| “Ah Perfido”, op. 65: I. Scena “Ah! perfido, sperguiro” | Corydon Orchestra, Corydon Singers, Matthew Best | | | 3:17 | |
| “Ah Perfido”, op. 65: II. Aria “Per pietà, non dirmi addio” | Corydon Orchestra, Corydon Singers, Matthew Best | | | 9:59 | |
| “Ne’ giorni tuoi felici”, WoO 93 | Corydon Orchestra, Corydon Singers, Matthew Best | | | 6:49 | |
| A Song of Thanksgiving | Corydon Singers, Lynne Dawson, Sir John Gielgud, London Oratory Junior Choir, John Scott, City of London Sinfonia, Matthew Best | | | 16:13 | |
| Aequalis no. 1 | Matthew Best, Roger Brenner, Phillip Brown, Colin Sheen | | | 2:01 | |
| Aequalis no. 2 | Matthew Best, Roger Brenner, Phillip Brown, Colin Sheen | | | 2:03 | |
| Agnus Dei | Corydon Singers, Matthew Best | | | 9:54 | |
| Agnus Dei | Corydon Singers, Matthew Best | | | 10:02 | |
| Agnus Dei (Platoon) | Corydon Singers, Matthew Best | | | 9:55 | |
| All-Night Vigil, op. 37 "Vespers": VI. Bogoroditse Devo | Corydon Singers, Matthew Best | | | 3:14 | |
| Angel vopiyashe | Corydon Singers, Matthew Best | | | 3:42 | |
| Antiphon: Tota pulchra es | Corydon Singers, Matthew Best | | | 5:51 | |
| Ave Maria | Corydon Singers, Matthew Best | | | 4:08 | |
| Ave Maria, op. 12 | Matthew Best, Corydon Singers, John Scott | | | 4:01 | |
| Ave Maria, op. 23 no. 2 | Robin Mace, Christine Barratt, Rogers Covey‐Crump, Jenny Youde, Joya Logan, Corydon Singers, Janey Mackenzie, Kenneth Roles, Julian Walker, English Chamber Orchestra, Matthew Best | | | 7:28 | |
| Ave Verum, Op. 65 No. 1 | Corydon Singers, Matthew Best | | | 3:37 | |
| Blagosloven Gradyy - Videkhom Svet | Corydon Singers, Matthew Best | | | ?:?? | |
| Blagoslovi, Dushe Moya, Gospoda | Corydon Singers, Matthew Best | | | ?:?? | |
| Budi Imya Gospode | Corydon Singers, Matthew Best | | | ?:?? | |
| Cantata on the Accession of Emperor Leopold II, WoO 88: Bass recitative - Ihr staunt, Volker der Erde | José van Dam, Corydon Orchestra, Matthew Best | | | 0:42 | |
| Cantata on the Accession of Emperor Leopold II, WoO 88: Chorus with solo quartet - Heil! Sturzet nieder, Millionen | John Mark Ainsley, Corydon Singers, Judith Howarth, Jean Rigby, José van Dam, Corydon Orchestra, Matthew Best | | | 4:41 | |
| Cantata on the Accession of Emperor Leopold II, WoO 88: Soprano aria - Fleisse, Wonnezahre, fliesse! | Judith Howarth, Corydon Orchestra, Matthew Best | | | 9:37 | |
| Cantata on the Accession of Emperor Leopold II, WoO 88: Soprano recitative with chorus - Er schlummert...schlummert! | Corydon Singers, Judith Howarth, Corydon Orchestra, Matthew Best | | | 4:20 | |
| Cantata on the Accession of Emperor Leopold II, WoO 88: Tenor recitative - Wie bebt mein Herz vor Wonne!; Soprano, tenor, bass terzetto - Ihr, die Joseph ihren Vater nannten | John Mark Ainsley, Judith Howarth, José van Dam, Corydon Orchestra, Matthew Best | | | 4:07 | |
| Cantata on the Death of Emperor Joseph II, WoO 87: Bass aria - Da kam Joseph, mit Gottes Starke | José van Dam, Corydon Orchestra, Matthew Best | | | 4:49 | |
| Cantata on the Death of Emperor Joseph II, WoO 87: Bass recitative - Ungeheuer, sein Name Fanatismus | José van Dam, Corydon Orchestra, Matthew Best | | | 1:24 | |
| Cantata on the Death of Emperor Joseph II, WoO 87: Chorus with solo quartet - Todt, stohnt es durch die ode Nacht! | John Mark Ainsley, Corydon Singers, Jean Rigby, Janice Watson, José van Dam, Corydon Orchestra, Matthew Best | | | 8:13 | |
| Cantata on the Death of Emperor Joseph II, WoO 87: Chorus with solo quartet - Todt, stohnt es durch die ode Nacht! | John Mark Ainsley, Corydon Singers, Jean Rigby, Janice Watson, José van Dam, Corydon Orchestra, Matthew Best | | | 9:11 | |
| Cantata on the Death of Emperor Joseph II, WoO 87: Soprano aria - Hier schlummert seinen stillen Frieden | Janice Watson, Corydon Orchestra, Matthew Best | | | 8:21 | |
| Cantata on the Death of Emperor Joseph II, WoO 87: Soprano aria with chorus - Da stiegen die Menschen an's Licht | Corydon Singers, Janice Watson, Corydon Orchestra, Matthew Best | | | 6:28 | |
| Cantata on the Death of Emperor Joseph II, WoO 87: Soprano recitative - Er schlaft von den Sorgen seiner Welten entladen | Janice Watson, Corydon Orchestra, Matthew Best | | | 2:36 | |
| Cantique de Jean Racine, Op. 11 | Corydon Singers, Matthew Best | | | 6:13 | |
| Chichester Psalms: Psalm 23, verse 1-4 - Psalm 2, verses 1-4, Psalm 23, verses 5, 6 (Andante con moto, ma tranquillo) | Dominic Martelli, Corydon Singers, Gary Kettel, Rachel Masters, Thomas Trotter, Matthew Best | | | 5:51 | |
| Chichester Psalms: Psalm 108, verse 2 - Psalm 100 (Maestoso ma energico) | Dominic Martelli, Corydon Singers, Gary Kettel, Rachel Masters, Thomas Trotter, Matthew Best | | | 3:44 | |
| Chichester Psalms: Psalm 131 - Psalm 133, verse 1 (Prelude - Peacefully Flowing) | Dominic Martelli, Corydon Singers, Gary Kettel, Rachel Masters, Thomas Trotter, Matthew Best | | | 9:24 | |
| Da Ispolnaytsya Usta Nasha | Corydon Singers, Matthew Best | | | ?:?? | |
| Dies natalis, op. 8: Intrada | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 5:08 | |
| Dies natalis, op. 8: Rhapsody. Recitativo stromentato | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 6:33 | |
| Dies natalis, op. 8: The Rapture. Danza | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 3:38 | |
| Dies natalis, op. 8: The Salutation. Aria | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 4:48 | |
| Dies natalis, op. 8: Wonder. Arioso | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 4:25 | |
| Dona nobis pacem: I. "Agnus Dei qui tollis peccata mundi" | Thomas Allen, Corydon Singers, Judith Howarth, Corydon Orchestra, Matthew Best | | | ?:?? | |
| Dona nobis pacem: II. "Beat! beat! drums! - Blow! bugles! blow!" | Thomas Allen, Corydon Singers, Judith Howarth, Corydon Orchestra, Matthew Best | | | ?:?? | |
| Dona nobis pacem: III. Reconciliation "Word over all, beautiful as the sky" | Thomas Allen, Corydon Singers, Judith Howarth, Corydon Orchestra, Matthew Best | | | ?:?? | |
| Dona nobis pacem: IV. Dirge for Two Veterans "The last sunbeam" | Thomas Allen, Corydon Singers, Judith Howarth, Corydon Orchestra, Matthew Best | | | ?:?? | |
| Dona nobis pacem: V. "The Angel of Death has been abroad throughout the land" | Thomas Allen, Corydon Singers, Judith Howarth, Corydon Orchestra, Matthew Best | | | ?:?? | |
| Dostoyno Est | Corydon Singers, Matthew Best | | | ?:?? | |
| Ecce sacerdos magnus | Corydon Singers, Matthew Best | | | 5:06 | |
| Edin Svyat | Corydon Singers, Matthew Best | | | ?:?? | |
| Ehre sei Gott in der Höhe, op. posth. | Corydon Singers, John Scott, Matthew Best | | | 4:58 | |
| Fantasia on Christmas Carols | Sir Thomas Allen, Corydon Singers, Charles Tunnell, English Chamber Orchestra, Matthew Best | | | 12:35 | |
| Fest- und Gedenksprüche, op. 109: I. Unsere Väter hofften auf dich | Matthew Best, Corydon Singers | | | 2:11 | |
| Fest- und Gedenksprüche, op. 109: II. Wenn ein starker Gewappneter | Matthew Best, Corydon Singers | | | 3:14 | |
| Fest- und Gedenksprüche, op. 109: III. Wo ist ein so herrlich Volk | Matthew Best, Corydon Singers | | | 5:12 | |
| Five Mystical Songs, No. 1: Easter | Sir Thomas Allen, Corydon Singers, English Chamber Orchestra, Matthew Best | | | 5:28 | |
| Five Mystical Songs, No. 2: I Got Me Flowers | Sir Thomas Allen, Corydon Singers, English Chamber Orchestra, Matthew Best | | | 2:54 | |
| Five Mystical Songs, No. 3: Love Bade Me Welcome | Sir Thomas Allen, Corydon Singers, English Chamber Orchestra, Matthew Best | | | 5:57 | |
| Five Mystical Songs, No. 4: The Call | Sir Thomas Allen, Corydon Singers, English Chamber Orchestra, Matthew Best | | | 2:00 | |
| Five Mystical Songs, No. 5: Antiphon | Sir Thomas Allen, Corydon Singers, English Chamber Orchestra, Matthew Best | | | 3:23 | |
| Flos Campi | Corydon Singers, 今井信子, English Chamber Orchestra, Matthew Best | | | 22:13 | |
| Four Hymns: Come love, come Lord | John Mark Ainsley, Matthew Souter, Corydon Orchestra, Matthew Best | | | ?:?? | |
| Four Hymns: Evening Hymn "O gladsome light, O grace" | John Mark Ainsley, Matthew Souter, Corydon Orchestra, Matthew Best | | | ?:?? | |
| Four Hymns: Lord! Come away! | John Mark Ainsley, Matthew Souter, Corydon Orchestra, Matthew Best | | | ?:?? | |
| Four Hymns: Who is this fair one? | John Mark Ainsley, Matthew Souter, Corydon Orchestra, Matthew Best | | | ?:?? | |
| Geistliches Lied, op. 30 | Matthew Best, Corydon Singers, John Scott | | | 5:21 | |
| Gospodi, Spasi Blagochestivya - Svyatyy Bozhe | Corydon Singers, Matthew Best | | | ?:?? | |
| Gradual: Christus factus est pro nobis | Corydon Singers, Matthew Best | | | 5:15 | |
| Gradual: Locus iste a Deo factus est | Corydon Singers, Matthew Best | | | 3:27 | |
| Gradual: Os justi meditabitur | Corydon Singers, Matthew Best | | | 5:03 | |
| Heilig, heilig ist Gott, der Herr Zebaoth, op. posth. | Corydon Singers, Matthew Best | | | 1:48 | |
| Hör mein Bitten, op. posth. | Corydon Singers, Anne Dawson, John Scott, Matthew Best | | | 11:24 | |
| Hymn to Saint Cecilia, op. 27 | Corydon Singers, Matthew Best | | | 10:00 | |
| Il barbiere di Siviglia: Atto I. Cavatina "Ecco, ridente in cielo" (Conte, Fiorello, Coro) | Ambrosia Opera Chorus, Francisco Araiza, Matthew Best, Academy of St Martin in the Fields, Neville Marriner | | | 7:36 | |
| Il barbiere di Siviglia: Atto I. Introduzione "Piano, pianissimo" (Fiorello, Coro, Conte) | Ambrosia Opera Chorus, Francisco Araiza, Matthew Best, Academy of St Martin in the Fields, Neville Marriner | | | 2:58 | |
| Il barbiere di Siviglia: Atto I. Recitativo "Gente indiscreta!" (Conte, Fiorello) | Francisco Araiza, Matthew Best, Academy of St Martin in the Fields, Neville Marriner | | | 0:32 | |
| In the Beginning | Corydon Singers, Catherine Denley, Matthew Best | | | 16:08 | |
| In the Bleak Mid-Winter | Westminster Cathedral Choristers, Corydon Singers, Matthew Best | | | 4:59 | |
| Intimations of Immortality, op. 29: —But there's a Tree, of many, one | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 2:27 | |
| Intimations of Immortality, op. 29: And O, ye Fountains, Meadows, Hills and Groves | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 4:32 | |
| Intimations of Immortality, op. 29: Andante sostenuto | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 5:17 | |
| Intimations of Immortality, op. 29: But for those first affections | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 4:09 | |
| Intimations of Immortality, op. 29: Earth fills her lap with pleasures of her own | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 1:49 | |
| Intimations of Immortality, op. 29: Now, while the birds thus sing a joyous song | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 4:21 | |
| Intimations of Immortality, op. 29: O joy! that in our embers | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 3:05 | |
| Intimations of Immortality, op. 29: Oh evil day! if I were sullen | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 2:09 | |
| Intimations of Immortality, op. 29: Our birth is but a sleep and a forgetting | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 3:41 | |
| Intimations of Immortality, op. 29: The Rainbow comes and goes | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 2:27 | |
| Intimations of Immortality, op. 29: Then sing, ye Birds, sing, sing a joyous song! | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 3:56 | |
| Intimations of Immortality, op. 29: There was a time when meadow, grove and stream | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | | 3:25 | |
| Intimations of Immortality, op. 29: Ye blessèd Creatures, I have heard the call | John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best | | 5 | 0:57 | |
| Kheruvimskaya Pesn | Corydon Singers, Matthew Best | | | ?:?? | |
| Khvalite Gospoda S Nebes | Corydon Singers, Matthew Best | | | ?:?? | |
| Kyrie eleison, op. posth. | Corydon Singers, Matthew Best | | | 1:28 | |
| L’Adieu des bergers from L'Enfance du Christ | Corydon Singers, Corydon Orchestra, Matthew Best | | | 4:45 | |
| L’Enfance du Christ: Deuxième partie, La Fuite en Egypte: L’Adieu des Bergers à la Sainte Famille (Les Bergers) | Corydon Singers, Corydon Orchestra, Matthew Best | | | 4:45 | |
| L’Enfance du Christ: Deuxième partie, La Fuite en Egypte: Le Repos de la Sainte Famille (Le Récitant, Chœur d’anges) | John Aler, Corydon Singers, Corydon Orchestra, Matthew Best | | | 5:47 | |
| L’Enfance du Christ: Deuxième partie, La Fuite en Egypte: Ouverture | Corydon Orchestra, Matthew Best | | | 6:06 | |
| L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 1: … Marche nocturne | Corydon Orchestra, Matthew Best | | | 2:45 | |
| L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 1: « Dans la crèche, en ce temps » (Le Récitant) | John Aler, Corydon Orchestra, Matthew Best | | | 2:09 | |
| L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 1: « Qui vient ? » (Un centurion, Polydorus) | Peter Evans, Robert Poulton, Corydon Orchestra, Matthew Best | | | 1:13 | |
