| Requiem, op. 89: Part I. Lacrimosa | Lisa Milne, Karen Cargill, Peter Auty, Peter Rose, London Philharmonic Choir, London Philharmonic Orchestra, Neeme Järvi | | | 6:08 | |
| Requiem, op. 89: Part I. Quid sum miser | Lisa Milne, Karen Cargill, Peter Auty, Peter Rose, London Philharmonic Choir, London Philharmonic Orchestra, Neeme Järvi | | | 5:14 | |
| Requiem, op. 89: Part I. Requiem aeternam | Lisa Milne, Karen Cargill, Peter Auty, Peter Rose, London Philharmonic Choir, London Philharmonic Orchestra, Neeme Järvi | | | 8:48 | |
| Requiem, op. 89: Part I. Tuba mirum | Karen Cargill, Peter Auty, Peter Rose, London Philharmonic Choir, London Philharmonic Orchestra, Neeme Järvi | | | 7:18 | |
| Requiem, op. 89: Part II. Agnus Dei | Lisa Milne, Karen Cargill, Peter Auty, Peter Rose, London Philharmonic Choir, London Philharmonic Orchestra, Neeme Järvi | | | 10:43 | |
| Requiem, op. 89: Part II. Hostias | Lisa Milne, Karen Cargill, Peter Auty, Peter Rose, London Philharmonic Choir, London Philharmonic Orchestra, Neeme Järvi | | | 9:59 | |
| Requiem, op. 89: Part II. Offertorium | Lisa Milne, Karen Cargill, Peter Auty, Peter Rose, London Philharmonic Choir, London Philharmonic Orchestra, Neeme Järvi | | | 9:46 | |
| Requiem, op. 89: Part II. Pie Jesu | Lisa Milne, Karen Cargill, Peter Auty, Peter Rose, London Philharmonic Choir, London Philharmonic Orchestra, Neeme Järvi | | | 4:17 | |
| Requiem, op. 89: Part II. Sanctus | Lisa Milne, Karen Cargill, Peter Auty, Peter Rose, London Philharmonic Choir, London Philharmonic Orchestra, Neeme Järvi | | | 5:36 | |
| Rhapsody for Alto, Chorus, and Orchestra, op. 53 | Kathleen Ferrier, London Philharmonic Choir, London Philharmonic Orchestra, Clemens Krauss | | | 16:09 | |
| Rock of Ages | London Philharmonic Choir; National Philharmonic Orchestra | | | 1:22 | |
| Rule Britannia | London Philharmonic Choir, Sarah Walker, London Philharmonic Orchestra, Sir Roger Norrington | | | 4:29 | |
| Rule Britannia | Sarah Walker, London Philharmonic Orchestra, London Philharmonic Choir, Roger Norrington | | | 4:29 | |
| Savior, Like a Shepherd Lead Us | London Philharmonic Choir; National Philharmonic Orchestra | | | 1:30 | |
| Service Sacré (Havodath Hakodesh): Adoration (Vaanachnu) - Bénédiction | Dorothy Bond, Doris Cowan, London Philharmonic Choir, Marko Rothmüller, London Philharmonic Orchestra, Ernest Bloch | | | 14:15 | |
| Service Sacré (Havodath Hakodesh): Méditation (Mah Togu) | Dorothy Bond, Doris Cowan, London Philharmonic Choir, Marko Rothmüller, London Philharmonic Orchestra, Ernest Bloch | | | 10:38 | |
| Service Sacré (Havodath Hakodesh): Prière silencieuse (et réplique) - Prise du Rouleau de l'Arche (Interlude) | Dorothy Bond, Doris Cowan, London Philharmonic Choir, Marko Rothmüller, London Philharmonic Orchestra, Ernest Bloch | | | 7:37 | |
| Service Sacré (Havodath Hakodesh): Remise du Rouleau dans l'Arche | Dorothy Bond, Doris Cowan, London Philharmonic Choir, Marko Rothmüller, London Philharmonic Orchestra, Ernest Bloch | | | 6:26 | |
| Service Sacré (Havodath Hakodesh): Sanctification (Kedusha) | Dorothy Bond, Doris Cowan, London Philharmonic Choir, Marko Rothmüller, London Philharmonic Orchestra, Ernest Bloch | | | 5:08 | |
| Sevenfold Amen | London Philharmonic Choir; National Philharmonic Orchestra | | | 1:24 | |
| Silent Night, Holy Night | London Philharmonic Orchestra and Choir | | | 3:11 | |
| Sinfonia antarctica: I. Prelude: Andante maestoso | London Philharmonic Choir, Margaret Ritchie, London Philharmonic Orchestra, Sir Adrian Boult | | | 10:53 | |
| Sinfonia antarctica: V. Epilogue: Alla marcia, moderato ma non troppo | London Philharmonic Choir, Margaret Ritchie, London Philharmonic Orchestra, Sir Adrian Boult | | | 10:41 | |
| Sinfonía antártica: Epílogo (Alla marcia, moderato ma non troppo) | Sir John Gielgud, London Philharmonic Choir, Margaret Ritchie, London Philharmonic Orchestra, Sir Adrian Boult | | | ?:?? | |
| Soprano Aria / How Beautiful Are The Feet of Them | London Philharmonic Choir, Felicity Lott, London Philharmonic Orchestra, John Alldis | | | 2:46 | |
| Soprano Aria / How Beautiful Are The Feet Of Them | George Frideric Handel, London Philharmonic Orchestra & London Philharmonic Choir, John Alldis | | | 2:45 | |
| Soprano Aria / I Know That My Redeemer Liveth | London Philharmonic Choir, Felicity Lott, London Philharmonic Orchestra, John Alldis | | | 7:20 | |
| Soprano Aria / I Know That My Redeemer Liveth | George Frideric Handel, London Philharmonic Orchestra & London Philharmonic Choir, John Alldis | | | 7:18 | |
| Soprano Aria / If God Be For Us, Who Can Be Against Us? | London Philharmonic Choir, Felicity Lott, London Philharmonic Orchestra, John Alldis | | | 5:17 | |
| Soprano Aria / If God Be For Us, Who Can Be Against Us? | George Frideric Handel, London Philharmonic Orchestra & London Philharmonic Choir, John Alldis | | | 5:15 | |
| Soprano Aria / Rejoice Greatly, O Daughter of Zion | London Philharmonic Choir, Felicity Lott, London Philharmonic Orchestra, John Alldis | | | 4:42 | |
| Soprano Aria / Rejoice Greatly, O Daughter Of Zion | George Frideric Handel, London Philharmonic Orchestra & London Philharmonic Choir, John Alldis | | | 4:41 | |
| Soprano Recitative / And Suddenly There Was with the Angel | London Philharmonic Choir, Felicity Lott, London Philharmonic Orchestra, John Alldis | | | 0:18 | |
| Soprano Recitative / And Suddenly There Was With The Angel | George Frideric Handel, London Philharmonic Orchestra & London Philharmonic Choir, John Alldis | | | 0:19 | |
| Soprano Recitative / And the Angel Said Unto Them | London Philharmonic Choir, Felicity Lott, London Philharmonic Orchestra, John Alldis | | | 0:42 | |
| Soprano Recitative / And The Angel Said Unto Them | George Frideric Handel, London Philharmonic Orchestra & London Philharmonic Choir, John Alldis | | | 0:41 | |
| Soprano Recitative / There Were Shepherds Abiding in the Field | London Philharmonic Choir, Felicity Lott, London Philharmonic Orchestra, John Alldis | | | 0:44 | |
| Soprano Recitative / There Were Shepherds Abiding In The Field | George Frideric Handel, London Philharmonic Orchestra & London Philharmonic Choir, John Alldis | | | 0:42 | |
| Stabat Mater, op. 58: I. Stabat mater dolorosa | Peter Auty, London Philharmonic Choir, Dagmar Pecková, Peter Rose, Janice Watson, London Philharmonic Orchestra, Neeme Järvi | | | 14:00 | |
| Stabat Mater, op. 58: III. Eja, mater, fons amoris | London Philharmonic Choir, London Philharmonic Orchestra, Neeme Järvi | | | 5:30 | |
| Stabat Mater, op. 58: IV. Fac, ut ardeat cor meum | London Philharmonic Choir, Peter Rose, London Philharmonic Orchestra, Neeme Järvi | | | 7:46 | |
| Stabat Mater, op. 58: V. Tui nati vulnerati | London Philharmonic Choir, London Philharmonic Orchestra, Neeme Järvi | | | 4:25 | |
| Stabat Mater, op. 58: VI. Fac me vere tecum flere | Peter Auty, London Philharmonic Choir, London Philharmonic Orchestra, Neeme Järvi | | | 5:08 | |
| Stabat Mater, op. 58: VII. Virgo virinum praeclara | London Philharmonic Choir, London Philharmonic Orchestra, Neeme Järvi | | | 5:17 | |
| Stabat Mater, op. 58: X. Quando corpus morietur | Peter Auty, London Philharmonic Choir, Dagmar Pecková, Peter Rose, Janice Watson, London Philharmonic Orchestra, Neeme Järvi | | | 2:46 | |
| Stabat Mater, op. 58: XI. Amen | Peter Auty, London Philharmonic Choir, Dagmar Pecková, Peter Rose, Janice Watson, London Philharmonic Orchestra, Neeme Järvi | | | 4:31 | |
| Symphony no. 2 “Resurrection”: V. “Aufersteh’n”. Langsam. Misterioso | Adriana Kučerová, London Philharmonic Choir, London Philharmonic Orchestra, Vladimir Jurowski | | | 6:16 | |
| Symphony no. 2 “Resurrection”: V. “O Glaube, mein Herz”. Etwas bewegter | Adriana Kučerová, London Philharmonic Choir, Christianne Stotijn, London Philharmonic Orchestra, Vladimir Jurowski | | | 8:08 | |
| Symphony no. 2 in B major, op. 14 "To October": I. Largo - Allegro molto | London Philharmonic Choir, London Philharmonic Orchestra, Bernard Haitink | | | 12:44 | |
| Symphony no. 2 in B major, op. 14 "To October": II. My shli, my prosili raboty i khleba | London Philharmonic Choir, London Philharmonic Orchestra, Bernard Haitink | | | 8:23 | |
| Symphony no. 2 in C minor ‘Resurrection’: V. Im Tempo des Scherzos (Wild herausfahrend) - Langsam - Allegro energico - Langsam | John Alldis, London Philharmonic Choir, Edith Mathis, Doris Soffel, London Philharmonic Orchestra, Klaus Tennstedt | | | 34:56 | |
| Symphony no. 2 in C minor ‘Resurrection’: V. Im Tempo des Scherzos (Wild herausfahrend) – Langsam — Allegro energico — Langsam | London Philharmonic Choir, Edith Mathis, Doris Soffel, London Philharmonic Orchestra, Klaus Tennstedt | | | 34:57 | |
| Symphony no. 2 in C minor “Resurrection”: V. "Aufersteh'n". Langsam Misterioso | John Alldis, Heather Harper, London Philharmonic Choir, Doris Soffel, London Philharmonic Orchestra, Malcolm Hicks, Klaus Tennstedt | | | 7:29 | |
| Symphony no. 2 in C minor “Resurrection”: V. "O Glaube, mein Herz". Etwas bewegter | John Alldis, Heather Harper, London Philharmonic Choir, Doris Soffel, London Philharmonic Orchestra, Malcolm Hicks, Klaus Tennstedt | | | 9:04 | |
| Symphony no. 2 in C minor “Resurrection”: V. Etwas bewegter | Yvonne Kenny, London Philharmonic Choir, Jard van Nes, London Philharmonic Orchestra, Klaus Tennstedt | | | 9:58 | |
| Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzos | London Philharmonic Choir, Edith Mathis, Doris Soffel, London Philharmonic Orchestra, Klaus Tennstedt | | | ?:?? | |
| Symphony no. 2 in C minor “Resurrection”: V. Langsam - Allegro energico | London Philharmonic Choir, Edith Mathis, Doris Soffel, London Philharmonic Orchestra, Klaus Tennstedt | | | ?:?? | |
| Symphony no. 2 in C minor “Resurrection”: V. Langsam. Misterioso | Yvonne Kenny, London Philharmonic Choir, Jard van Nes, London Philharmonic Orchestra, Klaus Tennstedt | | | 7:52 | |
| Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck | John Alldis, Michael Crabb, Ladies of the London Philharmonic Choir, Southend Boys’ Choir, Ortrun Wenkel, London Philharmonic Orchestra, Klaus Tennstedt | | | 4:13 | |
| Symphony no. 3 in E-flat major, op. 20 "The First of May": IV. Moderato: 'V pervoye Pervoye maya' | John Alldis, London Philharmonic Choir, London Philharmonic Orchestra, Bernard Haitink | | | 6:15 | |
| Symphony No. 3: V. Lustig im tempo und keck im Ausdruck | Ladies of The London Philharmonic Choir, Lilli Paasikivi, Tiffin Boys’ Choir, Philharmonia Orchestra, Benjamin Zander | | | 4:23 | |
| Symphony no. 7 "Sinfonia antartica": I. Prelude: Andante maestoso | John Alldis, Norma Burrowes, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult | | | 9:25 | |
| Symphony no. 7 "Sinfonia antartica": I. Prelude: Andante maestoso | Sheila Armstrong, London Philharmonic Orchestra, London Philharmonic Choir, Bernard Haitink | | | 11:08 | |
| Symphony no. 7 "Sinfonia antartica": II. Scherzo: Moderato | John Alldis, Norma Burrowes, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult | | | 5:33 | |
| Symphony no. 7 "Sinfonia antartica": III. Landscape: Lento | John Alldis, Norma Burrowes, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult | | | 11:44 | |
| Symphony no. 7 "Sinfonia antartica": IV. Intermezzo: Andante sostenuto | John Alldis, Norma Burrowes, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult | | | 5:32 | |
| Symphony no. 7 "Sinfonia antartica": V. Epilogue: Alla marcia | John Alldis, Norma Burrowes, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult | | | 9:57 | |
| Symphony no. 7 "Sinfonia antartica": V. Epilogue: Alla marcia, moderato (non troppo allegro) | Sheila Armstrong, London Philharmonic Orchestra, London Philharmonic Choir, Bernard Haitink | | | 8:36 | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”, Part II: Chorus mysticus: Alles Vergängliche | Elizabeth Connell, Nadine Denize, Jorma Hynninen, London Philharmonic Choir, Trudeliese Schmidt, Hans Sotin, Tiffin Boys’ Choir, Richard Versalle, Edith Wiens, London Philharmonic Orchestra, Klaus Tennstedt | | | 5:48 | |
| Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Accende lumen sensibus | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | | | 5:23 | |
| Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Gloria Patri Domino | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, Eton College Boys Choir, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | | | 2:41 | |
| Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Imple superna gratia | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | | | 4:18 | |
| Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Infirma nostri corporis | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | | | 2:30 | |
| Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Infirma nostri corporis | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | | | 3:25 | |
| Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Veni, Creator Spiritus | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, London Philharmonic Orchestra, Klaus Tennstedt | | | 1:30 | |
| Symphony no. 8: Part I. Hymn: Veni, Creator Spiritus: Veni, Creator Spiritus | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | | | 5:13 | |
| Symphony no. 8: Part II. Final Scene from Goethe's Faust: Alles Vergängliche ist nur ein Gleichnis | Richard Cooke, Stephen Westrop, Susan Bullock, Jane Eaglen, Eton College Boys Choir, London Philharmonic Choir, London Symphony Chorus, Jadwiga Rappé, Kenneth Riegel, Trudeliese Schmidt, Eike Wilm Schulte, Hans Sotin, Júlia Várady, London Philharmonic Orchestra, Klaus Tennstedt | | | 6:13 | |
| Symphony no. 8: Part II. Final Scene from Goethe's Faust: Gerettet ist das edle Glied - Hände verschlinget euch | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, London Philharmonic Orchestra, Klaus Tennstedt | | | 0:58 | |
| Symphony no. 8: Part II. Final Scene from Goethe's Faust: Höchste Herrscherin der Welt! | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, Kenneth Riegel, London Philharmonic Orchestra, Klaus Tennstedt | | | 4:28 | |
| Symphony no. 8: Part II. Final Scene from Goethe's Faust: Ich spür’ soeben – Hier ist die Aussicht frei – Freudig empfangen wir | Richard Cooke, Stephen Westrop, Eton College Boys Choir, London Philharmonic Choir, London Symphony Chorus, Kenneth Riegel, London Philharmonic Orchestra, Klaus Tennstedt | | | 1:12 | |
| Symphony no. 8: Part II. Final Scene from Goethe's Faust: Jene Rosen aus den Händen | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, London Philharmonic Orchestra, Klaus Tennstedt | | | 1:57 | |
| Symphony no. 8: Part II. Final Scene from Goethe's Faust: Komm! Hebe dich zu höhern Sphären! – Blicket auf zum Retterblick, alle reuig Zarten | Richard Cooke, Stephen Westrop, Susan Bullock, Eton College Boys Choir, London Philharmonic Choir, London Symphony Chorus, Kenneth Riegel, London Philharmonic Orchestra, Klaus Tennstedt | | | 7:55 | |
| Symphony no. 8: Part II. Final Scene from Goethe's Faust: Uns bleibt ein Erdenrest | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, London Philharmonic Orchestra, Klaus Tennstedt | | | 2:21 | |
| Symphony no. 8: Part II. Final Scene from Goethe's Faust: Waldung, sie schwankt heran | Richard Cooke, Stephen Westrop, London Philharmonic Choir, London Symphony Chorus, London Philharmonic Orchestra, Klaus Tennstedt | | | 4:40 | |
| Symphony no. 9 in D minor, op. 125 "Choral": Ode an die Freude | The London Chorus, London Philharmonic Choir, London Philharmonic Orchestra, David Parry | | | 2:33 | |
| Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto | London Philharmonic Choir, Ann Murray, René Pape, Lucia Popp, Anthony Rolfe Johnson, London Philharmonic Orchestra, Klaus Tennstedt | | | 26:51 | |
| Symphony no. 9 in D minor, op. 125 “Choral”: Rezitativo: “O Freunde, nicht diese Töne!” – Allegro assai | MariAnne Häggander, Alfreda Hodgson, Robert Tear, Gwynne Howell, London Philharmonic Choir, London Philharmonic Orchestra, Klaus Tennstedt | | | 17:42 | |
| Symphony No. 9 in D Minor, Op. 125, "Choral": An die Freude | London Philharmonic Orchestra, London Philharmonic Choir, The London Chorus and David Parry | | | 2:33 | |
| Symphony No. 9 in D Minor, Op. 125, "Choral": An die Freude | London Philharmonic Choir, London Philharmonic Orchestra, David Parry | | | 2:32 | |
| Te Deum, op. 22: Christe, rex gloriæ (Hymne) Allegro non troppo | Richard Hickox, Choirboys Of High Wycombe Parish Church, Desborough School Choir, The Haberdasher’s Aske’s Hatcham College Choir, London Philharmonic Choir, London Symphony Chorus, Southend Boys’ Choir, St. Albans School Choir, The Choir Of Forest School, Winnersh, Wooburn Singers, Martin Haselböck, European Union Youth Orchestra, Claudio Abbado | | | 5:20 | |
| Te Deum, op. 22: Dignare (Prière) Moderato quasi andantino | Richard Hickox, Choirboys Of High Wycombe Parish Church, Desborough School Choir, The Haberdasher’s Aske’s Hatcham College Choir, London Philharmonic Choir, London Symphony Chorus, Southend Boys’ Choir, St. Albans School Choir, The Choir Of Forest School, Winnersh, Wooburn Singers, Martin Haselböck, European Union Youth Orchestra, Claudio Abbado | | | 7:11 | |
| Te Deum, op. 22: Judex crederis (Hymne et prière) Allegretto un poco maestoso | Richard Hickox, Choirboys Of High Wycombe Parish Church, Desborough School Choir, The Haberdasher’s Aske’s Hatcham College Choir, London Philharmonic Choir, London Symphony Chorus, Southend Boys’ Choir, St. Albans School Choir, The Choir Of Forest School, Winnersh, Wooburn Singers, Martin Haselböck, European Union Youth Orchestra, Claudio Abbado | | | 10:34 | |
| Te Deum, op. 22: Te Deum (Hymne) Allegro moderato | Richard Hickox, Choirboys Of High Wycombe Parish Church, Desborough School Choir, The Haberdasher’s Aske’s Hatcham College Choir, London Philharmonic Choir, London Symphony Chorus, Southend Boys’ Choir, St. Albans School Choir, The Choir Of Forest School, Winnersh, Wooburn Singers, Martin Haselböck, European Union Youth Orchestra, Claudio Abbado | | | 7:27 | |
| Te Deum, op. 22: Te ergo quæsumus (Prière) Andantino quasi adagio | Richard Hickox, Francisco Araiza, Choirboys Of High Wycombe Parish Church, Desborough School Choir, The Haberdasher’s Aske’s Hatcham College Choir, London Philharmonic Choir, London Symphony Chorus, Southend Boys’ Choir, St. Albans School Choir, The Choir Of Forest School, Winnersh, Wooburn Singers, Martin Haselböck, European Union Youth Orchestra, Claudio Abbado | | | 7:03 | |
| Te Deum, op. 22: Tibi omnes (Hymne) Andantino | Richard Hickox, Choirboys Of High Wycombe Parish Church, Desborough School Choir, The Haberdasher’s Aske’s Hatcham College Choir, London Philharmonic Choir, London Symphony Chorus, Southend Boys’ Choir, St. Albans School Choir, The Choir Of Forest School, Winnersh, Wooburn Singers, Martin Haselböck, European Union Youth Orchestra, Claudio Abbado | | | 9:24 | |
| Tenor Aria / But Thou Didst Not Leave His Soul In Hell | Philip Langridge, London Philharmonic Choir, London Philharmonic Orchestra, John Alldis | | | 2:47 | |
| Tenor Aria / But Thou Didst Not Leave His Soul In Hell | George Frideric Handel, London Philharmonic Orchestra & London Philharmonic Choir, John Alldis | | | 2:47 | |
| Tenor Aria / Every Valley Shall Be Exalted | Philip Langridge, London Philharmonic Choir, London Philharmonic Orchestra, John Alldis | | | 3:48 | |
| Tenor Aria / Every Valley Shall Be Exalted | George Frideric Handel, London Philharmonic Orchestra & London Philharmonic Choir, John Alldis | | | 3:47 | |
| Tenor Aria / Thou Shalt Break Them | Philip Langridge, London Philharmonic Choir, London Philharmonic Orchestra, John Alldis | | | 2:10 | |
