| "In questa tomba oscura", WoO 133 | | | | Song | | | |
| 5 Lieder, op. 82: II. Liebes-Klage | | | | Song | | | |
| 5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred", WoO 79 | | | | | | | |
| 6 Bagatelles, op. 126: No. 1 in G major: Andante con moto cantabile e compiacevole | | | | | | | |
| 6 Bagatelles, op. 126: No. 2 in G minor: Allegro | | | | | | | |
| 6 Bagatelles, op. 126: No. 3 in E-flat major: Andante cantabile e grazioso | | | | | | | |
| 6 Bagatelles, op. 126: No. 4 in B minor: Presto | | | | | | | |
| 6 Bagatelles, op. 126: No. 5 in G major: Quasi Allegretto | | | | | | | |
| 6 Bagatelles, op. 126: No. 6 in E-flat major: Presto - Andante amabile e con moto - Tempo | | | | | | | |
| 7 Bagatelles, op. 33: No. 1 in E-flat major. Andante grazioso, quasi allegretto | | | | | | | |
| 7 Bagatelles, op. 33: No. 2 in C major. Scherzo. Allegro | | | | | | | |
| 7 Bagatelles, op. 33: No. 3 in F major. Allegretto | | | | | | | |
| 7 Bagatelles, op. 33: No. 4 in A major. Andante | | | | | | | |
| 7 Bagatelles, op. 33: No. 5 in C major. Allegro ma non troppo | | | | | | | |
| 7 Bagatelles, op. 33: No. 6 in D major. Allegretto, quasi andante (Con una certa espressione parlante) | | | | | | | |
| 7 Bagatelles, op. 33: No. 7 in A-flat major. Presto | | | | | | | |
| 7 Variations for Piano in C major on “God Save the King”, WoO 78 | | | | | | | |
| 11 Bagatelles, op. 119: No. 1 in G minor: Allegretto | | | | | | | |
| 11 Bagatelles, op. 119: No. 2 in C major: Andante con moto | | | | | | | |
| 11 Bagatelles, op. 119: No. 3 in D major: à l'Allemande | | | | | | | |
| 11 Bagatelles, op. 119: No. 4 in A major: Andante cantabile | | | | | | | |
| 11 Bagatelles, op. 119: No. 5 in C minor: Risoluto | | | | | | | |
| 11 Bagatelles, op. 119: No. 6 in G major: Andante - Allegretto | | | | | | | |
| 11 Bagatelles, op. 119: No. 7 in C major: Allegro ma non troppo | | | | | | | |
| 11 Bagatelles, op. 119: No. 9 in A minor: Vivace moderato | | | | | | | |
| 11 Bagatelles, op. 119: No. 10 in A major: Allegramente | | | | | | | |
| 11 Bagatelles, op. 119: No. 11 in B-flat major: Andante, ma non troppo | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66 | | | | | | | |
| 12 Variations in G on "See the Conqu'ring Hero Comes" From Handel's Judas Maccabaeus, WoO 45 | | | | | | | |
| 40 Mélodies: VI. Komm "Du schönes Fischermädchen" | | | | | | | |
| 40 Mélodies: XII. Mina. Lied des venezianischen Gondoliers | | | | | | | |
| 40 Mélodies: XVI. Ma barque légère | | | | | | | |
| 40 Mélodies: XX. La fille de l'air | | | | | | | |
| 40 Mélodies: XXVII. Sicilienne | | | | | | | |
| 40 Mélodies: XXVIX. Le Vœu pendant l'orage | | | | | | | |
| Adelaide, op. 46 | | | | Song | | | |
| Allegro in F major | | | | | | | |
| Als die Geliebte sich trennen wollte. Empfindungen bei Lydiens Untreue, WoO 118 | | | | | | | |
| An die Geliebte, WoO 140 (2. Fassung) | | | | | | | |
| Arianna a Naxos, Hob. XXVIb:2 | | | | Cantata | | | |
| Assai tranquillo h-Moll (Albumblatt für Julius Rietz) | | | | | | | |
| Aufforderung zum Tanze, op. 65 | | | | | | | |
| Cello Sonata no. 1 in B-flat major, op. 45: I. Allegro vivace | | | | | | | |
| Cello Sonata no. 1 in B-flat major, op. 45: II. Andante | | | | | | | |
| Cello Sonata no. 1 in B-flat major, op. 45: III. Allegro assai | | | | | | | |
| Cello Sonata no. 2 in D major, op. 58: I. Allegro assai vivace | | | | | | | |
| Cello Sonata no. 2 in D major, op. 58: II. Allegretto scherzando | | | | | | | |
| Cello Sonata no. 2 in D major, op. 58: III. Adagio | | | | | | | |
| Cello Sonata no. 2 in D major, op. 58: IV. Molto allegro e vivace | | | | | | | |
| Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: I. Allegro | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, András Schiff, Nemzeti Filharmonikus zenekar, János Ferencsik
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
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| Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: II. Adagio | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, András Schiff, Nemzeti Filharmonikus zenekar, János Ferencsik
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
- (show 27 more)
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| Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: III. Rondo. Tempo di minuetto | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, András Schiff, Nemzeti Filharmonikus zenekar, János Ferencsik
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
- (show 27 more)
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| Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | | | | | | | |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | | | | | | | |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | | | | | | | |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | | | | | | | |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 19 in F major, K. 459: I. Allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 19 in F major, K. 459: II. Allegretto | | | | | | | |
| Concerto for Piano and Orchestra no. 19 in F major, K. 459: III. Allegro assai | | | | | | | |
| Concerto for Piano and Orchestra no. 23 in A major, K. 488: I. Allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) | | | | | | | |
| Concerto for Piano and Orchestra no. 23 in A major, K. 488: III. Allegro assai | | | | | | | |
| Concerto for Piano no. 18 in B-flat major, K. 456 "Paradis": I. Allegro vivace | | | | | | | |
| Concerto for Piano no. 18 in B-flat major, K. 456 "Paradis": II. Andante un poco sostenuto | | | | | | | |
| Concerto for Piano no. 18 in B-flat major, K. 456 "Paradis": III. Allegro vivace | | | | | | | |
| Concerto for Piano no. 20 in D minor, K. 466: I. Allegro | | | | | | | |
| Concerto for Piano no. 20 in D minor, K. 466: II. Romanze | | | | | | | |
| Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai | | | | | | | |
| Der Kuß, op. 128 | | | | Aria | | | |
| Der Schmetterling, D. 633 | | | | Song | | | |
| Der verdienstvolle Sylvius, Hob. XXVIa:36a | | | | Song | | | |
| Der Wachtelschlag, D. 742 | | | | Song | | | |
| Des Schäfers Lied. Hirtenlied | | | | | | | |
| Die Forelle, D. 550 | | | | Song | | | |
| Études d’exécution transcendante, S. 139, R. 2b: V. “Feux follets” in B-flat major. Allegretto | | | | Étude | | | |
| Fantasia for Piano in G minor, op. 77 | | | | | | | |
| Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio | | - Maurizio Pollini, Wiener Philharmoniker, Claudio Abbado
- London Philharmonic Choir, Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink
- Sveriges Radios Symfoniorkester, Esa-Pekka Salonen, Radiokören, Hélène Grimaud
- Orchestre Révolutionnaire et Romantique, John Eliot Gardiner, Robert Levin
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| Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto | | - Maurizio Pollini, Wiener Philharmoniker, Claudio Abbado
- New York Choral Artists, Emanuel Ax, New York Philharmonic, Zubin Mehta
- Carola Höhn, Katharina Kammerloher, Andrea Bönig, Endrik Wottrich, Pär Lindskog, René Pape, Chor der Deutschen Staatsoper, Ernst Stoy, Berliner Philharmoniker, Daniel Barenboim
- London Philharmonic Choir, Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink
- (show 25 more)
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| Fidelity, Hob. XXVIa:30 | | | | Song | | | |
| Gott im Frühlinge, D. 448 | | | | Song | | | |
| Harpsichord Sonata no. 3 in G major: II. Allegro | | | | Sonata | | | |
| Keyboard Suite in D minor, HWV 449: II. Allemande | | | | | | | |
| Les Cloches de Genève : Nocturne, S. 160 no. 9 | | | | | | | |
| Les Jeux d'eaux à la Villa d'Este, S. 163 no. 4 | | | | | | | |
| Liebhaber in allen Gestalten, D. 558 | | | | Song | | | |
| Lied ohne Worte, op. 109 | | | | | | | |
| Miroirs: I. Noctuelles | | | | | | | |
| Miroirs: II. Oiseaux tristes | | | | | | | |
| Miroirs: III. Une barque sur l’océan | | | | | | | |
