Ave verum corpus, FP 154 | | | | | | | |
Calme des nuits, op. 68 no. 1 | | | | Song | | | |
Cantique de Jean Racine, op. 11 | | | | | | | |
Chacony in G minor for 2 violins, viola and continuo, Z. 730 | | | | | | | |
Des pas dans l’allée, op. 141 no. 1 | | | | Song | | | |
Dido and Aeneas, Z. 626: Act I | | | | | | | |
Dido and Aeneas, Z. 626: Act II | | | | | | | |
Dido and Aeneas, Z. 626: Act III | | - Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon, Tafelmusik Chamber Choir · Ivars Taurins
- Henry Purcell
- Purcell; Alfred Deller, Oriana Concert Choir and Orchestra
- Jean Allister, Arda Mandikian, Peter Pears, Rosemary Phillips, Purcell Singers, Michael Ronayne, Jeannette Sinclair, Claire Watson, George Malcolm, English Opera Group Orchestra, Benjamin Britten
| | | | | |
Dido and Aeneas, Z. 626: Overture | | | | Overture | | | |
Exsultate Deo | | | | Motet | | | |
Exultate Deo, FP 109 | | | | | | | |
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: 7. Jig | | | | | | | |
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: Air | | | | | | | |
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: IV. Air in G | | | | | | | |
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: VIII. Hornpipe | | | | | | | |
Les Fleurs et les arbres, op. 68 no. 2 | | | | Song | | | |
Madrigal, op. 35 | | | | Madrigal | | | |
Messiah, HWV 56: Part I, no. 1. Symphony | | | | | | | |
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” | | - The English Concert Choir, The English Concert, Trevor Pinnock
- Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
- Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood
- RIAS Chamber Chorus, RIAS Berlin Sinfonietta, Marcus Creed
- (show 108 more)
| | | | | |
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” | | | | | | | |
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) | | - Simon Preston, Christ Church Cathedral Choir, Oxford, Carolyn Watkinson, Academy of Ancient Music, Christopher Hogwood
- Anna Reynolds, London Philharmonic Orchestra, Karl Richter
- Yvonne Minton, English Chamber Orchestra, Johannes Somary
- Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki
- (show 80 more)
| | | | | |
Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) | | - The English Concert Choir, Anne Sofie von Otter, The English Concert, Trevor Pinnock
- Simon Preston, Christ Church Cathedral Choir, Oxford, Carolyn Watkinson, Academy of Ancient Music, Christopher Hogwood
- London Philharmonic Orchestra, Karl Richter
- Academy of St. Martin in the Fields Chorus, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 100 more)
| | Aria | | | |
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” | | | | | | | |
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) | | | | | | | |
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) | | - Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- Helen Donath, London Philharmonic Orchestra, Karl Richter
- Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
- Sara Macliver, Orchestra of the Antipodes, Antony Walker
- (show 77 more)
| | | | | |
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) | | | | | | | |
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) | | - Margaret Price, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- Helen Donath, London Philharmonic Orchestra, Karl Richter
- Arleen Augér, The English Concert, Trevor Pinnock
- (show 73 more)
| | | | | |
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” | | - Amor Artis Chorale, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- London Philharmonic Orchestra, Karl Richter
- Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 104 more)
| | | | | |
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” | | | | | | | |
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” | | | | | | | |
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” | | - The English Concert Choir, The English Concert, Trevor Pinnock
- Amor Artis Chorale, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood
- The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
- (show 80 more)
| | | | | |
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” | | - The English Concert Choir, The English Concert, Trevor Pinnock
- The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
- Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood
- (show 81 more)
| | | | | |
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” | | | | | | | |
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) | | - Alexander Young, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Paul Elliott, Academy of Ancient Music, Christopher Hogwood
- Atlanta Symphony Orchestra Chamber Chorus, Jon Humphrey, Atlanta Symphony Orchestra, Robert Shaw
- Howard Crook, The English Concert, Trevor Pinnock
- (show 70 more)
| | | | | |
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” | | - Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Paul Elliott, Academy of Ancient Music, Christopher Hogwood
- Atlanta Symphony Orchestra Chamber Chorus, Jon Humphrey, Atlanta Symphony Orchestra, Robert Shaw
- The English Concert Choir, The English Concert, Trevor Pinnock
- (show 73 more)
| | | | | |
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” | | | | | | | |
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) | | | | | | | |
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” | | - The English Concert Choir, The English Concert, Trevor Pinnock
- Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
- (show 61 more)
| | | | | |
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” | | | | | | | |
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” | | | | | | | |
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) | | - John Tomlinson, The English Concert, Trevor Pinnock
- Simon Preston, Christ Church Cathedral Choir, Oxford, David Thomas, Academy of Ancient Music, Christopher Hogwood
- Justino Díaz, English Chamber Orchestra, Johannes Somary
- Donald McIntyre, London Philharmonic Orchestra, Karl Richter
- (show 80 more)
| | | | | |
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” | | - Simon Preston, Christ Church Cathedral Choir, Oxford, David Thomas, Academy of Ancient Music, Christopher Hogwood
- Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- The English Concert Choir, The English Concert, Trevor Pinnock
- Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis
- (show 75 more)
| | | | | |
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” | | | | Song | | | |
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” | | - Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- Frederic Jackson, London Philharmonic Choir, London Philharmonic Orchestra, Walter Süsskind
- The English Concert Choir, The English Concert, Trevor Pinnock
- (show 77 more)
| | | | | |
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) | | | | | | | |
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) | | - Yvonne Minton, Alexander Young, English Chamber Orchestra, Johannes Somary
- Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- Michael Chance, Howard Crook, The English Concert, Trevor Pinnock
- John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury
- (show 61 more)
| | | | | |
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” | | - Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- The English Concert Choir, The English Concert, Trevor Pinnock
- Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
- (show 62 more)
| | | | | |
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” | | | | | | | |
Miserere mei, Deus | | - Timothy Beasley-Murray, Choir of King’s College, Cambridge, Gerald Finley, Stephen Cleobury
- Rebecca Daldorph, James Elias, Louisa Keily, Reiner Schneider-Waterberg, Choir of Trinity College, Cambridge, Richard Marlow
- The Sixteen, Harry Christophers
- Oxford Camerata, Jeremy Summerly
- (show 69 more)
| | | | | |
Missa Ascendo ad Patrem: I. Kyrie | | | | Mass | | | |
Missa Ascendo ad Patrem: II. Gloria | | | | Mass | | | |
Missa Ascendo ad Patrem: III. Credo | | | | Mass | | | |
Missa Ascendo ad Patrem: IV. Sanctus | | | | Mass | | | |
Missa Ascendo ad Patrem: V. Benedictus | | | | Mass | | | |
Missa Ascendo ad Patrem: VI. Hosanna | | | | Mass | | | |
Missa Ascendo ad Patrem: VII. Agnus Dei I | | | | Mass | | | |
Missa Ascendo ad Patrem: VIII. Agnus Dei II | | | | Mass | | | |
O sacrum convivium, I/18 | | | | | | | |
Overture In G Minor, Z.772 | | | | Overture | | | |
Quatre motets pour le temps de Noël: No. 1. O magnum mysterium | | | | Motet | | | |
Quatre motets pour le temps de Noël: No. 2. Quem vidistis pastores dicite | | | | Motet | | | |
Quatre motets pour le temps de Noël: No. 3. Videntes Stellam | | | | Motet | | | |
Quatre motets pour le temps de Noël: No. 4. Hodie Christus natus est | | | | Motet | | | |
Quatre motets pour un temps de pénitence: No. 1. Timor et tremor | | | | | | | |
Quatre motets pour un temps de pénitence: No. 2. Vinea mea electa | | | | | | | |
Quatre motets pour un temps de pénitence: No. 3. Tenebræ factæ sunt | | | | | | | |
Quatre motets pour un temps de pénitence: No. 4. Tristis est anima mea | | | | | | | |
Salve Regina, FP 110 | | | | | | | |
Trois chansons de Charles d’Orléans, L. 92, CD 99: I. “Dieu ! Qu’il la fait bon regarder !” | | | | Song | | | |