| Der Rosenkavalier, Op. 59: Act I. "Mein lieber Hippolyte" | Norbert Balatsch, Régine Crespin, Murray Dickie, Anne Howells, Manfred Jungwirth, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | | | 3:43 | |
| Der Rosenkavalier, Op. 59: Act II. "Blamage! Mir auseinander meine Eh'" | Norbert Balatsch, Helen Donath, Anne Howells, Manfred Jungwirth, Konzertvereinigung Wiener Staatsopernchor, Yvonne Minton, Otto Wiener, Wiener Philharmoniker, Sir Georg Solti | | | 2:32 | |
| Der Rosenkavalier, Op. 59: Act II. "Da lieg' ich!" | Norbert Balatsch, Anne Howells, Manfred Jungwirth, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | | | 5:19 | |
| Der Rosenkavalier, Op. 59: Act II. "Herr Baron von Lerchenau!" | Norbert Balatsch, Murray Dickie, Helen Donath, Anne Howells, Manfred Jungwirth, Konzertvereinigung Wiener Staatsopernchor, Yvonne Minton, Wiener Philharmoniker, Sir Georg Solti | | | 5:28 | |
| Der Rosenkavalier, Op. 59: Act II. "Mord! Mord! Mein Blut!" | Norbert Balatsch, Helen Donath, Anne Howells, Manfred Jungwirth, Konzertvereinigung Wiener Staatsopernchor, Emmy Loose, Yvonne Minton, Wiener Philharmoniker, Sir Georg Solti | | | 2:01 | |
| Der Rosenkavalier, Op. 59: Act II. "Ohne mich, ohne mich jeder Tag dir so bang" | Norbert Balatsch, Anne Howells, Manfred Jungwirth, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | | | 6:24 | |
| Der Rosenkavalier, Op. 59: Act III. "Da und da und da und da!" | Norbert Balatsch, Anton Dermota, Murray Dickie, Anne Howells, Manfred Jungwirth, Konzertvereinigung Wiener Staatsopernchor, Yvonne Minton, Franz Setzer, Nikolaus Simkowsky, Friedrich Strack, Adolf Tomaschek, Wiener Philharmoniker, Sir Georg Solti | | | 4:06 | |
| Der Rosenkavalier, Op. 59: Act III. "Leopold, wir gehn!" | Norbert Balatsch, Anton Dermota, Murray Dickie, Anne Howells, Manfred Jungwirth, Konzertvereinigung Wiener Staatsopernchor, Hans Reautschnigg, Franz Setzer, Nikolaus Simkowsky, Friedrich Strack, Adolf Tomaschek, Wiener Philharmoniker, Sir Georg Solti | | | 2:16 | |
| Der Rosenkavalier, Op. 59: Act III. "Sind desto eher im klaren" | Norbert Balatsch, Anton Dermota, Anne Howells, Manfred Jungwirth, Konzertvereinigung Wiener Staatsopernchor, Herbert Lackner, Yvonne Minton, Wiener Philharmoniker, Sir Georg Solti | | | 2:34 | |
| Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti" | Anne Howells, Robin Leggate, Felicity Lott, Alexander Oliver, Patricia Payne, Samuel Ramey, Deborah Rees, Richard Stilwell, John Tomlinson, Willard White, Academy of St Martin in the Fields, Sir Neville Marriner | | | 2:36 | |
| Les Troyens: Act I: No. 8 Ottetto et double choeur: "Châtiment effroyable!" | Elizabeth Bainbridge, Chorus of the Royal Opera House, Covent Garden, Peter Glossop, Anne Howells, David Lennox, Berit Lindholm, Anthony Raffell, Pierre Thau, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 6:20 | |
| Les Troyens: Act III: No. 27 Récitatif: "Auguste reine, un peuple" | Anne Howells, Anthony Raffell, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 3:33 | |
| Les Troyens: Act IV: No. 36 Récitatif et septuor: "Mais bannissons" - "Tout n'est que paix" | Heather Begg, Chorus of the Royal Opera House, Covent Garden, Anne Howells, Ian Partridge, Anthony Raffell, Roger Soyer, Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 5:18 | |
| Missa in angustiis “Nelson Mass”, Hob. XXII:11 in D minor: Agnus Dei: Agnus Dei qui tollis | Barbara Bonney, Anne Howells, London Symphony Chorus, Stephen Roberts, Anthony Rolfe Johnson, City of London Sinfonia, Richard Hickox | | | 3:15 | |
| Missa in angustiis “Nelson Mass”, Hob. XXII:11 in D minor: Benedictus | Barbara Bonney, Anne Howells, London Symphony Chorus, Stephen Roberts, Anthony Rolfe Johnson, City of London Sinfonia, Richard Hickox | | | 6:35 | |
| Missa in angustiis “Nelson Mass”, Hob. XXII:11 in D minor: Credo: Et incarnatus est | Barbara Bonney, Anne Howells, London Symphony Chorus, Stephen Roberts, Anthony Rolfe Johnson, City of London Sinfonia, Richard Hickox | | | 4:16 | |
| Missa in angustiis “Nelson Mass”, Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Barbara Bonney, Anne Howells, London Symphony Chorus, Stephen Roberts, Anthony Rolfe Johnson, City of London Sinfonia, Richard Hickox | | | 3:37 | |
| Missa in angustiis “Nelson Mass”, Hob. XXII:11 in D minor: Gloria: Quoniam | Barbara Bonney, Anne Howells, London Symphony Chorus, Stephen Roberts, Anthony Rolfe Johnson, City of London Sinfonia, Richard Hickox | | | 2:52 | |
| Missa in angustiis “Nelson Mass”, Hob. XXII:11 in D minor: Kyrie | Barbara Bonney, Anne Howells, London Symphony Chorus, Stephen Roberts, Anthony Rolfe Johnson, City of London Sinfonia, Richard Hickox | | | 4:40 | |
| Missa in angustiis “Nelson Mass”, Hob. XXII:11 in D minor: Sanctus | Anne Howells, London Symphony Chorus, City of London Sinfonia, Richard Hickox | | | 2:25 | |
| Susannah: Act I, Scene 1. "I am the Reverend Olin Blich" (Blitch, Elders, Chorus, Mrs. Mclean) | Chœur de l’Opéra de Lyon, Anne Howells, Samuel Ramey, Orchestre de l’Opéra de Lyon, Kent Nagano | | | 4:44 | |
| The Mikado: Act I. “So please you, sir, we much regret” | Richard van Allan, Chorus of the Welsh National Opera, Anne Howells, Marie McLaughlin, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | | | 1:56 | |
| The Mikado: Act I. “Three little maids from school are we” | Chorus of the Welsh National Opera, Anne Howells, Marie McLaughlin, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | | | 1:33 | |
| The Mikado: Act II. “Braid the raven hair” | Chorus of the Welsh National Opera, Anne Howells, Orchestra of the Welsh National Opera, Charles Mackerras | | | 3:25 | |
| The Mikado: Act II. “Brightly dawns our wedding day” | Nicholas Folwell, Anne Howells, Marie McLaughlin, Anthony Rolfe Johnson, Orchestra of the Welsh National Opera, Charles Mackerras | | | 3:58 | |
| The Mikado: Act II. “For he’s gone and married Yum-Yum” | Donald Adams, Richard van Allan, Chorus of the Welsh National Opera, Nicholas Folwell, Anne Howells, Marie McLaughlin, Felicity Palmer, Anthony Rolfe Johnson, Richard Suart, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | | | 1:54 | |
| The Mikado: Act II. “See how the Fates their gifts allot” | Donald Adams, Richard van Allan, Anne Howells, Felicity Palmer, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | | | 2:03 | |
| The Mikado: Act II. “The criminal cried as he dropped him down” | Richard van Allan, Chorus of the Welsh National Opera, Anne Howells, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | | | 3:25 | |
| The Mikado: Act II. “The flowers that bloom in the spring” | Richard van Allan, Anne Howells, Marie McLaughlin, Anthony Rolfe Johnson, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | | | 1:36 | |
| The Rake’s Progress: Act One, Scene 2. Chorus: “How sad a song” (Whores, Mother Goose) | Anne Howells, Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | | | 1:05 | |
| The Rake’s Progress: Act One, Scene 2. Recitative and Scene: “Come, Tom” (Shadow, Rakewell, Mother Goose) | Ian Bostridge, Anne Howells, Bryn Terfel, London Symphony Orchestra, Sir John Eliot Gardiner | | | 3:18 | |
