| performed |
---|
| Nelson Mass - Agnus Dei | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Agnus Dei | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Benedictus | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Benedictus | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Credo | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Credo | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Credo | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Gloria | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Gloria | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Gloria | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Kyrie | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Sanctus | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| vocals |
---|
1977-06-29 | Quartett: An die Sonne D 439 »O Sonne, Königin der Welt« | bass vocals | Helen Donath, Robert Holl, Marga Schiml, Peter Schreier, Leonard Hokanson | 6:13 |
1977-06-29 | Quartett: Der Tanz D 826: »Es redet und träumet die Jugend so viel« | bass vocals | Helen Donath, Robert Holl, Marga Schiml, Peter Schreier, Leonard Hokanson | 1:45 |
1977-06-29 | Quartett: Gebet D 815 »Du Urquell aller Güte« | bass vocals | Helen Donath, Robert Holl, Marga Schiml, Peter Schreier, Leonard Hokanson | 10:57 |
1977-06-29 | Quartett: Gott der Weltschöpfer D 986 »Zu Gott, zu Gott lieg auf« | bass vocals | Helen Donath, Robert Holl, Marga Schiml, Peter Schreier, Leonard Hokanson | 2:34 |
1977-06-29 | Quartett: Gott im Ungewitter D 985 »Du Schrecklicher« | bass vocals | Helen Donath, Robert Holl, Marga Schiml, Peter Schreier, Leonard Hokanson | 4:33 |
1977-06-29 | Quartett: Lebenslust D 609 »Wer Lebenslust fühlet« | bass vocals | Helen Donath, Robert Holl, Marga Schiml, Peter Schreier, Leonard Hokanson | 1:07 |
1977-06-29 | Terzett: Die Advokaten D 37: »Mein Herr, ich komm’ mich anzufragen« | bass vocals | Robert Holl, Hermann Prey, Peter Schreier, Leonard Hokanson | 7:09 |
1977-06-29 | Terzett: Kantate zum Geburtstag des Sängers Johann Michael Vogl D 666 »Sänger, der von Herzen singet« | bass vocals | Helen Donath, Robert Holl, Peter Schreier, Leonard Hokanson | 10:32 |
1978-04 | Missa Sacrum, RV 586: IIc. Gloria: Allegro non molto "Laudamus te" | bass vocals | Anne Collins, Robert Holl, The John Alldis Choir, Margaret Marshall, Adrian Beers, John Constable, Olga Hegedus, English Chamber Orchestra, Vittorio Negri | 1:21 |
1978-04 | Missa Sacrum, RV 586: IIe. Gloria: Allegro "Domine Deus" | bass vocals | Anne Collins, Robert Holl, Margaret Marshall, Anthony Rolfe Johnson, Adrian Beers, John Constable, Olga Hegedus, English Chamber Orchestra, Vittorio Negri | 1:25 |
1978-04 | Missa Sacrum, RV 586: IIg. Gloria: Allegro "Quoniam" | bass vocals | Robert Holl, The John Alldis Choir, Adrian Beers, John Constable, Olga Hegedus, English Chamber Orchestra, Vittorio Negri | 3:02 |
1978-04 | Missa Sacrum, RV 586: IIIb. Credo: Andante "Et incarnatus est" | bass vocals | Anne Collins, Robert Holl, Anthony Rolfe Johnson, Adrian Beers, John Constable, Olga Hegedus, English Chamber Orchestra, Vittorio Negri | 3:27 |
1978-04 | Missa Sacrum, RV 586: IIIc. Credo: Allegro "Et resurrexit" | bass vocals | Anne Collins, Robert Holl, The John Alldis Choir, Margaret Marshall, Anthony Rolfe Johnson, Adrian Beers, John Constable, Olga Hegedus, English Chamber Orchestra, Vittorio Negri | 2:14 |
1978-04 | Missa Sacrum, RV 586: Vb. Agnus Dei: Adagio "Agnus Dei". Allegro non molto "Dona nobis pacem" | bass vocals | Anne Collins, Robert Holl, The John Alldis Choir, Margaret Marshall, Anthony Rolfe Johnson, Adrian Beers, John Constable, Olga Hegedus, English Chamber Orchestra, Vittorio Negri | 1:48 |
1979-12-13 – 1981-01-24 | Cantata, BWV 119 "Preise, Jerusalem, dem Herrn," IV. Recitativo (bass). So herrlich stehst du, liebe Stadt | bass vocals | Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:52 |
1981-01-16 | Cantata, BWV 123 "Liebster Immanuel, Herzog der Frommen," IV. Recitativo (bass). Kein Höllenfeind kann mich verschlingen | bass vocals | Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt | 0:44 |
1981-01-16 | Cantata, BWV 123 "Liebster Immanuel, Herzog der Frommen," V. Aria (bass). Laß, o Welt, mich aus Verachtung | bass vocals | Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt | 7:54 |
1981-10-21 – 1982-05-23 | Cantata, BWV 138 "Warum betrübst du dich, mein Herz," II. Recitativo (bass). Ich bin veracht' | bass vocals | Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:00 |
1981-10-21 – 1982-05-23 | Cantata, BWV 138 "Warum betrübst du dich, mein Herz," V. Aria (bass). Auf Gott steht meine Zuversicht | bass vocals | Gerhard Schmidt‐Gaden, Robert Holl, Tölzer Knabenchor, Concentus Musicus Wien, Nikolaus Harnoncourt | 5:10 |
1981-10-21 – 1982-05-23 | Cantata, BWV 139 "Wohl dem, der sich auf seinen Gott," IV. Aria (bass). Das Unglück schlägt auf allen Seiten | bass vocals | Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt | 5:08 |
1981-10-22 | Cantata, BWV 131 "Aus der Tiefe rufe ich, Herr, zu dir," II. Aria (Duetto) (soprano, bass). So du willst, Herr, Sünde zurechnen | bass vocals | Allan Bergius, Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt | 4:30 |
1981-10 – 1981-11 | Requiem in D minor, K. 626 (Beyer Edition): IIIb. Sequenz: "Tuba mirum" | bass vocals | Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt | 3:44 |
1981-10 – 1981-11 | Requiem in D minor, K. 626 (Beyer Edition): IIId. Sequenz: "Recordare" | bass vocals | Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt | 6:20 |
1981-10 – 1981-11 | Requiem in D minor, K. 626 (Beyer Edition): IVa. Offertorium: "Domine Jesu" | bass vocals | Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Konzertvereinigung Wiener Staatsopernchor, Concentus Musicus Wien, Nikolaus Harnoncourt | 3:48 |
1981-10 – 1981-11 | Requiem in D minor, K. 626 (Beyer Edition): VI. "Benedictus" | bass vocals | Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Konzertvereinigung Wiener Staatsopernchor, Concentus Musicus Wien, Nikolaus Harnoncourt | 5:17 |
1983-01 – 1985-11 | Cantata, BWV 163 "Nur jedem das Seine," II. Recitativo (bass). Du bist, mein Gott | bass vocals | Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:28 |
1983-01 – 1985-11 | Cantata, BWV 163 "Nur jedem das Seine," III. Aria (bass). Laß mein Herz die Münze sein | bass vocals | Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt | 2:52 |
1983-01 – 1986-04 | Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," I. Aria (bass). Ach, ich sehe, itzt, da ich zur Hochzeit gehe | bass vocals | Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt | 3:44 |
1983 | Cantata BWV 205, "Zerreisset, zersprenget, zertrümmert die Gruft,": Aria "Wie will ich lustig lachen" | bass vocals [Aeolus] | Concentus Musicus Wien, Nikolaus Harnoncourt | 4:15 |
1983 | Cantata BWV 205, "Zerreisset, zersprenget, zertrümmert die Gruft,": Aria "Zurücke, zurücke, geflügelten Winde" | bass vocals [Aeolus] | Concentus Musicus Wien, Nikolaus Harnoncourt | 3:24 |
1983 | Cantata BWV 205, "Zerreisset, zersprenget, zertrümmert die Gruft,": Recitativo "Ja! ja! die Stunden sind nunmehro nah'" | bass vocals [Aeolus] | Concentus Musicus Wien, Nikolaus Harnoncourt | 1:39 |
1983 | Cantata BWV 205, "Zerreisset, zersprenget, zertrümmert die Gruft,": Recitativo "Mein Äolus, Ach!" | bass vocals [Aeolus] | Concentus Musicus Wien, Nikolaus Harnoncourt | 2:19 |
1983 | Cantata BWV 205, "Zerreisset, zersprenget, zertrümmert die Gruft,": Recitativo: 'Beinahe wirst du mich bewegen' | bass vocals [Aeolus] | Concentus Musicus Wien, Nikolaus Harnoncourt | 0:36 |
1984-05-24 – 1984-07-19 | Der Messias: Accompagnato | bass vocals | Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | 2:22 |
1984-05-24 – 1984-07-19 | Der Messias: No. 5 Accompagnato | bass vocals | Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | 1:25 |
1984-05-24 – 1984-07-19 | Der Messias: No. 10 Arie | bass vocals | Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | 4:05 |
1984-05-24 – 1984-07-19 | Der Messias: No. 32 Arie | bass vocals | Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | 3:27 |
1984-05-24 – 1984-07-19 | Der Messias: No. 36 Arie | bass vocals | Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | 2:52 |
1984-05-24 – 1984-07-19 | Der Messias: No. 42 Accompagnato | bass vocals | Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | 0:39 |
1984-05-24 – 1984-07-19 | Der Messias: No. 43 Arie | bass vocals | Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner | 8:53 |
1984-10 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus | bass vocals and solo | Zsuzsanna Dénes, Kurt Equiluz, Robert Holl, Konzertvereinigung Wiener Staatsopernchor, Krisztina Laki, Concentus Musicus Wien, Nikolaus Harnoncourt | 6:40 |
1984 | Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" | bass vocals | Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt | 2:00 |
1986-01-11 – 1986-01-15 | Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” | baritone vocals | Denmarks Radiokoret, Robert Holl, Denmarks Radiosymfoniorkestret, Michel Corboz | 9:22 |
1986-01-11 – 1986-01-15 | Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” | baritone vocals | Denmarks Radiokoret, Robert Holl, Denmarks Radiosymfoniorkestret, Michel Corboz | 11:20 |
1986-04 | Messe in H-moll, BWV 232: I. Missa. Gloria. Quoniam tu solus | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 5:14 |
1986-04 | Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et in Spiritum | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 5:13 |
1986-11-01 | Mass no. 6 in E-flat major, D 950: Agnus Dei (soloists, chorus) | bass vocals | Franz Schubert | 12:21 |
1986-11-01 | Mass no. 6 in E-flat major, D 950: Benedictus (soloists, chorus) | bass vocals | Franz Schubert | 6:23 |
1986-11-01 | Messe Nr. 6 Es-Dur, D 950: V. Benedictus. "Benedictus, qui venit" Andante | bass vocals and solo | Wiener Philharmoniker, Claudio Abbado | 5:00 |
1986-11-01 | Messe Nr. 6 Es-Dur, D 950: V. Benedictus. "Osanna in excelsis" Allegro, ma non troppo | bass vocals and solo | Wiener Philharmoniker, Claudio Abbado | 1:12 |
1986-11-01 | Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Agnus Dei, qui tollis peccata mundi" Allegro molto moderato | bass vocals and solo | Wiener Philharmoniker, Claudio Abbado | 0:54 |
1986-11-01 | Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Agnus Dei, qui tollis peccata mundi" Andante con moto | bass vocals and solo | Wiener Philharmoniker, Claudio Abbado | 3:57 |
1986-11-01 | Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Dona nobis pacem" Andante | bass vocals and solo | Wiener Philharmoniker, Claudio Abbado | 3:31 |
1986-11-01 | Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Dona nobis pacem" Andantino | bass vocals and solo | Wiener Philharmoniker, Claudio Abbado | 2:08 |
1987 | Mass No.ll in D Minor: Missa in angustiis (“Lord Nelson Mass“): Kyrie | bass vocals | Jörg‐Peter Weigle, Robert Holl, Keith Lewis, MDR Rundfunkchor Leipzig, Margaret Marshall, Carolyn Watkinson, Staatskapelle Dresden, Sir Neville Marriner | 4:27 |
1988-03 | Te Deum: I. Te Deum Laudamus | bass vocals | Wiener Philharmoniker, Bernard Haitink, Chor des Bayerischen Rundfunks, Karita Mattila, Susanne Mentzer, Vinson Cole, Robert Holl | 6:32 |
1988-03 | Te Deum: II. Te Ergo | bass vocals | Wiener Philharmoniker, Bernard Haitink, Chor des Bayerischen Rundfunks, Karita Mattila, Susanne Mentzer, Vinson Cole, Robert Holl | 2:40 |
1988-03 | Te Deum: III. Aeterna Fac | bass vocals | Wiener Philharmoniker, Bernard Haitink, Chor des Bayerischen Rundfunks, Karita Mattila, Susanne Mentzer, Vinson Cole, Robert Holl | 1:37 |
1988-03 | Te Deum: IV. Salvum Fac | bass vocals | Wiener Philharmoniker, Bernard Haitink, Chor des Bayerischen Rundfunks, Karita Mattila, Susanne Mentzer, Vinson Cole, Robert Holl | 7:09 |
1988-03 | Te Deum: V. In Te, Domine, Speravi | bass vocals | Wiener Philharmoniker, Bernard Haitink, Chor des Bayerischen Rundfunks, Karita Mattila, Susanne Mentzer, Vinson Cole, Robert Holl | 5:53 |
1988-05 | Aria "Ihr Felder und Auen" | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 3:20 |
1988-05 | Bauernkantate - Recitativo "Das ist zu klug vor dich" | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 1:05 |
1988-05 | Bauernkantate - Recitativo "Du hast wohl recht" | bass vocals | Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt | 6:11 |
1988-05 | Bauernkantate - Recitativo "Er hilft uns allen, alt und jung" | bass vocals | Angela Maria Blasi, Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:47 |
1988-05 | Bauernkantate - Recitativo "Mein Schatz, erraten !" | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 1:40 |
1988-05 | Bauernkantate - Recitativo "Nu, Mieke, gib dein Guschel immer her" | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 2:03 |
1988-05 | Bauernkantate - Recitativo "Und damit sei es auch genug" | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 0:59 |
1988-05 | Bauernkantate - Recitativo "Und unsre gnäd'ge Frau" | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 1:36 |
1988-05 | BWV 208-06. Recitativo 'Ich, der sonst ein Gott' | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 0:38 |
1988-05 | BWV 208-07. Aria 'Ein Fürst ist seines Landes Pan' | bass vocals [Pan] | Concentus Musicus Wien, Nikolaus Harnoncourt | 2:33 |
1988-05 | BWV 208-11. Coro 'Lebe, Sonne dieser Erden' | bass vocals [Pan] | Concentus Musicus Wien, Nikolaus Harnoncourt | 3:15 |
1988-05 | BWV 208-14. Aria 'Ihr Felder und Auen' | bass vocals [Pan] | Concentus Musicus Wien, Nikolaus Harnoncourt | 3:20 |
1988-05 | BWV 212-02. Aria (Duetto) 'Mer hahn en neue Oberkeet' | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 0:35 |
1988-05 | BWV 212-03. Recitativo 'Nu, Mieke, gib dein Guschel immer her' | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 0:58 |
1988-05 | BWV 212-05. Recitativo 'Der Herr ist gut' | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 0:23 |
1988-05 | BWV 212-06. Aria 'Ach, Herr Schösser' | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 1:12 |
1988-05 | BWV 212-09. Recitativo 'Er hilft uns allen, alt und jung' | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 0:32 |
1988-05 | BWV 212-11. Recitativo 'Und unsre Gnäd'ge Frau' | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 0:46 |
1988-05 | BWV 212-12. Aria 'Fünfzig Taler bares Geld' | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 0:50 |
1988-05 | BWV 212-15. Recitativo 'Das ist zu klug vor dich' | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 0:22 |
1988-05 | BWV 212-16. Aria 'Es nehme zehntausend Dukaten' | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 0:43 |
1988-05 | BWV 212-19. Recitativo 'Du hast wohl recht' | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 0:20 |
1988-05 | BWV 212-20. Aria 'Dein Wachstum sei feste' | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 5:51 |
1988-05 | BWV 212-21. Recitativo 'Und damit sei es auch genug' | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 0:15 |
1988-05 | BWV 212-23. Recitativo 'Mein Schatz, erraten!' | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 0:33 |
1988-05 | BWV 212-24. Coro 'Wir gehn nun' | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 1:07 |
1988-05 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VI. Recitativo "Ich, der ich sonst ein Gott" (Pan) | bass vocals [Pan] | Johann Sebastian Bach | 0:38 |
1988-05 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: VII. Aria "Ein Fürst ist seines Landes Pan" (Pan) | bass vocals [Pan] | Johann Sebastian Bach | 2:33 |
1988-05 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XI. Coro "Lebe, Sonne dieser Erden" (Diana, Pales, Endymion, Pan) | bass vocals [Pan] | Johann Sebastian Bach | 3:15 |
1988-05 | Cantata No. 208 "Was mir behagt, ist nur die muntre Jagd!", BWV 208: XV. Coro "IIhr lieblichste Blicke" (Diana, Pales, Endymion, Pan) | bass vocals [Pan] | Johann Sebastian Bach | 3:37 |
1988-05 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: II. Duet "Mer hahn en neue Oberkeet" (Soprano, Bass) | bass vocals | Johann Sebastian Bach | 0:35 |
1988-05 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: III. Recitativo "Nu, Mieke, gib dein Guschel immer her" (Soprano, Bass) | bass vocals | Johann Sebastian Bach | 0:58 |
1988-05 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: IX. Recitativo "Er hilft uns allen, alt und jung" (Soprano, Bass) | bass vocals | Johann Sebastian Bach | 0:32 |
1988-05 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: V. Recitativo "Der Herr ist gut" (Bass) | bass vocals | Johann Sebastian Bach | 0:23 |
1988-05 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: VI. Aria "Ach, Herr Schösser, geht nicht gar zu schlimm" (Bass) | bass vocals | Johann Sebastian Bach | 1:12 |
1988-05 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XI. Recitaitve "Und unsre gnäd'ge Frau"(Bass) | bass vocals | Johann Sebastian Bach | 0:46 |
1988-05 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XII. Aria "Fünfzig Taler bares Geld" (Bass) | bass vocals | Johann Sebastian Bach | 0:50 |
1988-05 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XIX Recitaitve "Du hast wohl recht" (Bass) | bass vocals | Johann Sebastian Bach | 0:20 |
1988-05 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XV. Recitativo "Das ist zu klug vor dich" (Bass) | bass vocals | Johann Sebastian Bach | 0:22 |
1988-05 | Cantata No. 212 "Mer hahn en neue Oberkeet", BWV 212: XVI. Aria "Es nehme zehntausend Dukaten" (Bass) | bass vocals | Johann Sebastian Bach | 0:43 |
| See all 388 relationships |
| liner notes |
---|
| Schumann: Dichterliebe / Berg: Sieben frühe Lieder | | Robert Schumann, Alban Berg; Arnold Bezuyen, Jura Margulis | |
| Schumann: Dichterliebe / Berg: Sieben frühe Lieder | | Robert Schumann, Alban Berg; Arnold Bezuyen, Jura Margulis | |
| vocals |
---|
1975-12-02 – 1975-12-05 | Das Buch mit sieben Siegeln | bass vocals [Stimme des Herrn] and solo | Franz Schmidt; Anton Dermota, Robert Holl, Margarita Kyriaki, Hertha Töpper, Thomas Moser, Artur Korn, Rudolf Scholz, Grazer Concertchor, Niederösterreichisches Tonkünstlerorchester, Alois J. Hochstrasser | |
| Die sieben letzten Worte unseres Erlösers am Kreuze | bass-baritone vocals | Haydn; Nielsen, Hintermeier, Rolfe Johnson, Holl, Arnold Schoenberg Chor, Concentus Musicus Wien, Harnoncourt | |
| Don Giovanni | bass vocals | Mozart; Hampson, Alexander, Bonney, Blochwitz, Polgár, Scharinger, Holl, Royal Concertgebouw Orchestra Amsterdam, Harnoncourt | |
| Don Giovanni: Highlights | bass vocals | Mozart; Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | |
| Fierrabras | bass vocals [König Karl] | Franz Schubert; Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado | |
| Johannes-Passion: 3 Arien, Version 1725 | bass vocals | Bach; Alexander, Lipovšek, Schreier, Holl, Bär, Rundfunkchor Leipzig, Staatskapelle Dresden | |
| Mass in B minor, BWV 232 | bass vocals | Johann Sebastian Bach; Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum | |
| Missa Solemnis | bass vocals | Ludwig van Beethoven; Chamber Orchestra of Europe, Nikolaus Harnoncourt | |
| Symphony no. 9 "Choral" | bass vocals | Beethoven; London Symphony Orchestra, Eugen Jochum | |
| The Symphonies | bass vocals | Beethoven; Royal Concertgebouw Orchestra, Bernard Haitink | |