"Les Petits Riens", K. Anh. 10: II. Gavotte | | | | | | | |
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda | | | | | | | |
6 Leichte Variationen in C-dur, Hob. XVII:5 "Thema con variazioni": Andante | | | | | | | |
6 Leichte Variationen in C-dur, Hob. XVII:5 "Thema con variazioni": Variation I | | | | | | | |
6 Leichte Variationen in C-dur, Hob. XVII:5 "Thema con variazioni": Variation II | | | | | | | |
6 Leichte Variationen in C-dur, Hob. XVII:5 "Thema con variazioni": Variation III | | | | | | | |
6 Leichte Variationen in C-dur, Hob. XVII:5 "Thema con variazioni": Variation IV | | | | | | | |
6 Leichte Variationen in C-dur, Hob. XVII:5 "Thema con variazioni": Variation V | | | | | | | |
6 Leichte Variationen in C-dur, Hob. XVII:5 "Thema con variazioni": Variation VI | | | | | | | |
Die Zauberflöte, K. 620: Act I, Scene XVII. "Das klinget so herrlich" (Monostatos, Sklaven) | | | | | | | |
Die Zauberflöte: "Der Vogelfänger bin ich ja" | | | | | | | |
Don Giovanni: “Là ci darem la mano” | | | | Aria | | | |
Double Concerto for Oboe, Harp and Chamber Orchestra: I. Rapsodico | | - Arkadiusz Krupa, Nicolas Tulliez, Polish National Radio Symphony Orchestra, Antoni Wit
- Heinz Holliger, Ursula Holliger, Symphonieorchester des Bayerischen Rundfunks, Witold Lutosławski
- Liszt Ferenc Kamarazenekar, Peskó Zoltán, Margit-Anna Süß, Hansjörg Schellenberger
- Eduard Brunner, Maria Graf, Bamberger Symphoniker, Lothar Zagrosek
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Double Concerto for Oboe, Harp and Chamber Orchestra: II. Dolente | | - Arkadiusz Krupa, Nicolas Tulliez, Polish National Radio Symphony Orchestra, Antoni Wit
- Heinz Holliger, Ursula Holliger, Symphonieorchester des Bayerischen Rundfunks, Witold Lutosławski
- Liszt Ferenc Kamarazenekar, Peskó Zoltán, Margit-Anna Süß, Hansjörg Schellenberger
- Eduard Brunner, Maria Graf, Bamberger Symphoniker, Lothar Zagrosek
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Double Concerto for Oboe, Harp and Chamber Orchestra: III. Marziale e grotesco | | - Arkadiusz Krupa, Nicolas Tulliez, Polish National Radio Symphony Orchestra, Antoni Wit
- Heinz Holliger, Ursula Holliger, Symphonieorchester des Bayerischen Rundfunks, Witold Lutosławski
- Liszt Ferenc Kamarazenekar, Peskó Zoltán, Margit-Anna Süß, Hansjörg Schellenberger
- Eduard Brunner, Maria Graf, Bamberger Symphoniker, Lothar Zagrosek
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Fantasie c-moll für Harfe solo, op. 35 | | | | | | | |
Flute Sonata in C major, BWV 1033: I. Andante - Presto | | | | | | | |
Flute Sonata in C major, BWV 1033: II. Allegro | | | | | | | |
Flute Sonata in C major, BWV 1033: III. Adagio | | | | | | | |
Flute Sonata in C major, BWV 1033: IV. Menuetto I | | | | | | | |
Flute Sonata in E-flat major, BWV 1031: I. Allegro moderato | | | | | | | |
Flute Sonata in E-flat major, BWV 1031: II. Siciliano | | | | | | | |
Flute Sonata in E-flat major, BWV 1031: III. Allegro | | | | | | | |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale Minuetto “Da bravi, via, ballate!” (Donna Anna, Donna Elvira, Don Ottavio, Leporello, Masetto, Zerlina, Don Giovanni) | | - Richard van Allan, Martina Arroyo, Stuart Burrows, Mirella Freni, Wladimiro Ganzarolli, Kiri Te Kanawa, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Academy of St Martin in the Fields, Sir Neville Marriner
- [unknown]
- Sir Thomas Allen
- (show 3 more)
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In der Klostermühle, Boarischer aus Dietramszell | | | | | | | |
Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Canzona “Voi che sapete che cosa è amor” (Cherubino) | | | | | | | |
Miniaturen für Harfe: Nr. 1 | | | | | | | |
Miniaturen für Harfe: Nr. 2 | | | | | | | |
Miniaturen für Harfe: Nr. 3 | | | | | | | |
Miniaturen für Harfe: Nr. 4 | | | | | | | |
Miniaturen für Harfe: Nr. 5 | | | | | | | |
Miniaturen für Harfe: Nr. 6 | | | | | | | |
Miniaturen für Harfe: Nr. 7 | | | | | | | |
Nanei Ländler | | | | | | | |
Oboe Sonata in G minor, Wq. 135, H. 549: I. Adagio | | | | | | | |
Oboe Sonata in G minor, Wq. 135, H. 549: II. Allegro | | | | | | | |
Oboe Sonata in G minor, Wq. 135, H. 549: III. Vivace | | | | | | | |
Pavane pour une infante défunte | | | | | | | |
Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": III. Minuetto | | | | | | | |
Sonata for Solo Harp, Wq. 139, H. 563: I. Adagio un poco | | | | | | | |
Sonata for Solo Harp, Wq. 139, H. 563: II. Allegro | | | | | | | |
Sonata for Solo Harp, Wq. 139, H. 563: III. Allegro | | | | | | | |
Sonata in A minor for Solo Flute, Wq. 132, H. 562: I. Poco adagio | | | | | | | |
Sonata in A minor for Solo Flute, Wq. 132, H. 562: II. Allegro | | | | | | | |
Sonata in A minor for Solo Flute, Wq. 132, H. 562: III. Allegro | | | | | | | |
Sonata in G minor, H. 542.5: I. Allegro | | | | | | | |
Sonata in G minor, H. 542.5: II. Adagio | | | | | | | |
Sonata in G minor, H. 542.5: III. Allegro | | | | | | | |
Sonate für Harfe: I. Mäßig schnell | | | | | | | |
Sonate für Harfe: II. Lebhaft | | | | | | | |
Sonate für Harfe: III. Lied: Sehr langsam, Lied nach L. Chr. H. Hölty | | | | | | | |
Sonate pour flûte, alto et harpe, L. 137 : I. Pastorale | | | | | | | |
Sonate pour flûte, alto et harpe, L. 137 : II. Interlude | | | | | | | |
Sonate pour flûte, alto et harpe, L. 137 : III. Finale | | | | | | | |
Suite for Harp Solo, op. 83: I. Overture - Majestic | | | | | | | |
Suite for Harp Solo, op. 83: II. Toccata - Fast and gay | | | | | | | |
Suite for Harp Solo, op. 83: III. Nocturne - Slow and quiet | | | | | | | |
Suite for Harp Solo, op. 83: IV. Fugue - Lively | | | | | | | |
Suite for Harp Solo, op. 83: V. Hymn (St. Denio) - Slow and solemn | | | | | | | |
Suite in E minor, BWV 996: I. Präludium. Presto | | | | | | | |
Suite in E minor, BWV 996: II. Allemande | | | | | | | |
Suite in E minor, BWV 996: III. Courante | | | | | | | |
Suite in E minor, BWV 996: IV. Sarabande | | | | | | | |
Suite in E minor, BWV 996: V. Bourrée | | | | | | | |
Suite in E minor, BWV 996: VI. Gigue | | | | | | | |
Symphony no. 39 for Orchestra in E-flat major, K. 543: IIIa. Minuetto. Allegretto / IIIb. Trio. Da capo | | | | | | | |
Trois danses pour hautebois, harpe, quintette solo et orchestre à cordes: I. Seguiriya: Molto moderato | | | | | | | |
Trois danses pour hautebois, harpe, quintette solo et orchestre à cordes: II. Soledad: Lento | | | | | | | |
Trois danses pour hautebois, harpe, quintette solo et orchestre à cordes: III. Rumba: Allegro | | | | | | | |
Variationen über die Melodie "Je suis encore dans mon printemps", op. 36: Rondo | | | | | | | |
Variationen über die Melodie "Je suis encore dans mon printemps", op. 36: Thema: Allegretto | | | | | | | |
Variationen über die Melodie "Je suis encore dans mon printemps", op. 36: Variation 1 | | | | | | | |
Variationen über die Melodie "Je suis encore dans mon printemps", op. 36: Variation 2 | | | | | | | |
Variationen über die Melodie "Je suis encore dans mon printemps", op. 36: Variation 3 | | | | | | | |
Variationen über die Melodie "Je suis encore dans mon printemps", op. 36: Variation 4 | | | | | | | |