| edited |
|---|
| 68′18″ | | Merzbow Pan Sonic | 1:08:17 |
| Admeto: Atto I, Scena III. Aria "Luci care, addio, posate" (Alceste)" | | Kimberly Barber, Arion Baroque Orchestra, Monica Huggett | 5:26 |
| Admeto: Atto II, Scena I. Recitativo "In van ti scuoti, in vano" (Ercole) | | Jonathan Carle, Arion Baroque Orchestra, Monica Huggett | 0:53 |
| Admeto: Atto II, Scena I. Sinfonia | | Arion Baroque Orchestra, Monica Huggett | 1:29 |
| Admeto: Atto II, Scena VII. Aria "Gelosia spietata Aletto" (Alceste) | | Kimberly Barber, Arion Baroque Orchestra, Monica Huggett | 5:03 |
| Admeto: Atto II, Scena VII. Recitativo "A qual fine, o Regina" (Alceste, Ercole) | | Kimberly Barber, Jonathan Carle, Arion Baroque Orchestra, Monica Huggett | 2:18 |
| Admeto: Atto II, Sinfonia: Allegro | | Arion Baroque Orchestra, Monica Huggett | 1:22 |
| Admeto: Atto II, Sinfonia: Largo | | Georg Friedrich Händel, Monica Huggett | 1:57 |
| Admeto: Atto III, Scena VI. Aria "Là dove gli occhi io giro" (Alceste) | | Kimberly Barber, Arion Baroque Orchestra, Monica Huggett | 6:23 |
| Aventure québécoise I | | DoppelMoppel | 13:14 |
| Aventure québécoise II | | DoppelMoppel | 8:35 |
| Aventure québécoise III | | DoppelMoppel | 9:37 |
| Aventure québécoise IV | | DoppelMoppel | 10:24 |
| Aventure québécoise V | | DoppelMoppel | 15:39 |
| Cleofide: Atto I, Sinfonia. Allegro assai | | Arion Baroque Orchestra, Monica Huggett | 2:30 |
| Cleofide: Atto I, Sinfonia. Andante | | Arion Baroque Orchestra, Monica Huggett | 3:41 |
| Cleofide: Atto I, Sinfonia. Minuetto - Presto - Minuetto | | Arion Baroque Orchestra, Monica Huggett | 2:01 |
| Cleofide: Atto I. Aria "Se mai turbo il tuo riposo" (Cleofide) | | Kimberly Barber, Arion Baroque Orchestra, Monica Huggett | 5:47 |
| Cleofide: Atto II. Aria "Son qual misera colomba" (Cleofide) | | Kimberly Barber, Arion Baroque Orchestra, Monica Huggett | 5:36 |
| Cleofide: Atto II. Recitativo accompagnato "Qual tempesta d'affetti" (Cleofide) | | Kimberly Barber, Arion Baroque Orchestra, Monica Huggett | 2:36 |
| Cleofide: Sinfonia: Allegretto | | Arion Baroque Orchestra, Monica Huggett | 1:38 |
| Cleofide: Sinfonia: Allegro assai | | Arion Baroque Orchestra, Monica Huggett | 1:00 |
| Cleofide: Sinfonia: Allegro di molto | | Arion Baroque Orchestra, Monica Huggett | 1:41 |
| Riccardo Primo: Atto I, Ouverture. Allegro | | Arion Baroque Orchestra, Monica Huggett | 1:47 |
| Riccardo Primo: Atto I, Ouverture. Largo | | Arion Baroque Orchestra, Monica Huggett | 1:30 |
| Riccardo Primo: Atto II, Scena I. Aria "Quel gelsomino, che imperla il prato" (Pulcheria)" | | Kimberly Barber, Arion Baroque Orchestra, Monica Huggett | 5:36 |
| Riccardo Primo: Atto II, Scena I. Recitativo accompagnato "Ah, padre! Ah, Cielo!" (Pulcheria)" | | Kimberly Barber, Arion Baroque Orchestra,Monica Huggett | 1:21 |
| Riccardo Primo: Atto II, Scena IV. Aria "L'Aquila altera conoscere i figli" (Pulcheria)" | | Georg Friedrich Händel | 5:43 |
| The Bishop’s Move | | Evan Parker Trio & Peter Brötzmann Trio | 1:13:31 |
| mixed |
|---|
| Arrival | | Peter Kowald, William Parker | 15:57 |
| Art Deco | | Charlie Haden | 6:24 |
| Body Beautiful | | Charlie Haden with Paul Bley and Paul Motian | 8:03 |
| Conversation | | Peter Kowald, William Parker | 41:23 |
| Crossroads | | Charlie Haden with Paul Bley and Paul Motian | 6:40 |
| Departure | | Peter Kowald, William Parker | 5:31 |
| Farewell | | Peter Kowald, William Parker | 9:21 |
| Happy House | | Charlie Haden | 8:24 |
| Ida Lupino | | Charlie Haden with Paul Bley and Paul Motian | 11:19 |
| La Pasionaria | | Charlie Haden Liberation Music Orchestra | 24:03 |
| Latin Genetics | | Charlie Haden with Paul Bley and Paul Motian | 4:35 |
| Law Years | | Charlie Haden | 6:44 |
| Lonely Woman | | Charlie Haden | 11:41 |
| Mopti | | Charlie Haden | 5:29 |
| New Beginning | | Charlie Haden with Paul Bley and Paul Motian | 8:47 |
| Sandino | | Charlie Haden Liberation Music Orchestra | 8:38 |
| Silence | | Charlie Haden Liberation Music Orchestra | 6:31 |
| So Far So Good | | Charlie Haden with Paul Bley and Paul Motian | 7:27 |
| The Blessing | | Charlie Haden | 6:02 |
| The Sphinx | | Charlie Haden | 9:31 |
| There Will BE Great Stones, We Must Lift Them | | Fred Frith, J.P. Drouet, Louis Sclavis | 48:20 |
| Turnaround | | Charlie Haden with Paul Bley and Paul Motian | 7:51 |
| Turnaround / When Will the Blues Leave? | | Charlie Haden with Paul Bley and Paul Motian | 13:17 |
| We Shall Overcome | | Charlie Haden Liberation Music Orchestra | 20:31 |
| When Will the Blues Leave? | | Charlie Haden | 4:04 |
| Will Remain Always | | Fred Frith, J.P. Drouet, Louis Sclavis | 7:37 |
| recording engineer for |
|---|
| 1994-06-29 – 1994-06-30 | Danny Boy | assistant | Charlie Haden & Hank Jones | 5:51 |
| 1994-06-29 – 1994-06-30 | Go Down, Moses | assistant | Charlie Haden & Hank Jones | 6:04 |
| 1994-06-29 – 1994-06-30 | Hymn Medley: Abide With Me / Just as I Am Without One Plea / What a Friend We Have in Jesus / Amazing Grace | assistant | Charlie Haden & Hank Jones | 7:37 |
| 1994-06-29 – 1994-06-30 | I’ve Got a Robe, You’ve Got a Robe (Goin’ to Shout All Over God’s Heav’n) | assistant | Charlie Haden & Hank Jones | 3:49 |
| 1994-06-29 – 1994-06-30 | It’s Me, O Lord (Standin’ in the Need of Prayer) | assistant | Charlie Haden & Hank Jones | 5:22 |
| 1994-06-29 – 1994-06-30 | L’Amour de Moy | assistant | Charlie Haden & Hank Jones | 4:55 |
| 1994-06-29 – 1994-06-30 | My Lord, What a Mornin’ | assistant | Charlie Haden & Hank Jones | 4:35 |
| 1994-06-29 – 1994-06-30 | Nobody Knows the Trouble I’ve Seen | assistant | Charlie Haden & Hank Jones | 3:44 |
| 1994-06-29 – 1994-06-30 | Sometimes I Feel Like a Motherless Child | assistant | Charlie Haden & Hank Jones | 4:31 |
| 1994-06-29 – 1994-06-30 | Spiritual | assistant | Charlie Haden & Hank Jones | 4:20 |
| 1994-06-29 – 1994-06-30 | Steal Away | assistant | Charlie Haden & Hank Jones | 2:49 |
| 1994-06-29 – 1994-06-30 | Swing Low, Sweet Chariot | assistant | Charlie Haden & Hank Jones | 2:04 |
| 1994-06-29 – 1994-06-30 | Wade in the Water | assistant | Charlie Haden & Hank Jones | 4:05 |
| 1994-06-29 – 1994-06-30 | We Shall Overcome | assistant | Charlie Haden & Hank Jones | 5:33 |
| edited |
|---|
| Cecil Taylor / Bill Dixon / Tony Oxley | | Cecil Taylor / Bill Dixon / Tony Oxley | |
| Complicité | | Paul Plimley / John Oswald, Marilyn Crispell, Cecil Taylor | |
| The Montreal Tapes | | Charlie Haden Liberation Music Orchestra | |
| mastering |
|---|
| After You Gone | | Barre Phillips, Joëlle Léandre, William Parker, Tetsu Saitoh | |
| Cecil Taylor / Bill Dixon / Tony Oxley | | Cecil Taylor / Bill Dixon / Tony Oxley | |
| Faustina Bordoni: Faces of prima donna | | Handel, Hasse; Kimberly Barber, Arion, Monica Huggett | |
| The Bishop’s Move | | Evan Parker Trio & Peter Brötzmann Trio | |
| The Victoriaville Tape | | Peter Kowald, William Parker | |
| V | | Merzbow Pan Sonic | |
