3 Songs from "Viae inviae" by Hildegard Jone, op. 23 | | | | | | | |
3 Songs from "Viae inviae" by Hildegard Jone, op. 23: I. "Das dunkle Herz, das in sich lauscht" | | | | | | | |
3 Songs from "Viae inviae" by Hildegard Jone, op. 23: II. "Es stürzt aus Höhen Frische" | | | | | | | |
3 Songs from "Viae inviae" by Hildegard Jone, op. 23: III. "Herr Jesus mein" | | | | | | | |
3 Songs on Poems by Hildgard Jone, op. 25 | | | | | | | |
3 Songs on Poems by Hildgard Jone, op. 25: I. "Wie bin ich froh" | | | | | | | |
3 Songs on Poems by Hildgard Jone, op. 25: II. "Des Herzens Purpurvogel fliegt durch Nacht" | | | | | | | |
3 Songs on Poems by Hildgard Jone, op. 25: III. "Sterne, Ihr silbernen Bienen der Nacht" | | | | | | | |
4 Songs, op. 12 | | | | | | | |
4 Songs, op. 12: I. "Der Tag ist vergangen" | | | | | | | |
4 Songs, op. 12: II. Die geheimnisvolle Flöte | | | | | | | |
4 Songs, op. 12: III. "Schien mir's, als ich sah die Sonne" | | | | | | | |
4 Songs, op. 12: IV. Gleich und gleich | | | | | | | |
5 Songs from "Der siebente Ring" by Stefan George, op. 3 | | | | | | | |
5 Songs from "Der siebente Ring" by Stefan George, op. 3: I. "Dies ist ein Lied" | | | | | | | |
5 Songs from "Der siebente Ring" by Stefan George, op. 3: II. "Im windes-weben" | | | | | | | |
5 Songs from "Der siebente Ring" by Stefan George, op. 3: III. "An baches Ranft" | | | | | | | |
5 Songs from "Der siebente Ring" by Stefan George, op. 3: IV. "Im morgen-taun" | | | | | | | |
5 Songs from "Der siebente Ring" by Stefan George, op. 3: V. "Kahl reckt der Baum" | | | | | | | |
5 Songs on Poems by Stefan George, op. 4 | | | | | | | |
5 Songs on Poems by Stefan George, op. 4: I. Eingang | | | | | | | |
5 Songs on Poems by Stefan George, op. 4: II. "Noch zwingt mich Treue über dir zu wachen" | | | | | | | |
5 Songs on Poems by Stefan George, op. 4: III. "Ja heil und dank dir" | | | | | | | |
5 Songs on Poems by Stefan George, op. 4: IV. "So ich traurig bin" | | | | | | | |
5 Songs on Poems by Stefan George, op. 4: V. "Ihr tratet zu dem Herde" | | | | | | | |
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 10 in E major, S. 244 no. 10 | | | | | | | |
90+ | | | | | | | |
Berceuse héroïque, L. 132, CD 140 | | | | | | | |
Carnaval, op. 9: I. Préambule | | | | | | | |
Carnaval, op. 9: II. Pierrot | | | | | | | |
Carnaval, op. 9: III. Arlequin | | | | | | | |
Carnaval, op. 9: Intermezzo: Paganini | | | | | | | |
Carnaval, op. 9: IV. Valse noble | | | | | | | |
Carnaval, op. 9: IX. Papillons | | | | | | | |
Carnaval, op. 9: V. Eusebius | | | | | | | |
Carnaval, op. 9: VI. Florestan | | | | | | | |
Carnaval, op. 9: VII. Coquette | | | | | | | |
Carnaval, op. 9: VIII. Réplique | | | | | | | |
Carnaval, op. 9: X. A.S.C.H. - S.C.H.A.: Lettres dansantes | | | | | | | |
Carnaval, op. 9: XI. Chiarina | | | | | | | |
Carnaval, op. 9: XII. Chopin | | | | | | | |
Carnaval, op. 9: XIII. Estrella | | | | | | | |
Carnaval, op. 9: XIV. Reconnaissance | | | | | | | |
Carnaval, op. 9: XIX. Pause | | | | | | | |
Carnaval, op. 9: XV. Pantalon et Colombine | | | | | | | |
Carnaval, op. 9: XVI. Valse allemande | | | | | | | |
Carnaval, op. 9: XVII. Aveu | | | | | | | |
Carnaval, op. 9: XVIII. Promenade | | | | | | | |
Carnaval, op. 9: XX. Marche des ''Davidsbündler'' contre les Philistins | | | | | | | |
Chaconne, BWV 1004, KiV B24 | | | | | | | |
Children’s Corner, L. 113, CD 119 | | | | Suite | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | | | | | | | |
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto | | | | | | | |
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace | | | | | | | |
Concerto for Piano and Orchestra no. 25 in C major, K. 503: III. (Allegretto) | | | | | | | |
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto | | | | | | | |
Concerto for Piano no. 24 in C minor, K. 491 | | | | Concerto | | | |
Davidsbündlertänze, op. 6: I. Lebhaft | | | | | | | |
Davidsbündlertänze, op. 6: II. Innig | | | | | | | |
Davidsbündlertänze, op. 6: III. Mit Humor (Etwas hahnbüchen) | | | | | | | |
Davidsbündlertänze, op. 6: IV. Ungeduldig | | | | | | | |
Davidsbündlertänze, op. 6: IX. Lebhaft | | | | | | | |
Davidsbündlertänze, op. 6: V. Einfach | | | | | | | |
Davidsbündlertänze, op. 6: VI. Sehr rasch und in sich hinein | | | | | | | |
Davidsbündlertänze, op. 6: VII. Nicht schnell mit äußerst starker Empfindung | | | | | | | |
Davidsbündlertänze, op. 6: VIII. Frisch | | | | | | | |
Davidsbündlertänze, op. 6: X. Balladenmäßig. Sehr rasch | | | | | | | |
Davidsbündlertänze, op. 6: XI. Einfach | | | | | | | |
Davidsbündlertänze, op. 6: XII. Mit Humor | | | | | | | |
Davidsbündlertänze, op. 6: XIII. Wild und Lustig | | | | | | | |
Davidsbündlertänze, op. 6: XIV. Zart und Singend | | | | | | | |
Davidsbündlertänze, op. 6: XV. Frisch | | | | | | | |
Davidsbündlertänze, op. 6: XVI. Mit gutem Humor | | | | | | | |
Davidsbündlertänze, op. 6: XVII. Wie aus der Ferne | | | | | | | |
Davidsbündlertänze, op. 6: XVIII. Nicht Schnell (Ganz zum Überfluss) | | | | | | | |
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 | | | | | | | |
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 | | | | | | | |
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 | | | | | | | |
Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 | | | | | | | |
Die Kunst der Fuge, BWV 1080: IX. Canon alla ottava (Hypodiapason) | | | | | | | |
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima | | | | | | | |
Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 | | | | | | | |
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese | | | | | | | |
Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem | | | | | | | |
Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 | | | | | | | |
Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4 alla Decima | | | | | | | |
Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 | | | | | | | |
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) | | | | | | | |
Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) | | | | | | | |
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) | | | | | | | |
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) | | | | | | | |
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu | | | | | | | |
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti | | | | | | | |
Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza | | | | | | | |
Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta | | | | | | | |
Estampes, L. 100: I. Pagodes. Modérément animé | | | | | | | |