| balance engineered |
|---|
| Jesu, meine Freude, BWV 753 (fragment) | | Simon Preston | 2:05 |
| Symphony no. 6, WAB 106: I. Majestoso | | Münchner Philharmoniker, Sergiu Celibidache | 17:13 |
| Symphony no. 6, WAB 106: II. Adagio. Sehr feierlich | | Münchner Philharmoniker, Sergiu Celibidache | 21:51 |
| Symphony no. 6, WAB 106: III. Scherzo. Nicht schnell - Trio. Langsam | | Münchner Philharmoniker, Sergiu Celibidache | 8:18 |
| Symphony no. 6, WAB 106: IV. Finale. Bewegt, doch nicht zu schnell | | Münchner Philharmoniker, Sergiu Celibidache | 16:14 |
| edited |
|---|
| Chaconne in D minor for the Left Hand (Piano Studies no. 5), Anh. 1a/1 | | Daniil Trifonov | 15:01 |
| Jesu, Joy of Man’s Desiring | | Daniil Trifonov | 4:19 |
| Symphony no. 2 in E minor, op. 27: 1. Allegro moderato – | | The Philadelphia Orchestra, Yannick Nézet‐Séguin | 10:48 |
| Symphony no. 2 in E minor, op. 27: 1. Largo – | | The Philadelphia Orchestra, Yannick Nézet‐Séguin | 5:10 |
| Symphony no. 2 in E minor, op. 27: 1. Moderato | | The Philadelphia Orchestra, Yannick Nézet‐Séguin | 4:47 |
| Symphony no. 2 in E minor, op. 27: 2. Allegro molto | | The Philadelphia Orchestra, Yannick Nézet‐Séguin | 10:24 |
| Symphony no. 2 in E minor, op. 27: 3. Adagio | | The Philadelphia Orchestra, Yannick Nézet‐Séguin | 16:12 |
| Symphony no. 2 in E minor, op. 27: 4. Allegro vivace | | The Philadelphia Orchestra, Yannick Nézet‐Séguin | 14:28 |
| Symphony no. 9 in D: I. Andante comodo | | Los Angeles Philharmonic, Gustavo Dudamel | 29:33 |
| Symphony no. 9 in D: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - | | Los Angeles Philharmonic, Gustavo Dudamel | 16:25 |
| Symphony no. 9 in D: III. Rondo. Burleske (Allegro assai. Sehr trotzig - | | Los Angeles Philharmonic, Gustavo Dudamel | 13:19 |
| Symphony no. 9 in D: IV. Adagio (Sehr langsam) | | Los Angeles Philharmonic, Gustavo Dudamel | 26:46 |
| The Art of Fugue, BWV 1080: [Contrapunctus 14] | | Daniil Trifonov | 10:34 |
| The Art of Fugue, BWV 1080: Canon [in Hypodiatessaron] per Augmentationem in Contrario Motu | | Daniil Trifonov | 3:33 |
| The Art of Fugue, BWV 1080: Canon alla Decima in Contrapunto alla Terza | | Daniil Trifonov | 3:12 |
| The Art of Fugue, BWV 1080: Canon alla Duodecima in Contrapunto alla Quinta | | Daniil Trifonov | 2:40 |
| The Art of Fugue, BWV 1080: Canon in Hypodiapason (Canon alla Ottava) | | Daniil Trifonov | 1:52 |
| The Art of Fugue, BWV 1080: Contrapunctus [12] [rectus] a 4 | | Daniil Trifonov | 3:25 |
| The Art of Fugue, BWV 1080: Contrapunctus [12] inversus a 4 | | Daniil Trifonov | 3:16 |
| The Art of Fugue, BWV 1080: Contrapunctus [13] [rectus] a 3 | | Daniil Trifonov | 1:53 |
| The Art of Fugue, BWV 1080: Contrapunctus [13] inversus a 3 | | Daniil Trifonov | 1:57 |
| The Art of Fugue, BWV 1080: Contrapunctus 1 | | Daniil Trifonov | 2:45 |
| The Art of Fugue, BWV 1080: Contrapunctus 2 | | Daniil Trifonov | 2:23 |
| The Art of Fugue, BWV 1080: Contrapunctus 3 | | Daniil Trifonov | 2:33 |
| The Art of Fugue, BWV 1080: Contrapunctus 4 | | Daniil Trifonov | 2:40 |
| The Art of Fugue, BWV 1080: Contrapunctus 5 | | Daniil Trifonov | 3:07 |
| The Art of Fugue, BWV 1080: Contrapunctus 6 a 4 [per Diminutionem] in Stylo Francese | | Daniil Trifonov | 5:33 |
| The Art of Fugue, BWV 1080: Contrapunctus 7 a 4 per Augmentationem et Diminutionem | | Daniil Trifonov | 3:21 |
| The Art of Fugue, BWV 1080: Contrapunctus 8 a 3 | | Daniil Trifonov | 5:00 |
| The Art of Fugue, BWV 1080: Contrapunctus 9 a 4 alla Duodecima | | Daniil Trifonov | 2:29 |
| The Art of Fugue, BWV 1080: Contrapunctus 10 a 4alla Decima | | Daniil Trifonov | 4:01 |
| The Art of Fugue, BWV 1080: Contrapunctus 11 a 4 | | Daniil Trifonov | 4:53 |
| engineered |
|---|
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, I. Scène: Allegro giusto | | London Symphony Orchestra, Michael Tilson Thomas | 2:50 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, II. Valse: Tempo di valse | | London Symphony Orchestra, Michael Tilson Thomas | 7:19 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, III. Scène: Allegro moderato | | London Symphony Orchestra, Michael Tilson Thomas | 3:46 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, IV. Pas de trois: I. Intrada: Allegro | | London Symphony Orchestra, Michael Tilson Thomas | 2:18 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, IV. Pas de trois: II. Andante sostenuto | | London Symphony Orchestra, Michael Tilson Thomas | 2:39 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, IV. Pas de trois: III. Allegro simplice - Presto | | London Symphony Orchestra, Michael Tilson Thomas | 1:08 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, IV. Pas de trois: IV. Moderato | | London Symphony Orchestra, Michael Tilson Thomas | 1:16 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, IV. Pas de trois: V. Allegro | | London Symphony Orchestra, Michael Tilson Thomas | 1:03 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, IV. Pas de trois: VI. Coda: Allegro vivace | | London Symphony Orchestra, Michael Tilson Thomas | 1:39 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, IX. Finale: Sujet: Andante | | London Symphony Orchestra, Michael Tilson Thomas | 3:02 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, V. Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato | | London Symphony Orchestra, Michael Tilson Thomas | 2:26 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, V. Pas de deux: II. Andante - Allegro | | London Symphony Orchestra, Michael Tilson Thomas | 5:25 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, V. Pas de deux: III. Tempo di valse | | London Symphony Orchestra, Michael Tilson Thomas | 1:27 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, V. Pas de deux: IV. Coda: Allegro molto vivace | | London Symphony Orchestra, Michael Tilson Thomas | 1:55 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, VI. Pas d'action: Andantino quasi moderato - Allegro | | London Symphony Orchestra, Michael Tilson Thomas | 2:21 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, VII. Sujet | | London Symphony Orchestra, Michael Tilson Thomas | 0:34 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act I, VIII. Danse des coupes: Tempo di polacca | | London Symphony Orchestra, Michael Tilson Thomas | 5:19 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act II, X. Scène: Moderato | | London Symphony Orchestra, Michael Tilson Thomas | 3:13 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act II, XI. Scène: Allegro moderato - Moderato - Allegro vivo | | London Symphony Orchestra, Michael Tilson Thomas | 5:22 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act II, XII. Scène: Allegro - Moderato assai quasi andante | | London Symphony Orchestra, Michael Tilson Thomas | 3:40 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act II, XIII. Danses des cygnes: I. Tempo di valse | | London Symphony Orchestra, Michael Tilson Thomas | 2:30 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act II, XIII. Danses des cygnes: II. Moderato assai | | London Symphony Orchestra, Michael Tilson Thomas | 1:38 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act II, XIII. Danses des cygnes: III. Tempo di valse | | London Symphony Orchestra, Michael Tilson Thomas | 1:45 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act II, XIII. Danses des cygnes: IV. Allegro moderato | | London Symphony Orchestra, Michael Tilson Thomas | 1:28 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act II, XIII. Danses des cygnes: V. Pas d'action: Andante - Andante non troppo - Tempo I - Allegro | | London Symphony Orchestra, Michael Tilson Thomas | 7:20 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act II, XIII. Danses des cygnes: VI. Tempo di valse | | London Symphony Orchestra, Michael Tilson Thomas | 1:37 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act II, XIII. Danses des cygnes: VII. Coda: Allegro vivo | | London Symphony Orchestra, Michael Tilson Thomas | 1:43 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act II, XIV. Scène: Moderato | | London Symphony Orchestra, Michael Tilson Thomas | 3:22 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XIX. Pas de six: Coda: Allegro molto | | London Symphony Orchestra, Michael Tilson Thomas | 1:51 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XIX. Pas de six: Variation I: Allegro | | London Symphony Orchestra, Michael Tilson Thomas | 1:19 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XIX. Pas de six: Variation II: Andante con moto | | London Symphony Orchestra, Michael Tilson Thomas | 3:07 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XIX. Pas de six: Variation III: Moderato | | London Symphony Orchestra, Michael Tilson Thomas | 0:42 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XIX. Pas de six: Variation IV: Allegro | | London Symphony Orchestra, Michael Tilson Thomas | 0:53 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XIX. Pas de six: Variation V: Moderato - Allegro simplice | | London Symphony Orchestra, Michael Tilson Thomas | 1:23 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XIX. Pas de six. Intrada: Moderato assai | | London Symphony Orchestra, Michael Tilson Thomas | 2:41 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XV. Allegro giusto | | London Symphony Orchestra, Michael Tilson Thomas | 2:33 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XVI. Danses du corps de ballet et des nains: Moderato assai - Allegro vivo | | London Symphony Orchestra, Michael Tilson Thomas | 2:26 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XVII. Scène. Sortie des invites et valse: Allegro - Tempo di valse | | London Symphony Orchestra, Michael Tilson Thomas | 8:04 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XVIII. Scène: Allegro - Allegro giusto | | London Symphony Orchestra, Michael Tilson Thomas | 1:34 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XX. Danse hongroise. Czardas: Moderato assai - Allegro moderato - Vivace | | London Symphony Orchestra, Michael Tilson Thomas | 3:11 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XXa. Danse russe: Moderato - Andante simplice - Allegro vivo - Presto | | London Symphony Orchestra, Michael Tilson Thomas | 4:42 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XXI. Danse espagnole: Allegro non troppo (Tempo di bolero) | | London Symphony Orchestra, Michael Tilson Thomas | 2:39 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XXII. Danse napolitaine: Allegro moderato - Andantino quasi moderato - Presto | | London Symphony Orchestra, Michael Tilson Thomas | 2:10 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XXIII. Mazurka: Tempo di mazurka | | London Symphony Orchestra, Michael Tilson Thomas | 4:38 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act III, XXIV. Scène: Allegro - Valse - Allegro vivo | | London Symphony Orchestra, Michael Tilson Thomas | 3:30 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act IV, XXIX. Scène finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato | | London Symphony Orchestra, Michael Tilson Thomas | 6:31 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act IV, XXV. Entr'acte: Moderato | | London Symphony Orchestra, Michael Tilson Thomas | 1:42 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act IV, XXVI. Scène: Allegro non troppo | | London Symphony Orchestra, Michael Tilson Thomas | 1:48 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act IV, XXVII. Danses des petits cygnes: Moderato | | London Symphony Orchestra, Michael Tilson Thomas | 5:13 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Act IV, XXVIII. Scène: Allegro agitato - Molto meno mosso - Allegro vivace | | London Symphony Orchestra, Michael Tilson Thomas | 2:58 |
| 1990-05-08 – 1990-05-12 | Swan Lake: Introduction: Moderato assai - Allegro non troppo - Tempo I | | London Symphony Orchestra, Michael Tilson Thomas | 3:20 |
| Air | | Patrick Gallois | 5:35 |
| And Then I Knew 'twas Wind | | Patrick Gallois, Fabrice Pierre | 13:12 |
| Arabeske, op. 18 | | Евгений Игоревич Кисин | 6:08 |
| Carnival Scene, op. 19 no. 3 | | Евгений Игоревич Кисин | 6:51 |
| Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso - Andante espressivo - Allegro - Allegro molto | | Evgeny Kissin, Wiener Philharmoniker, Carlo Maria Giulini | 14:50 |
| Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso - attacca | | Evgeny Kissin, Wiener Philharmoniker, Carlo Maria Giulini | 5:23 |
| Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | | Evgeny Kissin, Wiener Philharmoniker, Carlo Maria Giulini | 10:39 |
| Die Forelle, S 564 (Schubert) | | Evgeny Kissin | 2:48 |
| Erlkönig, S 558 No. 4 (Schubert) | | Evgeny Kissin | 4:09 |
| Glagolitic Mass: I. Úvod (Introduction) | | London Symphony Chorus, London Symphony Orchestra, Michael Tilson Thomas | 3:17 |
| Glagolitic Mass: II. Gospodi pomiluj (Kyrie) | | London Symphony Chorus, Gabriela Beňačková, London Symphony Orchestra, Michael Tilson Thomas | 3:25 |
| Glagolitic Mass: III. Slava (Gloria) | | Gabriela Beňačková, Gary Lakes, London Symphony Chorus, London Symphony Orchestra, Michael Tilson Thomas | 6:30 |
| Glagolitic Mass: IV. Věruju (Credo) | | Gary Lakes, Anatoly Kocherga, London Symphony Chorus, John Scott, London Symphony Orchestra, Michael Tilson Thomas | 12:14 |
| Glagolitic Mass: V. Svet (Sanctus) | | Gabriela Beňačková, Анатолій Іванович Кочерга, Gary Lakes, London Symphony Chorus, Felicity Palmer, London Symphony Orchestra, Michael Tilson Thomas | 5:53 |
| Glagolitic Mass: VI. Agneče Božij (Agnus Dei) | | Gabriela Beňačková, Анатолій Іванович Кочерга, Gary Lakes, London Symphony Chorus, Felicity Palmer, London Symphony Orchestra, Michael Tilson Thomas | 5:48 |
| Glagolitic Mass: VII. Varhany solo (Organ) | | London Symphony Chorus, John Scott, London Symphony Orchestra, Michael Tilson Thomas | 2:14 |
| Glagolitic Mass: VIII. Intrada | | London Symphony Chorus, London Symphony Orchestra, Michael Tilson Thomas | 1:56 |
| I Hear the Water Dreaming | | Patrick Gallois, BBC Symphony Orchestra, Andrew Davis | 10:52 |
| I Love You, op. 41 no. 3 | | Евгений Игоревич Кисин | 2:35 |
| Le Fils des étoiles | | Patrick Gallois, Fabrice Pierre | 4:17 |
| Sinfonietta: I. Allegretto | | London Symphony Orchestra, Michael Tilson Thomas | 2:18 |
| Sinfonietta: II. Andante - Allegretto | | London Symphony Orchestra, Michael Tilson Thomas | 5:44 |
| Sinfonietta: III. Moderato | | London Symphony Orchestra, Michael Tilson Thomas | 5:19 |
| Sinfonietta: IV. Allegretto | | London Symphony Orchestra, Michael Tilson Thomas | 2:51 |
| Sinfonietta: V. Andante con moto | | London Symphony Orchestra, Michael Tilson Thomas | 6:49 |
| Soirées de Vienne, S 527: Valse caprice d'après Schubert No. 6 in A minor | | Evgeny Kissin | 6:23 |
| Toward the Sea I: Cape Cod | | Patrick Gallois, Göran Söllscher | 3:44 |
| Toward the Sea I: Moby Dick | | Patrick Gallois, Göran Söllscher | 4:08 |
| Toward the Sea I: The Night | | Patrick Gallois, Göran Söllscher | 3:25 |
| Toward the Sea II: Cape Cod | | Patrick Gallois, Fabrice Pierre, BBC Symphony Orchestra, Andrew Davis | 3:42 |
| Toward the Sea II: Moby Dick | | Patrick Gallois, Fabrice Pierre, BBC Symphony Orchestra, Andrew Davis | 3:58 |
| Toward the Sea II: The Night | | Patrick Gallois, Fabrice Pierre, BBC Symphony Orchestra, Andrew Davis | 3:34 |
| Toward the Sea III: Cape Cod | | Patrick Gallois, Fabrice Pierre | 3:34 |
| Toward the Sea III: Moby Dick | | Patrick Gallois, Fabrice Pierre | 3:57 |
| Toward the Sea III: The Night | | Patrick Gallois, Fabrice Pierre | 3:31 |
| produced |
|---|
| 1995 | Cançión "Ecce sacerdos magnus" (à 5) | | Paul McCreesh, Gabrieli Consort & Players | 2:07 |
| 1995 | Cançión "Subiendo amor" | | Paul McCreesh, Gabrieli Consort & Players | 1:08 |
| 1995 | Cançión "Todos aman" | | Paul McCreesh, Gabrieli Consort & Players | 1:15 |
| 1995 | Cançión (untitled) (à 6) | | Paul McCreesh, Gabrieli Consort & Players | 2:44 |
| 1995 | Cançión (untitled) (à 6) | | Paul McCreesh, Gabrieli Consort & Players | 1:49 |
| 1995 | Del modo de tañer a corcheas | | Timothy Roberts | 0:51 |
| 1995 | Dominus vobiscum ... Deus, qui populo tuo | | Simon Grant, William Lyons, Paul McCreesh, Gabrieli Consort & Players | 1:09 |
| 1995 | Dominus vobiscum ... Sequentia sancti Evangelii secundum Matthaeum | | Julian Clarkson, William Lyons, Paul McCreesh, Gabrieli Consort & Players | 2:00 |
| 1995 | Dominus vobiscum... Ut nobis, Domine | | Simon Grant, William Lyons, Paul McCreesh, Gabrieli Consort & Players | 1:06 |
| 1995 | Emendemus in melius | | Paul McCreesh, Gabrieli Consort & Players | 6:10 |
| 1995 | EPISTOLA: Lectio Epistolae beati Pauli Apostoli ad Timotheum | | Charles Pott | 1:55 |
| 1995 | Fidelis servus et prudens | | William Lyons, Paul McCreesh, Gabrieli Consort & Players | 1:07 |
| 1995 | In medio ecclesiae aperuit os eius | | Paul McCreesh, Gabrieli Consort & Players | 3:12 |
| 1995 | Ite, missa est... Deo gratias | | William Lyons, Paul McCreesh, Gabrieli Consort & Players | 0:51 |
| 1995 | Mille regretz | | Paul McCreesh, Gabrieli Consort & Players | 2:48 |
| 1995 | Missa "Mille regretz": Agnus Dei | | Paul McCreesh, Gabrieli Consort & Players | 6:58 |
| 1995 | Missa "Mille regretz": Credo | | William Lyons, Paul McCreesh, Gabrieli Consort & Players | 9:00 |
| 1995 | Missa "Mille regretz": Gloria | | William Lyons, Paul McCreesh, Gabrieli Consort & Players | 4:23 |
| 1995 | Missa "Mille regretz": Kyrie | | William Lyons, Paul McCreesh, Gabrieli Consort & Players | 5:30 |
| 1995 | Missa "Mille regretz": Sanctus | | William Lyons, Paul McCreesh, Gabrieli Consort & Players | 5:29 |
| 1995 | Motectum: O Doctor optime | | Paul McCreesh, Gabrieli Consort & Players | 3:40 |
| 1995 | Per omnia saecula saeculorum... Pater noster... | | Simon Grant, William Lyons, Paul McCreesh, Gabrieli Consort & Players | 2:14 |
| 1995 | Per omnia saecula saeculorum... Vere dignum et iustum est... | | Simon Grant, William Lyons, Paul McCreesh, Gabrieli Consort & Players | 3:10 |
| 1995 | Recessional Cancion | | Paul McCreesh, Gabrieli Consort & Players | 1:50 |
| 1995 | Tiento del octavo tono | | Timothy Roberts | 1:04 |
| 1995 | Tiento del quarto tono (extract) | | Timothy Roberts | 1:29 |
| 1995 | Tiento del quinto tono (extract) | | Timothy Roberts | 1:15 |
| 1999-07 | Te Deum | | Musica Antiqua Köln, Reinhard Goebel | 2:18 |
| 2004-09 | Foreign Bodies: I. Body Language | | Radion sinfoniaorkesteri, Esa-Pekka Salonen | 9:52 |
| 2004-09 | Foreign Bodies: II. Language | | Radion sinfoniaorkesteri, Esa-Pekka Salonen | 6:03 |
| 2004-09 | Foreign Bodies: III. Dance | | Radion sinfoniaorkesteri, Esa-Pekka Salonen | 3:48 |
| 2004-09 | Insomnia | | Radion sinfoniaorkesteri, Esa-Pekka Salonen | 21:14 |
| 2004-09 | Wing on Wing | | Anu Komsi, Piia Komsi, Radion sinfoniaorkesteri, Esa-Pekka Salonen | 25:56 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 1: Pezzo elegiaco: Moderato assai - Allegro giusto | | Lang Lang, Mischa Maisky, Vadim Repin | 19:08 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 1: L'istesso tempo | | Lang Lang, Mischa Maisky, Vadim Repin | 0:49 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 2: Più mosso | | Lang Lang, Mischa Maisky, Vadim Repin | 0:34 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 3: Allegro moderato | | Lang Lang, Mischa Maisky, Vadim Repin | 0:51 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 4: L'istesso tempo | | Lang Lang, Mischa Maisky, Vadim Repin | 1:09 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 5: L'istesso tempo | | Lang Lang, Mischa Maisky, Vadim Repin | 0:28 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 6: Tempo di valse | | Lang Lang, Mischa Maisky, Vadim Repin | 2:48 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 7: Allegro moderato | | Lang Lang, Mischa Maisky, Vadim Repin | 1:18 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 8 Fuga: Allegro moderato | | Lang Lang, Mischa Maisky, Vadim Repin | 2:38 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 9: Andante flebile, ma non tanto | | Lang Lang, Mischa Maisky, Vadim Repin | 3:02 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 10: Tempo di mazurka | | Lang Lang, Mischa Maisky, Vadim Repin | 1:49 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 11: Moderato | | Lang Lang, Mischa Maisky, Vadim Repin | 1:58 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Variazione finale e Coda: Allegretto risoluto e con fuoco | | Lang Lang, Mischa Maisky, Vadim Repin | 11:43 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2: Tema con variazioni: Andante con moto | | Lang Lang, Mischa Maisky, Vadim Repin | 1:04 |
| 2009-08 | Trio élégiaque No. 1 in G minor | | Lang Lang, Mischa Maisky, Vadim Repin | 14:57 |
| 2012-11 | Iolanta, Op. 69: Introduction | | Slovenian Philharmonic Orchestra, Emmanuel Villaume | 2:12 |
| 2012-11 | Iolanta, Op. 69: No. 1a. Scene “Moy ptenčik, Iolanta, tï ustala?” (Martha, Iolanta, Brigitta, Laura, chorus) | | Monika Bohinec, Nuška Drašcek Rojko, Anna Netrebko, Theresa Plut, Slovenian Chamber Choir, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 6:39 |
| 2012-11 | Iolanta, Op. 69: No. 1b. Arioso of Iolanta “Otčego ėto prežde ne znala” (Iolanta) | | Anna Netrebko, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 2:35 |
| 2012-11 | Iolanta, Op. 69: No. 2. Scene and Chorus “Polno, ne nado, rodnaya” … “Vot tebe lyutiki” (Martha, Brigitta, Laura, chorus) | | Monika Bohinec, Nuška Drašcek Rojko, Theresa Plut, Slovenian Chamber Choir, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 2:02 |
| 2012-11 | Iolanta, Op. 69: No. 3a. Scene “Brigitta, ėto tï?” (Iolanta, Laura, Brigitta, Martha) | | Monika Bohinec, Nuška Drašcek Rojko, Anna Netrebko, Theresa Plut, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 1:52 |
| 2012-11 | Iolanta, Op. 69: No. 3b. Chorus “Spi, pust’ angelï krïlami navevayut snï” (Brigitta, Laura, Martha, chorus) | | Monika Bohinec, Nuška Drašcek Rojko, Theresa Plut, Slovenian Chamber Choir, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 3:12 |
| 2012-11 | Iolanta, Op. 69: No. 4a. Scene “Prizïvnïy rog” (Bertrand, Alméric, Martha, King, Ibn-Hakia) | | Monika Bohinec, Vitalij Kowaljow, Luka Debevec Mayer, Lucas Meachem, Junho You, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 9:14 |
| 2012-11 | Iolanta, Op. 69: No. 4b. Arioso of the King “Gospod’ moy, esli grešen ya” (King) | | Vitalij Kowaljow, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 3:18 |
| 2012-11 | Iolanta, Op. 69: No. 5a. Scene “Tvoyo lico besstrastno” (King, Ibn-Hakia) | | Vitalij Kowaljow, Lucas Meachem, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 3:10 |
| 2012-11 | Iolanta, Op. 69: No. 5b. Monologue of Ibn-Hakia “Dva mira - plotskiy i dukhovnïy” (Ibn-Hakia, King) | | Vitalij Kowaljow, Lucas Meachem, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 4:29 |
| 2012-11 | Iolanta, Op. 69: No. 6a. Scene “Ne toropis’, zdes’ tak temno” … “Kto možet sravnit’sya” (Robert, Vaudémont) | | Alexey Markov, Sergey Skorokhodov, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 5:15 |
| 2012-11 | Iolanta, Op. 69: No. 6b. Romance “Net! Čarï lask krasï myatežnoy” (Vaudémont) | | Sergey Skorokhodov, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 3:39 |
| 2012-11 | Iolanta, Op. 69: No. 7a. Scene “Odnako gde že mï?” (Vaudémont, Robert, Iolanta) | | Alexey Markov, Anna Netrebko, Sergey Skorokhodov, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 6:35 |
| 2012-11 | Iolanta, Op. 69: No. 7b. Duet “Vï mne predstali kak viden’e” (Vaudémont, Iolanta) | | Anna Netrebko, Sergey Skorokhodov, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 5:30 |
| 2012-11 | Iolanta, Op. 69: No. 7c. Duet “Tvoyo molčan’e neponyatno” … “Čudnïy pervenec tvoren’ya” (Iolanta, Vaudémont) | | Anna Netrebko, Sergey Skorokhodov, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 8:41 |
| 2012-11 | Iolanta, Op. 69: No. 8, Scene: “Iolanta!” - “Menya zovut podrugi” … “Tï, osleplennïy mïsl’yu ložnoy” (Martha, Laura, Brigitta, Iolanta, chorus, King, Vaudémont, Alméric, Ibn-Hakia, Bertrand) | | Vitalij Kowaljow, Anna Netrebko, Sergey Skorokhodov, Slovenian Chamber Choir, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 7:26 |
| 2012-11 | Iolanta, Op. 69: No. 8a, Scene: “Net, nazovi mučen’ya, stradan’ya, bol’” (Iolanta, Vaudémont, Brigitta, Laura, Martha, Alméric, Ibn-Hakia, Bertrand, chorus, King) | | Vitalij Kowaljow, Anna Netrebko, Sergey Skorokhodov, Slovenian Chamber Choir, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 4:16 |
| 2012-11 | Iolanta, Op. 69: No. 9, Finale: “Prosti menya” (King, Vaudémont, Alméric) | | Vitalij Kowaljow, Sergey Skorokhodov, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 2:09 |
| 2012-11 | Iolanta, Op. 69: No. 9a, Finale: “Gotfrid, ya vïručat’ tebya yavilsya” (Robert, Vaudémont, King, Bertrand, Alméric, Martha, Laura, Brigitta, chorus) | | Vitalij Kowaljow, Alexey Markov, Sergey Skorokhodov, Slovenian Chamber Choir, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 4:50 |
| 2012-11 | Iolanta, Op. 69: No. 9b, Finale: "Gde ya?” (Iolanta, Ibn-Hakia) | | Anna Netrebko, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 2:02 |
| 2012-11 | Iolanta, Op. 69: No. 9c, Finale: “Blagoy, velikiy, neizmennïy” (Iolanta, Ibn-Hakia, King, Vaudémont, Brigitta, Laura, Martha, Alméric, Robert, Bertrand, chorus) | | Vitalij Kowaljow, Alexey Markov, Anna Netrebko, Sergey Skorokhodov, Slovenian Chamber Choir, Slovenian Philharmonic Orchestra, Emmanuel Villaume | 3:56 |
| ¡Ay, Maricruz! | | Plácido Domingo, Orquesta de la Comunidad de Madrid, Miguel Roa | 3:18 |
| "Carmen" variations | | Yuja Wang | 3:39 |
| "Suite italienne" from Pulcinella: I. Introduzione. Allegro moderato | | Martha Argerich, Mischa Maisky | 2:15 |
| "Suite italienne" from Pulcinella: II. Serenata. Larghetto | | Martha Argerich, Mischa Maisky | 3:07 |
| "Suite italienne" from Pulcinella: III. Aria. Allegro ala breve - Largo | | Martha Argerich, Mischa Maisky | 5:32 |
| "Suite italienne" from Pulcinella: IV. Tarantella. Vivace | | Martha Argerich, Mischa Maisky | 2:06 |
| "Suite italienne" from Pulcinella: V. Minuetto e Finale. Moderato - Molto vivace | | Martha Argerich, Mischa Maisky | 4:36 |
| "Wachet auf, ruft uns die Stimme", BWV 645 | | Gianluca Cascioli | 3:47 |
| “Lustig-Traurig” for Piano in C major, WoO 54 | | Gianluca Cascioli | 1:44 |
| [applause] | | [no artist] | 0:37 |
| [applause] | | [no artist] | 0:21 |
| [applause] | | [no artist] | 0:40 |
| [applause] | | [no artist] | 0:52 |
| [applause] | | [no artist] | 0:37 |
| [applause] | | [no artist] | 0:36 |
| 2 Etudes de Concert, S. 145 no. 2 Gnomenreigen | | Daniil Trifonov | 2:53 |
| 3 Gymnopédies: I. Lent et douloureux | | Alice Sara Ott | 3:25 |
| 3 Romanzen, op. 28: No. 2 in F-sharp (Einfach) | | Jan Lisiecki | 3:40 |
| 6 Bagatelles for Wind Quintet: I. Allegro con spirito | | Douglas Boyd, Richard Hosford, James Sommerville, Matthew Wilkie, Jacques Zoon | 1:14 |
| 6 Bagatelles for Wind Quintet: II. Rubato. Lamentoso | | Douglas Boyd, Richard Hosford, James Sommerville, Matthew Wilkie, Jacques Zoon | 3:04 |
| 6 Bagatelles for Wind Quintet: III. Allegro grazioso - | | Douglas Boyd, Richard Hosford, James Sommerville, Matthew Wilkie, Jacques Zoon | 2:43 |
| 6 Bagatelles for Wind Quintet: IV. Presto ruvido | | Douglas Boyd, Richard Hosford, James Sommerville, Matthew Wilkie, Jacques Zoon | 0:58 |
| 6 Bagatelles for Wind Quintet: V. Adagio. Mesto (Béla Bartók in memoriam) | | Douglas Boyd, Richard Hosford, James Sommerville, Matthew Wilkie, Jacques Zoon | 2:27 |
| 6 Bagatelles for Wind Quintet: VI. Molto vivace. Capriccioso | | Douglas Boyd, Richard Hosford, James Sommerville, Matthew Wilkie, Jacques Zoon | 1:31 |
| 6 Easy Variations for Piano in G major on an Original Theme, WoO 77 | | Gianluca Cascioli | 7:12 |
| 6 Encores: 3. Wasserklavier | | Hélène Grimaud | 2:11 |
| 6 Variations for Piano in D major on an Original Theme, op. 76 | | Gianluca Cascioli | 7:09 |
| 7 Ländler for Piano in D major, WoO 11 | | Gianluca Cascioli | 4:08 |
| 7 Variations for Piano in F major on the Quartet “Kind, willst du ruhig schlafen?” from Peter Winter’s opera “Das unterbrochene Opferfest”, WoO 75 | | Gianluca Cascioli | 12:17 |
| 8 Variations for Piano in C major on the Romance “Une fièvre brulante” from Grétry’s opera “Richard Cœur de Lion”, WoO 72 | | Gianluca Cascioli | 6:55 |
| 8 Variations for Piano in F major on the Trio “Tändeln und Scherzen” from Franz X. Süssmayr’s opera “Soliman II”, WoO 76 | | Gianluca Cascioli | 8:15 |
| See all 1,903 relationships |
| recording engineer for |
|---|
| Overture 'Egmont', Op. 84: Sostenuto, Ma Non Troppo - Allegro | | La Scala Philharmonic Orchestra, Carlo Maria Giulini | 9:37 |
| Sechs Lieder, Op. 17: II. Ständchen | | Measha Brueggergosman, Justus Zeyen | 2:36 |
| Symphonie No 3 En Mi Bemol Majeur, Op. 55 "Heroique": Allegro Con Brio | | La Scala Philharmonic Orchestra, Carlo Maria Giulini | 21:07 |
| Symphonie No 3 En Mi Bemol Majeur, Op. 55 "Heroique": Finale: Allegro Molto | | La Scala Philharmonic Orchestra, Carlo Maria Giulini | 13:59 |
| Symphonie No 3 En Mi Bemol Majeur, Op. 55 "Heroique": Marcia Funebre: Adagio Assai | | La Scala Philharmonic Orchestra, Carlo Maria Giulini | 17:52 |
| Symphonie No 3 En Mi Bemol Majeur, Op. 55 "Heroique": Scherzo Allegro Vivace | | La Scala Philharmonic Orchestra, Carlo Maria Giulini | 6:39 |
| Symphony No. 6 In F Major, Op. 68 'Pastoral': I. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande: Allegro Ma Non Troppo | | La Scala Philharmonic Orchestra, Carlo Maria Giulini | 11:04 |
| Symphony No. 6 In F Major, Op. 68 'Pastoral': II. Szene Am Bach: Andante Molto Mosso | | La Scala Philharmonic Orchestra, Carlo Maria Giulini | 13:51 |
| Symphony No. 6 In F Major, Op. 68 'Pastoral': III. Lustiges Zusammensein Der Landleute: Allegro | | La Scala Philharmonic Orchestra, Carlo Maria Giulini | 6:23 |
| Symphony No. 6 In F Major, Op. 68 'Pastoral': IV. Gewitter, Sturm: Allegro | | La Scala Philharmonic Orchestra, Carlo Maria Giulini | 4:22 |
| Symphony No. 6 In F Major, Op. 68 'Pastoral': V. Hirtengesang. Frohe Und Dankbare Gefuhle Nach Dem Sturm: Allegretto | | La Scala Philharmonic Orchestra, Carlo Maria Giulini | 10:55 |
| engineered |
|---|
| Symphony no. 39, K543 / Sinfonia Concertante, K297b | | Mozart; Berliner Philharmoniker, Carlo Maria Giulini | |
| produced |
|---|
| 2004-02 | Music for a While: Baroque Melodies | | Anne Sofie von Otter | |
| Ainadamar | | Osvaldo Golijov; Dawn Upshaw, Atlanta Symphony Orchestra, Robert Spano | |
| Bruckner: Symphonies nos. 1 & 5 / Wagner: Tristan und Isolde: Prelude & Liebestod | executive | Bruckner, Wagner; Gewandhausorchester, Andris Nelsons | |
| Bruckner: Symphonies nos. 2 & 8 / Wagner: Meistersinger Prelude | executive | Bruckner, Wagner; Gewandhausorchester, Andris Nelsons | |
| Bruckner: Symphony no. 4 / Wagner: Lohengrin Prelude | executive | Bruckner, Wagner; Gewandhausorchester, Andris Nelsons | |
| Complete Symphonies | executive | Beethoven; Andris Nelsons, Wiener Philharmoniker | |
| Lieder nach Gedichten von Goethe | | Schubert; Brigitte Fassbaender, Cord Garben | |
| Piano Concerto no. 1 / Ballades | executive | Chopin; Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | |
| Piano Concerto no. 2 / Scherzi | executive | Chopin; Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | |
| Symphonies nos. 1, 14 & 15 / Chamber Symphony in C minor | executive | Dmitri Shostakovich; Boston Symphony Orchestra, Andris Nelsons | |
| Symphonies nos. 1, 14 & 15 / Chamber Symphony in C minor | executive | Dmitri Shostakovich; Boston Symphony Orchestra, Andris Nelsons | |
| Symphonies nos. 2 & 3 / Isle of the Dead | executive | Sergei Rachmaninoff; The Philadelphia Orchestra, Yannick Nézet‐Séguin | |
| Symphonies Nos. 2 & 3 / Suite: The Bolt | executive | Dmitri Shostakovich; Gothenburg Symphony Orchestra and Chorus, Neeme Järvi | |
| Symphonies nos. 4 & 11 “The Year 1905” | executive | Dmitri Shostakovich; Boston Symphony Orchestra, Andris Nelsons | |
| Symphonies nos. 4 & 11 “The Year 1905” | executive | Dmitri Shostakovich; Boston Symphony Orchestra, Andris Nelsons | |
| Symphonies nos. 4 & 11 “The Year 1905” | executive | Dmitri Shostakovich; Boston Symphony Orchestra, Andris Nelsons | |
| Symphony no. 1 / Symphonic Dances | executive | Sergei Rachmaninoff; The Philadelphia Orchestra, Yannick Nézet‐Séguin | |
| The Fairy's Kiss / Faun and Shepherdess / Ode | | Stravinsky; Lucy Shelton, The Cleveland Orchestra, Oliver Knussen | |
| The Wanderer | executive | Schubert, Berg, Liszt; Seong-Jin Cho | |
| Under Stalin’s Shadow: Symphonies nos. 5 / 8 / 9 | executive | Shostakovich; Andris Nelsons, Boston Symphony Orchestra | |
| Under Stalin’s Shadow: Symphonies nos. 5, 8 & 9 / Suite from “Hamlet” | executive | Shostakovich; Boston Symphony Orchestra, Andris Nelsons | |
| Under Stalin’s Shadow: Symphonies nos. 6 & 7 / Incidental Music to “King Lear” | executive | Dmitri Shostakovich; Boston Symphony Orchestra, Andris Nelsons | |
| Under Stalin’s Shadow: Symphonies nos. 6 & 7 / Incidental Music to “King Lear” | executive | Dmitri Shostakovich; Boston Symphony Orchestra, Andris Nelsons | |
| Under Stalin’s Shadow: Symphonies nos. 6 & 7 / Incidental Music to “King Lear” | executive | Dmitri Shostakovich; Boston Symphony Orchestra, Andris Nelsons | |
| Under Stalin’s Shadow: Symphonies nos. 6 & 7 / Incidental Music to “King Lear” | executive | Dmitri Shostakovich; Boston Symphony Orchestra, Andris Nelsons | |
| Wing on Wing | executive | Esa-Pekka Salonen; Finnish Radio Symphony Orchestra, Esa-Pekka Salonen | |
| Winner of the 17th International Fryderyk Chopin Piano Competition | executive and task: for the DG | Frédéric Chopin; Seong-Jin Cho | |
| recording engineer for |
|---|
| Dvořák: Symphony 9 / Ravel: Ma mère l'oye | | Dvořák, Ravel; Koninklijk Concertgebouworkest, Carlo Maria Giulini | |
