| „Seid nüchtern und wachet“ (Faust Cantata): IV. Meine Liebe... (bass, choir) | | | | | | | |
| „Seid nüchtern und wachet“ (Faust Cantata): V. Ach, mein Herr Fauste... (choir, tenor, bass, counter-tenor) | | | | | | | |
| „Seid nüchtern und wachet“ (Faust Cantata): X. Seid nüchern und wachet... (tutti) | | | | | | | |
| Ercole amante: Atto I, Scene 1. “Come si beffa amor” (Ercole) | | | | | | | |
| Ercole amante: Atto I, Scene 2. “Fugano a vo” (Ercole, Venere, le tre grazie) | | - Christopher Hirons, Colette Alliot-Lugaz, Kerry Brown, Ricardo Cassinelli, Ulrik Cold, Agnès de Crouzat, Keith Lewis, Ann Mackay, Patricia Miller, Yvonne Minton, Felicity Palmer, Judith Rees, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz
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| Ercole amante: Atto I, Scene 2. “Se Ninfa ai pianti” (Venere, le tre grazie) | | - Christopher Hirons, Colette Alliot-Lugaz, Kerry Brown, Ricardo Cassinelli, Ulrik Cold, Agnès de Crouzat, Keith Lewis, Ann Mackay, Patricia Miller, Yvonne Minton, Felicity Palmer, Judith Rees, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz
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| Ercole amante: Atto II, Scene 7. “Le rugiade piu preziose” (Tutti) | | - Christopher Hirons, Colette Alliot-Lugaz, Ricardo Cassinelli, Ulrik Cold, Agnès de Crouzat, Keith Lewis, Patricia Miller, Yvonne Minton, Felicity Palmer, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz
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| Ercole amante: Atto II, Scene 7. “Vanne e fa breve dimora” (Pasitea, tutti) | | - Christopher Hirons, Colette Alliot-Lugaz, Ricardo Cassinelli, Ulrik Cold, Agnès de Crouzat, Rosemary Hardy, Keith Lewis, Patricia Miller, Yvonne Minton, Felicity Palmer, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz
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| Ercole amante: Atto III, Scene 1. “E pe mi cangi o Dei” (Ercole, Venere) | | | | | | | |
| Ercole amante: Atto III, Scene 2. “Amor, contar ben puoi” (Ercole) | | | | | | | |
| Ercole amante: Atto III, Scene 2. “Sara com'hai disposo” (Il Paggio, Ercole) | | | | | | | |
| Ercole amante: Atto III, Scene 3. “Bella Jole e quando” (Ercole, Jole) | | | | | | | |
| Ercole amante: Atto III, Scene 3. “Ohime, che ascolto” (Hyllo, Ercole) | | | | | | | |
| Ercole amante: Atto III, Scene 4. “A che pensi Jole” (Ercole, Jole) | | | | | | | |
| Ercole amante: Atto III, Scene 7. “Svegliati, Alcide e mira” (Mercurio, Ercole, Jole) | | | | | | | |
| Ercole amante: Atto III, Scene 8. “Piu di salvarlo tenti” (Ercole, Dejanira, Jole, Licco) | | | | | | | |
| Ercole amante: Atto V, Scene 2. “Alfine il Ciel d'amor” (Ercole, Licco, Jole) | | | | | | | |
| Ercole amante: Atto V, Scene 2. “Ma qual pungente arsura” (Ercole) | | | | | | | |
| Ercole amante: Atto V, Scene 2. “Pronuba e casta Dea” (Coro, Ercole, Jole) | | | | | | | |
| Ercole amante: Atto V, Scene 5. “Così un giorno” (Belezza, Ercole) | | | | | | | |
| Glagolská mše: IV. Věruju | | - Robert Tear, Wolfgang Schöne, John Birch, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe
- John Mitchinson, Malcolm King, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
- Český pěvecký sbor, Josef Veselka, Česká filharmonie, Karel Ančerl
- Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
- (show 16 more)
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| Glagolská mše: V. Svet | | - Teresa Kubiak, Robert Tear, Wolfgang Schöne, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe
- Felicity Palmer, Ameral Gunson, John Mitchinson, Malcolm King, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
- Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
- Český pěvecký sbor, Josef Veselka, Česká filharmonie, Karel Ančerl
- (show 15 more)
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| Glagolská mše: VI. Agneče Božij | | - Teresa Kubiak, Anne Collins, Robert Tear, Wolfgang Schöne, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe
- Felicity Palmer, Ameral Gunson, John Mitchinson, Malcolm King, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
- Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
- Český pěvecký sbor, Josef Veselka, Česká filharmonie, Karel Ančerl
- (show 16 more)
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| Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) | | | | | | | |
| Messiah, HWV 56: Part I, no. 6. Air “But who may abide” | | | | Aria | | | |
| Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) | | | | | | | |
| Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) | | | | Aria | | | |
| Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) | | - John Tomlinson, The English Concert, Trevor Pinnock
- Simon Preston, Christ Church Cathedral Choir, Oxford, David Thomas, Academy of Ancient Music, Christopher Hogwood
- Justino Díaz, English Chamber Orchestra, Johannes Somary
- Donald McIntyre, London Philharmonic Orchestra, Karl Richter
- (show 80 more)
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| Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) | | | | | | | |
| Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) | | | | Aria | | | |
| Vær velkommen Herrens år | | | | Song | | | |
