Akrostichon-Wortspiel: I. Hide and Seek | | | | | | | |
Akrostichon-Wortspiel: II. The Puzzle of the Three Magic Gates | | | | | | | |
Akrostichon-Wortspiel: III. The Rules of the Game / sdrawkcab EmiT | | | | | | | |
Akrostichon-Wortspiel: IV. Four Seasons in Five Versions | | | | | | | |
Akrostichon-Wortspiel: V. Domifare S | | | | | | | |
Akrostichon-Wortspiel: VI. The Game of Chance | | | | | | | |
Akrostichon-Wortspiel: VII. From the Old TIme | | | | | | | |
Cello Concerto in B minor, op. 104: I. Allegro | | | | | | | |
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | | | | | | | |
Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato – Andante – Allegro vivo | | | | | | | |
Concerto pour violon et orchestre | | | | Concerto | | | |
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) | | | | Aria | | | |
Idomeneo, rè di Creta, K. 366: Act I, Scene I. No. 1 Aria "Padre, germani, addio!" (Ilia) | | | | Aria | | | |
Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) | | | | | | | |
Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) | | | | Aria | | | |
Idomeneo, rè di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia) | | | | | | | |
Il rè pastore, K. 208: Act I, Scene V. No. 6 Aria "Di tante sue procelle" (Tamiri) | | | | | | | |
Il rè pastore, K. 208: Act I, Scene V. Recitativo "No: voi non siete, oh Dei" (Tamiri) | | | | | | | |
L'Arbre des songes: I. Librement - Interlude | | | | | | | |
L'Arbre des songes: II. Vif - Interlude | | | | | | | |
L'Arbre des songes: III. Lent - Interlude | | | | | | | |
L'Arbre des songes: IV. Large et animé | | | | | | | |
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) | | - Gloria Banditelli, Cecilia Bartoli, Alessandro Corbelli, Coro del Teatro Comunale di Bologna, Fernanda Costa, Enzo Dara, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly
- Luigi Alva, Teresa Berganza, Renato Capecchi, Margherita Guglielmi, Paolo Montarsolo, Scottish Opera Chorus, Ugo Trama, Laura Zannini, London Symphony Orchestra, Claudio Abbado
- Rita Noël, Ljubljana Radio Symphony Orchestra, Anton Nanut
- Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno
- (show 52 more)
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Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) | | | | | | | |
Piano Concerto no. 1 in D-flat major, op. 10: I. Allegro brioso | | | | | | | |
Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai | | | | | | | |
Piano Concerto no. 1 in D-flat major, op. 10: III. Allegro scherzando | | | | | | | |
Piano Concerto no. 2 in G minor, op. 16: I. Andantino - Allegretto | | | | | | | |
Piano Concerto no. 2 in G minor, op. 16: II. Scherzo. Vivace | | | | | | | |
Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo. Allegro moderato | | | | | | | |
Piano Concerto no. 2 in G minor, op. 16: IV. Finale. Allegro tempestoso | | | | | | | |
Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | | | | | | | |
Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni (Andantino) | | | | | | | |
Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | | | | | | | |
Piano Concerto no. 4 in B-flat major, op. 53: I. Vivace | | | | | | | |
Piano Concerto no. 4 in B-flat major, op. 53: II. Andante | | | | | | | |
Piano Concerto no. 4 in B-flat major, op. 53: III. Moderato | | | | | | | |
Piano Concerto no. 4 in B-flat major, op. 53: IV. Vivace | | | | | | | |
Piano Concerto no. 5 in G major, op. 55: I. Allegro con brio | | | | | | | |
Piano Concerto no. 5 in G major, op. 55: II. Moderato ben accentuato | | | | | | | |
Piano Concerto no. 5 in G major, op. 55: III. Toccata. Allegro con fuoco | | | | | | | |
Piano Concerto no. 5 in G major, op. 55: IV. Larghetto | | | | | | | |
Piano Concerto no. 5 in G major, op. 55: V. Vivo | | | | | | | |
Recitative and Aria for Soprano and Orchestra in G major, K. 61c/70 | | | | | | | |
Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene" | | | | Aria | | | |
Storie di altre storie: III. Vivo | | | | | | | |
Sur le même accord | | | | | | | |
Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse | | | | | | | |
Swan Lake, op. 20: Act III, no. 20: Danse hongroise: Czárdás: Moderato assai - Allegro moderato: Vivace | | | | | | | |
Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero) | | | | | | | |
Swan Lake, op. 20: Act III, no. 22: Danse napolitaine: Allegro moderato - Andantino quasi moderato: Presto | | | | | | | |
Swan Lake, op. 20: Act IV, no. 27: Danse des petits cygnes: Moderato | | | | | | | |
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo | | | | | | | |
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia | | | | | | | |
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace | | | | | | | |
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso | | | | | | | |
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto | | - Berlin Festival Orchestra, London Festival Orchestra, The New Philharmonic Orchestra, Leipzig Philharmonic Orchestra, Tokyo Festival Orchestra, Henry Adolph, Gerhard Bosse, Alberto Lizzio, Takao Matsumo
- [unknown]
- Berliner Philharmoniker, Herbert von Karajan
- Berliner Philharmoniker, Mstislav Rostropovich
- (show 97 more)
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The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva | | - Berlin Festival Orchestra, London Festival Orchestra, The New Philharmonic Orchestra, Philharmonia Slavonica, Symphonic Festival Orchestra, Tokyo Festival Orchestra, Henry Adolph, Alberto Lizzio, Takao Matsumo
- Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Berliner Philharmoniker, Mstislav Rostropovich
- (show 95 more)
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The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo | | | | | | | |
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace | | - Berlin Festival Orchestra, London Festival Orchestra, The New Philharmonic Orchestra, Philharmonia Slavonica, Symphonic Festival Orchestra, Tokyo Festival Orchestra, Henry Adolph, Alberto Lizzio, Takao Matsumo
- Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- The Philadelphia Orchestra, Leopold Stokowski
- (show 109 more)
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The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto | | - Berlin Festival Orchestra, London Festival Orchestra, The New Philharmonic Orchestra, Symphonic Festival Orchestra, Tokyo Festival Orchestra, Henry Adolph, Alberto Lizzio, Takao Matsumo
- Berliner Philharmoniker, Herbert von Karajan
- Berliner Philharmoniker, Mstislav Rostropovich
- The Philadelphia Orchestra, Leopold Stokowski
- (show 91 more)
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The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato | | | | | | | |
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai | | - Berlin Festival Orchestra, London Festival Orchestra, The New Philharmonic Orchestra, Tokyo Festival Orchestra, Henry Adolph, Alberto Lizzio, Takao Matsumo
- [unknown]
- Berliner Philharmoniker, Herbert von Karajan
- Amsterdam Symphony Orchestra, Berlin Festival Orchestra, The English Philharmonic Orchestra, The European Philharmonic Orchestra, London Festival Orchestra, London Philharmonia Orchestra, South German Philharmonic Orchestra, Hymisher Greenburg, Vladimir Petroschoff, Alfred Scholz, Peter Stern
- (show 115 more)
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The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse | | - Berlin Festival Orchestra, Hamburger Symphoniker, London Festival Orchestra, The New Philharmonic Orchestra, Symphonic Festival Orchestra, Tokyo Festival Orchestra, Henry Adolph, Pietro di la Corona, Alberto Lizzio, Takao Matsumo
- [unknown]
- Berliner Philharmoniker, Herbert von Karajan
- New York Philharmonic, Leonard Bernstein
- (show 145 more)
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The Swan Lake (suite from the ballet), op. 20a: I. Scène | | | | | | | |
The Swan Lake (suite from the ballet), op. 20a: II. Valse | | - London Festival Orchestra, New Philharmonic Orchestra, Symphonic Festival Orchestra, Henry Adolph, Alberto Lizzio, Laurence Siegel
- London Festival Orchestra, Symphonic Festival Orchestra, Henry Adolph, Alberto Lizzio
- Symphonieorchester des Bayerischen Rundfunks, Hans Vonk
- Berliner Philharmoniker, Herbert von Karajan
- (show 48 more)
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The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes | | | | | | | |
The Swan Lake (suite from the ballet), op. 20a: IV. Scène | | | | | | | |
The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise | | | | | | | |
The Swan Lake (suite from the ballet), op. 20a: VI. Danse espagnole | | | | | | | |
The Swan Lake (suite from the ballet), op. 20a: VII. Danse napolitaine | | | | | | | |
The Swan Lake (suite from the ballet), op. 20a: VIII. Mazurka | | | | | | | |
Tod und Verklärung, op. 24: I. Largo | | | | | | | |
Tod und Verklärung, op. 24: II. Allegro molto agitato | | | | | | | |
Tod und Verklärung, op. 24: III. Meno mosso | | | | | | | |
Tod und Verklärung, op. 24: IV. Moderato | | | | | | | |
Zaide, K. 336b/344 (fragment): Akt II. No. 13 Arie "Tiger! wetze nur die Klauen" (Zaide) | | | | | | | |
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов | | | | | | | |