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1998 | My Selfe | Holborne; The King’s Noyse, David Douglass, Paul O’Dette | |
1999 | My Selfe | Holborne; The King’s Noyse, Paul O’Dette | |
| An die Musik: Favorite Schubert Songs | Franz Schubert; Bryn Terfel, Malcolm Martineau | |
| Anglosax | Vaughan-Williams, Berkeley, Carter, Rorem, Rogers, Chambers; Kyle Horch, Pamela Lidiard, Fenella Barton | |
| British Works for Cello and Piano, Volume 1 | Parry, Delius, Bantock, Foulds; Paul Watkins, Huw Watkins | |
| British Works for Cello and Piano, Volume 1 | Parry, Delius, Bantock, Foulds; Paul Watkins, Huw Watkins | |
| British Works for Cello and Piano, Volume 2 | Ireland, Bax, Bowen; Paul Watkins, Huw Watkins | |
| British Works for Cello and Piano, Volume 2 | Ireland, Bax, Bowen; Paul Watkins, Huw Watkins | |
| British Works for Cello and Piano, Volume 3 | Moeran, Rubbra, Rawsthorne; Paul Watkins, Huw Watkins | |
| British Works for Cello and Piano, Volume 3 | Moeran, Rubbra, Rawsthorne; Paul Watkins, Huw Watkins | |
| British Works for Cello and Piano, Volume 4 | Lutyens, Hoddinott, Leighton, Bennett; Paul Watkins, Huw Watkins | |
| British Works for Cello and Piano, Volume 4 | Lutyens, Hoddinott, Leighton, Bennett; Paul Watkins, Huw Watkins | |
| Cello Sonatas nos. 1, 2 and 3 | Martinů; Paul Watkins, Huw Watkins | |
| Cello Sonatas nos. 1, 2 and 3 | Martinů; Paul Watkins, Huw Watkins | |
| Chandos Anthems, Volume 1: Nos. 1, 2 & 3 | Handel; Lynne Dawson, Ian Partridge, Michael George, The Sixteen, Orchestra of The Sixteen, Harry Christophers | |
| Concerto for 28 Players / Variations on a Theme of Ruth Gipps / Little Suites nos. 1 & 2 / A Manx Suite | Malcolm Arnold; City of London Sinfonia, Richard Hickox | |
| Consorts for Viols | Orlando Gibbons; Phantasm | |
| Das klagende Lied (complete) | Mahler; Joan Rodgers, Linda Finnie, Hans Peter Blochwitz, Robert Hayward, Bournemouth Symphony Orchestra, Richard Hickox | |
| Four Temperaments | Byrd, Ferrabosco, Parsons, Tallis; Phantasm | |
| Leçons de ténèbres | Couperin, Lalande; Emma Kirkby, Agnès Mellon, Charles Medlam, Terence Charlston | |
| Liederkreis, op. 24 / Dichterliebe, op. 48 / 7 Lieder | Robert Schumann; Ian Bostridge, Julius Drake | |
| Loyset Compère | Loyset Compère; Orlando Consort | |
| Maria-Triptychon / Sechs Monologe aus Jedermann / Suite from “Der Sturm” | Frank Martin; The London Philharmonic, Matthias Bamert | |
| Matthäus‐Passion | J.S. Bach; Collegium Vocale Gent, Philippe Herreweghe, Ian Bostridge, Franz-Josef Selig, Sibylla Rubens, Andreas Scholl, Werner Güra, Dietrich Henschel | |
| Move Now With Measured Sound | Thomas Campion; Robin Blaze, Elizabeth Kenny | |
| Paris Symphonies I: Nos. 82, 83 & 84 | Joseph Haydn; Tafelmusik, Bruno Weil | |
| Ravel / Shostakovich | Ravel, Shostakovich; Rudolf Barshai, Scottish Ensemble, Clio Gould | |
| Saint‐Saëns, Volume One | Saint‐Saëns; The London Philharmonic, Geoffrey Simon | |
| Six-Part Consorts | John Jenkins; Phantasm | |
| Sonatas | Dvořák, Martinů, Feld; James Galway, Phillip Moll | |
| String Quartets | Mendelssohn; Eroica Quartet | |
| Symphonies nos. 45 “Farewell”, 46 & 47 | Joseph Haydn; Bruno Weil, Tafelmusik | |
| Symphony in E-flat / Suite "Nobilissima visione" / Overture "Neues vom Tage" | Paul Hindemith; BBC Philharmonic, Yan Pascal Tortelier | |
| Symphony in G | George Dyson; City of London Sinfonia, Richard Hickox | |
| Symphony no. 5 "Hydriotaphia" / Sinfonietta for Strings / Piano Concerto no. 2 | William Alwyn; London Symphony Orchestra, Richard Hickox, Howard Shelley | |
| Symphony no. 5 / The Noon Witch / Scherzo Capriccioso | Dvořák; Czech Philharmonic Orchestra, Jiří Bělohlávek | |
| The Bachelar's Delight | Daniel Bacheler; Paul O’Dette | |
| The Bachelar's Delight (lute: Paul O'Dette) | Daniell Batchelar | |
| The Canterbury Pilgrims | Dyson; London Symphony Orchestra, London Symphony Chorus, Richard Hickox | |
| The Complete Music for Piano | Gabriel Fauré; Kathryn Stott | |
| The Glory of Venice | Giovanni Gabrieli; King’s College Choir, Cambridge, Philip Jones Brass Ensemble, Stephen Cleobury | |
| The Grainger Edition, Volume Five: Works for Chorus and Orchestra 2 | Percy Grainger; Richard Hickox, Pamela Helen Stephen, Mark Padmore, Stephen Varcoe, Geoffrey Tozer, The Joyful Company of Singers, City of London Sinfonia | |
| The Grainger Edition, Volume Nine: Works for Chorus and Orchestra 3 | Percy Grainger; Susan Gritton, Pamela Helen Stephen, Mark Tucker, Stephen Varcoe, Timothy Hugh, The Joyful Company of Singers, City of London Sinfonia, Richard Hickox | |
| The Grainger Edition, Volume Three: Works for Chorus and Orchestra | Percy Grainger; Richard Hickox, Mark Padmore, Stephen Varcoe, Penelope Thwaites, The Joyful Company of Singers, City of London Sinfonia | |
| The Lily & The Lamb: Chant & Polyphony From Medieval England | Anonymous 4 | |
| The Mystery Sonatas | Heinrich Ignaz Franz von Biber; Tragicomedia, John Holloway, Davitt Moroney | |
| The Mystery Sonatas (Tragicomedia, violin: John Holloway, keyboard: Davitt Moroney) | Heinrich Ignaz Franz von Biber | |
| The Mystery Sonatas (Tragicomedia, violin: John Holloway, keyboard: Davitt Moroney) | Heinrich Ignaz Franz von Biber | |
| The Piano Sonatas: Op. 13 "Pathetique" / Op. 53 "Waldstein" / Op. 81a "Les Adieux" | Beethoven; Louis Lortie | |
| The Piano Sonatas: Op. 27 no. 1 / Op. 27 no. 2 "Moonlight" / Op. 28 "Pastoral" | Ludwig van Beethoven; Louis Lortie | |
| The Young Person’s Guide to the Orchestra / Suite on English Folk Tunes / Johnson over Jordan / Four Sea Interludes | Benjamin Britten; Bournemouth Symphony Orchestra, Richard Hickox | |
| Viola da gamba concertata | Various Artists | |
| Vivaldi: Gloria / Ostro picta / Bach: Magnificat | Vivaldi, Bach; Collegium Musicum 90, Emma Kirkby, Michael Chance, Stephen Varcoe, Tessa Bonner, John Mark Ainsley, Richard Hickox | |
| Works for Cello and Piano | Mendelssohn; Paul Watkins, Huw Watkins | |
| Works for Cello and Piano | Mendelssohn; Paul Watkins, Huw Watkins | |
– ???? | Concerto No. 2 / 6 Etudes-Tableaux | Sergei Rachmaninoff; London Symphony Orchestra, Valery Gergiev, Evgeny Kissin | |
– ???? | Missa Maria zart | Jacob Obrecht; The Tallis Scholars, Peter Phillips | |