (Paolo, Francesca) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau 2. Scene I. "Prekásnaya Ginévra" (Paolo) | | - Vladimir Atlantov, Makvala Kasrashvili, Yevgeny Nesterenko, Bolshoi Theatre Orchestra, Mark Ermler
- Сергей Васильевич Рахманинов
- Sergej Larin, Göteborgs Symfoniker, Neeme Järvi
- Sergei Larin, Maria Guleghina, Сергей Петрович Лейферкус, Göteborgs Symfoniker, Neeme Järvi
| | | | | |
| Francesca da Rimini, op. 25: Tableau 2. Scene I. "Pust' ne danó nam znat'lobzániy" (Francesca) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau 2. Scene I. "S tobóyu ad mne lúcse ráya!" (Francesca, Paolo) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau 2. Scene I."Na cto mne ray" (Paolo, Francesca) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau I | | | | | | | |
| Francesca da Rimini, op. 25: Tableau I, Scene I. "Otvét moy prost" (Lanceotto, Retainers) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau I, Scene II. "Nictó ne zaglusít revnívïkh dum" (Lanceotto) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau I, Scene II. "O, yésli bï tï znála" (Lanceotto) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau I, Scene III. "Lyubví tvoyéy khocú ya!" (Lanceotto) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau I, Scene III. "Moy povelítel' zval menyá?" (Francesca, Lanceotto) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau I, Scene III. "Proklyát'ye!" (Lanceotto, Francesca) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau I. (Allegro vivace) | | | | | | | |
| Francesca da Rimini, op. 25: Tableau II | | | | | | | |
| Fugue in D minor | | | | | | | |
| Full Moon and Empty Arms | | | | Song | | - 360065654 (ASCAP ID)
- W-000033560 (BUMA/STEMRA ID)
- (show 9 more)
- 000518 303 02 (SUISA ID)
| |
| Hopak from Sorochintsy Fair, TN iii/8 | | | | | | | |
| How Fair This Place | | | | Song | | | |
| I Think of You | | | | Song | | - 227761 (ACDAM ID)
- 300465 (ACDAM ID)
- (show 28 more)
- 002905 617 57 (SUISA ID)
| |
| If I Had You | | | | Song | | - 55973102 (AKM ID)
- 5285866 (APA ID)
- (show 10 more)
- 000571 612 89 (SUISA ID)
| |
| Impromptu in A-flat major, op. 90, D. 899: No. 4. Allegretto | | | | | | | |
| Je vous aime ainsi | | | | Song | | | |
| Kam tenkrát šel mùj bratr Jan | | | | Song | | | |
| L’Oiseau de feu, suite de 1919 | | | | Suite | | | |
| La Jongleuse, op. 52 no. 4 | | | | Étude | | | |
| Le Carnaval des animaux: XIII. Le Cygne | | | | | | | |
| Liebesfreud | | | | | | | |
| Liebesfreud, TN iii/5/2 (after Kriesler's Alt-Wiener Tanzweisen No.2) | | | | | | | |
| Liebesleid, TN iii/5/1 (after Kriesler's Alt-Wiener Tanzweisen No.1) | | | | | | | |
| Lied (Romance) in F minor, TN ii/32 | | | | | | | |
| Lied ohne Worte C-Dur, op. 67 Nr. 4 | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31 | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: I. The Great Litany | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: II. The First Antiphon: Bless the Lord, О My Soul | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: III. The Second Antiphon: Glory Be to the Father - Only-Begotten Son | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: IV. The Third Antiphon: In Your Kingdom | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: IX. The Litany оf Supplication | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: V. The Little Entrance: Come, Let Us Worship | | | | | | | |
