| 5 Pieces for Orchestra, op. 10: I. Sehr ruhig und zart | | | | | | | |
| 5 Pieces for Orchestra, op. 10: II. Lebhaft und zart bewegt | | | | | | | |
| 5 Pieces for Orchestra, op. 10: III. Sehr langsam und äußerst ruhig | | | | | | | |
| 5 Pieces for Orchestra, op. 10: IV. Fliessend, äußerst zart | | | | | | | |
| 5 Pieces for Orchestra, op. 10: V. Sehr fließend | | | | | | | |
| 6 Deutsche Tänze, D. 820: Nr. 1 in As-Dur | | | | | | | |
| 6 Deutsche Tänze, D. 820: Nr. 2 in As-Dur | | | | | | | |
| 6 Deutsche Tänze, D. 820: Nr. 3 in As-Dur | | | | | | | |
| 6 Deutsche Tänze, D. 820: Nr. 4 in B-Dur | | | | | | | |
| 6 Deutsche Tänze, D. 820: Nr. 5 in B-Dur | | | | | | | |
| 6 Deutsche Tänze, D. 820: Nr. 6 in B-Dur | | | | | | | |
| A Kékszakállú herceg vára: Door 1 "'Jaj! Mit látsz? Mit látsz? Láncok, kések" | | | | | | | |
| A Kékszakállú herceg vára: Door 2 "Mit látsz? Százkegyetlen szörnyü fegyver" | | | | | | | |
| A Kékszakállú herceg vára: Door 3 "Oh, be sok kincs! Oh, be sok kincs!" | | | | | | | |
| A Kékszakállú herceg vára: Door 4 "Oh! virágok! Oh! ilatoskert!" | | | | | | | |
| A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam" | | | | | | | |
| A Kékszakállú herceg vára: Door 6 "Csendes fehér tavat látok" | | - Katalin Kasza, György Melis, Budapest Philharmonic Orchestra, János Ferencsik
- Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez
- Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
- Siegmund Nimsgern, Tatiana Troyanos, BBC Symphony Orchestra, Pierre Boulez
- (show 18 more)
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| A Kékszakállú herceg vára: Door 7 "Lásd a régi aszszonyokat" | | - Katalin Kasza, György Melis, Budapest Philharmonic Orchestra, János Ferencsik
- Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
- Siegmund Nimsgern, Tatiana Troyanos, BBC Symphony Orchestra, Pierre Boulez
- László Polgár, Chicago Symphony Orchestra, Pierre Boulez
- (show 14 more)
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| A Kékszakállú herceg vára: Opening "Megérkeztünk" | | | | | | | |
| Accompaniment to a Cinematographic Scene, op. 34 | | | | | | | |
| Aggregate | | | | | | | |
| Air | | | | | | | |
| Alle vittime senza nome: I. | | | | | | | |
| Alle vittime senza nome: II. | | | | | | | |
| Alle vittime senza nome: III. | | | | | | | |
| Amanda | | | | | | | |
| Ancien morceau symphonique | | | | | | | |
| Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) | | | | Aria | | | |
| Archipelago | | | | | | | |
| Aria | | | | | | | |
| Atlantis | | | | | | | |
| Aura | | | | | | | |
| Ausstrahlung | | | | | | | |
| Ballet Suite no. 1: I. Lyric Waltz (from Suite no. 1 for Jazz Orchestra) | | | | | | | |
| Ballet Suite no. 1: II. Dance (from 'The Limpid Stream') | | | | | | | |
| Ballet Suite no. 1: III. Romance (from 'The Limpid Stream') | | | | | | | |
| Ballet Suite no. 1: IV. Polka (from 'The Limpid Stream') | | | | | | | |
| Ballet Suite no. 1: V. Waltz-Joke (from 'The Bolt') | | | | | | | |
| Ballet Suite no. 1: VI. Galop (from 'The Limpid Stream') | | | | | | | |
| Ballet Suite no. 3: I. Waltz (from 'The Human Comedy') | | | | | | | |
| Ballet Suite no. 3: II. Gavotte (from 'The Human Comedy') | | | | | | | |
| Ballet Suite no. 3: III. Dance (from 'The Limpid Stream') | | | | | | | |
| Ballet Suite no. 3: IV. Elegy (from 'The Human Comedy') | | | | | | | |
| Ballet Suite no. 3: V. Waltz (from 'The Limpid Stream') | | | | | | | |
| Ballet Suite no. 3: VI. Galop (from 'The Limpid Stream') | | | | | | | |
| Beethoven-Sinfonie | | | | | | | |
| Biogramma | | | | | | | |
| Cantata for Wartime, op. 95 "Mitternacht und Tag" | | | | Cantata | | | |
| Capriccio Brillant in B minor, op. 22 | | | | | | | |
| Carmen: Erster Akt. Nr. 7 Duett „Wie? Du kommst von der Mutter” – „Als Botin komm’ ich her” – „Ich seh’ die Mutter dort” (Don José, Micaëla) | | | | | | | |
| Cello Concerto in B minor, op. 104: I. Allegro | | | | | | | |
| Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | | | | | | | |
| Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato – Andante – Allegro vivo | | | | | | | |
| Cello Concerto in E minor, op. 58: I. Andante – Poco meno mosso (Andante assai) – Adagio | | - Christine Walevska, Orchestre Philharmonique de Monte‐Carlo, Eliahu Inbal
- Steven Isserlis, Frankfurt Radio Symphony Orchestra, Paavo Järvi
- Philharmonia Orchestra, Walter Süsskind, János Starker
- Alban Gerhardt, Bergen Philharmonic Orchestra, Andrew Litton
- Alexander Ivashkin, Russian State Symphony Orchestra, Valeri Polyansky
| | | | | |
| Cello Concerto in E minor, op. 58: II. Allegro giusto | | - Christine Walevska, Orchestre Philharmonique de Monte‐Carlo, Eliahu Inbal
- Steven Isserlis, Frankfurt Radio Symphony Orchestra, Paavo Järvi
- Philharmonia Orchestra, Walter Süsskind, János Starker
- Alban Gerhardt, Bergen Philharmonic Orchestra, Andrew Litton
- Alexander Ivashkin, Russian State Symphony Orchestra, Valeri Polyansky
| | | | | |
| Cello Concerto in E minor, op. 58: III. Tema e variazioni - Coda | | | | | | | |
| Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | | | | | | | |
| Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | | | | | | | |
| Cello Concerto no. 1 in A minor, op. 33: III. Molto allegro | | | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto | | | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato | | | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza | | | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con moto | | | | | | | |
| Chamber Symphony no. 1, op. 9 | | | | Symphony | | | 5 |
| Composizione in tre tempi: I. Allegro scorrevole | | | | | | | |
| Composizione in tre tempi: II. Adagio | | | | | | | |
| Composizione in tre tempi: III. Andante – Allegro – Allegro molto | | | | | | | |
| Composizione no. 1 | | | | | | | |
| Composizione no. 2 | | | | | | | |
| Concertante for Flute, Oboe and Orchestra in F major: I. Adagio patetico | | | | | | | |
| Concertante for Flute, Oboe and Orchestra in F major: II. Rondo (Allegretto grazioso) | | | | | | | |
| Concertino for Marimba and Orchestra, op. 21: I. Vigorous | | | | | | | |
| Concertino for Marimba and Orchestra, op. 21: II. Calm | | | | | | | |
| Concertino for Marimba and Orchestra, op. 21: III. Lively | | | | | | | |
| Concertino for Oboe and Orchestra in G minor | | | | | | | |
| Concertino for Oboe and Orchestra in G minor: I. Allegro vivace | | | | | | | |
| Concertino for Oboe and Orchestra in G minor: II. Adagio | | | | | | | |
| Concertino for Oboe and Orchestra in G minor: III. Allegro | | | | | | | |
| Concerto for Cello no. 2 in E minor, op. 30: I. Allegro impetuoso | | - Yo‐Yo Ma, New York Philharmonic, Kurt Masur
- Georges Miquelle, Rochester Philharmonic Orchestra, Howard Hanson
- Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras
- Lynn Harrell, Academy of St Martin in the Fields, Neville Marriner
- Gautier Capuçon, hr‐Sinfonieorchester, Paavo Järvi
| | | | | |
| Concerto for Cello no. 2 in E minor, op. 30: II. Andante tranquillo | | - Yo‐Yo Ma, New York Philharmonic, Kurt Masur
- Georges Miquelle, Rochester Philharmonic Orchestra, Howard Hanson
- Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras
- Lynn Harrell, Academy of St Martin in the Fields, Neville Marriner
- Gautier Capuçon, hr‐Sinfonieorchester, Paavo Järvi
| | | | | |
| Concerto for Cello no. 2 in E minor, op. 30: III. Allegro | | - Yo‐Yo Ma, New York Philharmonic, Kurt Masur
- Georges Miquelle, Rochester Philharmonic Orchestra, Howard Hanson
- Gautier Capuçon, hr‐Sinfonieorchester, Paavo Järvi
- Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras
- Lynn Harrell, Academy of St Martin in the Fields, Neville Marriner
| | | | | |
| Concerto for Clarinet and Orchestra: I. Rather Fast | | | | | | | |
| Concerto for Clarinet and Orchestra: II. Ostinato. Fast | | | | | | | |
| Concerto for Clarinet and Orchestra: III. Quiet | | | | | | | |
| Concerto for Clarinet and Orchestra: IV. Gay | | | | | | | |
| Concerto for Flute and Orchestra: I. Allegro | | | | | | | |
| Concerto for Flute and Orchestra: II. Andante | | | | | | | |
| Concerto for Flute and Orchestra: III. Allegro scherzando | | | | | | | |
| Concerto for Piano and Orchestra in A minor, op. 54 | | | | Concerto | | | |
| Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante – Più adagio | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto | | | | | | | |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | | | | | | | |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | | | | | | | |
