| A Village Romeo and Juliet, RT i/6 | | | | Opera | | | |
| A Village Romeo and Juliet, Scene 5: IV. The walk to the Paradise Garden | | | | | | | |
| Concerto for Violin, Cello and Orchestra, RT vii/5 | | | | Concerto | | | |
| Magnificat | | | | | | | |
| Missa in C, K. 317 “Krönungs-Messe”: I. Kyrie | | - Anna Tomowa‐Sintow, Werner Krenn, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Kathleen Battle, Gösta Winbergh, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- Ileana Cotrubaş, Robert Tear, George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 40 more)
| | Mass | | | |
| Missa in C, K. 317 “Krönungs-Messe”: II. Gloria | | - Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Erwin Ortner, Arnold Schönberg Chor, Elisabeth von Magnus, László Polgár, Josef Protschka, Joan Rodgers, Concentus Musicus Wien, Nikolaus Harnoncourt
- Kathleen Battle, Trudeliese Schmidt, Gösta Winbergh, Ferruccio Furlanetto, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- (show 45 more)
| | Mass | | | |
| Missa in C, K. 317 “Krönungs-Messe”: III. Credo | | - Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Gerhard Eder, Peter Jelosits, Solist der Wiener Sängerknaben, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer, Chorus Viennensis, Wiener Sängerknaben
- Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- (show 37 more)
| | Mass | | | |
| Missa in C, K. 317 “Krönungs-Messe”: IV. Sanctus | | | | Mass | | | |
| Missa in C, K. 317 “Krönungs-Messe”: V. Benedictus | | - Júlia Hamari, Bavarian Radio Chorus, Dietrich Fischer‐Dieskau, Nicolai Gedda, Edda Moser, Bavarian Radio Symphony Orchestra, Eugen Jochum
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- (show 37 more)
| | Mass | | | |
| Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei | | - Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan
- Wiener Philharmoniker, Herbert von Karajan
- Erwin Ortner, Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
- (show 45 more)
| | Mass | | | |
| Prelude and Idyll: Idyll "Once I Passed Through a Populous City" | | | | | | | |
| Prelude and Idyll: Prelude | | | | | | | |
| Requiem: I. ‘Our days here are as one day...’ – | | | | | | | |
| Requiem: II. ‘Hallelujah...’ – | | | | | | | |
| Requiem: III. ‘My beloved whom I cherished was like a flower.’ – | | | | | | | |
| Requiem: IV. ‘I honour the man who can love life...’ – | | | | | | | |
| Requiem: V. ‘The snow lingers yet on the mountains...’ | | | | | | | |
| Riders To The Sea | | - Northern Sinfonia, Richard Hickox
- The Ambrosian Singers, Norma Burrowes, Margaret Price, Helen Watts, Orchestra Nova of London, Meredith Davies
- The Ambrosian Singers, Norma Burrowes, Benjamin Luxon, Margaret Price, Helen Watts, Orchestra Nova of London, Meredith Davies
- The Ambrosian Singers, Norma Burrowes, Margaret Price, Pauline Stevens, Helen Watts, Orchestra Nova of London, Meredith Davies
| | Opera | | | |
| Sir John in Love: Act I, I. (Allegro vivace) What-hoa! | | | | | | | |
| Sir John in Love: Act I, II. How now, Master Shallow | | | | | | | |
| Sir John in Love: Act I, III. O heavens, this is Mistress Anne Page | | | | | | | |
| Sir John in Love: Act I, IV. Ahem...I had rather than forty shillings | | | | | | | |
| Sir John in Love: Act I, IX. I will myself marry Anne Page | | | | | | | |
| Sir John in Love: Act I, V. Weep eyes, break heart | | | | | | | |
| Sir John in Love: Act I, VI. Do but look on her eyes now | | | | | | | |
| Sir John in Love: Act I, VII. I see I cannot get thy father's love | | | | | | | |
| Sir John in Love: Act I, VIII. Vere is dat knave Rugby? | | | | | | | |
| Sir John in Love: Act I, X. Master Fenton, I'll be sworn she loves you | | | | | | | |
| Sir John in Love: Act I, XI. Back and side go bare | | | | | | | |
| Sir John in Love: Act I, XII. I spy entertainment in her | | | | | | | |
| Sir John in Love: Act I, XIII. Wilt thou revenge? | | | | | | | |
| Sir John in Love: Act I, XIV. Love my wife? I will be patient | | | | | | | |
| Sir John in Love: Act I, XV. When daisies pied and violets blue | | | | | | | |
| Sir John in Love: Act II, Scene I, I. (Allegro moderato e maestoso) | | | | | | | |
| Sir John in Love: Act II, Scene I, II. Thine own true knight | | | | | | | |
| Sir John in Love: Act II, Scene I, III. Ask me no reason why I love you | | | | | | | |
| Sir John in Love: Act II, Scene I, IV. Sigh no more, ladies | | | | | | | |
| Sir John in Love: Act II, Scene I, V. (Maestoso) | | | | | | | |
| Sir John in Love: Act II, Scene II, I. Bardolph, Bardolph, I say! | | | | | | | |
| Sir John in Love: Act II, Scene II, II. Give your worship good morrow | | | | | | | |
| Sir John in Love: Act II, Scene II, III. O that joy so soon should waste! | | | | | | | |
| Sir John in Love: Act II, Scene II, IV. There's one Master Brook below | | | | | | | |
| Sir John in Love: Act II, Scene II, V. I have long loved her | | | | | | | |
| Sir John in Love: Act II, Scene II, VI. The dew that lies on roses | | | | | | | |
| Sir John in Love: Act II, Scene II, VII. Vere is mine host of de Garter? | | | | | | | |
| Sir John in Love: Act II, Scene II, VIII. (Maestoso) | | | | | | | |
| Sir John in Love: Act III, Scene I, I. (Andante moderato) | | | | | | | |
| Sir John in Love: Act III, Scene I, II. Yet hear me speak | | | | | | | |
| Sir John in Love: Act III, Scene I, III. Beauty clear and fair | | | | | | | |
| Sir John in Love: Act III, Scene I, IV. Fair and fair and twice so fair | | | | | | | |
| Sir John in Love: Act III, Scene I, V. But listen, good mine host | | | | | | | |
| Sir John in Love: Act III, Scene I, VI. I mun be married a-Sunday | | | | | | | |
| Sir John in Love: Act III, Scene II, I. (Lento) When as we sat in Papylon | | | | | | | |
| Sir John in Love: Act III, Scene II, II. How now, Master Parson? | | | | | | | |
| Sir John in Love: Act III, Scene II, III. Peace, I say! | | | | | | | |
| Sir John in Love: Act III, Scene II, IV. When I was a bachelor | | | | | | | |
| Sir John in Love: Act III, Scene II, V. (Allegro) | | | | | | | |
| Sir John in Love: Act III, Scene III, I. What, John! What, Robert! | | | | | | | |
| Sir John in Love: Act III, Scene III, II. Alas, my love, you do me wrong | | | | | | | |
| Sir John in Love: Act III, Scene III, III. Have I caught my heavenly jewel | | | | | | | |
| Sir John in Love: Act III, Scene III, IV. Mistress Ford! Mistress Ford! | | | | | | | |
| Sir John in Love: Act III, Scene III, V. When I was a bachelor | | | | | | | |
| Sir John in Love: Act III, Scene III, VI. Nay, follow him, gentlemen | | | | | | | |
| Sir John in Love: Act III, Scene III, VII. Mistress Page!...Mistress Page! | | | | | | | |
| Sir John in Love: Act IV, Scene I, I. (Andante piacevole) | | | | | | | |
| Sir John in Love: Act IV, Scene I, II. Pardon me, wife | | | | | | | |
| Sir John in Love: Act IV, Scene I, III. There is an old tale goes | | | | | | | |
| Sir John in Love: Act IV, Scene I, IV. Trib, fairies, trib...Round about in a fair ring-a | | | | | | | |
| Sir John in Love: Act IV, Scene I, V. (Lento moderato) (Greensleeves) | | | | | | | |
| Sir John in Love: Act IV, Scene II, I. (Vivace) | | | | | | | |
| Sir John in Love: Act IV, Scene II, II. The Windsor bell hath struck twelve | | | | | | | |
| Sir John in Love: Act IV, Scene II, III. Oo! Oo!...Fairies black, grey, green and white | | | | | | | |
| Sir John in Love: Act IV, Scene II, IV. Dance of the fairies (Allegro pesante) - But stay! I smell a man of middle earth | | | | | | | |
| Sir John in Love: Act IV, Scene II, IX. Dance (Presto) | | | | | | | |
| Sir John in Love: Act IV, Scene II, V. Pinch him, pinch him black and blue | | | | | | | |
| Sir John in Love: Act IV, Scene II, VI. (Moderato) - Nay, do not fly | | | | | | | |
| Sir John in Love: Act IV, Scene II, VII. See the chariot at hand | | | | | | | |
| Sir John in Love: Act IV, Scene II, VIII. Whether men do laugh or weep | | | | | | | |
| Violin Concerto, RT vii/6: I. With moderate tempo | | | | | | | |
| Violin Concerto, RT vii/6: II. Slower | | | | | | | |
| Violin Concerto, RT vii/6: III. Tempo I - Allegretto - Più moderato | | | | | | | |
