| 2 Motetten, op. 29: Nr. 1. Es ist das Heil uns kommen her | | | | Motet | | | |
| 2 Motetten, op. 29: Nr. 2. Schaffe in mir, Gott, ein rein Herz | | | | Motet | | | |
| 2 Motetten, op. 74: Nr. 1. Warum is das Licht gegeben dem Mühseligen | | | | Motet | | | |
| 2 Motetten, op. 74: Nr. 2. O Heiland, reiß die Himmel auf | | | | Motet | | | |
| 3 Motetten, op. 110: Nr. 1. Ich aber bin elend | | | | Motet | | | |
| 3 Motetten, op. 110: Nr. 2. Ach, arme Welt, du trügest mich | | | | Motet | | | |
| 3 Motetten, op. 110: Nr. 3. Wenn wir in höchsten Nöten sein | | | | Motet | | | |
| 19 norske folkeviser, op. 66: No. 19 Gjendines bådnlåt | | | | | | | |
| 72 Angels “In splendore lucis” | | | | | | | |
| À cette heure du jour | | | | | | | |
| A New Song Of Love | | | | | | | |
| Aftonen | | | | | | | |
| Agnus dei | | | | | | | |
| Ave Maria | | | | | | | |
| Ave Maria | | | | | | | |
| Ave Maria, Mater Dei | | | | Song | | | |
| Ave verum corpus | | | | | | | |
| Berliner Messe: I. Kyrie | | | | | | | |
| Berliner Messe: I. Kyrie | | | | | | | |
| Berliner Messe: II. Gloria | | | | | | | |
| Berliner Messe: VI. Credo | | | | | | | |
| Berliner Messe: VII. Sanctus | | | | | | | |
| Berliner Messe: VIII. Agnus Dei | | | | | | | |
| Biegga Luothe | | | | Song | | | |
| Biegga Njunnjí | | | | | | | |
| Christe qui lux es et dies IV | | | | | | | |
| Cinq rechants: I. Hayo kapritama la li la li la li la ssaréno | | | | | | | |
| Cinq rechants: II. Ma première fois terre terre l'éventail déployé | | | | | | | |
| Cinq rechants: III. Ma robe d'amour mon amour ma prison d'amour | | | | | | | |
| Cinq rechants: IV. Niokhamâ palalan(e)sou-kî mon bouquet tout défait rayonne | | | | | | | |
| Cinq rechants: V. Mayoma kalimolimo mayoma kalimolimo | | | | | | | |
| Concerto for Choir: I. | | | | | | | |
| Concerto for Choir: II. | | | | | | | |
| Concerto for Choir: III. | | | | | | | |
| Concerto for Choir: IV. | | | | | | | |
| Credo quod Redemptor | | | | | | | |
| Deliver us, O Lord | | | | | | | |
| Der Geist hilft unser Schwachheit auf, BWV 226: I. "Der Geist hilft unser Schwachheit auf" | | | | | | | |
| Dixit Dominus in G minor, HWV 232: I. Chorus "Dixit Dominus" | | | | | | | |
| Dixit Dominus in G minor, HWV 232: II. Aria "Virgam virtutus tuae" | | | | Aria | | | |
| Dixit Dominus in G minor, HWV 232: III. Aria "Tecum principium" | | | | Aria | | | |
| Dixit Dominus in G minor, HWV 232: IV. Chorus "Juravit Dominus" | | - Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- Monteverdi Choir, Monteverdi Orchestra, Sir John Eliot Gardiner
- (show 19 more)
| | | | | |
| Dixit Dominus in G minor, HWV 232: IX. Chorus "Gloria Patri, et Filio" | | - Monteverdi Choir, Monteverdi Orchestra, Sir John Eliot Gardiner
- Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- (show 19 more)
| | | | | |
| Dixit Dominus in G minor, HWV 232: V. Chorus "Tu es sacerdos in aeternum" | | - Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- Monteverdi Choir, Monteverdi Orchestra, Sir John Eliot Gardiner
- Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- (show 19 more)
| | | | | |
| Dixit Dominus in G minor, HWV 232: VI. "Dominus a dextris tuis" | | - Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- Arleen Augér, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Margaret Marshall, Monteverdi Choir, Richard Morton, Felicity Palmer, Alastair Thompson, David Wilson‐Johnson, Monteverdi Orchestra, Sir John Eliot Gardiner
- (show 19 more)
| | | | | |
| Dixit Dominus in G minor, HWV 232: VIII. Duet & Chorus "De torrente in via bibet" | | - Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Arleen Augér, Lynne Dawson, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm
- Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- (show 22 more)
| | | | | |
| Dopo la vittoria | | | | | | | |
| Eliza is the fairest Queen | | | | | | | |
| Eliza, her name gives honour | | | | | | | |
| Es ist ein Ros entsprungen | | | | Song | | | |
| Es ist genug | | | | | | | |
| Fest- und Gedenksprüche, op. 109: Nr. 1. Unsere Väter hofften auf dich | | | | | | | |
| Fest- und Gedenksprüche, op. 109: Nr. 2. Wenn ein starker Gewappneter | | | | | | | |
| Fest- und Gedenksprüche, op. 109: Nr. 3. Wo ist ein so herrlich Volk | | | | | | | |
| Figure humaine: I. De tous les printemps du monde | | | | | | | |
| Figure humaine: II. En chantant les servantes s'élancent | | | | | | | |
| Figure humaine: III. Aussi bas que le silence | | | | | | | |
| Figure humaine: IV. Patience | | | | | | | |
| Figure humaine: V. Riant du ciel et des planètes | | | | | | | |
| Figure humaine: VI. Le jour m'étonne et la nuit me fait peur | | | | | | | |
| Figure humaine: VII. La menace sous le ciel rouge | | | | | | | |
| Figure humaine: VIII. Liberté | | | | | | | |
| Förvårskväll | | | | | | | |
| Fürchte dich nicht, ich bin bei dir, BWV 228 | | | | Motet | | | |
| h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo | | | | Mass | | | |
| Hear My Prayer, O Lord | | | | | | | |
| Hymne à la Vierge | | | | Song | | | |
| In detph no man remembreth Thee | | | | | | | |
| Incipit Lamentatio Jeremiae Prophetae I | | | | | | | |
| Incipit Lamentatio Jeremiae Prophetae II | | | | | | | |
| Jesu, meine Freude, BWV 227: I. Corale „Jesu, meine Freude“ | | | | | | | |
| Jesu, meine Freude, BWV 227: III. Corale: "Unter deinem Schirmen" | | | | | | | |
| Jesu, meine Freude, BWV 227: IX. Corale: "Gute Nacht, o Wesen" | | | | | | | |
| Jesu, meine Freude, BWV 227: V. Corale: "Trotz dem alten Drachen" | | | | | | | |
| Jesu, meine Freude, BWV 227: VII. Corale: "Weg mit allen Schätzen" | | | | | | | |
| Jesu, meine Freude, BWV 227: XI. Corale: "Weicht, ihr Trauergeister" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I, No. 2c Recitativo "Jesus spricht zu ihnen" (Evangelista, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I, No. 2d Coro "Jesum von Nazareth" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I, No. 2e Recitativo "Jesus antwortete" (Evangelista, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 2a Recitativo "Jesus ging mit seinen Jüngern" (Evangelista, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 2b Coro "Jesum von Nazareth" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 3 Choral "O große Lieb" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 4 "Auf daß das Wort erfüllet werde" (Evangelista, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 5 Choral "Dein Will gescheh, Herr Gott, zugleich" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 6 "Die Schar aber und der Oberhauptmann" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 8 "Simon Petrus aber folgete Jesu nach" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 10 "Derselbige Jünger war" (Evangelista, Ancilla, Servus, Petrus, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 11 Choral "Wer hat dich so geschlagen" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 12a Recitativo "Und Hannas sandte ihn gebunden" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 12b Coro "Bist du nicht seiner Jünger einer?" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 12c Recitativo "Er leugnete aber und sprach" (Evangelista, Petrus, Servus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 13 Aria (Tenor) "Ach, mein Sinn" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 14 Choral "Petrus, der nicht denkt zurück" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II, No. 16b. Coro "Wäre dieser nicht ein Übeltäter" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II, No. 16c. Recitativo "Da sprach Pilatus zu ihnen" (Evangelista, Pilatus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II, No. 16d. Coro "Wir dürfen niemand töten" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II, No. 16e. Recitativo "Auf daß erfüllet würde das Wort" (Evangelista, Pilatus, Jesus) | | - La Petite Bande, Sigiswald Kuijken
- Concentus Musicus Wien, Nikolaus Harnoncourt
- Christoph Genz, Egbert Junghanns, Andreas Scheibner, Virtuosi Saxoniae, Ludwig Güttler
- Krešimir Stražanac, Tareq Nazmi, Julian Prégardien, Concerto Köln, Peter Dijkstra
- (show 7 more)
| | | | | |
