5736 | | | | Song | | | |
Ach wie sehnlich wart' ich der Zeit | | | | Cantata | | | |
Ach, dass ich Wassers g’nug hätte | | | | Cantata | | | |
Alma Redemptoris Mater | | | | Motet | | | |
Antiphon in C minor, RV 616 "Salve Regina": I. Andante "Salve Regina" | | | | | | | |
Antiphon in C minor, RV 616 "Salve Regina": II. Allegro "Ad te clamamus" | | | | | | | |
Antiphon in C minor, RV 616 "Salve Regina": III. Larghetto "Ad te suspiramus" | | | | | | | |
Antiphon in C minor, RV 616 "Salve Regina": IV. Allegro "Eia ergo" | | | | | | | |
Antiphon in C minor, RV 616 "Salve Regina": V. Andante molto "Et Jesum" | | | | | | | |
Antiphon in C minor, RV 616 "Salve Regina": VI. Andante "O clemens" | | | | | | | |
Aria, BWV 53 "Schlage doch, gewünschte Stunde" | | | | Aria | | | |
Befiehl dem Engel, daß er komm, BuxWV 10 | | | | | | | |
Biberslått | | | | Song | | | |
Cantata, BuxWV 92 "Quemadmodum desiderat cervus" | | | | Cantata | | | |
Canzona V detta la Tromboncina, basso solo, F 8.06a | | | | | | | |
Concerto in A minor, RV 445: I. Allegro | | | | | | | |
Concerto in A minor, RV 445: II. Largo | | | | | | | |
Concerto in A minor, RV 445: III. (Allegro) | | | | | | | |
Da mihi Domine | | | | | | | |
De Profundis | | | | | | | |
Der Herr hat seinen Stuhl | | | | | | | |
Deuxième concert: L'Angélique | | | | | | | |
Deuxième concert: La Seduisante | | | | | | | |
Deuxième concert: Les Vergers fleuris | | | | | | | |
Deuxième concert: Plainte pour les violes | | | | | | | |
Deuxième suite: Fuguette | | | | | | | |
Deuxième suite: La Chemise-blanche | | | | | | | |
Deuxième suite: Pompe funèbre | | | | | | | |
Deuxième suite: Prelude | | | | | | | |
Fantasia à 3 No. 4 "For the Great Dooble Bass", MB 19 | | | | | | | |
Fantasia à 4, VdGS 2 | | | | | | | |
Fantasia à 4, VdGS 3 | | | | | | | |
Fantasia à 4, VdGS 4 | | | | | | | |
Fantasia à 4, VdGS 5 | | | | | | | |
Fantasia à 4, VdGS 6 | | | | | | | |
Fantasia à 4, VdGS 7 | | | | | | | |
Fantasia à 4, VdGS 8 | | | | | | | |
Fantasia à 4, VdGS 9 | | | | | | | |
Fantasia à 4, VdGS 12 | | | | | | | |
Fantasia à 4, VdGS 17 | | | | | | | |
Fantasia à 4, VdGS 23 | | | | | | | |
Fantasia a 6 in F major | | | | | | | |
Fantasia for strings upon one note, Z. 745 | | | | | | | |
Fantasia, 3 parts on a Ground for three recorders, Z. 731 | | | | | | | |
Fürwahr, er trug unsere Krankheit, BuxWV 31 | | - Amaryllis Dieltiens, Maarten Engeltjes, Tilman Lichdi, Klaus Mertens, Gerlinde Sämann, Amsterdam Baroque Orchestra, Ton Koopman
- Ricercar Consort, Philippe Pierlot
- Cantus Cölln, Konrad Junghänel
- Collegium Vocale, Orchestra Anima Eterna, Jos van Immerseel
- (show 3 more)
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Herr, ich lasse dich nicht, BuxWV 36 | | - Tilman Lichdi, Klaus Mertens, Amsterdam Baroque Orchestra, Ton Koopman
- Max van Egmond, Henri Ledroit, Guy de Mey, Greta de Reyghere, Ricercar Consort
- Ricercar Consort, Philippe Pierlot
- La Capella Ducale, Musica Fiata, Roland Wilson
| | Cantata | | | |
Herzlich lieb hab ich dich, o Herr, BuxWV 41 | | | | Cantata | | | |
Ich bin die Auferstehung und das Leben, BuxWV 44 | | | | Cantata | | | |
Ich bin eine Blume zu Saron, BuxWV 45 | | | | Cantata | | | |
In Nomine a 5 | | | | | | | |
In nomine à 6 in G minor, Z. 746 | | | | | | | |
In Nomine in 7 parts, Z. 747 | | | | | | | |
Jesu, meine Lebens Leben, BuxWV 62 | | - Heinz Hennig, Knabenchor Hannover, Amsterdam Baroque Orchestra, Ton Koopman
- Collegium Vocale, Orchestra Anima Eterna, Jos van Immerseel
- Bogna Bartosz, Donald Bentvelsen, Jörg Dürmüller, Johannette Zomer, Amsterdam Baroque Orchestra, Ton Koopman
- Dietrich Buxtehude
- (show 5 more)
| | Cantata | | | |
Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" | | | | | | | |
Johannes-Passion, BWV 245: Teil I. No. 2 "Jesus ging mit seinen Jüngern" (Evangelista, Jesus, Chorus) | | | | | | | |
Johannes-Passion, BWV 245: Teil I. No. 3 Choral "O große Lieb" | | | | | | | |
Johannes-Passion, BWV 245: Teil I. No. 4 "Auf daß das Wort erfüllet werde" (Evangelista, Jesus) | | | | | | | |
Johannes-Passion, BWV 245: Teil I. No. 5 Choral "Dein Will gescheh, Herr Gott, zugleich" | | | | | | | |
Johannes-Passion, BWV 245: Teil I. No. 6 "Die Schar aber und der Oberhauptmann" (Evangelista) | | | | | | | |
Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden" | | | | | | | |
Johannes-Passion, BWV 245: Teil I. No. 8 "Simon Petrus aber folgete Jesu nach" (Evangelista) | | | | | | | |
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls" | | | | | | | |
Johannes-Passion, BWV 245: Teil I. No. 10 "Derselbige Jünger war" (Evangelista, Ancilla, Servus, Petrus, Jesus) | | | | | | | |
Johannes-Passion, BWV 245: Teil I. No. 11 Choral "Wer hat dich so geschlagen" | | | | | | | |
Johannes-Passion, BWV 245: Teil I. No. 12 "Und Hannas sandte ihn gebunden" (Evangelista, Chorus, Servus, Petrus) | | - Fritz Rothschuh, Kieth Engen, Ernst Haefliger, Münchener Bach‐Chor, Münchener Chorknaben, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter
- The Brandenburg Consort, Stephen Cleobury
- English Baroque Soloists, Sir John Eliot Gardiner
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 48 more)
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Johannes-Passion, BWV 245: Teil I. No. 13 Aria (Tenor) "Ach, mein Sinn" | | | | | | | |
Johannes-Passion, BWV 245: Teil I. No. 14 Choral "Petrus, der nicht denkt zurück" | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 15 Choral "Christus, der uns selig macht" | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 16 "Da führeten sie Jesum" (Evangelista, Pilatus, Jesus, Chorus) | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 17 Choral "Ach großer König" | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 18 "Da sprach Pilatus zu ihm" (Evangelista, Pilatus, Jesus, Chorus) | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 19 Arioso (Bass) "Betrachte, meine Seel" | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken" | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 21 "Und die Kriegsknechte flochten" (Evangelista, Chorus, Pilatus, Jesus) | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 22 Choral "Durch dein Gefängnis, Gottes Sohn" | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 23 "Die Juden aber schrieen" (Evangelista, Chorus, Pilatus) | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 24 Aria (Bass, Chorus) "Eilt, ihr angefochtnen Seelen" | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 25 "Allda kreuzigten sie ihn" (Evangelista, Chorus, Pilatus) | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 26 Choral "In meines Herzens Grunde" | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 27 "Die Kriegsknechte aber" (Evangelista, Chorus, Jesus) | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 28 Choral "Er nahm alles wohl in acht" | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 29 "Und von Stund an" (Evangelista, Jesus) | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 31 "Und neiget sein Haupt" (Evangelista) | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 32 Aria (Bass, Chorus) "Mein teurer Heiland, laß dich fragen" | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 33 "Und siehe da, der Vorhang" (Evangelista) | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) "Mein Herz, in dem die ganze Welt" | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze" | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 36 "Die Juden aber" (Evangelista) | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 37 Choral "O hilf, Christe, Gottes Sohn" | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 38 "Darnach bat Pilatum" (Evangelista) | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 40 Choral "Ach Herr, laß dein lieb Engelein" | | | | | | | |
Johannes-Passion, BWV 245: Teil II. No. 40 Chorus "Christe, du Lamm Gottes" | | | | | | | |
Johannes-Passion, BWV 245a: Teil I. No. 11 Aria (Bass, Sopran, Chorus) & Choral "Himmel, reiße, Welt erhebe" | | | | | | | |
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia | | | | | | | |
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" | | | | | | | |
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" | | | | | | | |
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" | | | | | | | |
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" | | | | | | | |