[dialogue] (Special Purpose Artist)

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Recordings

Name ISRCs Rating Length
[banter] 1:16
[banter] 0:18
[Bradley tries the rock-steadi-cam] (live, 1995-02-17: Las Palmas Theatre, Hollywood, CA, USA) 2:10
[Brian Matthew introduces The Kinks] GBUM70810761 0:08
[Carol Miller's Runaways CBGB's radio spot] 0:09
[Cherie and Sandy on performing "Dead End Justice"] 0:53
[Cherie Currie on joining the Runaways] 0:31
[Cherie on the Runaways arrival in Japan] 0:35
[closing announcements] (live, 1968-01-13: Folsom State Prison, Folsom, CA, USA (show 1)) USSM10803012 1:44
[CM] 1:32
[Contingency Plan] ?:??
[curtain call] 2:55
[curtain call] 2:47
[curtain calls] / [exit music] 2:56
[curtain calls] / [exit music] 1:32
[dialogue] 0:17
[dialogue] 0:37
[dialogue] 0:51
[dialogue] 1:03
[dialogue] 2:14
[dialogue] 0:58
[dialogue] 0:18
[dialogue] 1:21
[dialogue] 0:06
[dialogue] 0:40
[dialogue] 0:10
[dialogue] 0:03
[dialogue] 0:51
[dialogue] 1:52
[dialogue] 2:01
[dialogue] 2:29
[dialogue] 0:41
[dialogue] 2:21
[dialogue] 2:34
[dialogue] 2:36
[dialogue] 1:15
[dialogue] 0:16
[dialogue] 2:50
[dialogue] 1:23
[dialogue] 2:56
[dialogue] 2:26
[dialogue] 1:59
[dialogue] 1:06
[dialogue] 0:58
[dialogue] 2:20
[dialogue] 1:07
[dialogue] 1:24
[dialogue] 0:49
[dialogue] 3:18
[dialogue] 2:08
[dialogue] 3:24
[dialogue] 1:35
[dialogue] 2:13
[dialogue] 0:36
[dialogue] 3:54
[dialogue] 4:36
[dialogue] 8:24
[dialogue] 0:36
[dialogue] 2:07
[dialogue] 4:23
[dialogue] 1:24
[dialogue] 1:35
[dialogue] 0:27
[dialogue] 0:59
[dialogue] 11:51
[dialogue] 2:27
[dialogue] 2:36
[dialogue] 0:52
[dialogue] 1:48
[dialogue] 2:18
[dialogue] 1:53
[dialogue] 2:52
[dialogue] 0:36
[dialogue] 1:04
[dialogue] 3:28
[dialogue] 1:52
[dialogue] 1:13
[dialogue] 1:23
[dialogue] 1:58
[dialogue] 0:47
[dialogue] 1:52
[dialogue] 2:30
[dialogue] 2:38
[dialogue] 2:54
[dialogue] 0:38
[dialogue] 2:48
[dialogue] 1:38
[dialogue] 0:36
[dialogue] 1:31
[dialogue] 3:03
[dialogue] 1:14
[dialogue] 1:42
[dialogue] 1:26
[dialogue] 0:40
[dialogue] 0:21
[dialogue] 2:10
[dialogue] 3:03
[dialogue] 3:43
[dialogue] 2:27
[dialogue] 8:00

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