A Severn Rhapsody, op. 3 | | | | | | | |
Agnostic | | | | Concerto | | | |
Appalachian Spring Suite: I. Very Slowly | | | | | | | |
Appalachian Spring Suite: II. Allegro | | | | | | | |
Appalachian Spring Suite: III. Moderato: The Bride and Her Intended | | | | | | | |
Appalachian Spring Suite: IV. Fast: The Revivalist and His Flock | | | | | | | |
Appalachian Spring Suite: V. Subito allegro: Solo Dance of the Bride | | | | | | | |
Appalachian Spring Suite: VI. As at First (Slowly) | | | | | | | |
Appalachian Spring Suite: VII. Doppio movimento: Variations on a Shaker Hymn | | | | | | | |
Appalachian Spring Suite: VIII. Moderato: Coda | | | | | | | |
Blackbird | | | | Song | | - 15864101 (AKM ID)
- 1061282 (APDAYC ID)
- (show 20 more)
- 000078 588 60 (SUISA ID)
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By All Means | | | | | | | |
Chamber Symphony: I. Mongrel Airs | | | | | | | |
Chamber Symphony: II. Aria with Walking Bass | | | | | | | |
Chamber Symphony: III. Roadrunner | | | | | | | |
Concerto for Clarinet and String Orchestra, op. 31: I. Allegro vigoroso | | | | | | | |
Concerto for Clarinet and String Orchestra, op. 31: II. Adagio ma senza rigore | | | | | | | |
Concerto for Clarinet and String Orchestra, op. 31: III. Rondo | | | | | | | |
Concerto for Clarinet in A major: I. Andante mosso, poco agitato | | | | | | | |
Concerto for Clarinet in A major: II. Andante semplice | | | | | | | |
Concerto for Clarinet in A major: III. Allegro vivace | | | | | | | |
Dies Natalis, op. 8: I. Intrada | | | | | | | |
Dies Natalis, op. 8: V. The Salutation. Aria | | | | | | | |
Earth and Air and Rain, op. 15: 6. Rollicum-Rorum | | | | | | | |
Earth and Air and Rain, op. 15: 7. To Lizbie Browne | | | | | | | |
Eclogue for Piano and Strings, op. 10 | | | | | | | |
Five Bagatelles, op. 23a: III. Carol. Andantino semplice | | | | | | | |
Five Bagatelles, op. 23a: IV. Forlana. Allegretto grazioso | | | | | | | |
Five Elizabethan Songs, No. 4: Sleep | | | | | | | |
Hearts and Bones | | | | Song | | | |
I've Been High | | | | Song | | - 6324592 (AGADU ID)
- 5953130 (APDAYC ID)
- (show 25 more)
- 003077 587 43 (SUISA ID)
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Introit, op. 6 | | | | | | | |
Jardi de haikus - I. Luminoso | | | | | | | |
Jardi de haikus - II. Nervoso | | | | | | | |
Jardi de haikus - III. Energico | | | | | | | |
Jardi de haikus - IV. Sospeso | | | | | | | |
Jardi de haikus - IX. Energico | | | | | | | |
Jardi de haikus - V. Secco | | | | | | | |
Jardi de haikus - VI. Estatico | | | | | | | |
Jardi de haikus - VII. Scorrevole | | | | | | | |
Jardi de haikus - VIII. Scherzando | | | | | | | |
Jardi de haikus - X. Espressivo | | | | | | | |
Kung Kristian II, op. 27: I. Nocturne. Molto moderato | | | | | | | |
Kung Kristian II, op. 27: II. Elegie. Andante sostenuto | | | | | | | |
Kung Kristian II, op. 27: III. Musette. Allegretto | | | | | | | |
Kung Kristian II, op. 27: IV. Serenade. Moderato assai (Quasi menuetto) | | | | | | | |
Kung Kristian II, op. 27: V. Ballade. Allegro molto - Vivace | | | | | | | |
Les Barricades mistérieuses | | | | | | | |
Let Us Garlands Bring, op. 18: 1. Come Away, Come Away, Death | | | | | | | |
Let Us Garlands Bring, op. 18: 2. Who Is Silvia? | | | | | | | |
Let Us Garlands Bring, op. 18: 3. Fear No More the Heat O' the Sun | | | | | | | |
Lo, the full, final sacrifice, op. 26 | | - Choir of New College Oxford, Edward Higginbottom
- John Bowen, Choir of King’s College, Cambridge, Roland Robertson, Richard Farnes, Stephen Cleobury
- The Choir of Westminster Abbey, Daniel Cook, James O’Donnell
- Amy Dickson, Aurora Orchestra, Nicholas Collon
- (show 8 more)
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Mighty River | | | | | | | |
Motion | | | | | | | |
Nocturne, op. 60: I. On a poet's lips I slept | | | | | | | |
Nocturne, op. 60: II. Below the thunders of the upper deep | | - Peter Pears, William Waterhouse, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Berliner Philharmoniker, Sir Simon Rattle
- John Mark Ainsley, Britten Sinfonia, Nicholas Cleobury
- Adrian Thompson, Patrick Milne, Bournemouth Sinfonietta, David Lloyd-Jones
- (show 6 more)
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Nocturne, op. 60: III. Encinctured | | - Peter Pears, Osian Ellis, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Berliner Philharmoniker, Sir Simon Rattle
- John Mark Ainsley, Britten Sinfonia, Nicholas Cleobury
- Adrian Thompson, John Marson, Bournemouth Sinfonietta, David Lloyd-Jones
- (show 6 more)
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Nocturne, op. 60: IV. Midnight's bell | | - Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Berliner Philharmoniker, Sir Simon Rattle
- John Mark Ainsley, Britten Sinfonia, Nicholas Cleobury
- Adrian Thompson, Richard Berry, Bournemouth Sinfonietta, David Lloyd-Jones
- (show 6 more)
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Nocturne, op. 60: V. But that night | | - Peter Pears, Denis Blyth, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Berliner Philharmoniker, Sir Simon Rattle
- John Mark Ainsley, Britten Sinfonia, Nicholas Cleobury
- Adrian Thompson, Paul Turner, Bournemouth Sinfonietta, David Lloyd-Jones
- (show 6 more)
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Nocturne, op. 60: VI. She sleeps | | - Peter Pears, Roger Lord, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Berliner Philharmoniker, Sir Simon Rattle
- John Mark Ainsley, Britten Sinfonia, Nicholas Cleobury
- Adrian Thompson, Andrew Knights, Bournemouth Sinfonietta, David Lloyd-Jones
- (show 6 more)
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Nocturne, op. 60: VII. What is more gentle | | - Peter Pears, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Berliner Philharmoniker, Sir Simon Rattle
- John Mark Ainsley, Britten Sinfonia, Nicholas Cleobury
- Adrian Thompson, Nicholas Carpenter, Howard Nelson, Bournemouth Sinfonietta, David Lloyd-Jones
- (show 6 more)
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Nocturne, op. 60: VIII. When most I wink, then do mine eyes best see | | - Peter Pears, William Waterhouse, Osian Ellis, Barry Tuckwell, Denis Blyth, Roger Lord, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Berliner Philharmoniker, Sir Simon Rattle
- John Mark Ainsley, Britten Sinfonia, Nicholas Cleobury
- Adrian Thompson, Bournemouth Sinfonietta, David Lloyd-Jones
- (show 6 more)
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Oiseaux tristes | | | | | | | |
Orchestral Set No. 1, S. 7 "Three Places in New England": III. The Housatonic at Stockbridge | | | | | | | |
Pastoral Symphony | | | | | | | |
Pelléas et Mélisande, op. 46: I. At the Castle Gate | | | | | | | |
Pelléas et Mélisande, op. 46: II. Mélisande | | | | | | | |
Pelléas et Mélisande, op. 46: III. By the Sea | | | | | | | |
Pelléas et Mélisande, op. 46: IV. By a Spring in the Park | | | | | | | |
Pelléas et Mélisande, op. 46: IX. Mélisande's Death | | | | | | | |
Pelléas et Mélisande, op. 46: V. The Three Blind Sisters | | | | | | | |
Pelléas et Mélisande, op. 46: VI. Pastorale | | | | | | | |
Pelléas et Mélisande, op. 46: VII. Mélisande at the Spinning Wheel | | | | | | | |
Pelléas et Mélisande, op. 46: VIII. Entr'acte | | | | | | | |
Petals - I. The longest winter night | | | | | | | |
Petals - II. Plum petals fall | | | | | | | |
Petals - III. And finally the western moon | | | | | | | |
Poème symphonique for 100 metronomes | | | | | | | |
Prelude for String Orchestra in F minor, op. 25 | | | | | | | |
Quatre jardins zen - I | | | | | | | |
Quatre jardins zen - II | | | | | | | |
Quatre jardins zen - III | | | | | | | |
Quatre jardins zen - Interlude | | | | | | | |
Quatre jardins zen - Interlude | | | | | | | |
Quatre jardins zen - Interlude | | | | | | | |
Quatre jardins zen - IV | | | | | | | |
Quatre jardins zen - Postlude | | | | | | | |
Quatre jardins zen - Prelude | | | | | | | |
Romance for String Orchestra in E-flat major, op. 11 | | | | | | | |
Seeing Is Believing | | | | | | | |
Seven Partsongs, op. 17: IV. Clear and gentle stream | | | | | | | |
Sinfonia nro 7 C-duuri, op. 105 | | | | Symphony | | | |
Step Team | | | | | | | |
Suite from “Love’s Labours Lost”, op. 28b: 7. Soliloquy I | | | | | | | |
Suite from “Love’s Labours Lost”, op. 28b: 8. Soliloquy II | | | | | | | |
Suite from “Love’s Labours Lost”, op. 28b: 9. Soliloquy III | | | | | | | |
Symphony no. 10: I | | | | | | | |
Symphony no. 10: II | | | | | | | |
Symphony no. 10: III | | | | | | | |
Symphony no. 10: IV | | | | | | | |