| Alexander Nevsky, op. 78: I. Russia Under the Mongolian Yoke | | | | | | | |
| Alexander Nevsky, op. 78: II. Song About Alexander Nevsky | | | | | | | |
| Alexander Nevsky, op. 78: III. The Crusaders in Pskov | | | | | | | |
| Alexander Nevsky, op. 78: IV. Arise, Ye Russian People | | | | | | | |
| Alexander Nevsky, op. 78: V. The Battle on the Ice | | | | | | | |
| Alexander Nevsky, op. 78: VI. The Field of the Dead | | | | | | | |
| Alexander Nevsky, op. 78: VII. Alexander's Entry Into Pskov | | | | | | | |
| Battle Hymn of the Republic | | | | | | | |
| Cantata for Mixed Chorus and Orchestra, op. 112 "Meeresstille und glückliche Fahrt" | | | | Cantata | | | |
| Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima | | | | | | | |
| Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | | | | | | | |
| Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera | | - Ernst Hinreiner, Richard Brünner, Gerda Hartmann, Rudolf Knoll, Salzburg Mozarteum Chorus, The European Philharmonic Orchestra, Salzburg Mozarteum Orchestra, Hymisher Greenburg, Kurt Prestel
- Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 82 more)
| | Cantata | | | |
| Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna | | | | | | | |
| Carmina Burana: I. Primo vere: III. Veris leta facies | | | | | | | |
| Carmina Burana: I. Primo vere: V. Ecce gratum | | | | | | | |
| Carmina Burana: II. In Taberna: XII. Olim lacus colueram | | | | | | | |
| Carmina Burana: II. In Taberna: XIII. Ego sum abbas | | | | | | | |
| Carmina Burana: II. In Taberna: XIV. In taberna quando sumus | | | | | | | |
| Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula | | | | | | | |
| Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora | | | | | - Latin
- German, Middle High (ca.1050-1500)
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| Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- (show 77 more)
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| Carmina Burana: III. Cour d’amours: XXIII. Dulcissime | | | | | | | |
| Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe | | | | | - German, Middle High (ca.1050-1500)
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| Carmina Burana: Uf dem Anger: VII. Floret silva nobilis | | | | | - Latin
- German, Middle High (ca.1050-1500)
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| Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir | | | | | - German, Middle High (ca.1050-1500)
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| Carmina Burana: Uf dem Anger: X. Were diu werlt alle min | | | | | - German, Middle High (ca.1050-1500)
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| Elegischer Gesang, op. 118 | | | | | | | |
| Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy” | | - Daniel Barenboim, The John Alldis Choir, Philharmonia Orchestra, Otto Klemperer
- Saint Louis Symphony Chorus, Walter Klien, Saint Louis Symphony Orchestra, Jerzy Semkow
- Schweizer Kammerchor, Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman
- Marcus Creed, John Aler, Camille Capasso, Kristina Clemenz, Friedrich Molsberger, Hiroshi Oshima, RIAS Kammerchor, Cheryl Studer, Евгений Игоревич Кисин, Berliner Philharmoniker, Claudio Abbado
- (show 41 more)
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| Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto | | - Maurizio Pollini, Wiener Philharmoniker, Claudio Abbado
- New York Choral Artists, Emanuel Ax, New York Philharmonic, Zubin Mehta
- Carola Höhn, Katharina Kammerloher, Andrea Bönig, Endrik Wottrich, Pär Lindskog, René Pape, Chor der Deutschen Staatsoper, Ernst Stoy, Berliner Philharmoniker, Daniel Barenboim
- London Philharmonic Choir, Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink
- (show 25 more)
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| Festival Overture on "The Star-Spangled Banner" | | | | Overture | | | |
| Harmonium: I. Negative Love | | | | | | | |
| Harmonium: II. Because I Could Not Stop for Death | | | | | | | |
| Harmonium: III. Wild Nights | | | | | | | |
| Mass in D major, op. 10: Agnus Dei | | | | | | | |
| Mass in D major, op. 10: Benedictus | | | | | | | |
| Mass in D major, op. 10: Confiteor | | | | | | | |
| Mass in D major, op. 10: Credo | | | | | | | |
| Mass in D major, op. 10: Crucifixus | | | | | | | |
| Mass in D major, op. 10: Cum sancto spiritu | | | | | | | |
| Mass in D major, op. 10: Dona nobis | | | | | | | |
| Mass in D major, op. 10: Et resurrexit | | | | | | | |
| Mass in D major, op. 10: Et vitam venturi | | | | | | | |
| Mass in D major, op. 10: Gloria | | | | | | | |
| Mass in D major, op. 10: Kyrie | | | | | | | |
| Mass in D major, op. 10: Osanna | | | | | | | |
| Mass in D major, op. 10: Pleni sunt | | | | | | | |
| Mass in D major, op. 10: Qui tollis | | | | | | | |
| Mass in D major, op. 10: Sanctus | | | | | | | |
| Spring, Cantata for Baritone, Chorus and Orchestra, op. 20 | | | | | | | |
| Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend | | | | | | | |
| The Bells, op. 35: I. Allegro ma non tanto | | | | | | | |
| The Bells, op. 35: II. Lento | | | | | | | |
| The Bells, op. 35: III. Presto | | | | | | | |
| The Bells, op. 35: IV. Lento lugubre | | | | | | | |
| Three Russian Folk Songs for Chorus and Orchestra, op. 41: I. Across the River | | | | | | | |
| Three Russian Folk Songs for Chorus and Orchestra, op. 41: II. O Vanya, You Bold Fellow | | | | | | | |
| Three Russian Folk Songs for Chorus and Orchestra, op. 41: III. Powder and Paint | | | | | | | |
