[dialogue] (Special Purpose Artist)

~ Other

Filter

Recordings

Name Artist ISRCs Rating Length
Monsieur Chuinard : Les rapports sociaux avec l’équipage [dialogue] 4:52
Monsieur Chuinard : Une famille d’armateurs [dialogue] 6:09
Monsieur Gicquel de Genêts : Les techniques de pêche (suite) / Les distractions / Le mauvais temps [dialogue] 6:19
Monsieur Gicquel de Genêts : Les tempêtes / La glace / « Un métier de bagnard » [dialogue] 5:51
Monsieur Gicquel de Genêts : Une vocation / La traversée / Les techniques de pêche [dialogue] 6:19
Monsieur Morgan : La pêche - Les doris [dialogue] 4:27
Monsieur Morgan : La pêche - Vidage et salaison [dialogue] 5:25
Monsieur Morgan : La vie à bord - L’hygiène [dialogue] 5:40
Monsieur Morgan : La vie à bord - La nourriture [dialogue] 4:55
Monsieur Morgan : La vie à bord - Les lits / Les rats / L’organisation du repas [dialogue] 2:38
Monsieur Morgan : La vie à bord - Pas de distractions / « Tous copains » / L’autorité du capitaine [dialogue] 4:26
Monsieur Morgan : Mousse à 12 ans - Devenir marin : une histoire de famille / Les préparatifs / Savoir nager [dialogue] 3:52
Monsieur Morgan : Mousse à 12 ans - L’équipement, l’habillage et l’entretien [dialogue] 4:34
Monsieur Morgan : Mousse à 12 ans - La navigation, la voilure [dialogue] 4:01
Monsieur Morgan : Une grande précarité - La solde [dialogue] 3:52
Monsieur Morgan : Une grande précarité - Mésaventures et mauvaises rencontres [dialogue] 4:25
Monsters Crash the Pajama Party Movie Trailer ?:??
Mooie tijd gemaakt mannen [dialogue] 7:30
Moře [dialogue] 0:12
More Party at Gunther's (Dialogue: Jack Lemmon, Peter Lawford, Catherine Deneuve ) [dialogue] ?:??
Morning Benders [dialogue] 0:04
Morning's With Marv Mack (skit) [dialogue] 0:49
Morning's With Marv Mack (skit) [dialogue] 0:47
Morrocco or Bust [dialogue] 0:28
Most Amazing Thing Chunk Ever Saw [dialogue] 0:20
Mother [dialogue] 0:22
Mother's Letter [dialogue] GBAKW0000184 0:39
Motivation [dialogue] 0:25
Mr Giuseppe [dialogue] FRS250500290 0:40
Mr. Halloway [dialogue] 0:12
Mud for It [dialogue] 0:16
Mud for It [dialogue] 0:16
Mula buktalar [dialogue] 2:22
Mulas yrkesskola: Trädgårdsmästaren [dialogue] 2:43
Mund zu Mund [dialogue] 1:00
Muriel's Wedding [dialogue] 0:19
Murrehirmut [dialogue] 0:19
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement) [dialogue] DEF055509744 9:12
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement) [dialogue] DEF055509742 6:07
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement) [dialogue] DEF055509741 13:25
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..." [dialogue] DEF055509745 1:11
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement) [dialogue] DEF055509743 5:26
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme) [dialogue] DEF055509761 4:45
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement) [dialogue] DEF055509763 3:23
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement) [dialogue] DEF055509765 2:42
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement) [dialogue] DEF055509764 5:47
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement) [dialogue] DEF055509762 5:15
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement) [dialogue] DEF055509768 3:18
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement) [dialogue] DEF055509766 9:34
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement) [dialogue] DEF055509769 2:12
Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement) [dialogue] DEF055509767 2:17
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement) [dialogue] DEF055509784 5:00
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement) [dialogue] DEF055509781 9:52
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued) [dialogue] DEF055509785 1:01
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement) [dialogue] DEF055509783 1:40
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement) [dialogue] DEF055509782 3:22
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued) [dialogue] DEF055509754 6:51
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement) [dialogue] DEF055509756 7:32
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement) [dialogue] DEF055509757 5:16
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement) [dialogue] DEF055509755 4:49
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement) [dialogue] DEF055509753 8:39
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme) [dialogue] DEF055509751 4:22
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition..." [dialogue] DEF055509752 1:48
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement) [dialogue] DEF055509774 1:50
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work" [dialogue] DEF055509776 6:01
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement) [dialogue] DEF055509773 1:56
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued) [dialogue] DEF055509772 1:58
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement) [dialogue] DEF055509771 9:18
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement) [dialogue] DEF055509775 3:41
My Ass Hurts So Bad [dialogue] 0:08
My Ass! [dialogue] 0:28
My Baby Boy [dialogue] USUG10300189 0:15
My Dreams Need Detail [dialogue] 0:09
My First McNuggets [dialogue] 0:21
My Girl / [John Hasler, ex-drummer, singer, manager] Madness / [dialogue] 2:57
My Kingdom for a Horse [dialogue] 0:40
My O Face [dialogue] 0:24
My Old Kentucky Home [dialogue] 1:16
My Property [dialogue] 0:10
My Wife, I Think I'll Keep Her [dialogue] 0:43
Mylene Jenius Special Interview [dialogue] JPVI09426950 4:43
N2R [dialogue] JPKI00814809 1:21
Na návštěvě STB [dialogue] 1:00
Na, du alte Saufziege [dialogue] 0:38
Načapám tě [dialogue] 0:59
Namida No Shutsugeki [Sortie of Tears] [dialogue] 1:50
Napalm in the Morning [dialogue] 0:56
Narration Narrator 2:01
Narration Narrator 0:09
Narration Narrator 0:11
Narration Narrator 0:09
Narration Narrator 0:34
Narration Narrator 0:20
Narration Narrator 0:46
Narration Narrator 0:13
Narration Narrator 0:11
Narration Narrator 0:39
Narration Narrator 0:11
Narration Narrator 1:05
Narration Narrator 0:53

Showing all recordings. Show only standalone recordings instead, or show only videos.