| arranged |
|---|
| A Passage to India: Adela's Theme | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 2:23 |
| Antiphon | | | The Bach Choir, John Scott, The Philharmonia, Sir David Willcocks | 2:58 |
| Ave Maria | | | Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | 5:02 |
| Ave Maria (arr. Christopher Palmer) | | | Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | 5:06 |
| Beatriz's Song | | | Felicity Lott, Graham Johnson | 2:48 |
| Carnival of the Animals: The Swan | | | Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | 3:22 |
| Cathy's Theme (From Wuthering Heights) | | | Hollywood Bowl Orchestra, John Mauceri | 3:36 |
| Doctor Zhivago: Suite | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 9:14 |
| Flight of the Bumblebee | | | Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | 1:10 |
| Gunfight at the OK Corral | | | Erich Kunzel, Cincinnati Pops Orchestra, Frankie Laine, Men of the May Festival Chorus, Ron McCroby | 8:36 |
| High Noon | | | Erich Kunzel, Cincinnati Pops Orchestra, Frankie Laine | 2:34 |
| How the West Was Won | | | Erich Kunzel, Cincinnati Pops Orchestra | 7:25 |
| Introduction and Cavatina from the Deerhunter | | | Royal Liverpool Philharmonic Orchestra, Carl Davis | 6:59 |
| Is Paris Burning?: The Paris Waltz | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 3:52 |
| Jesu, Joy of Man's Desiring (arr. Christopher Palmer) "Herz und Mund und Tat and Leben", Cantata BWV 147 | | | Julian Lloyd Webber, Royal Philharmonic Orchestra, Nicholas Cleobury | 3:08 |
| Jesus of Nazareth: Suite | | | David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Paul Bateman | 8:23 |
| Jubilate Deo | | | The Bach Choir, John Scott, The Philharmonia, Sir David Willcocks | 3:13 |
| Kinderszenen, Op.15: VII. Träumerei (arr. Christopher Palmer for Cello and Orchestra) | | | Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | 3:34 |
| La Bohème: A Fantasy for Orchestra | | | Christopher Warren‐Green, Academy of St Martin in the Fields, Sir Neville Marriner | 12:26 |
| Lawrence of Arabia - Nocturne (alternative version) | | | The City of Prague Philharmonic Orchestra, James Fitzpatrick | 1:53 |
| Lawrence of Arabia: Suite | | | Philharmonia Orchestra, Tony Bremner | 12:58 |
| Mad Max - Beyond Thunderdome: Fanfare I Ain't Captain Walker | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 5:02 |
| Madama Butterfly: Introduction Sharpless' aria and Entrance of Butterfly | | | Cynthia Millar, Academy of St Martin in the Fields, Sir Neville Marriner | 5:04 |
| Madama Butterfly: Un bel di vedremo | | | Cynthia Millar, Academy of St Martin in the Fields, Sir Neville Marriner | 4:19 |
| Moon Over Parador | | | The City of Prague Philharmonic Orchestra, James Fitzpatrick | 3:51 |
| Notorious: Main Title / Utica / Troubled Mind / Alicia Collapses / Finale and End Cast | | | The Utah Symphony Orchestra, Charles Ketcham | 5:48 |
| Overture | | | Philharmonia Orchestra, Tony Bremner | 4:26 |
| Red Sun: Main Title the Samouraï | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 7:01 |
| Round‐Up: Anthology of TV Western Themes: Bonanza | | | Erich Kunzel, Cincinnati Pops Orchestra | 1:04 |
| Round‐Up: Anthology of TV Western Themes: Bonanza / Rawhide / Wagon Train / The Rifleman | | | Erich Kunzel, Cincinnati Pops Orchestra, Frankie Laine | 4:30 |
| Round‐Up: Anthology of TV Western Themes: Rawhide | | | Erich Kunzel, Cincinnati Pops Orchestra, Frankie Laine | 1:25 |
| Round‐Up: Anthology of TV Western Themes: The Rifleman | | | Erich Kunzel, Cincinnati Pops Orchestra | 0:50 |
| Round‐Up: Anthology of TV Western Themes: Wagon Train | | | Erich Kunzel, Cincinnati Pops Orchestra | 1:08 |
| Ryan's Daughter: Suite | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 8:55 |
| Somewhere | | | Julian Lloyd Webber, Royal Philharmonic Orchestra, Nicholas Cleobury | 2:47 |
| Suite bergamasque: Clair de lune | | | Julian Lloyd Webber, Royal Philharmonic Orchestra, Nicholas Cleobury | 6:02 |
| Tausend Meilen Staub (Rawhide): Titelmelodie | | | Český symfonický orchestr, Derek Wadsworth | 1:43 |
| The Magnificent Seven | | | Cincinnati Pops Orchestra, Erich Kunzel | 5:34 |
| The Man Who Would Be King | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 4:25 |
| The Tale of Tsar Saltan: The Flight of the Bumble-Bee (arr. Christopher Palmer) | | | Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | 1:16 |
| Tosca : “E lucevan le stelle” (execution and finale) | | | Academy of St Martin in the Fields, Sir Neville Marriner | 6:08 |
| Traumerei - Kinderszenen, Op. 15 | | | Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | 3:34 |
| Villa Rides: Main Theme | | | The City of Prague Philharmonic Orchestra | 3:31 |
| Witness: Building the Barn (Orchestral Version) | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 4:40 |
| edited |
|---|
| After the Brawl: Allegro | | | Elmer Bernstein | 2:28 |
| Ambush: Moderato | | | Elmer Bernstein | 3:06 |
| Calvera Routed and Petra's Declaration | | | Elmer Bernstein | 3:50 |
| Calvera's Return: Allegro Brutale | | | Elmer Bernstein | 2:13 |
| Council of War: Allegro molto marcato | | | Elmer Bernstein | 3:40 |
| Defeat: Slow and Dark | | | Elmer Bernstein | 3:40 |
| Enemy Camp and Nightmare | | | Elmer Bernstein | 1:51 |
| Fiesta and Celebration | | | Elmer Bernstein | 2:00 |
| Main Titles and Calvera's Visit: Allegro con fuoco | | | The Phoenix Symphony, James Sedares | 4:00 |
| Showdown and Finale: Allegro con fuoco | | | Elmer Bernstein | 10:39 |
| Strange Funeral: Moderato | | | Elmer Bernstein | 4:46 |
| Surprise and Crossroads: Allegro energico | | | Elmer Bernstein | 7:27 |
| The Hallelujah Trail | | | Elmer Bernstein | 6:56 |
| The Journey: Allegro vigoroso | | | Elmer Bernstein | 3:51 |
| Toreador: Moderato | | | Elmer Bernstein | 2:25 |
| Training | | | Elmer Bernstein | 1:34 |
| engineered |
|---|
| Never Grow Up | | | Shaun Dooley & BBC Children In Need | 4:07 |
| instruments arranged |
|---|
| Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): I. Moderato | | flute | Сергей Сергеевич Прокофьев | 8:17 |
| Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): II. Scherzo | | flute | Сергей Сергеевич Прокофьев | 5:02 |
| Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): III. Andante | | flute | Сергей Сергеевич Прокофьев | 4:11 |
| Concerto for Flute and Orchestra, Op. 94b (arrangement: Christopher Palmer): IV. Allegro Con Brio | | flute | Сергей Сергеевич Прокофьев | 6:31 |
| Dreamers | | flute | James Galway | 2:27 |
| Façade: Long Steel Grass | | piano | Martyn Hill, Graham Johnson | 2:30 |
| Façade: Popular Song | | piano | Martyn Hill, Graham Johnson | 2:16 |
| Façade: Tango-Pasodoble | | piano | Martyn Hill, Graham Johnson | 2:07 |
| orchestrated |
|---|
| A Passage to India: Adela's Theme | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 2:23 |
| Amazing | | | Elmer Bernstein | 2:38 |
| Arrest | | | Elmer Bernstein | 2:23 |
| At the Beginning | | | Elmer Bernstein | 4:51 |
| Caroline’s Theme | | | Tony Banks | 3:06 |
| Chuck and Dad | | | Elmer Bernstein | 4:17 |
| Dad and Sis | | | Elmer Bernstein | 2:58 |
| Decisions | | | Elmer Bernstein | 2:13 |
| Doctor Zhivago: Suite | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 9:14 |
| Dreams and Visions | | | Elmer Bernstein | 2:51 |
| End Credits | | | Elmer Bernstein | 2:41 |
| Ennemy Mine: Suite | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 9:26 |
| Escape | | | Elmer Bernstein | 3:26 |
| Final Victory | | | Elmer Bernstein | 4:36 |
| Finale | | | Tony Banks | 2:06 |
| Finale | | | Elmer Bernstein | 5:10 |
| Fun and Games | | | Elmer Bernstein | 2:37 |
| Good and Bad Guys | | | Elmer Bernstein | 2:34 |
| Home Town | | | Elmer Bernstein | 5:26 |
| Illness | | | Elmer Bernstein | 1:36 |
| Is Paris Burning?: The Paris Waltz | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 3:52 |
| Jesus of Nazareth: Suite | | | David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Paul Bateman | 8:23 |
| Kit’s Theme | | | Tony Banks | 3:15 |
| Last Visit | | | Elmer Bernstein | 2:22 |
| Lawrence of Arabia - Nocturne (alternative version) | | | The City of Prague Philharmonic Orchestra, James Fitzpatrick | 1:53 |
| Lawrence of Arabia: Suite | | | Philharmonia Orchestra, Tony Bremner | 12:58 |
| Leonard and the Plots | | | Elmer Bernstein | 4:07 |
| Mad Max - Beyond Thunderdome: Fanfare I Ain't Captain Walker | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 5:02 |
| Martian Act | | | Elmer Bernstein | 3:10 |
| Martyrs | | | Elmer Bernstein | 1:48 |
| Moon Over Parador | | | The City of Prague Philharmonic Orchestra, James Fitzpatrick | 3:51 |
| Notorious: Main Title / Utica / Troubled Mind / Alicia Collapses / Finale and End Cast | | | The Utah Symphony Orchestra, Charles Ketcham | 5:48 |
| Nukes | | | Elmer Bernstein | 5:24 |
| Off to Spy | | | Elmer Bernstein | 1:55 |
| Overture | | | Philharmonia Orchestra, Tony Bremner | 4:26 |
| Pass in the Tent | | | Elmer Bernstein | 2:56 |
| Pastorale | | | Tony Banks | 4:02 |
| Pilgrimage | | | Elmer Bernstein | 2:54 |
| Plea | | | Elmer Bernstein | 3:24 |
| Portrait of Jerry Jackson | | | Tony Banks | 5:00 |
| Prelude to the Wicked Lady | | | Tony Banks | 4:06 |
| Quam Delicta Tabernacula Tua | | | Bonifatio Gratiani | 3:41 |
| Rally ’Round | | | Elmer Bernstein | 2:41 |
| Recall | | | Elmer Bernstein | 2:40 |
| Red Sun: Main Title the Samouraï | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 7:01 |
| Remembering Amazing | | | Elmer Bernstein | 2:24 |
| Return to England | | | Elmer Bernstein | 1:53 |
| Revelation | | | Elmer Bernstein | 2:14 |
| Rome / Laureate Dominum | | | Giovanni Pierluigi da Palestrina | 3:56 |
| Russians in the Desert | | | Elmer Bernstein | 2:23 |
| Ryan's Daughter: Suite | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 8:55 |
| Scherzo | | | Tony Banks | 2:44 |
| Sellinger's Round | | | William Byrd | 1:37 |
| Steamroom | | | Elmer Bernstein | 3:04 |
| The Ace Tomato Company | | | Elmer Bernstein | 5:09 |
| The Axe | | | Elmer Bernstein | 3:52 |
| The Children | | | Elmer Bernstein | 3:07 |
| The Man Who Would Be King | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 4:25 |
| The Movement | | | Elmer Bernstein | 3:01 |
| The Road to Russia | | | Elmer Bernstein | 3:40 |
| The Wicked Lady | | | Tony Banks | 3:47 |
| To the Bus | | | Elmer Bernstein | 3:15 |
| Villa Rides: Main Theme | | | The City of Prague Philharmonic Orchestra | 3:31 |
| W.A.M.P. | | | Elmer Bernstein | 2:49 |
| Winners | | | Elmer Bernstein | 1:16 |
| Witness: Building the Barn (Orchestral Version) | | | The City of Prague Philharmonic Orchestra, Paul Bateman | 4:40 |
| performed |
|---|
| 1987-06-04 – 1987-06-07 | Almond Blossom | | | Eric Parkin | 2:10 |
| 1987-06-04 – 1987-06-07 | April’s Fool | | | Eric Parkin | 2:44 |
| 1987-06-04 – 1987-06-07 | Evening Primrose | | | Eric Parkin | 3:17 |
| 1987-06-04 – 1987-06-07 | Four Aces: Ace of Diamonds | | | Eric Parkin | 1:02 |
| 1987-06-04 – 1987-06-07 | Four Aces: Ace of Hearts | | | Eric Parkin | 2:44 |
| 1987-06-04 – 1987-06-07 | Four Aces: The Joker | | | Eric Parkin | 2:25 |
| 1987-06-04 – 1987-06-07 | From a Spanish Lattice | | | Eric Parkin | 3:52 |
| 1987-06-04 – 1987-06-07 | Harp of the Winds | | | Eric Parkin | 3:05 |
| 1987-06-04 – 1987-06-07 | Legends of King Arthur: Lady of the Lake | | | Eric Parkin | 1:37 |
| 1987-06-04 – 1987-06-07 | Legends of King Arthur: Merlin | | | Eric Parkin | 1:41 |
| 1987-06-04 – 1987-06-07 | Legends of King Arthur: Passing of Arthur | | | Eric Parkin | 3:40 |
| 1987-06-04 – 1987-06-07 | Legends of King Arthur: Prelude | | | Eric Parkin | 2:55 |
| 1987-06-04 – 1987-06-07 | Marigold | | | Eric Parkin | 2:42 |
| 1987-06-04 – 1987-06-07 | Nimble Fingered Gentlemen | | | Eric Parkin | 3:22 |
| 1987-06-04 – 1987-06-07 | Railroad Rhythm | | | Eric Parkin | 3:07 |
| 1987-06-04 – 1987-06-07 | Shallow Waters | | | Eric Parkin | 3:05 |
| 1987-06-04 – 1987-06-07 | Song of the Fir Tree | | | Eric Parkin | 2:24 |
| produced |
|---|
| 1984-11-29 | Octet in E flat major, op. 20: Scherzo: Allegro | | | Divertimenti | 4:28 |
| 1990-10 | The Lark Ascending (excerpt) | | | Tasmin Little, BBC Symphony Orchestra, Andrew Davis | 6:05 |
| A Christmas Garland | | | Sir George Dyson | 19:59 |
| A Hill Tune | | | Eric Parkin | 4:03 |
| Adagio for Strings and Organ in G minor (arr. Remo Giazotto) | Christopher Palmer | | Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | 4:58 |
| Aubade héroïque | Christopher Palmer | | English Northern Philharmonia, David Lloyd-Jones | 8:06 |
| Ave Maria (arr. Christopher Palmer) | Christopher Palmer | | Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | 5:06 |
| Cabin 1 | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 1:12 |
| Cabin 10 | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 1:04 |
| Carnival of the Animals: The Swan | Christopher Palmer | | Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | 3:22 |
| Cello Sonata | | | Eric Fenby, Julian Lloyd Webber | 15:10 |
| Cortège | | | Barry Griffiths, Eric Parkin | 1:29 |
| Country-Tune | | | Eric Parkin | 2:03 |
| D’un jardin clair | | | Eric Parkin | 2:09 |
| D’un matin de printemps | | | Barry Griffiths, Keith Harvey, Eric Parkin | 4:58 |
| D’un soir triste | | | Barry Griffiths, Keith Harvey, Eric Parkin | 11:18 |
| D’un vieux jardin | | | Eric Parkin | 2:38 |
| Discovery | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 0:20 |
| Extract From Eric Fenby’s Book “Delius As I Knew Him” | | | Eric Fenby | 6:01 |
| Fantasia and Ground Bass | Christopher Palmer | | Jonathan Rennert | 16:01 |
| Finale | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 1:49 |
| Flight | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 1:08 |
| Four Sea Interludes from "Peter Grimes", op. 33a: Dawn | | | BBC Symphony Orchestra, Andrew Davis | 3:12 |
| Four Sea Interludes from "Peter Grimes", op. 33a: Moonlight | | | BBC Symphony Orchestra, Sir Andrew Davis | 4:18 |
| Four Sea Interludes from "Peter Grimes", op. 33a: Storm | | | BBC Symphony Orchestra, Sir Andrew Davis | 4:39 |
| Four Sea Interludes from "Peter Grimes", op. 33a: Sunday Morning | | | BBC Symphony Orchestra, Sir Andrew Davis | 3:40 |
| Harmonies du soir | | | Barry Griffiths, Keith Harvey, Eric Parkin | 3:27 |
| Hierusalem | Christopher Palmer | | Valery Hill, St. Michael’s Singers, Thomas Trotter, Royal Philharmonic Orchestra, Jonathan Rennert | 19:00 |
| Hotel Room | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 1:36 |
| In a Vodka Shop | | | Eric Parkin | 3:35 |
| In Praise of Mary | | | Geoffrey Bush | 20:12 |
| In the South (Alassio), op. 50 | Christopher Palmer | | BBC Symphony Orchestra, Sir Andrew Davis | 21:52 |
| Kinderszenen, Op.15: VII. Träumerei (arr. Christopher Palmer for Cello and Orchestra) | Christopher Palmer | | Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury | 3:34 |
| Lullaby | | | Eric Parkin | 3:58 |
| Marion | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 1:28 |
| Marion and Sam | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 1:48 |
| Nocturne | | | Barry Griffiths, Eric Parkin | 2:50 |
| O praise God in his holiness | Christopher Palmer | | St. Michael’s Singers, Thomas Trotter, Jonathan Rennert | 1:58 |
| Octet in E-flat major, op. 20: Allegro moderato ma con fuoco | | | Divertimenti | 14:06 |
| Octet in E-flat major, op. 20: Andante | | | Divertimenti | 7:50 |
| Octet in E-flat major, op. 20: Presto | | | Divertimenti | 6:04 |
| Octet in E-flat major, op. 20: Scherzo: Allegro leggierisiimo | | | Divertimenti | 4:24 |
| Passacaglia from "Peter Grimes", op. 33b | | | BBC Symphony Orchestra, Sir Andrew Davis | 6:50 |
| Peter and the Wolf, op. 67: Early One Morning Peter Opened the Gate... | Christopher Palmer | | Oleg Prokofiev, Gabriel Prokofiev, The New London Orchestra, Ronald Corp | 26:09 |
| Peter and the Wolf, op. 67: We Would Like to Tell You the Story of Peter... | Christopher Palmer | | Oleg Prokofiev, Gabriel Prokofiev, The New London Orchestra, Ronald Corp | 2:24 |
| Phone Booth | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 0:53 |
| Polka - Zum Carnival | | | Eric Parkin | 2:19 |
| Pomp and Circumstance March no. 4 | Christopher Palmer | | BBC Symphony Orchestra, Andrew Davis | 5:18 |
| Pomp and Circumstance Marches, op. 39: no. 1 in D manor | Christopher Palmer | | BBC Symphony Orchestra, Andrew Davis | 6:15 |
| Pomp and Circumstance Marches, op. 39: no. 3 in C minor | Christopher Palmer | | BBC Symphony Orchestra, Sir Andrew Davis | 6:06 |
| Popular Song From "Façade" | | | David Greed, English Northern Philharmonia, David Lloyd-Jones | 2:14 |
| Prelude | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 2:11 |
| Sonata for Oboe and Piano in C major, op. 100: Con moto | Christopher Palmer | | Sarah Francis, Peter Dickinson | 4:51 |
| Sonata for Oboe and Piano in C major, op. 100: Elegy: Lento | Christopher Palmer | | Sarah Francis, Peter Dickinson | 3:16 |
| Sonata for Oboe and Piano in C major, op. 100: Presto | Christopher Palmer | | Sarah Francis, Peter Dickinson | 2:55 |
| Sonata for Oboe and Piano: Allegro mosso, scherzando - Epilogue: Tranquillo, mesto, ma con moto | Christopher Palmer | | Sarah Francis, Peter Dickinson | 10:01 |
| Sonata for Oboe and Piano: Placido, teneramente, ma con moto - Lento, assai espressivo e tranquillo | Christopher Palmer | | Sarah Francis, Peter Dickinson | 10:20 |
| Sonata no. 1 | | | Eric Parkin | 19:45 |
| Sonata no. 2 in F-sharp minor | | | Eric Parkin | 23:43 |
| Sonata no. 3 in G-sharp minor: I. Allegro moderato | | | Eric Parkin | 10:33 |
| Sonata no. 3 in G-sharp minor: II. Lento moderato | | | Eric Parkin | 8:51 |
| Sonata no. 3 in G-sharp minor: III. Allegro | | | Eric Parkin | 6:29 |
| Sonata no. 4 in G: I. Allegro giusto | | | Eric Parkin | 6:04 |
| Sonata no. 4 in G: II. Allegretto quasi andante | | | Eric Parkin | 6:41 |
| Sonata no. 4 in G: III. Allegro | | | Eric Parkin | 5:55 |
| Summer Day, op. 65b: Evening | Christopher Palmer | | The New London Orchestra, Ronald Corp | 2:58 |
| Summer Day, op. 65b: March | Christopher Palmer | | The New London Orchestra, Ronald Corp | 1:09 |
| Summer Day, op. 65b: Morning | Christopher Palmer | | The New London Orchestra, Ronald Corp | 2:13 |
| Summer Day, op. 65b: Repentance | Christopher Palmer | | The New London Orchestra, Ronald Corp | 2:55 |
| Summer Day, op. 65b: Tag (Tip and Run) | Christopher Palmer | | The New London Orchestra, Ronald Corp | 1:09 |
| Summer Day, op. 65b: The Moon Sails Over the Meadows | Christopher Palmer | | The New London Orchestra, Ronald Corp | 2:43 |
| Summer Day, op. 65b: Waltz | Christopher Palmer | | The New London Orchestra, Ronald Corp | 1:55 |
| Summer's Last Will and Testament: Brawles "Trip and go, heave and ho!" | Christopher Palmer | | Martin Pickard, Simon Wright, Chorus of Opera North, Leeds Festival Chorus, English Northern Philharmonia, David Lloyd-Jones | 8:30 |
| Summer's Last Will and Testament: Corante "Spring, the sweet Spring" | Christopher Palmer | | Martin Pickard, Simon Wright, Chorus of Opera North, Leeds Festival Chorus, English Northern Philharmonia, David Lloyd-Jones | 3:12 |
| Summer's Last Will and Testament: Intrata | Christopher Palmer | | English Northern Philharmonia, David Lloyd-Jones | 6:53 |
| Summer's Last Will and Testament: Madrigal con ritornelli "Autumn hath all the Summer's fruitful treasure" | Christopher Palmer | | Martin Pickard, Simon Wright, Chorus of Opera North, Leeds Festival Chorus, English Northern Philharmonia, David Lloyd-Jones | 6:33 |
| Summer's Last Will and Testament: Madrigal con ritornelli "Fair Summer droops" | Christopher Palmer | | Martin Pickard, Simon Wright, Chorus of Opera North, Leeds Festival Chorus, English Northern Philharmonia, David Lloyd-Jones | 5:41 |
| Summer's Last Will and Testament: Rondo burlesca (King Pest) | Christopher Palmer | | English Northern Philharmonia, David Lloyd-Jones | 10:09 |
| Summer's Last Will and Testament: Saraband "Adieu, farewell earth's bliss!" | Christopher Palmer | | Martin Pickard, Simon Wright, Chorus of Opera North, Leeds Festival Chorus, William Shimell, English Northern Philharmonia, David Lloyd-Jones | 12:03 |
| Symphony no. 1 in A-flat major, op. 55: Allegro molto | Christopher Palmer | | BBC Symphony Orchestra, Sir Andrew Davis | 7:49 |
| Symphony no. 1 in A-flat major, op. 55: Andante: Nobilmente e semplice - Allegro | Christopher Palmer | | BBC Symphony Orchestra, Sir Andrew Davis | 20:43 |
| Symphony no. 1 in A-flat major, op. 55: III. Adagio | Christopher Palmer | | BBC Symphony Orchestra, Andrew Davis | 11:58 |
| Symphony no. 1 in A-flat major, op. 55: Lento - Allegro | Christopher Palmer | | BBC Symphony Orchestra, Sir Andrew Davis | 12:04 |
| Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente | Christopher Palmer | | BBC Symphony Orchestra, Andrew Davis | 18:57 |
| Symphony no. 2 in E-flat major, op. 63: II. Larghetto | Christopher Palmer | | BBC Symphony Orchestra, Sir Andrew Davis | 13:58 |
| Symphony no. 2 in E-flat major, op. 63: III. Rondo - Presto | Christopher Palmer | | BBC Symphony Orchestra, Sir Andrew Davis | 8:23 |
| Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso | Christopher Palmer | | BBC Symphony Orchestra, Sir Andrew Davis | 15:05 |
| Temptation | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 3:12 |
| The Bathroom | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 0:46 |
| The Bedroom | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 1:02 |
| The Bells of St. Chad's | | | Heathcote Statham | 3:17 |
| The Body | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 0:33 |
| The Car | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 0:44 |
| The Car Lot | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 1:41 |
| The Cellar | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 1:24 |
| The City | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 1:26 |
| The Curtain | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 1:10 |
| The First Floor | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 2:31 |
| The Hill | Christopher Palmer | | National Philharmonic Orchestra, Bernard Herrmann | 1:37 |
| The Holy Boy | | | John Ireland | 2:51 |
| See all 155 relationships |
| vocals arranged |
|---|
| Façade: Long Steel Grass | | | Martyn Hill, Graham Johnson | 2:30 |
| Façade: Popular Song | | | Martyn Hill, Graham Johnson | 2:16 |
| Façade: Tango-Pasodoble | | | Martyn Hill, Graham Johnson | 2:07 |
| liner notes |
|---|
| Bartók: Concerto for Orchestra / Enesco: Romanian Rhapsodies | | | Béla Bartók, Georges Enesco; Royal Scottish Orchestra, Neeme Järvi | |
| Carmina Burana | | | Orff; Beverly Hoch, Stanford Olsen, Mark Oswald, Dutoit, Montréal | |
| Carmina Burana | | | Orff; Norma Burrowes, Louis Devos, John Shirley‐Quirk, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | |
| Carmina Burana | | | Orff; Norma Burrowes · Louis Devos · John Shirley‐Quirk, Brighton Festival Chorus, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti | |
| Carmina Burana | | | Carl Orff; Sylvia Greenberg, James Bowman, Stephen Roberts, RSO Berlin, RSO Berlin Chor, Riccardo Chailly | |
| Chants d'Auvergne | | | Canteloube; Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | |
| Chants d'Auvergne, Vol. 1 | | | Canteloube; Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | |
| Clarinet Quintets | Christopher Palmer | | Howells, Maconchy, Cooke, Frankel, Holbrooke; Thea King, Britten Quartet | |
| Concerto Leggiero / Concerto da Camera / Concerto da Chiesa | | | Dyson; City of London Sinfonia, Richard Hickox, Eric Parkin | |
| Façade 1 & 2 | | | Walton; Susana Walton, Richard Baker, City of London Sinfonia, Richard Hickox | |
| Film Music, Volume 2: Battle of Britain Suite / A Wartime Sketchbook / "Spitfire" Prelude and Fugue / Escape Me Never / The Three Sisters | | | Sir William Walton; Academy of St Martin in the Fields, Sir Neville Marriner | |
| Háry János Suite / Peacock Variations / Dances of Galánta | Christopher Palmer | | Zoltán Kodály; Chicago Symphony Orchestra, Neeme Järvi | |
| Hierusalem | Christopher Palmer | | George Dyson; St. Michael’s Singers, Thomas Trotter, Royal Philharmonic Orchestra, Jonathan Rennert | |
| Jarre by Jarre: Film Themes of Maurice Jarre | | | Maurice Jarre | |
| Music for Strings | | | Herbert Howells; City of London Sinfonia, Richard Hickox | |
| Piano Concerto / Mai-Dun / Legend | Christopher Palmer | | John Ireland; London Philharmonic Orchestra, Bryden Thomson, Eric Parkin | |
| Piano Music, Volume 1: Piano Sonatas 1 and 2 / Country-Tune / Lullaby / Winter Waters | | | Sir Arnold Bax; Eric Parkin | |
| Piano Music, Volume 2: Piano Sonatas 3 and 4 / Water Music / A Hill Tune / In a Vodka Shop | | | Arnold Bax; Eric Parkin | |
| Piano Works, Vol. 1 | | | John Ireland; Eric Parkin | |
| Piano Works, Vol. 2 | | | John Ireland; Eric Parkin | |
| Pines of Rome / Fountains of Rome / Roman Festival | Christopher Palmer | | Ottorino Respighi; Orchestre symphonique de Montréal, Charles Dutoit | |
| Psycho | | | Bernard Herrmann; National Philharmonic Orchestra, Bernard Herrmann | |
| Psycho | | | Bernard Herrmann; National Philharmonic Orchestra, Bernard Herrmann | |
| Suites from The Wooden Prince & The Miraculous Mandarin | | | Bartók; The Philharmonia, Neeme Järvi | |
| Suites: War and Peace / Summer Night from "The Duenna" / Russian Overture | | | Sergey Prokofiev; Philharmonia Orchestra, Neeme Järvi | |
| Summer's Last Will and Testament / The Rio Grande / Aubade héroïque | Christopher Palmer | | Constant Lambert; Sally Burgess, William Shimell, Jack Gibbons, Leeds Festival Chorus, Chorus of Opera North, English Northern Philharmonia, David Lloyd-Jones | |
| Summer's Last Will and Testament / The Rio Grande / Aubade héroïque | Christopher Palmer | | Constant Lambert; Sally Burgess, William Shimell, Jack Gibbons, Leeds Festival Chorus, Chorus of Opera North, English Northern Philharmonia, David Lloyd-Jones | |
| Symphony in G | Christopher Palmer | | George Dyson; City of London Sinfonia, Richard Hickox | |
| The Film Music of Sir Malcolm Arnold, Volume 1 | | | Malcolm Arnold; London Symphony Orchestra, Richard Hickox | |
| The Isle of the Dead / Symphonic Dances | | | Rachmaninoff; Concertgebouw Orchestra, Vladimir Ashkenazy | |
| The Shepherds of the Delectable Mountains / Magnificat / A Song of Thanksgiving / Psalm 100 / Three Choral Hymns | | | Vaughan Williams; Sir John Gielgud, Corydon Singers, City of London Sinfonia, Matthew Best | |
| The Young Person's Guide to the Orchestra / Variations on a Theme by Frank Bridge / Four Sea Interludes & Passacaglia from Peter Grimes | | | Britten; BBC Symphony Orchestra, Andrew Davis | |
| orchestrated |
|---|
| Heavy Metal: The Score | | | Elmer Bernstein | |
| Heavy Metal: The Score | | | Elmer Bernstein | |
| produced |
|---|
| St. Paul's Voyage to Melita / Agincourt | | | George Dyson; Neil Mackie, Bournemouth Symphony Orchestra & Chorus, Vernon Handley | |
| dedications |
|---|
| Legends of Hollywood: Franz Waxman, Volume 4 | | | Franz Waxman | |
| arranged |
|---|
| 1990 | As You Like It: A Poem for Orchestra After Shakespeare | | | | |
| 1990 | Hamlet: A Shakespeare Scenario | | | | |
| 1990 | Henry V: A Shakespeare Scenario | | | | |
| 1990 | Henry V: A Shakespeare Scenario | | | | |
| 1990 | Richard III: A Shakespeare Scenario | | | | |
| Calypso from "The Rake's Progress" | | | | |
| Christopher Columbus Suite | | | | |
| Comedy Suite from The Belles of St. Trinian's | | | | |
| Creole Dance from "Koanga" | | | | |
| From Jewish Life | | | | |
| From Jewish Life: No. 1. Prayer | | | | |
| From Jewish Life: No. 2. Supplication | | | | |
| From Jewish Life: No. 3. Jewish Song | | | | |
| Ivan the Terrible, Concert Scenario | | | | |
| Ivan the Terrible, Concert Scenario: I. Overture | | | | |
| Ivan the Terrible, Concert Scenario: II. Russian Sea | | | | |
| Ivan the Terrible, Concert Scenario: III. Wedding: i. Allegro fastoso | | | | |
| Ivan the Terrible, Concert Scenario: III. Wedding: ii. Andante | | | | |
| Ivan the Terrible, Concert Scenario: III. Wedding: iii. Allegro fastoso | | | | |
| Ivan the Terrible, Concert Scenario: IV. Fire | | | | |
| Ivan the Terrible, Concert Scenario: IX. Anastasia | | | | |
| Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: i. Allegro moderato | | | | |
| Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: ii. Moderato energico | | | | |
| Ivan the Terrible, Concert Scenario: VI. The Storming of Kazan | | | | |
| Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: i. Adagio | | | | |
| Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: ii. Andante sostenuto | | | | |
| Ivan the Terrible, Concert Scenario: VIII. At the Polish Court | | | | |
| Ivan the Terrible, Concert Scenario: X. Song of the Beaver (Ephrosynia's Lullaby) | | | | |
| Ivan the Terrible, Concert Scenario: XI. The Banquet: i. Allegro ben ritmato, feroce | | | | |
| Ivan the Terrible, Concert Scenario: XI. The Banquet: ii. Allegro moderato | | | | |
| Ivan the Terrible, Concert Scenario: XI. The Banquet: iii. Allegro ben ritmato | | | | |
| Ivan the Terrible, Concert Scenario: XII. Murder in the Cathedral | | | | |
| Ivan the Terrible, Concert Scenario: XIII. Final (Coda) | | | | |
| River Music | | | | |
| Scherzetto for Clarinet and Orchestra | | | | |
| Suite bergamasque : III. Clair de lune | | | | |
| Suite from "Odd Man Out" | | | | |
| Suite from "Odd Man Out": I. Prelude | | | | |
| Suite from "Odd Man Out": II. Police Chase | | | | |
| Suite from "Odd Man Out": III. Delirium and Lullaby | | | | |
| Suite from "Odd Man Out": IV. Nemesis (Finale) | | | | |
| Suite from "The Fallen Idol" | | | | |
| Suite from "The Fallen Idol": I. Overture | | | | |
| Suite from "The Fallen Idol": II. Prelude and Opening Scene | | | | |
| Suite from "The Fallen Idol": III. Loves Scene: Part 1 | | | | |
| Suite from "The Fallen Idol": IV. Love Scene: Part 2 | | | | |
| Suite from "The Fallen Idol": V. Hide and Seek (Scherzo) | | | | |
| Suite from "The Fallen Idol": VI. Panic and Flight | | | | |
| Suite from "The Fallen Idol": VII. Finale | | | | |
| Suite from "The Fallen Idol": VIII. Coda (End Titles) | | | | |
| Suite from "The History of Mr Polly" | | | | |
| Suite from "The History of Mr Polly": I. Prelude | | | | |
| Suite from "The History of Mr Polly": II. Wedding and Funeral | | | | |
| Suite from "The History of Mr Polly": III. Fire (Murder Arsonical) | | | | |
| Suite from "The History of Mr Polly": IV. Christabel | | | | |
| Suite from "The History of Mr Polly": V. Punting Scene (The Ferry) | | | | |
| Suite from "The History of Mr Polly": VI. Utopian Sunset (Finale) | | | | |
| Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Bloodbath | | | | |
| Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Blues | | | | |
| Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Finale | | | | |
| Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Night Prowl | | | | |
| Taxi Driver: A Night-Piece for Orchestra With Obbligato Alto Sax: Prelude | | | | |
| Taxi Driver: Night Piece for Saxophone & Orchestra | | | | |
| The Wife of Bath | | | | |
| Three Pieces from "Hassan" | | | | |
| Three Pieces from "Hassan": I. Introduction | | | | |
| Three Pieces from "Hassan": III. Dance of the Daughters of Delight | | | | |
| Troilus and Cressida, Symphonic Suite | | | | |
| Troilus and Cressida, Symphonic Suite: I. Prelude and Seascape | | | | |
| Troilus and Cressida, Symphonic Suite: II. Scherzo | | | | |
| Troilus and Cressida, Symphonic Suite: III. The Lovers | | | | |
| Troilus and Cressida, Symphonic Suite: IV. Finale | | | | |
| orchestrated |
|---|
| – 1992 | Threnody for Cello and Orchestra | | | | |
| "Free Street" | | | | |
| "Get Me That Priest" | | | | |
| "I Could Love You, Sir Jack"/Shower Surprise | | | | |
| "We’re No Angels" End Credits | | | | |
| A Head for Hector | | | | |
| A Rage in Harlem | | | | |
| Adam Rescues Alex | | | | |
| Adam's Target | | | | |
| Aftermath | | | | |
| Alex Alone | | | | |
| Almost Home Free | | | | |
| Amigos at the Mission | | | | |
| Amigos, Amigos, Amigos | | | | |
| Android Love | | | | |
| Avatar | | | | |
| Benson Is Off | | | | |
| Big Kathy Killed | | | | |
| Blue Dreamers | | | | |
| Bumps in the Knight | | | | |
| Castle Plunkett | | | | |
| Concerto for Flute and Orchestra | | | | |
| Drawing the Lottery | | | | |
| Dreams | | | | |
| Easy Money | | | | |
| El Guapo | | | | |
| End Credits | | | | |
| End Credits | | | | |
| Escape | | | | |
| Escape From Northridge | | | | |
| Falling in Love | | | | |
| Farewell | | | | |
| Fathers Brown and Riley | | | | |
| Fight | | | | |
| First Light | | | | |
| Ghost Bus Tours | | | | |
| Ghostly Reflections | | | | |
| Gus | | | | |
| Happy Train | | | | |
| Hector Loses It | | | | |
| Hector Mimics Benson | | | | |
| High Spirits Overture | | | | |
| Imabelle | | | | |
| Introduction and Main Titles: "We’re No Angels" | | | | |
| Jackson | | | | |
| Jackson and Goldie | | | | |
| Knight Time at Castle Plunkett | | | | |
| Lost Android | | | | |
| Mad Max Beyond Thunderdome: Thunderdome Fanfare | | | | |
| Madness on All Hallows Eve | | | | |
| Major Chase | | | | |
| Mary Appears/Windstorm/A Night for Lovers | | | | |
| Meet Hector | | | | |
| Molly’s Theme | | | | |
| More Trouble | | | | |
| Morning at Jackson's 8 | | | | |
| Museum Society | | | | |
| New to Love | | | | |
| Peeping Toms | | | | |
| Plunkett's Lament/Prayers for Freedom | | | | |
| Pop Slim | | | | |
| Prologue and Pursuit | | | | |
| Restless Spirits/The Seastorm | | | | |
| Revenge and Resolution | | | | |
| Sacrifice | | | | |
| Santo Poco | | | | |
| Seduction | | | | |
| She Is Far From the Land | | | | |
| Slipstream People | | | | |
| Sonata for Violin and Orchestra | | | | |
| Sonata for Violin and Orchestra: I. Allegro tranquillo | | | | |
| Sonata for Violin and Orchestra: II. Tema. Andante - Variazioni | | | | |
| Space Murder | | | | |
| Tender Words | | | | |
| The Bells of St. Chad's | | | | |
| The Big Dive | | | | |
| The Big Sneak | | | | |
| The Brain | | | | |
| The Chase | | | | |
| The Dam | | | | |
| The Lab | | | | |
| The Lovers Dance (finale) | | | | |
| The Return of the Amigos | | | | |
| The Run | | | | |
| The Tavern | | | | |
| The Waterside | | | | |
| The Wedding Night/Jack Saves Mary | | | | |
| The Weeping Madonna | | | | |
| The Wicked Lady | | | | |
| Training Hector | | | | |
| Travel to Dance | | | | |
| Two Pieces for Violin and Orchestra | | | | |
| Two Pieces for Violin and Orchestra: I. Canzonetta. Moderato | | | | |
| Two Pieces for Violin and Orchestra: II. Scherzetto. Molto vivace | | | | |
| revised |
|---|
| Michael “A Fanfare Setting” | | | | |
| The Pilgrim’s Progress - A Bunyan Sequence | | | | |
