| h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo | | | | Mass | | | |
| h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi | | | | Mass | | | |
| h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax | | | | | | | |
| h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te | | | | Mass | | | |
| h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi | | | | Mass | | | |
| h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus | | | | Mass | | | |
| h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris | | | | Mass | | | |
| h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus | | | | Mass | | | |
| h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor | | | | Mass | | | |
| h-Moll-Messe, BWV 232: III. Sanctus | | | | Mass | | | |
| h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis | | | | Mass | | | |
| h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus | | | | Mass | | | |
| h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur | | | | Mass | | | |
| h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei | | | | Mass | | | |
| h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem | | | | Mass | | | |
| Il Ritorno d'Ulisse in Patria, Atto I: Scena 1. Sinfonia - Di misera regina (Penelope) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto I: Scena 2. Duri e penosi - Bella Melanto (Melanto, Eurimaco) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto I: Scena 5. Superbo e l’uom (Nettuno) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto I: Scena 6. In questo basso mondo (Feaci, Nettuno) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto I: Scena 7. Sinfonia - Dormo ancora? (Ulisse) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto I: Scena 8. Cara e lieta - Sempre l’uman (Minerva, Ulisse) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto I: Scena 9. Sinfonia - Tu, d’Aretusa al fonte (Minerva, Ulisse) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto I: Scena 10. Donate un giorno, o Dei - Cara amata regina (Penelope, Melanto) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto I: Scena 11. O come mal si salva (Eumete) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto I: Scena 12. Pastor darmenti puo (Iro, Eumete) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto I: Scena 13. Ulisse generoso! - Se del nomato Ulisse (Eumete, Ulisse) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto I: Sinfonia | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto II: Ecco l’arco d’Ulisse (Penelope) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto II: Scena 1. Lieto cammino - Gli Dei possenti (Telemaco, Minerva) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto II: Scena 2. O gran figlio d’Ulisse! - Verdi spiagge (Eumete, Ulisse) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto II: Scena 3. Che veggio, ohime, che miro? (Telemaco) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto II: Scena 4. Eurimaco, la donna insomma - Godendo, ridendo (Melanto, Eurimaco) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto II: Scena 5. Sono l’altre Regine (Antinoo, Anfinomo, Pisandro, Penelope) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto II: Scena 7. Apportator d’alte novelle (Eumete, Penelope) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto II: Scena 8. Compagni, udiste - Han fatto l’opre nostre (Antinoo, Anfinomo, Pisandro) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto II: Scena 9. Perir non puo - O coraggioso Ulisse (Ulisse, Minerva) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto II: Scena 10. Io vidi, o pellegrin - Godo anch’io (Eumete, Ulisse) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto II: Scena 11. Del mio lungo viaggio (Telemaco) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto II: Scena 12. Sempre villano Eumete (Antinoo, Eumete, Iro) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto II: Su, su, dunque - Tu vincitor perdona (Iro, Antinoo, Penelope) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto III: Scena 1. O dolor, o martir (Iro) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto III: Scena 3. E quai nuovi rumori (Melanto, Penelope) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto III: Scena 4. Forza d’occulto affetto (Eumete, Penelope) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto III: Scena 5. E saggio Eumete (Telemaco, Penelope, Eumete) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto III: Scena 6. Fiamma e l’ira - Per vendetta che piace (Minerva, Giunone) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto III: Scena 7. Gran Giove - Ulisse troppo erro (Giunone) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto III: Scena 8. Ericlea, che vuoi far? (Ericlea) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto III: Scena 9. Ogni vostra ragion (Penelope, Telemaco, Eumete) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Atto III: Scena 10. O delle mie fatiche - Fermati, cavaliero (Ulisse, Penelope) | | | | | | | |
| Il Ritorno d'Ulisse in Patria, Prologo: Mortal cosa son io (L’Umana Fragilita) | | | | | | | |
| Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: Air | | | | | | | |
| Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: I. Overture | | | | | | | |
| Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau | | | | | | | |
| Introduction 'Ihr Mädchen, Ihr Jünglinge!' | | | | | | | |
| Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" | | - Münchener Bach‐Chor, Solistengemeinschaft der Bachwoche Ansbach, Münchener Bach‐Orchester, Karl Richter
- Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists
- Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward
- Roy Goodman, Collegium Vocale Gent, Ensemble vocal européen de la Chapelle royale, Christine Angot, Patrick Beuckels, Peter Van Boxelaere, Jean Chamboux, Adrian Chamorro, Myriam Gevers, Marc Hantaï, Jonathan Impett, Jan-Willem Jansen, Stephen Keavy, Taka Kitazato, Nicolette Moonen, Martha Moore, Kate Van Orden, Léon Petré, Marcel Ponseele, Harm Jan Schwitters, Ryo Terakado, Galina Zinchenko, Ageet Zweistra, La Chapelle Royale, Philippe Herreweghe
- (show 52 more)
| | | | | |
| Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" | | | | | | | |
| Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" | | | | | | | |
| Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" | | | | | | | |
| Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" | | | | | | | |
| Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" | | | | | | | |
| Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" | | | | | | | |
| Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" | | | | | | | |
| Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" | | | | | | | |
| Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" | | - Münchener Bach‐Orchester, Karl Richter
- Nancy Argenta, Sir John Eliot Gardiner, English Baroque Soloists, Patrizia Kwella, Charles Brett
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Paul Esswood, Helrun Gardow, Hildegard Heichele, Concentus Musicus Wien, Nikolaus Harnoncourt
- (show 42 more)
| | | | | |
| Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" | | | | | | | |
| Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" | | - Münchener Bach‐Orchester, Karl Richter
- Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists
- Uwe Harrer, Chorus Viennensis, Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt
- Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward
- (show 46 more)
| | | | | |
| Marche funèbre | | | | | | | |
| Messa da requiem: IIj. Dies irae: Lacrymosa (quartetto solista, coro) | | - Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Helmuth Froschauer, Carlo Cossutta, Mirella Freni, Nicolaï Ghiaurov, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- NBC Symphony Orchestra, Arturo Toscanini
- (show 76 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 1. Symphony | | | | | | | |
| Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) | | | | Aria | | | |
| Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” | | - The English Concert Choir, The English Concert, Trevor Pinnock
- Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
- Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood
- RIAS Chamber Chorus, RIAS Berlin Sinfonietta, Marcus Creed
- (show 108 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) | | | | | | | |
| Messiah, HWV 56: Part I, no. 6. Air “But who may abide” | | | | Aria | | | |
| Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” | | | | | | | |
| Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) | | - Simon Preston, Christ Church Cathedral Choir, Oxford, Carolyn Watkinson, Academy of Ancient Music, Christopher Hogwood
- Anna Reynolds, London Philharmonic Orchestra, Karl Richter
- Yvonne Minton, English Chamber Orchestra, Johannes Somary
- Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki
- (show 80 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) | | - The English Concert Choir, Anne Sofie von Otter, The English Concert, Trevor Pinnock
- Simon Preston, Christ Church Cathedral Choir, Oxford, Carolyn Watkinson, Academy of Ancient Music, Christopher Hogwood
- London Philharmonic Orchestra, Karl Richter
- Academy of St. Martin in the Fields Chorus, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 100 more)
| | Aria | | | |
| Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) | | | | | | | |
| Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) | | | | Aria | | | |
| Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” | | | | | | | |
| Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) | | | | | | | |
| Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) | | - Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- Helen Donath, London Philharmonic Orchestra, Karl Richter
- Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
- Sara Macliver, Orchestra of the Antipodes, Antony Walker
- (show 77 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) | | | | | | | |
| Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) | | - Margaret Price, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- Helen Donath, London Philharmonic Orchestra, Karl Richter
- Arleen Augér, The English Concert, Trevor Pinnock
- (show 73 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” | | - Amor Artis Chorale, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- London Philharmonic Orchestra, Karl Richter
- Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 104 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) | | | | Aria | | | |
| Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) | | | | | | | |
| Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) | | - Yvonne Minton, Margaret Price, English Chamber Orchestra, Johannes Somary
- Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- April Cantelo, London Philharmonic Orchestra, Walter Süsskind
- Elsie Morison, Marjorie Thomas, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent
- (show 93 more)
| | Aria | | | |
| Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” | | | | | | | |
| Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” | | | | | | | |
| Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) | | | | Aria | | | |
