| 3 Romanzen, op. 94: No. 1. Nicht zu schnell | | | | | | | |
| 3 Romanzen, op. 94: No. 2. Einfach, innig | | | | | | | |
| 3 Romanzen, op. 94: No. 3. Nicht schnell | | | | | | | |
| 5 Stücke im Volkston für Klavier und Cello, op. 102: I. Vanitas vanitatum (Mit Humor) | | | | | | | |
| 5 Stücke im Volkston für Klavier und Cello, op. 102: II. Langsam | | | | | | | |
| 5 Stücke im Volkston für Klavier und Cello, op. 102: III. Nicht schnell, mit viel Ton zu spielen | | | | | | | |
| 5 Stücke im Volkston für Klavier und Cello, op. 102: IV. Nicht zu rasch | | | | | | | |
| 5 Stücke im Volkston für Klavier und Cello, op. 102: V. Stark und markiert | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66 | | | | | | | |
| 12 Variations in G on "See the Conqu'ring Hero Comes" From Handel's Judas Maccabaeus, WoO 45 | | | | | | | |
| Adagio and Allegro, op. 70: I. Adagio. Langsam, mit innigem Ausdruck | | | | | | | |
| Adagio and Allegro, op. 70: II. Allegro. Rasch und feurig | | | | | | | |
| Cello Concerto in A minor, op. 129 | | | | Concerto | | | |
| Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | | | | | | | |
| Fantasiestücke für Klarinette und Klavier, op. 73, Nr. 1: Zart und mit Ausdruck | | | | | | | |
| Fantasiestücke für Klarinette und Klavier, op. 73, Nr. 2: Lebhaft, leicht | | | | | | | |
| Fantasiestücke für Klarinette und Klavier, op. 73, Nr. 3: Rasch und mit Feuer | | | | | | | |
| Fratres | | | | | | | |
| Kol Nidrei, op. 47 | | | | | | | |
| Märchenbilder, op. 113: Nr. 1. Nicht schnell | | | | | | | |
| Märchenbilder, op. 113: Nr. 2. Lebhaft | | | | | | | |
| Märchenbilder, op. 113: Nr. 3. Rasch | | | | | | | |
| Märchenbilder, op. 113: Nr. 4. Langsam, mit melancholischem Ausdruck | | | | | | | |
| Mourned by the Wind: I. Largo | | | | | | | |
| Mourned by the Wind: II. Allegro moderato | | | | | | | |
| Mourned by the Wind: III. Larghetto | | | | | | | |
| Mourned by the Wind: IV. Andante maestoso | | | | | | | |
| Musica Dolorosa | | | | | | | |
| Piano Trio in E-flat major, D. 897 "Notturno" | | | | | | | |
| Piano Trio no. 1 in B-flat major, op. 99, D. 898: I. Allegro moderato | | | | | | | |
| Piano Trio no. 1 in B-flat major, op. 99, D. 898: II. Andante un poco mosso | | | | | | | |
| Piano Trio no. 1 in B-flat major, op. 99, D. 898: III. Scherzo. Allegro | | | | | | | |
| Piano Trio no. 1 in B-flat major, op. 99, D. 898: IV. Rondo. Allegro vivace | | | | | | | |
| Piano Trio no. 2 in E-flat major, op. 100, D. 929: I. Allegro | | | | | | | |
| Piano Trio no. 2 in E-flat major, op. 100, D. 929: II. Andante con moto | | | | | | | |
| Piano Trio no. 2 in E-flat major, op. 100, D. 929: III. Scherzando. Allegro moderato | | | | | | | |
| Piano Trio no. 2 in E-flat major, op. 100, D. 929: IV. Allegro moderato | | | | | | | |
| Seven Variations in E-flat major on Mozart's "Bei Männern, welche Liebe fühlen", WoO 46 | | | | | | | |
| Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto / II. Allegro - Adagio - Presto - Tempo primo | | | | | | | |
| Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: III. Rondo. Allegro vivace | | | | | | | |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto e espressivo - Allegro molto più tosto presto | | | | | | | |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | | | | | | | |
| Sonata for Cello and Piano no. 3 in A major, op. 69: I. Allegro ma non tanto | | | | | | | |
| Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto | | | | | | | |
| Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile - Allegro vivace | | | | | | | |
| Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: I. Andante - Allegro vivace | | | | | | | |
| Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: II. Adagio - Tempo d'andante - Allegro vivace | | | | | | | |
| Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio | | | | | | | |
| Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | | | | | | | |
| Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato | | | | | | | |
| Sonata for Horn and Piano in F major, op. 17: I. Allegro moderato | | | | | | | |
| Sonata for Horn and Piano in F major, op. 17: II. Poco adagio, quasi andante | | | | | | | |
| Sonata for Horn and Piano in F major, op. 17: III. Rondo. Allegro moderato | | | | | | | |
| Sonatensatz in B-flat major, D. 28 | | | | | | | |
| The Protecting Veil: I. The Protecting Veil | | | | | | | |
| The Protecting Veil: II. The Nativity of the Mother of God | | | | | | | |
| The Protecting Veil: III. The Annunciation | | | | | | | |
| The Protecting Veil: IV. The Incarnation | | | | | | | |
| The Protecting Veil: V. The Lament of the Mother of God at the Cross | | | | | | | |
| The Protecting Veil: VI. The Resurrection | | | | | | | |
| The Protecting Veil: VII. The Dormition | | | | | | | |
| The Protecting Veil: VIII. The Protecting Veil | | | | | | | |
| Variations on a Rococo Theme for Cello and Orchestra, op. 33 | | | | | | | |
