| conducted |
---|
2000-05 | Inscape - Tableaux: Part I | | | Barry Guy New Orchestra | 14:42 |
2000-05 | Inscape - Tableaux: Part II | | | Barry Guy New Orchestra | 5:32 |
2000-05 | Inscape - Tableaux: Part III | | | Barry Guy New Orchestra | 10:38 |
2000-05 | Inscape - Tableaux: Part IV | | | Barry Guy New Orchestra | 8:38 |
2000-05 | Inscape - Tableaux: Part V | | | Barry Guy New Orchestra | 6:05 |
2000-05 | Inscape - Tableaux: Part VI | | | Barry Guy New Orchestra | 10:26 |
2000-05 | Inscape - Tableaux: Part VII | | | Barry Guy New Orchestra | 10:40 |
2004 | Oort-Entropy, Part I | | | Barry Guy New Orchestra | 18:36 |
2004 | Oort-Entropy, Part II | | | Barry Guy New Orchestra | 18:22 |
2004 | Oort-Entropy, Part III | | | Barry Guy New Orchestra | 14:08 |
2013-03-10 | Amphi | | | Barry Guy New Orchestra | 25:35 |
2013-03-10 | Radio Rondo | | | Barry Guy New Orchestra | 29:34 |
| instruments |
---|
1967-12-29 | Children at Play | | double bass [bass] | Howard Riley Trio | 5:02 |
1967-12-29 | Folk Theme No. 1 | | double bass [bass] | Howard Riley Trio | 3:18 |
1967-12-29 | Nardis | | double bass [bass] | Howard Riley Trio | 5:53 |
1967-12-29 | Romance | | double bass [bass] | Howard Riley Trio | 2:03 |
1967-12-29 | Spring is Here | | double bass [bass] | Howard Riley Trio | 5:58 |
1967-12-29 | Sunflower | | double bass [bass] | Howard Riley Trio | 2:08 |
1967-12-29 | Sweet and Lovely | | double bass [bass] | Howard Riley Trio | 6:46 |
1967-12-29 | What’s New | | double bass [bass] | Howard Riley Trio | 6:05 |
1970-12 | Maya | | double bass | Bob Downes Open Music Trio | 5:27 |
1970-12 | Naked Forest | | double bass | Bob Downes Open Music Trio | 4:38 |
1970-12 | Requiem | | double bass | Bob Downes Open Music Trio | 3:47 |
1970-12 | Samurai | | double bass | Bob Downes Open Music Trio | 3:33 |
1970-12 | Sea Shore | | double bass | Bob Downes Open Music Trio | 6:08 |
1970-12 | Seventh Wave | | double bass | Bob Downes Open Music Trio | 11:12 |
1970-12 | Spanish Plain | | double bass | Bob Downes Open Music Trio | 8:59 |
1970-12 | The Dream | | double bass | Bob Downes Open Music Trio | 4:11 |
1971-03-12 | Dribble | | bass [left channel] | Barre Phillips | 7:13 |
1971-03-12 | Few Too | | bass [left channel] | Barre Phillips | 5:30 |
1971-03-12 | Just 8 | | bass [left channel] | Barre Phillips | 7:00 |
1971-03-12 | La palette | | bass [left channel] | Barre Phillips | 4:00 |
1971-03-12 | Whoop | | bass [left channel] | Barre Phillips | 3:50 |
1971-03-12 | Y en a | | bass [left channel] | Barre Phillips | 5:43 |
1971-03-12 | Y.M. | | bass [left channel] | Barre Phillips | 4:47 |
1971-03-20 | Cirrus | | double bass [bass] | Howard Riley | 4:55 |
1971-03-20 | Flight | | double bass [bass] | Howard Riley | 5:34 |
1971-03-20 | Forgotten Game | | double bass [bass] | Howard Riley | 3:23 |
1971-03-20 | Motion | | double bass [bass] | Howard Riley | 21:23 |
1971-03-20 | Two Ballads: For Lesley / For Sue | | double bass [bass] | Howard Riley | 13:28 |
1978-08-31 | 1,4,4, | | double bass | Evan Parker & Paul Rutherford & Barry Guy & John Stevens | 4:31 |
1978-08-31 | 1,4,4, | | electronic instruments [electronics] | Evan Parker & Paul Rutherford & Barry Guy & John Stevens | 4:31 |
1978-08-31 | 2,4,4, | | double bass | Evan Parker & Paul Rutherford & Barry Guy & John Stevens | 11:02 |
1978-08-31 | 2,4,4, | | electronic instruments [electronics] | Evan Parker & Paul Rutherford & Barry Guy & John Stevens | 11:02 |
1978-08-31 | 3,4,4, | | electronic instruments [electronics] | Evan Parker & Paul Rutherford & Barry Guy & John Stevens | 7:42 |
1978-08-31 | 3,4,4, | | double bass | Evan Parker & Paul Rutherford & Barry Guy & John Stevens | 7:42 |
1978-08-31 | 4,4,4, | | double bass | Evan Parker & Paul Rutherford & Barry Guy & John Stevens | 18:24 |
1978-08-31 | 4,4,4, | | electronic instruments [electronics] | Evan Parker & Paul Rutherford & Barry Guy & John Stevens | 18:24 |
1978-08-31 | 5,4,4, | | double bass | Evan Parker & Paul Rutherford & Barry Guy & John Stevens | 1:39 |
1978-08-31 | 5,4,4, | | electronic instruments [electronics] | Evan Parker & Paul Rutherford & Barry Guy & John Stevens | 1:39 |
1979-11-22 | 1,3,2, | | | Paul Rutherford, Barry Guy | 4:08 |
1979-11-22 | 2,3,2, | | | Paul Rutherford, Barry Guy | 7:44 |
1979-11-22 | 3,3,2, | | | Paul Rutherford, Barry Guy | 8:19 |
1980-03-26 | Stringers (Four Pieces for Orchestra), Part I | | bass | Barry Guy, London Jazz Composers' Orchestra | 14:11 |
1980-03-26 | Stringers (Four Pieces for Orchestra), Part II | | bass | Barry Guy, London Jazz Composers' Orchestra | 6:50 |
1980-03-26 | Stringers (Four Pieces for Orchestra), Part III | | bass | Barry Guy, London Jazz Composers' Orchestra | 6:52 |
1980-03-26 | Stringers (Four Pieces for Orchestra), Part IV | | bass | Barry Guy, London Jazz Composers' Orchestra | 14:28 |
1980-06 | Pisa Quintet | | double bass | Maarten Altena / Barry Guy / George Lewis / Paul Rutherford / Giancarlo Schiaffini | 11:26 |
1980-06 | Pisa Quintet 1 | | double bass | Maarten Altena, Barry Guy, George Lewis, Paul Rutherford, Giancarlo Schiaffini | 27:07 |
1980-06 | San Zeno Quintet 1 | | double bass | Barry Guy, Paul Lovens, Paul Lytton, Evan Parker, Philipp Wachsmann | 17:40 |
1980-06 | San Zeno Quintet 2 | | double bass | Barry Guy, Paul Lovens, Paul Lytton, Evan Parker, Philipp Wachsmann | 7:43 |
1980-12-20 | [untitled] | | double bass [amplified double bass] | Jon Rose, Barry Guy, Evan Parker, John Russell | 32:09 |
1980-12-20 | [untitled] | | double bass [amplified double bass] | Jon Rose, Barry Guy, Evan Parker, John Russell | 31:02 |
1981-03 | Incision 1 | | double bass [doublebass] | Evan Parker, Barry Guy | 5:02 |
1981-03 | Incision 2 | | double bass [doublebass] | Evan Parker, Barry Guy | 9:34 |
1981-03 | Incision 3 | | double bass [doublebass] | Evan Parker, Barry Guy | 4:30 |
1981-03 | Incision 4 | | double bass [doublebass] | Evan Parker, Barry Guy | 6:08 |
1981-03 | Incision 5 | | double bass [doublebass] | Evan Parker, Barry Guy | 8:21 |
1981-03 | Incision 6 | | double bass [doublebass] | Evan Parker, Barry Guy | 4:09 |
1983-01-07 | Fire | | electronic instruments [amplification and live electronics] | Evan Parker / Barry Guy / Paul Lytton | 4:57 |
1983-01-07 | Fire | | bass | Evan Parker / Barry Guy / Paul Lytton | 4:57 |
1983-01-07 | Heat | | bass | Evan Parker / Barry Guy / Paul Lytton | 12:22 |
1983-01-07 | Heat | | electronic instruments [amplification and live electronics] | Evan Parker / Barry Guy / Paul Lytton | 12:22 |
1983-01-07 | Light | | electronic instruments [amplification and live electronics] | Evan Parker / Barry Guy / Paul Lytton | 5:19 |
1983-01-07 | Light | | bass | Evan Parker / Barry Guy / Paul Lytton | 5:19 |
1983-01-07 | Sidetrack | | bass | Evan Parker / Barry Guy / Paul Lytton | 19:04 |
1983-01-07 | Sidetrack | | electronic instruments [amplification and live electronics] | Evan Parker / Barry Guy / Paul Lytton | 19:04 |
1983-02-04 | Drift | | bass | Evan Parker with George Lewis, Barry Guy & Paul Lytton | 34:31 |
1983-02-04 | Hook | | bass | Evan Parker with George Lewis, Barry Guy & Paul Lytton | 6:13 |
1983-02-04 | Shuffle | | bass | Evan Parker with George Lewis, Barry Guy & Paul Lytton | 10:01 |
1983-10 | Eine kleine Nachtmusik, K. 525: I. Allegro | | double bass | The Salomon Quartet, Barry Guy, Christopher Hogwood | 8:22 |
1983-10 | Eine kleine Nachtmusik, K. 525: II. Minuetto I & Trio | | double bass | The Salomon Quartet, Barry Guy, Christopher Hogwood | 4:01 |
1983-10 | Eine kleine Nachtmusik, K. 525: III. Romance (Andante) | | double bass | The Salomon Quartet, Barry Guy, Christopher Hogwood | 5:55 |
1983-10 | Eine kleine Nachtmusik, K. 525: IV. Minuetto II & Trio | | double bass | The Salomon Quartet, Barry Guy, Christopher Hogwood | 2:19 |
1983-10 | Eine kleine Nachtmusik, K. 525: V. Rondo (Allegro) | | double bass | The Salomon Quartet, Barry Guy, Christopher Hogwood | 5:41 |
1983-10 | Serenata notturna, K. 239: I. Marcia (Maestoso) | | double bass | Micaela Comberti, Barry Guy, Trevor Jones, Simon Standage, The Academy of Ancient Music, Christopher Hogwood | 4:13 |
1983-10 | Serenata notturna, K. 239: II. Menuetto & Trio | | double bass | Micaela Comberti, Barry Guy, Trevor Jones, Simon Standage, The Academy of Ancient Music, Christopher Hogwood | 4:27 |
1983-10 | Serenata notturna, K. 239: III. Rondeau (Allegretto) | | double bass | Micaela Comberti, Barry Guy, Trevor Jones, Simon Standage, The Academy of Ancient Music, Christopher Hogwood | 4:41 |
1984-03 – 1984-05 | Brandenburg Concerto no. 1 in F major, BWV 1046a: I. [Allegro] | | violone | Academy of Ancient Music, Christopher Hogwood | 3:57 |
1984-03 – 1984-05 | Brandenburg Concerto no. 1 in F major, BWV 1046a: II. Adagio: Sempre piano | | violone | Academy of Ancient Music, Christopher Hogwood | 3:37 |
1984-03 – 1984-05 | Brandenburg Concerto no. 1 in F major, BWV 1046a: III. Menuet - Trio | | violone | Academy of Ancient Music, Christopher Hogwood | 6:05 |
1984-03 – 1984-05 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. [Allegro] | | violone | Alison Bury, Trevor Jones, Micaela Comberti, Barry Guy, Katherine Hart, Mark Caudle, Catherine Mackintosh, Timothy Mason, Michel Piguet, Jan Schlapp, Richard Webb, Academy of Ancient Music, Christopher Hogwood | 5:44 |
1984-03 – 1984-05 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio | | violone | Academy of Ancient Music, Christopher Hogwood | 0:15 |
1984-03 – 1984-05 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | | violone | Academy of Ancient Music, Christopher Hogwood | 4:38 |
1984-03 – 1984-05 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | | violone | Academy of Ancient Music, Christopher Hogwood | 6:53 |
1984-03 – 1984-05 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | | violone | Academy of Ancient Music, Christopher Hogwood | 3:19 |
1984-03 – 1984-05 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | | violone | Academy of Ancient Music, Christopher Hogwood | 4:40 |
1984-09-03 | Supersession | | electronic instruments [electronics] | Evan Parker, Keith Rowe, Barry Guy & Eddie Prévost | 36:40 |
1984-09-03 | Supersession | | double bass | Evan Parker, Keith Rowe, Barry Guy & Eddie Prévost | 36:40 |
1985-11-09 | Tai Kyoku I | | double bass | Evan Parker & Barry Guy Duo | 22:59 |
1985-11-13 | Quartet 1 | | bass | Evan Parker, Barry Guy, Ken’ich Takeda, Onnyk | 28:41 |
1985-11-13 | Quartet 2 | | bass | Evan Parker, Barry Guy, Ken’ich Takeda, Onnyk | 8:45 |
1985-11-21 | Tai Kyoku II | | double bass | Evan Parker & Barry Guy Duo | 19:01 |
1985-11-21 | Tai Kyoku III | | double bass | Evan Parker & Barry Guy Duo | 6:56 |
1986-12-12 | Atlanta | | bass | Evan Parker • Barry Guy • Paul Lytton | 25:19 |
1986-12-12 | Geometry | | bass | Evan Parker • Barry Guy • Paul Lytton | 20:47 |
1986-12-12 | Two in One | | bass | Barry Guy | 9:03 |
1989-08 | Elliptical | | bass | Barry Guy & Barre Phillips | 4:38 |
1989-08 | Frām | | bass | Barry Guy & Barre Phillips | 2:19 |
1989-08 | New Earth | | bass | Barry Guy & Barre Phillips | 8:59 |
1989-08 | Old Hunka (An Ancestor) | | bass | Barry Guy & Barre Phillips | 2:44 |
1989-08 | Prophesies | | bass | Barry Guy & Barre Phillips | 21:11 |
| See all 455 relationships |
| mixed |
---|
2000-09 | Inscape - Tableaux: Part I | | | Barry Guy New Orchestra | 14:42 |
2000-09 | Inscape - Tableaux: Part II | | | Barry Guy New Orchestra | 5:32 |
2000-09 | Inscape - Tableaux: Part III | | | Barry Guy New Orchestra | 10:38 |
2000-09 | Inscape - Tableaux: Part IV | | | Barry Guy New Orchestra | 8:38 |
2000-09 | Inscape - Tableaux: Part V | | | Barry Guy New Orchestra | 6:05 |
2000-09 | Inscape - Tableaux: Part VI | | | Barry Guy New Orchestra | 10:26 |
2000-09 | Inscape - Tableaux: Part VII | | | Barry Guy New Orchestra | 10:40 |
| Oort-Entropy, Part I | | | Barry Guy New Orchestra | 18:36 |
| Oort-Entropy, Part II | | | Barry Guy New Orchestra | 18:22 |
| Oort-Entropy, Part III | | | Barry Guy New Orchestra | 14:08 |
| produced |
---|
| Aquila | | | Ken Vandermark, Barry Guy, Mark Sanders | 7:18 |
| Bīwok | | | Barry Guy & Barre Phillips | 3:42 |
| Challenger | | | Ken Vandermark, Barry Guy, Mark Sanders | 16:19 |
| Elliptical | | | Barry Guy & Barre Phillips | 4:38 |
| Fantasy No. 1 in B-flat major: I. Largo | | | Maya Homburger | 2:25 |
| Fantasy No. 1 in B-flat major: II. Allegro | | | Maya Homburger | 1:57 |
| Fantasy No. 1 in B-flat major: III. Grave | | | Maya Homburger | 1:15 |
| Fantasy No. 1 in B-flat major: IV. Allegro | | | Maya Homburger | 1:57 |
| Fantasy No. 2 in G major: I. Largo | | | Maya Homburger | 1:40 |
| Fantasy No. 2 in G major: II. Allegro | | | Maya Homburger | 1:56 |
| Fantasy No. 2 in G major: III. Allegro | | | Maya Homburger | 0:49 |
| Fantasy No. 3 in F minor: I. Adagio | | | Maya Homburger | 1:52 |
| Fantasy No. 3 in F minor: II. Presto | | | Maya Homburger | 1:43 |
| Fantasy No. 3 in F minor: III. Grave - Vivace | | | Maya Homburger | 1:10 |
| Fantasy No. 4 in D major: I. Vivace | | | Maya Homburger | 2:00 |
| Fantasy No. 4 in D major: II. Grave | | | Maya Homburger | 0:47 |
| Fantasy No. 4 in D major: III. Allegro | | | Maya Homburger | 2:18 |
| Fantasy No. 5 in A major: I. Allegro - Presto - Allegro - Presto | | | Maya Homburger | 2:21 |
| Fantasy No. 5 in A major: II. Andante | | | Maya Homburger | 0:39 |
| Fantasy No. 5 in A major: III. Allegro | | | Maya Homburger | 2:20 |
| Fantasy No. 6 in E minor: I. Grave | | | Maya Homburger | 2:01 |
| Fantasy No. 6 in E minor: II. Presto | | | Maya Homburger | 1:39 |
| Fantasy No. 6 in E minor: III. Siciliana | | | Maya Homburger | 1:40 |
| Fantasy No. 6 in E minor: IV. Allegro | | | Maya Homburger | 2:41 |
| Fantasy No. 7 in E-flat major: I. Dolce | | | Maya Homburger | 1:56 |
| Fantasy No. 7 in E-flat major: II. Allegro | | | Maya Homburger | 3:18 |
| Fantasy No. 7 in E-flat major: III. Largo | | | Maya Homburger | 2:14 |
| Fantasy No. 7 in E-flat major: IV. Presto | | | Maya Homburger | 1:01 |
| Fantasy No. 8 in E major: I. Piacevolmente | | | Maya Homburger | 1:39 |
| Fantasy No. 8 in E major: II. Spirituoso | | | Maya Homburger | 2:39 |
| Fantasy No. 8 in E major: III. Allegro | | | Maya Homburger | 0:46 |
| Fantasy No. 9 in B minor: I. Siciliana | | | Maya Homburger | 1:37 |
| Fantasy No. 9 in B minor: II. Vivace | | | Maya Homburger | 2:59 |
| Fantasy No. 9 in B minor: III. Allegro | | | Maya Homburger | 1:34 |
| Fantasy No. 10 in D major: I. Presto | | | Maya Homburger | 1:42 |
| Fantasy No. 10 in D major: II. Largo | | | Maya Homburger | 2:12 |
| Fantasy No. 10 in D major: III. Allegro | | | Maya Homburger | 0:54 |
| Fantasy No. 11 in F major: I. Un poco vivace | | | Maya Homburger | 1:51 |
| Fantasy No. 11 in F major: II. Soave | | | Maya Homburger | 1:32 |
| Fantasy No. 11 in F major: III. Allegro | | | Maya Homburger | 1:07 |
| Fantasy No. 12 in A minor: I. Moderato | | | Maya Homburger | 2:25 |
| Fantasy No. 12 in A minor: II. Vivace | | | Maya Homburger | 1:47 |
| Fantasy No. 12 in A minor: III. Presto | | | Maya Homburger | 1:07 |
| Frām | | | Barry Guy & Barre Phillips | 2:19 |
| Fuggle | | | Ken Vandermark, Barry Guy, Mark Sanders | 21:27 |
| Katsina | | | Ken Vandermark, Barry Guy, Mark Sanders | 11:58 |
| Kwingyaw (For T. D-E) | | | Ken Vandermark, Barry Guy, Mark Sanders | 22:38 |
| New Earth | | | Barry Guy & Barre Phillips | 8:59 |
| Northern Lights | | | Ken Vandermark, Barry Guy, Mark Sanders | 6:23 |
| Nugget | | | Ken Vandermark, Barry Guy, Mark Sanders | 3:57 |
| Old Hunka (An Ancestor) | | | Barry Guy & Barre Phillips | 2:44 |
| Omega | | | Ken Vandermark, Barry Guy, Mark Sanders | 9:02 |
| Prophesies | | | Barry Guy & Barre Phillips | 21:11 |
| Revontulet | | | Ken Vandermark, Barry Guy, Mark Sanders | 9:10 |
| Sitsoo | | | Barry Guy & Barre Phillips | 4:39 |
| Stawna(w)l | | | Barry Guy & Barre Phillips | 5:27 |
| Sundance | | | Barry Guy & Barre Phillips | 6:57 |
| Up North | | | Ken Vandermark, Barry Guy, Mark Sanders | 11:59 |
| Wampho | | | Barry Guy & Barre Phillips | 2:15 |
| Warrior Spirits | | | Barry Guy & Barre Phillips | 8:31 |
| Yldona | | | Barry Guy & Barre Phillips | 3:23 |
| artwork |
---|
| Discussions | | | Howard Riley Trio | |
| Discussions | | | Howard Riley Trio | |
| compiled |
---|
| Mad Dogs | | | Barry Guy New Orchestra Small Formations | |
| Mad Dogs on the Loose | | | Barry Guy New Orchestra Small Formations | |
| design |
---|
| Arcus | | | Barry Guy & Barre Phillips | |
| Live | | | Elsie Jo | |
| edited |
---|
| Mad Dogs | | | Barry Guy New Orchestra Small Formations | |
| Mad Dogs on the Loose | | | Barry Guy New Orchestra Small Formations | |
| holds copyright (©) for |
---|
1984 | Supersession | Guy | | Evan Parker, Keith Rowe, Barry Guy & Eddie Prévost | |
| Incision | | | Evan Parker, Barry Guy | |
| instruments |
---|
1993-03-05 | Birmingham Concert | | bass [piccolo bass] | Evan Parker • Paul Dunmall • Barry Guy • Tony Levin | |
1993-03-05 | Birmingham Concert | | double bass | Evan Parker • Paul Dunmall • Barry Guy • Tony Levin | |
1993-03-22 | Imaginary Values | | double bass | Parker - Guy - Lytton | |
1993-03-22 | Imaginary Values | | bass [chamber bass] | Parker - Guy - Lytton | |
1994-12-02 | Obliquities | | bass [chamber bass] | Evan Parker • Barry Guy | |
1994-12-02 | Obliquities | | double bass | Evan Parker • Barry Guy | |
1994-12-03 | Breaths and Heartbeats | | bass | Parker.Guy.Lytton.Trio | |
1994-12-03 | Breaths and Heartbeats | | bass [piccolo bass] | Parker.Guy.Lytton.Trio | |
1994-12-03 | Breaths and Heartbeats | | percussion | Parker.Guy.Lytton.Trio | |
1995-07 | Bush Fire | | bass [bass (right)] | Louis Moholo/Evan Parker/Pule Pheto/Gibo Pheto/Barry Guy Quintet | |
1995-07 | Bush Fire | | bass [piccolo bass (right)] | Louis Moholo/Evan Parker/Pule Pheto/Gibo Pheto/Barry Guy Quintet | |
1996-05-24 | Natives and Aliens | | bass [piccolo bass] | Parker, Guy, Lytton and Marilyn Crispell | |
1996-05-24 | Natives and Aliens | | double bass | Parker, Guy, Lytton and Marilyn Crispell | |
1996-05 | Toward the Margins | | double bass | Evan Parker Electro-Acoustic Ensemble | |
1998-12 | Drawn Inward | | double bass | Evan Parker Electro-Acoustic Ensemble | |
2007-11 | The Moment’s Energy | | double bass | Evan Parker Electro-Acoustic Ensemble | |
2010-05-21 – 2010-05-22 | Hasselt | | double bass | Evan Parker Electroacoustic Ensemble | |
| Gentlemen Take Polaroids | | double bass and guest | Japan | |
| Gentlemen Take Polaroids | | double bass and guest | Japan | |
| Hidros One | | bass | Mats Gustafsson | |
| Paintings | | double bass | Peter Kowald, Barry Guy | |
| Withdrawal | | piano | Spontaneous Music Ensemble | |
| Withdrawal | | double bass | Spontaneous Music Ensemble | |
| liner notes |
---|
| After the Rain | | | Barry Guy; City of London Sinfonia, Richard Hickox | |
| Amphi · Radio Rondo | | | Barry Guy New Orchestra | |
| Fox Fire | | | Ken Vandermark, Barry Guy, Mark Sanders | |
| Inscape - Tableaux | | | Barry Guy New Orchestra | |
| Live | | | Elsie Jo | |
| Occasional Poems | | | Guy, Vandermark | |
| Oort-Entropy | | | Barry Guy New Orchestra | |
| Parallelisms | | | Herb Robertson with: Evan Parker & Agusti Fernandez | |
| Study II / Stringer | | | Barry Guy, London Jazz Composers' Orchestra | |
| mastering |
---|
2000-09-01 – 2000-09-02 | Inscape - Tableaux | | | Barry Guy New Orchestra | |
| Oort-Entropy | | | Barry Guy New Orchestra | |
| produced |
---|
| Amphi · Radio Rondo | | | Barry Guy New Orchestra | |
| Dividuality | | executive | Evan Parker, Barry Guy, Lawrence Casserley | |
| Imaginary Values | | | Parker - Guy - Lytton | |
| Incision | | | Evan Parker, Barry Guy | |
| Live | | | Elsie Jo | |
| Obliquities | | | Evan Parker • Barry Guy | |
| So It Goes... | | | Evan Parker - Barry Guy | |
| Zafiro | | | Parker – Guy – Lytton | |
| composed |
---|
1975 | Songs from Tomorrow | | | | |
1992 | After the Rain | | | | |
1992 | After the Rain: I. Refrain | | | | |
1992 | After the Rain: II. Chorale | | | | |
1992 | After the Rain: III. Antiphon | | | | |
1992 | After the Rain: IV. Refrain | | | | |
1992 | After the Rain: IX. Antiphon | | | | |
1992 | After the Rain: V. Chanson | | | | |
1992 | After the Rain: VI. Canon | | | | |
1992 | After the Rain: VII. Antiphon | | | | |
1992 | After the Rain: VIII. Motet | | | | |
1992 | After the Rain: X. Refrain | | | | |
1994 | Un coup de dés | | | | |
1998 | Redshift | | | | |
| 1,3,2, | | | | |
| 1,4,4, | | | | |
| 2,3,2, | | | | |
| 2,4,4, | | | | |
| 2×3=5 | | | | |
| 3,3,2, | | | | |
| 3,4,4, | | | | |
| 4,4,4, | | | | |
| 5,4,4, | | | | |
| a deeper red | | | | |
| Agreement | | | | |
| Air/Luft | | | | |
| Alar | | | | |
| Alta | | | | |
| Amphi | | | | |
| and the tints | | | | |
| Angulation | | | | |
| Annalisa | | | | |
| Aquatics | | | | |
| Aquila | | | | |
| Asp Irate | | | | |
| At the Vortex (First Set) | | | | |
| At the Vortex (Second Set) | | | | |
| Atlanta | | | | |
| Back Beat | | | | |
| Balestra | | | | |
| Baobab | | | | |
| Barrage | | | | |
| Belacqua | | | | |
| Birds and Blades | | | | |
| Black, White, Red, Blue | | | | |
| Blue Star | | | | |
| Botta Segreta | | | | |
| Bush Fire | | | | |
| Calyx | | | | |
| Capnomantic Vortex | | | | |
| Celebration | | | | |
| Celebration (Ancora) | | | | |
| Challenger | | | | |
| Chert | | | | |
| Circling | | | | |
| Coalescence | | | | |
| Cohobation | | | | |
| Con agevolezza | | | | |
| Con tre | | | | |
| Con variazioni | | | | |
| Concert in Vilnius | | | | |
| Consequence | | | | |
| Content | | | | |
| Contra-Dance | | | | |
| Coulé | | | | |
| Craig’s Story | | | | |
| Cupellation | | | | |
| Curving of the Wave | | | | |
| Cut and Thrust | | | | |
| Day of Small Truths | | | | |
| Distinction | | | | |
| Dividuality | | | | |
| Ecliptic | | | | |
| Elliptical | | | | |
| Espanados | | | | |
| Falcon’s Wing | | | | |
| Field and Figure | | | | |
| Flaming July | | | | |
| Fleam | | | | |
| Fond Farewell | | | | |
| For Chisa | | | | |
| For Mpumi | | | | |
| Form | | | | |
| Four Freedoms Plus | | | | |
| Frām | | | | |
| Friends from above | | | | |
| Froissement | | | | |
| Frondescence | | | | |
| Fuggle | | | | |
| Gabbro | | | | |
| Geometry | | | | |
| Grit | | | | |
| Hasselt 2 | | | | |
| Healing | | | | |
| Hirta | | | | |
| I Will Sing You of the Moments | | | | |
| ID 1 | | | | |
| ID 2 | | | | |
| ID 3 | | | | |
| ID 4 | | | | |
| See all 217 relationships |
| dedicated works |
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| Any Way Anyway | | | | |
| published |
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| In Exultation | | | | |
| Not Backwards, as in Doubt | | | | |
| The Echoing Border Zones | | | | |