| Albada, interludi i dansa: Albada | | | | | | | |
| Albada, interludi i dansa: Dansa | | | | | | | |
| Albada, interludi i dansa: Interludi | | | | | | | |
| Alexander Nevsky, op. 78: VII. Alexander's Entry Into Pskov | | | | | | | |
| Concerto for Lute in D major, RV 93: I. Allegro giusto | | | | | | | |
| Concerto for Lute in D major, RV 93: II. Largo | | | | | | | |
| Concerto for Lute in D major, RV 93: III. Allegro | | | | | | | |
| Concerto for Mandolin in C major, RV 425: I. Allegro | | | | | | | |
| Concerto for Mandolin in C major, RV 425: II. Largo | | | | | | | |
| Concerto for Mandolin in C major, RV 425: III. Allegro | | | | | | | |
| Concierto barroco | | | | | | | |
| Concierto de Aranjuez: I. Allegro con spirito | | | | | | | |
| Concierto de Aranjuez: II. Adagio | | | | | | | |
| Concierto de Aranjuez: III. Allegro gentile | | | | | | | |
| Concierto para una fiesta: I. Allegro deciso | | | | | | | |
| Concierto para una fiesta: II. Andante calmo | | | | | | | |
| Concierto para una fiesta: III. Allegro moderato | | | | | | | |
| Die erste Walpurgisnacht, op. 60 | | | | Cantata | | | |
| Die Meistersinger von Nürnberg, WWV 96: Vorspiel | | | | Overture | | | |
| Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) | | | | Aria | | | |
| Don Quixote: Scène 1 | | | | | | | |
| Don Quixote: Scène 2 | | | | | | | |
| Don Quixote: Scène 3 | | | | | | | |
| Don Quixote: Scène 4 | | | | | | | |
| Don Quixote: Scène 5 | | | | | | | |
| Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (Chor, Bariton) | | | | | | | |
| El barberillo de Lavapiés: Acto I. Entrada de Paloma "Como nací en la calle de la Paloma" | | | | | | | |
| El barberillo de Lavapiés: Acto I. Jota de los estudiantes | | | | | | | |
| El barberillo de Lavapiés: Acto II. Seguidillas manchegas "En el templo de Marte" | | | | | | | |
| Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt | | | | | | | |
| Exsultate, jubilate, K. 158a/165 | | | | Motet | | | |
| Fantasy for Violin and Orchestra, op. 24 | | | | | | | |
| Folias | | | | | | | |
| Fratres | | | | | | | |
| Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) | | | | Aria | | | |
| Idomeneo, rè di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia) | | | | | | | |
| Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico) | | - Fiorenza Cossotto, Plácido Domingo, Philharmonia Orchestra, Zubin Mehta
- Fedora Barbieri, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Plácido Domingo, Brigitte Fassbaender, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini
- Franco Corelli, Giulietta Simionato, Wiener Philharmoniker, Herbert von Karajan
- (show 32 more)
| | Aria | | | |
| Illeta: V. Eorzketa eta azken agurra | | | | | | | |
| Impresión nocturna | | | | | | | |
| La tabernera del puerto: Acto I | | - Enrique Baquerizo, Juan Pons, Juan Jesús Rodríguez, Orquesta Sinfónica de Galicia, Víctor Pablo Pérez
- Jesús Castejón, Rosa María Ysás, Orquesta Sinfónica de Galicia, Víctor Pablo Pérez
- María Bayo, Plácido Domingo, Orquesta Sinfónica de Galicia, Víctor Pablo Pérez
- María Bayo, Plácido Domingo, Rosa María Ysás, Orquesta Sinfónica de Galicia, Víctor Pablo Pérez
- José Antonio Saenz, Isabel Monar, Orfeón Donostiarra, Orquesta Sinfónica de Galicia, Víctor Pablo Pérez
| | | | | |
| La tabernera del puerto: Acto II | | - José Antonio Saenz, Enrique Baquerizo, María Bayo, Orfeón Donostiarra, Juan Pons, Orquesta Sinfónica de Galicia, Víctor Pablo Pérez
- María Bayo, Orquesta Sinfónica de Galicia, Víctor Pablo Pérez
- Plácido Domingo, Orquesta Sinfónica de Galicia, Víctor Pablo Pérez
- Juan Pons, Orquesta Sinfónica de Galicia, Víctor Pablo Pérez
- (show 3 more)
| | | | | |
| La tabernera del puerto: Acto II. Romanza de Leandro "No puede ser" | | | | | | | |
| La tabernera del puerto: Acto III | | - Orquesta Sinfónica de Galicia, Víctor Pablo Pérez
- María Bayo, Plácido Domingo, Orquesta Sinfónica de Galicia, Víctor Pablo Pérez
- Isabel Monar, Orquesta Sinfónica de Galicia, Víctor Pablo Pérez
- José Antonio Saenz, Orfeón Donostiarra, Juan Pons, Orquesta Sinfónica de Galicia, Víctor Pablo Pérez
- José Antonio Saenz, Enrique Baquerizo, María Bayo, Plácido Domingo, Orfeón Donostiarra, Juan Pons, Emilio Sánchez, Orquesta Sinfónica de Galicia, Víctor Pablo Pérez
| | | | | |
| Luisa Fernanda: Acto II. Romanza de Vidal "Luche la fe por el triunfo" | | | | | | | |
| Messa da requiem: IV. Sanctus (a doppio coro) | | | | | | | |
| Negra sombra | | | | | | | |
| Polovtsian Dances no. 17, “Polovtsian Dance with Chorus” | | | | | | | |
| Recitative and Aria for Soprano & Orchestra in C minor, K. 272: "Ah, lo previdi… Ah, t'invola agl'occhi miei" | | | | Aria | | | |
| Recitative and Aria for Soprano & Orchestra in G major, K. 217: “Voi avete un cor fedele” | | | | Aria | | | |
| Siegfried: Forest Murmurs | | | | | | | |
| Sinfonía n.º 4 “Espacio quebrado”: I. Quasi star | | | | | | | |
| Sinfonía n.º 4 “Espacio quebrado”: II. Hiperbórea | | | | | | | |
| Sinfonía n.º 4 “Espacio quebrado”: III. Almost a rock | | | | | | | |
| Sinfonía n.º 4 “Espacio quebrado”: IV. Solaris | | | | | | | |
| Sinfonía no. 2 "En las montañas de Galicia": I. Andante mosso | | | | | | | |
| Sinfonía no. 2 "En las montañas de Galicia": II. Andante | | | | | | | |
| Sinfonía no. 2 "En las montañas de Galicia": III. Allegro moderato | | | | | | | |
| Sinfonie Nr. 4 e-Moll, op. 98: I. Allegro non troppo | | | | | | | |
| Sinfonie Nr. 4 e-Moll, op. 98: II. Andante moderato | | | | | | | |
| Sinfonie Nr. 4 e-Moll, op. 98: III. Allegro giocoso | | | | | | | |
| Sinfonie Nr. 4 e-Moll, op. 98: IV. Allegro energico e passionato | | | | | | | |
| Sones en la Giralda | | - Pepe Romero, Academy of St Martin in the Fields, Sir Neville Marriner
- Kaori Muraji, Orquesta Sinfónica de Galicia, Víctor Pablo Pérez
- Isabelle Moretti, Real Orquesta Sinfónica de Sevilla, Edmon Colomer
- Catherine Michel, Orchestre national de l'opera de Monte Carlo, Antonio de Almeida
- Gwyneth Wentink, Orquesta Sinfónica del Principado de Asturias, Maximiano Valdés
| | | | | |
| Suite a la antigua: I. Sarabande | | | | | | | |
| Suite a la antigua: II. Fughetta | | | | | | | |
| Suite a la antigua: III. Fantasia | | | | | | | |
| Symphonie fantastique, op. 14: IV. Marche au supplice | | | | | | | |
| Symphony "Homenade e Pedrell": III. Pedrelliana: Allegretto giusto | | | | | | | |
| Symphony no. 1: I. Allegro animato | | | | | | | |
| Symphony no. 1: II. Adagio | | | | | | | |
| Symphony no. 1: III. Allegro spiritoso | | | | | | | |
| Symphony no. 2 "Metamorphoses": Ia. Poco sostenuto | | | | | | | |
| Symphony no. 2 "Metamorphoses": Ib. Allegro assai | | | | | | | |
| Symphony no. 2 "Metamorphoses": Ic. Poco più animato | | | | | | | |
| Symphony no. 2 "Metamorphoses": Id. Lento | | | | | | | |
| Symphony no. 2 "Metamorphoses": Ie. Comodamente | | | | | | | |
| Symphony no. 2 "Metamorphoses": If. Molto vivace | | | | | | | |
| Symphony no. 2 "Metamorphoses": Ig. | | | | | | | |
| Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | | | | | | | |
| Symphony no. 2 in D major, op. 36: II. Larghetto | | | | | | | |
| Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | | | | | | | |
| Symphony no. 2 in D major, op. 36: IV. Allegro molto | | | | | | | |
| Symphony no. 3 "Collages": I. Allegro moderato | | | | | | | |
| Symphony no. 3 "Collages": II. Lento | | | | | | | |
| Symphony no. 3 "Collages": III. Allegro con brio | | | | | | | |
| Symphony no. 3 "Collages": IV. Moderato | | | | | | | |
| Symphony no. 3 "Collages": V. Vivace | | | | | | | |
| Symphony no. 3 "Collages": VI. Allegretto | | | | | | | |
| Symphony no. 3 "Collages": VII. Calmo | | | | | | | |
| Symphony no. 4 "New York" | | | | Symphony | | | |
| Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo | | | | | | | |
| Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia | | | | | | | |
| Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace | | | | | | | |
| Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso | | | | | | | |
| Symphony no. 8 in G major, op. 88: I. Allegro con brio | | | | | | - G major (Key)
- G minor (Key)
| |
| Symphony no. 8 in G major, op. 88: II. Adagio | | | | | | | |
| Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace | | | | | | | |
| Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | | | | | | | |
| Symphony no. 10 "Amerindia", W511: I. Allegro | | | | | | | |
| Symphony no. 10 "Amerindia", W511: II. Lento | | | | | | | |
| Symphony no. 10 "Amerindia", W511: III. Scherzo allegretto scherzando | | | | | | | |
