Back in Black | 2Cellos, London Symphony Orchestra | | | ?:?? | |
Ben’s Death / TIE Fighter Attack | London Symphony Orchestra, John Williams | | | 3:50 | |
Bolero | London Symphony Orchestra, London Symphony Chorus, Valery Gergiev | | | 17:30 | |
Cavatina from "The Deer Hunter" | 2Cellos, London Symphony Orchestra | | | ?:?? | |
Cinema Pardiso from "Cinema Paradiso" | 2Cellos, London Symphony Orchestra | | | ?:?? | |
Concerto for Flute and Harp, K. 299: I. Allegro | James Galway, Marisa Robles, London Symphony Orchestra, Michael Tilson Thomas | | | 10:56 | |
Concerto for Flute and Harp, K. 299: II. Andantino | James Galway, Marisa Robles, London Symphony Orchestra, Michael Tilson Thomas | | | 9:35 | |
Concerto for Flute and Harp, K. 299: III. Rondo: Allegro | James Galway, Marisa Robles, London Symphony Orchestra, Michael Tilson Thomas | | | 9:15 | |
Concerto for Group and Orchestra – Movement I | Deep Purple with the London Symphony Orchestra conducted by Paul Mann | | | 16:24 | |
Concerto for Group and Orchestra – Movement II | Deep Purple with the London Symphony Orchestra conducted by Paul Mann | | | 19:18 | |
Concerto for Group and Orchestra – Movement III | Deep Purple with the London Symphony Orchestra conducted by Paul Mann | | | 12:07 | |
Cox and Box: Hushed Is the Bacon | John Fryatt, London Symphony Orchestra, Alexander Faris | | | 3:28 | |
Cox and Box: My Hand Upon It | John Fryatt, Russell Smythe, Thomas Lawlor, London Symphony Orchestra, Alexander Faris | | | 2:17 | |
Cox and Box: My Master Is Punctual | Russell Smythe, London Symphony Orchestra, Alexander Faris | | | 0:53 | |
Cox and Box: Not Long Ago | John Fryatt, Russell Smythe, London Symphony Orchestra, Alexander Faris | | | 5:07 | |
Cox and Box: Overture | London Symphony Orchestra, Alexander Faris | | | 2:43 | |
Cox and Box: Rataplan | Thomas Lawlor, London Symphony Orchestra, Alexander Faris | | | 2:52 | |
Cox and Box: Sixes | John Fryatt, Russell Smythe, London Symphony Orchestra, Alexander Faris | | | 3:17 | |
Cox and Box: Stay, Bouncer, Stay | Russell Smythe, Thomas Lawlor, London Symphony Orchestra, Alexander Faris | | | 4:22 | |
Cox and Box: The Buttercup | Russell Smythe, John Fryatt, London Symphony Orchestra, Alexander Faris | | | 3:14 | |
Cox and Box: Who Are You, Sir? | Russell Smythe, John Fryatt, Thomas Lawlor, London Symphony Orchestra, Alexander Faris | | | 3:10 | |
Departures | 久石譲, The London Symphony Orchestra | | | 8:31 | |
H.M.S. Pinafore: Act I. A British Tar Is A | Michael Bulman, Gordon Sandison, [unknown], Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:08 | |
H.M.S. Pinafore: Act I. A Maiden Fair to See | Michael Bulman, London Symphony Orchestra, Alexander Faris | | | 1:45 | |
H.M.S. Pinafore: Act I. But Tell Me Who’s the Youth | Della Jones, London Symphony Orchestra, Alexander Faris | | | 0:26 | |
H.M.S. Pinafore: Act I. Can I Survive This Overbearing | Michael Bulman, Alan Watt, Meryl Drower, Anne Mason, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 8:41 | |
H.M.S. Pinafore: Act I. For I Hold That on the Seas | Frankie Howerd, London Symphony Orchestra, Alexander Faris | | | 0:19 | |
H.M.S. Pinafore: Act I. Hail! Men-o’-War’s Men | Della Jones, London Symphony Orchestra, Alexander Faris | | | 2:02 | |
H.M.S. Pinafore: Act I. My Gallant Crew, Good-Morning | Peter Marshall, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:15 | |
H.M.S. Pinafore: Act I. Now Give Three Cheers | Frankie Howerd, Peter Marshall, Anne Mason, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:23 | |
H.M.S. Pinafore: Act I. Over the Bright Blue Sea | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 0:37 | |
H.M.S. Pinafore: Act I. Refrain, Audacious Tar | Meryl Drower, Michael Bulman, London Symphony Orchestra, Alexander Faris | | | 2:56 | |
H.M.S. Pinafore: Act I. Sir Joseph’s Barge Is Seen | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:53 | |
H.M.S. Pinafore: Act I. Sir, You Are Sad | Della Jones, Peter Marshall, London Symphony Orchestra, Alexander Faris | | | 1:35 | |
H.M.S. Pinafore: Act I. Sorry Her Lot Who Loves Too Well | Meryl Drower, London Symphony Orchestra, Alexander Faris | | | 2:49 | |
H.M.S. Pinafore: Act I. The Nightingale Sighed for the Moon’s Bright Ray | Michael Bulman, Della Jones, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:57 | |
H.M.S. Pinafore: Act I. We Sail the Ocean Blue | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:06 | |
H.M.S. Pinafore: Act I. When I Was a Lad | Frankie Howerd, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:37 | |
H.M.S. Pinafore: Act II. A Many Years Ago | Della Jones, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:35 | |
H.M.S. Pinafore: Act II. Carefully on Tip-Toe Stealing | Alan Watt, Peter Marshall, Michael Bulman, Meryl Drower, Gordon Sandison, Frankie Howerd, Anne Mason, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 6:34 | |
H.M.S. Pinafore: Act II. Fair Moon, to Thee I Sing | Peter Marshall, London Symphony Orchestra, Alexander Faris | | | 3:34 | |
H.M.S. Pinafore: Act II. Farewell, My Own | Michael Bulman, Frankie Howerd, Gordon Sandison, Alan Watt, Anne Mason, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:25 | |
H.M.S. Pinafore: Act II. Kind Captain, I’ve Important Information | Alan Watt, Peter Marshall, London Symphony Orchestra, Alexander Faris | | | 2:02 | |
H.M.S. Pinafore: Act II. Never Mind the Why and Wherefore | Peter Marshall, Frankie Howerd, Meryl Drower, London Symphony Orchestra, Alexander Faris | | | 2:34 | |
H.M.S. Pinafore: Act II. Oh Joy! Oh Rapture Unforeseen / Credits | Michael Bulman, Meryl Drower, Peter Marshall, Della Jones, Frankie Howerd, Anne Mason, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 4:27 | |
H.M.S. Pinafore: Act II. The Hours Creep on Apace | Meryl Drower, London Symphony Orchestra, Alexander Faris | | | 4:26 | |
H.M.S. Pinafore: Act II. Things Are Seldom What They Seem | Della Jones, Peter Marshall, London Symphony Orchestra, Alexander Faris | | | 2:42 | |
H.M.S. Pinafore: Overture – Opening Titles | London Symphony Orchestra, Alexander Faris | | | 0:51 | |
Highway To Hell | 2Cellos, London Symphony Orchestra | | | ?:?? | |
Iolanthe: Act I Finale. 13. When Darkly Looms the Day | Alexander Oliver, Kate Flowers, Thomas Hemsley, Beverley Mills, David Hillman, Derek Hammond-Stroud, Anne Collins, Sandra Dugdale, Pamela Field, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 17:41 | |
Iolanthe: Act I. 1. Tripping Hither, Tripping Thither | Sandra Dugdale, Pamela Field, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 4:18 | |
Iolanthe: Act I. 2. Iolanthe! From Thy Dark Exile | Anne Collins, Sandra Dugdale, Pamela Field, Beverley Mills, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 3:34 | |
Iolanthe: Act I. 3. Good-Morrow, Good Mother | Alexander Oliver, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 0:42 | |
Iolanthe: Act I. 4. Fare Thee Well, Attractive Stranger | Anne Collins, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:07 | |
Iolanthe: Act I. 4a. Good-Morrow, Good Lover | Kate Flowers, Alexander Oliver, London Symphony Orchestra, Alexander Faris | | | 0:44 | |
Iolanthe: Act I. 5. None Shall Part Us | Kate Flowers, Alexander Oliver, London Symphony Orchestra, Alexander Faris | | | 3:01 | |
Iolanthe: Act I. 6. Loudly Let the Trumpet Bray | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 5:45 | |
Iolanthe: Act I. 7. the Law Is the True Embodiment | Derek Hammond-Stroud, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:58 | |
Iolanthe: Act I. 8. My Well-Loved Lord | Kate Flowers, David Hillman, Thomas Hemsley, London Symphony Orchestra, Alexander Faris | | | 3:50 | |
Iolanthe: Act I. 9. Nay, Tempt Me Not | Kate Flowers, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 0:30 | |
Iolanthe: Act I. 10. Spurn Not the Nobly Born | David Hillman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:21 | |
Iolanthe: Act I. 11. My Lords, It May Not Be | Kate Flowers, Derek Hammond-Stroud, Alexander Oliver, Thomas Hemsley, David Hillman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:47 | |
Iolanthe: Act I. 12. When I Went to the Bar | Derek Hammond-Stroud, London Symphony Orchestra, Alexander Faris | | | 1:28 | |
Iolanthe: Act II. 14. When All Night Long a Chap Remains | Richard van Allen, London Symphony Orchestra, Alexander Faris | | | 3:41 | |
Iolanthe: Act II. 15. Strephon’s a Member of Parliament | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:26 | |
Iolanthe: Act II. 16. When Britain Really Ruled the Waves | Thomas Hemsley, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:48 | |
Iolanthe: Act II. 17. In Vain to Us You Plead | Pamela Field, Sandra Dugdale, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:44 | |
Iolanthe: Act II. 18. Oh, Foolish Fay | Anne Collins, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 3:14 | |
Iolanthe: Act II. 19. Tho’ P’r’aps I May Incur Thy Blame | David Hillman, Thomas Hemsley, Kate Flowers, Richard van Allen, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:47 | |
Iolanthe: Act II. 20. Love Unrequited Robs Me of My Rest | Derek Hammond-Stroud, London Symphony Orchestra, Alexander Faris | | | 3:19 | |
Iolanthe: Act II. 21. If You Go in You’re Sure to Win | Derek Hammond-Stroud, Thomas Hemsley, David Hillman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:22 | |
Iolanthe: Act II. 22. If We’re Weak Enough to Tarry | Alexander Oliver, Kate Flowers, London Symphony Orchestra, Alexander Faris | | | 1:21 | |
Iolanthe: Act II. 23. My Lord, a Suppliant at You Feet | Beverley Mills, London Symphony Orchestra, Alexander Faris | | | 2:15 | |
Iolanthe: Act II. 24. It May Not Be | Derek Hammond-Stroud, Beverley Mills, Anne Collins, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:48 | |
Iolanthe: Act II. 25. Soon as We May, Off and Away / Credits | Kate Flowers, Beverley Mills, Anne Collins, Thomas Hemsley, Derek Hammond-Stroud, David Hillman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 3:36 | |
Iolanthe: Overture | London Symphony Orchestra, Alexander Faris | | | 2:44 | |
Kiki's Delivery Service - Documentary Scenes from the Recording | 久石譲, The London Symphony Orchestra | | | 6:54 | |
Love Is All | Deep Purple with the London Symphony Orchestra conducted by Paul Mann feat. Ronnie James Dio | | | 4:06 | |
Love Story from "Love Story" | 2Cellos, London Symphony Orchestra | | | ?:?? | |
Main Theme from "Schindler's List" | 2Cellos, London Symphony Orchestra | | | ?:?? | |
Marin Alsop on Candide | London Symphony Orchestra, Marin Alsop | | | 1:56 | |
Medley from "Game Of Thrones" | 2Cellos, London Symphony Orchestra | | | ?:?? | |
Moon River from "Breakfast At Tiffany's" | 2Cellos, London Symphony Orchestra | | | ?:?? | |
My Heart Will Go On from "Titanic" | 2Cellos, London Symphony Orchestra | | | ?:?? | |
Now We Are Free from "Gladiator" | 2Cellos, London Symphony Orchestra | | | ?:?? | |
One Summer's Day | 久石譲, The London Symphony Orchestra | | | 4:12 | |
Patience: Act I, no. 1, Twenty Love-sick Maidens Be | Shirley Chapman, Patricia Hay, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 3:48 | |
Patience: Act I, no. 2, Still Brooding on Their Mad Infatuation | Sandra Dugdale, Shelagh Squires, Shirley Chapman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:03 | |
Patience: Act I, no. 2a, I Cannot Tell What This Love May Be | Sandra Dugdale, London Symphony Orchestra, Alexander Faris | | | 2:25 | |
Patience: Act I, no. 2b, Twenty Love-sick Maidens Be | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 0:35 | |
Patience: Act I, no. 3, The Soldiers of Our Queen | Donald Adams, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 3:14 | |
Patience: Act I, no. 4, In a Doleful Train Two by Two We Walk | Shirley Chapman, Patricia Hay, Shelagh Squires, Derek Hammond-Stroud, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 4:48 | |
Patience: Act I, no. 4a, Twenty Love-sick Maidens Be | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 0:32 | |
Patience: Act I, no. 5, When I First Put This Uniform On | Donald Adams, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:30 | |
Patience: Act I, no. 6, Am I Alone and Unobserved | Derek Hammond-Stroud, London Symphony Orchestra, Alexander Faris | | | 4:14 | |
Patience: Act I, no. 7, Long Years Ago, Fourteen May Be | Sandra Dugdale, Shirley Chapman, London Symphony Orchestra, Alexander Faris | | | 1:58 | |
Patience: Act I, no. 8, Prithee, Pretty Maiden | Sandra Dugdale, John Fryatt, London Symphony Orchestra, Alexander Faris | | | 2:06 | |
Patience: Act I, no. 8a, Though to Marry You Would Very Selfish Be | Sandra Dugdale, John Fryatt, London Symphony Orchestra, Alexander Faris | | | 0:35 | |
Patience: Act I, no. 9, Let the Merry Cymbals Sound | Derek Hammond-Stroud, Donald Adams, Terry Jenkins, Anne Collins, Sandra Dugdale, Roderick Kennedy, Shelagh Squires, Shirley Chapman, Patricia Hay, John Fryatt, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 17:29 | |
Patience: Act II, no. 10, On Such Eyes as Maidens Cherish | Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:22 | |