| conducted |
|---|
| 1989-09 | Così fan tutte: "Temerari! - Come Scoglio" | additional | Cheryl Studer, Academy of St Martin in the Fields, John Constable, Sir Neville Marriner | 5:31 |
| 1989-09 | Die Entführung aus dem Serail, K. 384: "Martern aller Arten" | additional | Cheryl Studer, Academy of St Martin in the Fields, Sir Neville Marriner | 7:42 |
| 1989-09 | Die Zauberflöte: "Ach, ich fühl's" | additional | Cheryl Studer, Academy of St Martin in the Fields, John Constable, Sir Neville Marriner | 4:25 |
| 1989-09 | Die Zauberflöte: "O zittre nicht - Zum Leiden bin ich auserkoren" | additional | Cheryl Studer, Academy of St Martin in the Fields, Sir Neville Marriner | 5:03 |
| 1989-09 | Die Zauberflöte: Der Hölle Rache | additional | Cheryl Studer, Academy of St Martin in the Fields, Sir Neville Marriner | 3:03 |
| 1989-09 | Don Giovanni: "In quali eccessi - Mi tradì quell'alma ingrata" | additional | Cheryl Studer, Academy of St Martin in the Fields, John Constable, Sir Neville Marriner | 6:15 |
| 1989-09 | Idomeneo, re di Creta: "Oh smania! - D'Oreste, d'Aiace" | additional | Cheryl Studer, Academy of St Martin in the Fields, John Constable, Sir Neville Marriner | 4:48 |
| 1989-09 | La clemenza di Tito: "Non più di fiori" | additional | Cheryl Studer, Nicholas Bucknall, Academy of St Martin in the Fields, John Constable, Sir Neville Marriner | 6:51 |
| 1989-09 | Le nozze di Figaro: "E Susanna non vien! - Dove sono i bei momenti" | additional | Cheryl Studer, Academy of St Martin in the Fields, John Constable, Sir Neville Marriner | 6:35 |
| 1989-09 | Le nozze di Figaro: "Porgi amor" | additional | Cheryl Studer, Academy of St Martin in the Fields, John Constable, Sir Neville Marriner | 4:17 |
| instruments |
|---|
| 1970-06-11 | Ariana a Naxos, Hob. XXVIb:2: I. Recitativo "Teseo mio ben!" | piano | Janet Baker, John Constable | 5:58 |
| 1970-06-11 | Ariana a Naxos, Hob. XXVib:2: II. Aria "Dove sei, mio bel tesoro?' | piano | Janet Baker, John Constable | 4:12 |
| 1970-06-11 | Ariana a Naxos, Hob. XXVib:2: III. Recitativo "Ma, a chi parlo?" | piano | Janet Baker, John Constable | 4:01 |
| 1970-06-11 | Ariana a Naxos, Hob. XXVib:2: IV. Aria "Ah, che morir vorrei" | piano | Janet Baker, John Constable | 4:01 |
| 1971-02 | Missa in C minor, K. 427 "Great Mass": Benedictus | organ | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 5:35 |
| 1971-02 | Missa in C minor, K. 427 "Great Mass": Credo: Credo in unum Deum | organ | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 3:28 |
| 1971-02 | Missa in C minor, K. 427 "Great Mass": Credo: Et incarnatus est | organ | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 8:41 |
| 1971-02 | Missa in C minor, K. 427 "Great Mass": Gloria: Domine | organ | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 3:01 |
| 1971-02 | Missa in C minor, K. 427 "Great Mass": Gloria: Gloria in excelsis | organ | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 2:18 |
| 1971-02 | Missa in C minor, K. 427 "Great Mass": Gloria: Gratias | organ | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 1:27 |
| 1971-02 | Missa in C minor, K. 427 "Great Mass": Gloria: Jesu Christe / IIh. Gloria: Cum Sancto Spiritu | organ | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 4:57 |
| 1971-02 | Missa in C minor, K. 427 "Great Mass": Gloria: Laudamus te | organ | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 4:59 |
| 1971-02 | Missa in C minor, K. 427 "Great Mass": Gloria: Qui tollis | organ | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 6:06 |
| 1971-02 | Missa in C minor, K. 427 "Great Mass": Gloria: Quoniam | organ | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 4:02 |
| 1971-02 | Missa in C minor, K. 427 "Great Mass": Kyrie | organ | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 6:58 |
| 1971-02 | Missa in C minor, K. 427 "Great Mass": Sanctus: Osanna | organ | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 2:01 |
| 1971-02 | Missa in C minor, K. 427 "Great Mass": Sanctus: Sanctus | organ | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 1:54 |
| 1971-02 | Missa in C, K. 317 "Coronation Mass": Agnus Dei | organ | Helen Donath, Gillian Knight, Ryland Davies, Stafford Dean, London Symphony Orchestra, The John Alldis Choir, Sir Colin Davis | 7:26 |
| 1971-02 | Missa in C, K. 317 "Coronation Mass": Benedictus | organ | Helen Donath, Gillian Knight, Ryland Davies, Stafford Dean, London Symphony Orchestra, The John Alldis Choir, Sir Colin Davis | 3:07 |
| 1971-02 | Missa in C, K. 317 "Coronation Mass": Credo | organ | Helen Donath, Gillian Knight, Ryland Davies, Stafford Dean, London Symphony Orchestra, The John Alldis Choir, Sir Colin Davis | 6:09 |
| 1971-02 | Missa in C, K. 317 "Coronation Mass": Gloria | organ | Helen Donath, Gillian Knight, Ryland Davies, Stafford Dean, London Symphony Orchestra, The John Alldis Choir, Sir Colin Davis | 4:08 |
| 1971-02 | Missa in C, K. 317 "Coronation Mass": Kyrie | organ | Helen Donath, John Alldis Choir, The John Alldis Choir, London Symphony Orchestra, Sir Colin Davis | 2:57 |
| 1971-02 | Missa in C, K. 317 "Coronation Mass": Sanctus | organ | The John Alldis Choir, London Symphony Orchestra, Sir Colin Davis | 1:38 |
| 1971-04 | Ave verum corpus, K. 618 | organ | London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 3:56 |
| 1971-04 | Kyrie, K. 341/368a | organ | London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 8:31 |
| 1971-04 | Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… Venti… trenta…" (Figaro, Susanna) / Act I, Scene I. Recitativo "Cosa stai misurando" (Susanna, Figaro) | harpsichord | Mirella Freni, Wladimiro Ganzarolli, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 3:30 |
| 1971-04 | Le nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna) / Act I, Scene II. Recitativo "Or bene, ascolta e taci!" (Figaro, Susanna) | harpsichord | Mirella Freni, Wladimiro Ganzarolli, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 5:05 |
| 1971-04 | Le nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro) / Act I, Scene III. Recitativo "Ed aspettaste il giorno fissato a le sue nozze" (Bartolo, Marcellina) | harpsichord | Maria Casula, Wladimiro Ganzarolli, Clifford Grant, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 3:38 |
| 1971-04 | Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo) / Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina, Susanna) | harpsichord | Maria Casula, Mirella Freni, Clifford Grant, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 3:52 |
| 1971-04 | Le nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino "Via, resti servita, madama brillante" (Marcellina, Susanna) / Act I, Scene V. Recitativo "Va là, vecchia pedante" (Cherubino, Susanna) | harpsichord | Maria Casula, Mirella Freni, Yvonne Minton, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 3:46 |
| 1971-04 | Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) | harpsichord | Yvonne Minton, BBC Symphony Orchestra, Sir Colin Davis | 2:50 |
| 1971-04 | Le nozze di Figaro, K. 492: Act I, Scene VI. Recitativo "Ah, son perduto!" (Cherubino, Susanna, Il Conte, Basilio) | harpsichord | Mirella Freni, Yvonne Minton, Robert Tear, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 3:30 |
| 1971-04 | Le nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andante" (Il Conte, Basilio, Susanna) / Recitativo "Basilio, in traccia tosto di Figaro volate" (Il Conte, Susanna, Cherubino, Basilio) | harpsichord | Mirella Freni, Yvonne Minton, Robert Tear, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 5:14 |
| 1971-04 | Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete" (Coro) / Recitativo "Cos'è questa commedia?" (Il Conte, Figaro, Susanna) / No. 9 Coro "Giovani liete" (Coro) / Recitativo "Evviva!" (Figaro, Susanna, Basilio, Cherubino, Il Conte) | harpsichord | BBC Symphony Chorus, Mirella Freni, Wladimiro Ganzarolli, Yvonne Minton, Robert Tear, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 5:00 |
| 1971-04 | Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro) | harpsichord | Wladimiro Ganzarolli, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 3:56 |
| 1971-04 | Le nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) | harpsichord | Jessye Norman, BBC Symphony Orchestra, Sir Colin Davis | 4:01 |
| 1971-04 | Le nozze di Figaro, K. 492: Act II, Scene I. Recitativo "Vieni, cara Susanna" (La Contessa, Susanna, Figaro) / Act II, Scene II. Recitativo "Quanto duolmi, Susanna" (La Contessa, Susanna, Cherubino) | harpsichord | Mirella Freni, Wladimiro Ganzarolli, Yvonne Minton, Jessye Norman, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 5:12 |
| 1971-04 | Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino) / Recitativo "Bravo! che bella voce!" (La Contessa, Susanna, Cherubino) | harpsichord | Mirella Freni, Yvonne Minton, Jessye Norman, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 3:52 |
| 1971-04 | Le nozze di Figaro, K. 492: Act II, Scene II. No. 13 Aria "Venite… inginocchiatevi…" (Susanna) | harpsichord | Mirella Freni, BBC Symphony Orchestra, Sir Colin Davis | 3:20 |
| 1971-04 | Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quante buffonerie" (Il Conte, La Contessa, Cherubino, Susanna) / Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Contessa) | harpsichord | Mirella Freni, Yvonne Minton, Jessye Norman, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 3:42 |
| 1971-04 | Le nozze di Figaro, K. 492: Act II, Scene III. No. 14 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna) / Recitativo "Dunque, voi non aprite?" (Il Conte, La Contessa) | harpsichord | Mirella Freni, Jessye Norman, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 4:09 |
| 1971-04 | Le nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino) / Recitativo "Oh guarda il demonietto!" (Susanna) / Act II, Scene V. Recitativo "Tutto è come io lasciai" (Il Conte, La Contessa) | harpsichord | Mirella Freni, Yvonne Minton, Jessye Norman, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 2:44 |
| 1971-04 | Le nozze di Figaro, K. 492: Act II, Scene IX. No. 16 Finale "Signore, di fuori" (Figaro, Il Conte, Susanna, La Contessa) / Act II, Scene X. No. 16 Finale "Ah signor... signor" (Antonio, Il Conte, La Contessa, Susanna, Figaro) | harpsichord | Mirella Freni, Wladimiro Ganzarolli, Paul Hudson, Jessye Norman, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 8:54 |
| 1971-04 | Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna) / No. 16 Finale "Susanna! ... Signore!" (Il Conte, La Contessa, Susanna) | harpsichord | Mirella Freni, Jessye Norman, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 7:46 |
| 1971-04 | Le nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) | harpsichord | Maria Casula, Mirella Freni, Wladimiro Ganzarolli, Clifford Grant, Jessye Norman, Robert Tear, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 3:43 |
| 1971-04 | Le nozze di Figaro, K. 492: Act III, Scene I. Recitativo "Che imbarazzo è mai questo!" (Il Conte) / Act III, Scene II. Recitativo "Via, fatti core" (La Contessa, Il Conte, Susanna) | harpsichord | Mirella Freni, Jessye Norman, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 2:33 |
| 1971-04 | Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna) / Act III, Scene III. Recitativo "E perchè fosti meco" (Il Conte, Susanna, Figaro) | harpsichord | Mirella Freni, Wladimiro Ganzarolli, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 3:35 |
| 1971-04 | Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) / No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte) | harpsichord | Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 4:52 |
| 1971-04 | Le nozze di Figaro, K. 492: Act III, Scene V. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino) | harpsichord | Yvonne Minton, Lilian Watson, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 0:39 |
| 1971-04 | Le nozze di Figaro, K. 492: Act III, Scene VI. No. 20 Recitativo "E Susanna non vien!" (La Contessa) / No. 20 Aria "Dove sono i bei momenti" (La Contessa) | harpsichord | Jessye Norman, BBC Symphony Orchestra, Sir Colin Davis | 6:18 |
| 1971-04 | Le nozze di Figaro, K. 492: Act III, Scene VII. Recitativo "È decisa la lite" (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) | harpsichord | Maria Casula, Wladimiro Ganzarolli, Clifford Grant, David Lennox, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 2:04 |
| 1971-04 | Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 19 Sestetto "Riconosci in questo amplesso" / Act III, Scene VIII-IX. Recitativi "Eccovi, o caro amico... Io vi dico" (Marcellina, Bartolo, Susanna, Figaro, Antonio, Il Conte, Don Curzio) | harpsichord | Maria Casula, Mirella Freni, Wladimiro Ganzarolli, Clifford Grant, Paul Hudson, David Lennox, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 6:38 |
| 1971-04 | Le nozze di Figaro, K. 492: Act III, Scene X. Recitativo "Cosa mi narri" (La Contessa, Susanna) / No. 21 Duettino "Che soave zeffiretto (La Contessa, Susanna) | harpsichord | Mirella Freni, Jessye Norman, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 3:37 |
| 1971-04 | Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Contadinelle) / Act III, Scenes XII-XIII. Recitativo "Questo sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro) | harpsichord | BBC Symphony Chorus, Mirella Freni, Wladimiro Ganzarolli, Paul Hudson, Yvonne Minton, Jessye Norman, Lilian Watson, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 4:14 |
| 1971-04 | Le nozze di Figaro, K. 492: Act IV, Scene XIV. No. 23 Finale. Fandango "Eh già solita usanza" (Il Conte, Figaro) / No. 23 Finale. Allegretto "Amanti costanti seguaci d'onor" (Barbarina, Coro) | harpsichord | BBC Symphony Chorus, Wladimiro Ganzarolli, Lilian Watson, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 3:27 |
| 1971-04 | Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Figaro, Susanna, Il Conte, La Contessa) / No. 23 Finale "Amanti costanti seguaci d'onor" (Coro di contadine) | harpsichord | BBC Symphony Chorus, Mirella Freni, Wladimiro Ganzarolli, Jessye Norman, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 3:24 |
| 1971-04 | Le nozze di Figaro, K. 492: Overture | harpsichord | John Constable, BBC Symphony Orchestra, Sir Colin Davis | 4:09 |
| 1971-04 | Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): I. "Exsultate, jubilate" / II. Recitativo: "Fulget amica dies" / III. "Tu virginum corona" / IV. "Alleluja" | organ | Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis | 15:14 |
| 1971-04 | Vesperae solennes de confessore, K. 339: I. Dixit Dominus Domino meo (Psalm 109/110) | organ | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 3:51 |
| 1971-04 | Vesperae solennes de confessore, K. 339: II. Confitebor tibi, Domine (Psalm 110/111) | organ | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 5:14 |
| 1971-04 | Vesperae solennes de confessore, K. 339: III. Beatus vir qui timet Dominum (Psalm 111/112) | organ | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 4:21 |
| 1971-04 | Vesperae solennes de confessore, K. 339: IV. Laudate pueri Dominum (Psalm 112/113) | organ | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 4:47 |
| 1971-04 | Vesperae solennes de confessore, K. 339: V. Laudate Dominum omnes gentes (Psalm 116/117) | organ | London Symphony Chorus, Kiri Te Kanawa, John Constable, London Symphony Orchestra, Sir Colin Davis | 5:13 |
| 1971-04 | Vesperae solennes de confessore, K. 339: VI. Magnificat anima mea (Luke 1, 46-55) | organ | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 5:29 |
| 1973-03-20 | Stop: Abschnitt 1 bis 6 | piano | London Sinfonietta, Karlheinz Stockhausen | 3:14 |
| 1973-03-20 | Stop: Abschnitt 6 | piano | London Sinfonietta, Karlheinz Stockhausen | 0:38 |
| 1973-03-20 | Stop: Abschnitt 9 | piano | London Sinfonietta, Karlheinz Stockhausen | 1:36 |
| 1973-03-20 | Stop: Abschnitt 12 | piano | London Sinfonietta, Karlheinz Stockhausen | 0:41 |
| 1973-03-20 | Stop: Abschnitt 14 | piano | London Sinfonietta, Karlheinz Stockhausen | 1:46 |
| 1973-03-20 | Stop: Abschnitt 16 | piano | London Sinfonietta, Karlheinz Stockhausen | 1:43 |
| 1973-03-20 | Stop: Abschnitt 19 | piano | London Sinfonietta, Karlheinz Stockhausen | 4:11 |
| 1973-03-20 | Stop: Abschnitt 26 | piano | London Sinfonietta, Karlheinz Stockhausen | 1:41 |
| 1973-03-20 | Stop: Abschnitt 30 | piano | London Sinfonietta, Karlheinz Stockhausen | 1:11 |
| 1973-03-20 | Stop: Abschnitt 34 | piano | London Sinfonietta, Karlheinz Stockhausen | 1:09 |
| 1973-03-20 | Stop: Abschnitt 39 | piano | London Sinfonietta, Karlheinz Stockhausen | 3:05 |
| 1973-03-21 | Kreuzspiel: I. 4/♪ = 90 | ♪ = 136 | piano | Peter Britton, John Constable, David Corkhill, Janet Craxton, Roger Fallows, James Holland, Karlheinz Stockhausen | 3:09 |
| 1973-03-21 | Kreuzspiel: II. (3/♪) 6/♪ = 90 Takt 92 | piano | Peter Britton, John Constable, David Corkhill, Janet Craxton, Roger Fallows, James Holland, Karlheinz Stockhausen | 3:35 |
| 1973-03-21 | Kreuzspiel: III. (6/♪) 9/♪ = 136 Takt 141 | piano | Peter Britton, John Constable, David Corkhill, Janet Craxton, Roger Fallows, James Holland, Karlheinz Stockhausen | 4:46 |
| 1973-05 | Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] | harpsichord | Stuart Burrows, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:21 |
| 1973-05 | Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” / “Non sperar, se non m’uccidi” / “Lasciala, indegno!” / “Ah soccorso! son tradito…” / Recitativo “Leporello, ove sei?” (Leporello, Donna Anna, Don Giovanni, Leporello, Il Commendatore) | harpsichord | Martina Arroyo, Wladimiro Ganzarolli, Luigi Roni, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 5:41 |
| 1973-05 | Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) | harpsichord | Martina Arroyo, Stuart Burrows, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:30 |
| 1973-05 | Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) / “Udisti? qualche bella” (Don Giovanni, Leporello, Donna Elvira) | harpsichord | Wladimiro Ganzarolli, Kiri Te Kanawa, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:22 |
| 1973-05 | Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) | harpsichord | Wladimiro Ganzarolli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 5:21 |
| 1973-05 | Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro, Masetto) / Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina, Masetto) | harpsichord | Richard van Allan, Chorus of the Royal Opera House, Covent Garden, Mirella Freni, Wladimiro Ganzarolli, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:39 |
| 1973-05 | Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto) | harpsichord | Richard van Allan, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:32 |
| 1973-05 | Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) / Recitativo “Fermati scellerato” (Donna Elvira, Zerlina, Don Giovanni) | harpsichord | Mirella Freni, Kiri Te Kanawa, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:41 |
| 1973-05 | Don Giovanni: Atto I. No. 8 Aria “Ah fuggi il traditor” (Donna Elvira) | harpsichord | Kiri Te Kanawa, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:10 |
| 1973-05 | Don Giovanni: Atto I. No. 9 Quartetto “Non ti fidar, oh misera” (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) / Recitativo “Povera sventurata!” (Don Giovanni) | harpsichord | Martina Arroyo, Stuart Burrows, Kiri Te Kanawa, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:22 |
| 1973-05 | Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) | harpsichord | Martina Arroyo, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:09 |
| 1973-05 | Don Giovanni: Atto I. No. 10 Recitativo accompagnato “Don Ottavio…son morta!” (Donna Anna, Don Ottavio) | harpsichord | Martina Arroyo, Stuart Burrows, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:19 |
| 1973-05 | Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) | harpsichord | Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:14 |
| 1973-05 | Don Giovanni: Atto I. No. 12 Aria “Batti, batti, o bel Masetto” (Zerlina) / Recitativo “Guarda un po’ come seppe questa strega” (Masetto, Don Giovanni, Zerlina) | harpsichord | Richard van Allan, Mirella Freni, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:06 |
| 1973-05 | Don Giovanni: Atto I. No. 13 Finale “Bisogna aver coraggio” / No. 13 Finale “Protegga il giusto cielo” (Donna Anna, Donna Elvira, Don Ottavio, Leporello, Don Giovanni) | harpsichord | Martina Arroyo, Stuart Burrows, Wladimiro Ganzarolli, Kiri Te Kanawa, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:06 |
| 1973-05 | Don Giovanni: Atto I. No. 13 Finale “Ecco il birbo” / No. 13 Finale “Trema, trema, o scellerato!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | harpsichord | Richard van Allan, Martina Arroyo, Stuart Burrows, Chorus of the Royal Opera House, Covent Garden, Mirella Freni, Wladimiro Ganzarolli, Kiri Te Kanawa, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:37 |
| 1973-05 | Don Giovanni: Atto I. No. 13 Finale “Presto presto…pria ch’ei venga” / No. 13 Finale “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro) | harpsichord | Richard van Allan, Chorus of the Royal Opera House, Covent Garden, Mirella Freni, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:08 |
| 1973-05 | Don Giovanni: Atto I. No. 13 Finale “Riposate, vezzose ragazze” (Zerlina, Don Giovanni, Leporello, Masetto) | harpsichord | Richard van Allan, Mirella Freni, Wladimiro Ganzarolli, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:16 |
| 1973-05 | Don Giovanni: Atto I. No. 13 Finale “Venite, pur avanti” / No. 13 Finale Minuetto “Da bravi, via, ballate!” (Donna Anna, Donna Elvira, Don Ottavio, Leporello, Masetto, Zerlina, Don Giovanni) | harpsichord | Richard van Allan, Martina Arroyo, Stuart Burrows, Mirella Freni, Wladimiro Ganzarolli, Kiri Te Kanawa, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:57 |
| 1973-05 | Don Giovanni: Atto I. Recitativo “Ah del padre in periglio” (Donna Anna, Don Ottavio) / No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio) | harpsichord | Martina Arroyo, Stuart Burrows, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:44 |
| 1973-05 | Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina) | harpsichord | Mirella Freni, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:45 |
| 1973-05 | Don Giovanni: Atto I. Recitativo “Chi è la? Stelle! che vedo” (Donna Elvira, Don Giovanni, Leporello) | harpsichord | Wladimiro Ganzarolli, Kiri Te Kanawa, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:42 |
| See all 730 relationships |
| design/illustration |
|---|
| Scott 4 | | Scott Walker | |
| instruments |
|---|
| 1974-08 – 1975-05 | Der Barbier von Sevilla | harpsichord | Gioachino Rossini; Nicolai Gedda, Beverly Sills, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Fedora Barbieri, The John Alldis Choir, London Symphony Orchestra, James Levine | |
| 1974-08 – 1975-05 | Il barbiere di Siviglia | harpsichord | Gioachino Rossini; Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, James Levine | |
| 1974-08 – 1975-05 | Il barbiere di Siviglia | harpsichord | Gioachino Rossini, Beverly Sills, Sherrill Milnes, Nicolai Gedda, Renato Capecchi, Fedora Barbieri, Ruggero Raimondi, The John Alldis Choir, London Symphony Orchestra, James Levine | |
| 1974-08 – 1975-05 | Il barbiere di Siviglia (Highlights) | harpsichord | Gioachino Rossini; Nicolai Gedda, Beverly Sills, Sherrill Milnes, The John Alldis Choir, London Symphony Orchestra, James Levine | |
| 1974-08 – 1975-05 | The Barber of Seville (Highlights) | harpsichord | Gioachino Rossini; Nicolai Gedda, Beverly Sills, Sherrill Milnes, London Symphony Orchestra, James Levine | |
| 1974-08 – 1975-05 | The Barber of Seville (Highlights) | harpsichord | Gioachino Rossini; Beverly Sills, Sherrill Milnes, Nicolai Gedda, Renato Capecchi, Ruggero Raimondi, The John Alldis Choir, London Symphony Orchestra, James Levine | |
| Marriage of Figaro: Highlights | harpsichord | Wolfgang Amadeus Mozart; BBC Symphony Orchestra & Chorus, Sir Colin Davis | |
| Sacred Music for Solo Voices & Orchestra I | organ | Antonio Vivaldi; Margaret Marshall, Jochen Kowalski, Concertgebouw Chamber Orchestra, Vittorio Negri | |
| The English Patient | piano and solo | Gabriel Yared | |
| miscellaneous roles |
|---|
| 1989-07 | Die Zauberflöte | task: Musical assistance | Mozart; Te Kanawa, Studer, Araiza, Ramey, Bär, Lind, Van Dam, Ambrosian Opera Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | |
