Relationships

members: Lynton Atkinson (tenor vocals)
Janice Chandler-Eteme (soprano vocals)
Karen Clift (soprano vocals)
Richard Croft (tenor) (tenor vocals)
Brad Diamond (tenor vocals)
Dennis Godburn (bassoonist)
Jeff Mattsey (baritone vocals)
Christopheren Nomura (baritone vocals)
Discogs: https://www.discogs.com/artist/1702945 [info]
Wikidata: Q4947754 [info]
official homepages: http://www.bostonbaroque.org/ [info]
stream for free: https://open.spotify.com/artist/3cSaytzurXc9dRxR4rOesT [info]

Appearances

Date Title Credited As Attributes Artist Length
instrument
Mozart Requiem: Lacrymosa; Amen Boston Baroque, Martin Pearlman 4:09
performer
1997-02-01 – 1997-02-04 Antiphon Boston Baroque, Martin Pearlman 0:30
1997-02-01 – 1997-02-04 Antiphon Boston Baroque, Martin Pearlman 0:54
1997-02-01 – 1997-02-04 Antiphon Boston Baroque, Martin Pearlman 0:21
1997-02-01 – 1997-02-04 Antiphon Boston Baroque, Martin Pearlman 0:31
1997-02-01 – 1997-02-04 Antiphon Boston Baroque, Martin Pearlman 0:25
1997-02-01 – 1997-02-04 Antiphon Boston Baroque, Martin Pearlman 0:27
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / "Domine ad adiuvandum" Martin Pearlman, Boston Baroque 2:14
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: II. Psalm 109: Dixit Dominus Martin Pearlman, Boston Baroque 7:33
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: III. Motet: Nigra sum Martin Pearlman, Boston Baroque 3:57
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: IV. Psalm 112: Laudate pueri Martin Pearlman, Boston Baroque 5:52
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: IX. Motet: Audi coelum Martin Pearlman, Boston Baroque 9:33
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: V. Motet: Pulchra es Martin Pearlman, Boston Baroque 4:04
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: VI. Psalm 121: Laetatus sum Martin Pearlman, Boston Baroque 6:31
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: VII. Motet: Duo Seraphim Martin Pearlman, Boston Baroque 7:02
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: VIII. Psalm 126: Nisi Dominus Martin Pearlman, Boston Baroque 4:28
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: X. Psalm 147: Lauda Jerusalem Martin Pearlman, Boston Baroque 4:21
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: XI. Sonata sopra "Sancta Maria, ora pro nobis" Martin Pearlman, Boston Baroque 6:38
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: XII. Hymn: Ave maris stella Martin Pearlman, Boston Baroque 8:16
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: XIIIa. Magnificat: Magnificat anima mea Martin Pearlman, Boston Baroque 0:48
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: XIIIb. Magnificat: Et exultavit Martin Pearlman, Boston Baroque 1:23
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: XIIIc. Magnificat: Quia respexit Martin Pearlman, Boston Baroque 1:52
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: XIIId. Magnificat: Quia fecit mihi magna Martin Pearlman, Boston Baroque 1:03
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: XIIIe. Magnificat: Et misericordia Martin Pearlman, Boston Baroque 2:14
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: XIIIf. Magnificat: Fecit potentiam Martin Pearlman, Boston Baroque 0:54
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: XIIIg. Magnificat: Deposuit potentes de sede Martin Pearlman, Boston Baroque 2:37
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: XIIIh. Magnificat: Esurientes implevit bonis Martin Pearlman, Boston Baroque 1:37
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: XIIIi. Magnificat: Suscepit Israel Martin Pearlman, Boston Baroque 1:19
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: XIIIj. Magnificat: Sicut locutus est Martin Pearlman, Boston Baroque 0:58
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: XIIIk. Magnificat: Gloria Patri Martin Pearlman, Boston Baroque 3:19
1997-02-01 – 1997-02-04 Vespro della Beata Vergine, SV 206: XIIIl. Magnificat: Sicut erat in principio Martin Pearlman, Boston Baroque 1:57
Mass in B Minor, BWV 232: Agnus Dei Martin Pearlman, Boston Baroque 4:48
Mass in B Minor, BWV 232: Benedictus Martin Pearlman, Boston Baroque 4:22
Mass in B Minor, BWV 232: Christe eleison Martin Pearlman, Boston Baroque 4:45
Mass in B Minor, BWV 232: Confiteor Martin Pearlman, Boston Baroque 4:07
Mass in B Minor, BWV 232: Credo in unum Deum Martin Pearlman, Boston Baroque 1:40
Mass in B Minor, BWV 232: Crucifixus Martin Pearlman, Boston Baroque 2:54
Mass in B Minor, BWV 232: Cum Sancto Spiritu Martin Pearlman, Boston Baroque 3:33
Mass in B Minor, BWV 232: Domine Deus Martin Pearlman, Boston Baroque 5:23
Mass in B Minor, BWV 232: Dona nobis pacem Martin Pearlman, Boston Baroque 4:18
Mass in B Minor, BWV 232: Et expecto Martin Pearlman, Boston Baroque 2:11
Mass in B Minor, BWV 232: Et in Spiritum Sanctum Martin Pearlman, Boston Baroque 5:42
Mass in B Minor, BWV 232: Et in terra pax Martin Pearlman, Boston Baroque 4:08
Mass in B Minor, BWV 232: Et in unum Dominum Martin Pearlman, Boston Baroque 4:13
Mass in B Minor, BWV 232: Et Incarnatus est Martin Pearlman, Boston Baroque 2:48
Mass in B Minor, BWV 232: Et resurrexit Martin Pearlman, Boston Baroque 3:44
Mass in B Minor, BWV 232: Gloria in excelsis Deo Martin Pearlman, Boston Baroque 1:42
Mass in B Minor, BWV 232: Gratias agimus tibi Martin Pearlman, Boston Baroque 3:07
Mass in B Minor, BWV 232: Kyrie eleison Martin Pearlman, Boston Baroque 9:27
Mass in B Minor, BWV 232: Kyrie eleison Martin Pearlman, Boston Baroque 3:08
Mass in B Minor, BWV 232: Laudamus te Martin Pearlman, Boston Baroque 4:16
Mass in B Minor, BWV 232: Osanna in Excelsis Martin Pearlman, Boston Baroque 2:42
Mass in B Minor, BWV 232: Osanna in Excelsis Martin Pearlman, Boston Baroque 2:41
Mass in B Minor, BWV 232: Patrem Omnipotentem Martin Pearlman, Boston Baroque 1:59
Mass in B Minor, BWV 232: Qui sedes ad dextram Patris Martin Pearlman, Boston Baroque 4:19
Mass in B Minor, BWV 232: Qui tollis peccata mundi Martin Pearlman, Boston Baroque 2:56
Mass in B Minor, BWV 232: Quoniam tu solus sanctus Martin Pearlman, Boston Baroque 4:42
Mass in B Minor, BWV 232: Sanctus Martin Pearlman, Boston Baroque 5:06
Messiah: Part Two "And With His Stripes We Are Healed" Boston Baroque Orchehstra & Chorus Martin Pearlman, Boston Baroque Orchehstra & Chorus 5:11
performing orchestra
1992-01-05 – 1992-01-07 Concerto Grosso op. 6: IV. Allegro Boston Baroque, Martin Pearlman 2:32
1992-01-05 – 1992-01-07 Concerto Grosso op. 6: V. Allegro Boston Baroque, Martin Pearlman 2:59
1992-05 All they that see him - Tenor Recitative Boston Baroque, Martin Pearlman 0:44
1992-05 All We Like Sheep (chorus) Boston Baroque, Martin Pearlman 3:22
1992-05 And He Shall Purify (chorus) Boston Baroque, Martin Pearlman 2:10
1992-05 And the Glory of the Lord (chorus) Boston Baroque, Martin Pearlman 2:38
1992-05 And with his stripes we are healed - Chorus Boston Baroque, Martin Pearlman 1:44
1992-05 Behold, a Virgin Shall Conceive (alto recitative) Catherine Robbin, Boston Baroque, Martin Pearlman 0:22
1992-05 Behold, and see if there be any sorrow - Tenor Arioso Boston Baroque, Martin Pearlman 1:13
1992-05 Behold, I Tell You a Mystery (bass recitative) Victor Ledbetter, Boston Baroque, Martin Pearlman 0:33
1992-05 But Thanks Be to God (chorus) Boston Baroque, Martin Pearlman 2:08
1992-05 But thou didst not leave his soul in Hell - Tenor Air Boston Baroque, Martin Pearlman 2:42
1992-05 Comfort Ye, My People (tenor recitative) Bruce Fowler, Boston Baroque, Martin Pearlman 2:48
1992-05 Every Valley Shall Be Exalted (tenor air) Bruce Fowler, Boston Baroque, Martin Pearlman 3:10
1992-05 Hallelujah (chorus) Boston Baroque, Martin Pearlman 3:41
1992-05 He That Dwelleth in Heaven (tenor recitative) Bruce Fowler, Boston Baroque, Martin Pearlman 0:12
1992-05 He trusted in God - Chorus Boston Baroque, Martin Pearlman 2:16
1992-05 He was cut off out of the land of the living - Tenor Recitative Boston Baroque, Martin Pearlman 0:19
1992-05 How beautiful are the feet - Soprano Air Boston Baroque, Martin Pearlman 2:04
1992-05 I Know That My Redeemer Liveth (soprano air) Karen Clift, Boston Baroque, Martin Pearlman 5:04
1992-05 If God be for us - Soprano Air Boston Baroque, Martin Pearlman 4:02
1992-05 Let all the angels of God worship him - Chorus Boston Baroque, Martin Pearlman 1:26
1992-05 Let Us Break Their Bounds Asunder (chorus) Boston Baroque, Martin Pearlman 1:41
1992-05 Lift Up Your Heads (chorus) Boston Baroque, Martin Pearlman 2:54
1992-05 O Death, Where Is Thy Sting? (alto & tenor duet) Bruce Fowler, Catherine Robbin, Boston Baroque, Martin Pearlman 1:09
1992-05 O Thou That Tellest Good Tidings to Zion (alto air & chorus) Catherine Robbin, Boston Baroque, Martin Pearlman 5:20
1992-05 Part One, Air: But who may abide Catherine Robbin, Boston Baroque, Martin Pearlman 3:58
1992-05 Part One, Air: He shall feed His flock like a shepherd Karen Clift, Catherine Robbin, Boston Baroque, Martin Pearlman 4:39
1992-05 Part One, Air: The people that walked in darkness Victor Ledbetter, Boston Baroque, Martin Pearlman 4:06
1992-05 Part One, Chor: For unto us a Child is born Boston Baroque, Martin Pearlman 3:36
1992-05 Part One, Chor: Glory to the God Boston Baroque, Martin Pearlman 1:46
1992-05 Part One, Chor: His yoke is easy Boston Baroque, Martin Pearlman 2:16
1992-05 Part One, Recitative: And suddenly there was with the angel Karen Clift, Boston Baroque, Martin Pearlman 0:16
1992-05 Part One, Recitative: And the angel said unto them Karen Clift, Boston Baroque, Martin Pearlman 0:35
1992-05 Part One, Recitative: For behold, darkness shall cover the earth Victor Ledbetter, Boston Baroque, Martin Pearlman 1:49
1992-05 Part One, Recitative: Then shall the eyes of the blind Karen Clift, Boston Baroque, Martin Pearlman 0:23
1992-05 Part One, Recitative: There were shepherds/Recitative: And lo, the angel of the Lord came upon them Karen Clift, Boston Baroque, Martin Pearlman 0:33
1992-05 Part One, Recitative: Thus saith the Lord Victor Ledbetter, Boston Baroque, Martin Pearlman 1:24
1992-05 Part One, Sym: Pastoral Boston Baroque, Martin Pearlman 2:53
1992-05 Part Two, Air: He was despised Catherine Robbin, Boston Baroque, Martin Pearlman 8:25
1992-05 Part Two, Chor: Behold the lamb of God Boston Baroque, Martin Pearlman 2:28
1992-05 Rejoice Greatly, o Daughter of Zion (soprano air) Karen Clift, Boston Baroque, Martin Pearlman 4:16
1992-05 Since by Man Came Death (chorus) Boston Baroque, Martin Pearlman 2:05
1992-05 Sinfonia Boston Baroque, Martin Pearlman 2:54
1992-05 Surely he hath borne our griefs (chorus) Boston Baroque, Martin Pearlman 1:48
1992-05 The Lord Gave the Word (chorus) Boston Baroque, Martin Pearlman 1:12
1992-05 The Trumpet Shall Sound (bass air) Victor Ledbetter, Boston Baroque, Martin Pearlman 8:41
1992-05 Their Sound Is Gone Out (chorus) Boston Baroque, Martin Pearlman 1:21
1992-05 Then Shall Be Brought to Pass (alto recitative) Catherine Robbin, Boston Baroque, Martin Pearlman 0:14
1992-05 Thou art gone up on high - Alto Air Boston Baroque, Martin Pearlman 2:53
1992-05 Thou Shalt Break Them (tenor air) Bruce Fowler, Boston Baroque, Martin Pearlman 2:05
1992-05 Thy rebuke hath broken his heart - Tenor Recitative Boston Baroque, Martin Pearlman 1:31
1992-05 Unto which of the angels - Tenor Recitative Boston Baroque, Martin Pearlman 0:15
1992-05 Why Do the Nations? (bass air) Victor Ledbetter, Boston Baroque, Martin Pearlman 2:41
1992-05 Worthy Is the Lamb... Amen (chorus) Boston Baroque, Martin Pearlman 7:11
1996-01-03 – 1996-01-05 Abdelazer: Air Boston Baroque, Martin Pearlman 1:20
1996-01-03 – 1996-01-05 Abdelazer: Overture Boston Baroque, Martin Pearlman 3:01
1996-01-03 – 1996-01-05 Abdelazer: Roundeau Boston Baroque, Martin Pearlman 1:22
1996-01-03 – 1996-01-05 Dido and Aeneas: Act I. The Palace: “Ah! Belinda, I am prest with torment” Nancy Maultsby, Boston Baroque, Martin Pearlman 3:35
1996-01-03 – 1996-01-05 Dido and Aeneas: Act I. The Palace: “Fear no danger to ensue” Sharon Baker, Susannah Waters, Boston Baroque, Martin Pearlman 1:31
1996-01-03 – 1996-01-05 Dido and Aeneas: Act I. The Palace: “Grief increases by concealing” / “When monarchs unite” Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman 0:47
1996-01-03 – 1996-01-05 Dido and Aeneas: Act I. The Palace: “If not for mine, for empire’s sake” Russell Braun, Susannah Waters, Boston Baroque, Martin Pearlman 1:12
1996-01-03 – 1996-01-05 Dido and Aeneas: Act I. The Palace: “See your royal guest appears” / “Cupid only throws the dart” Russell Braun, Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman 1:26
1996-01-03 – 1996-01-05 Dido and Aeneas: Act I. The Palace: “Shake the cloud from off your brow” / “Banish sorrow” Susannah Waters, Boston Baroque, Martin Pearlman 1:05
1996-01-03 – 1996-01-05 Dido and Aeneas: Act I. The Palace: “To the hills and the vales” / The Triumphing Dance Boston Baroque, Martin Pearlman 2:08
1996-01-03 – 1996-01-05 Dido and Aeneas: Act I. The Palace: “Whence could so much virtue spring” Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman 1:46
1996-01-03 – 1996-01-05 Dido and Aeneas: Act II. Scene I. The Cave: “But ere we this perform” Donna Ames, Margaret O’Keefe, Boston Baroque, Martin Pearlman 1:13
1996-01-03 – 1996-01-05 Dido and Aeneas: Act II. Scene I. The Cave: “In our deep vaulted cell” / Echo Dance of the Furies Boston Baroque, Martin Pearlman 2:21
1996-01-03 – 1996-01-05 Dido and Aeneas: Act II. Scene I. The Cave: “Ruin’d ere the set of sun?” Donna Ames, Margaret O’Keefe, Laura Tucker, Boston Baroque, Martin Pearlman 1:11
1996-01-03 – 1996-01-05 Dido and Aeneas: Act II. Scene I. The Cave: Prelude for the Witches / “Wayward sisters” Margaret O’Keefe, Laura Tucker, Boston Baroque, Martin Pearlman 2:37
1996-01-03 – 1996-01-05 Dido and Aeneas: Act II. Scene II. The Grove: “Behold upon my bending spear” / “Haste, haste to town” Russell Braun, Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman 1:20
1996-01-03 – 1996-01-05 Dido and Aeneas: Act II. Scene II. The Grove: “Oft she visits this lone mountain” Sharon Baker, Boston Baroque, Martin Pearlman 1:34
1996-01-03 – 1996-01-05 Dido and Aeneas: Act II. Scene II. The Grove: “Stay, Prince, and hear” Donna Ames, Russell Braun, Boston Baroque, Martin Pearlman 2:24
1996-01-03 – 1996-01-05 Dido and Aeneas: Act II. Scene II. The Grove: Ritornelle Boston Baroque, Martin Pearlman 0:39
1996-01-03 – 1996-01-05 Dido and Aeneas: Act II. Scene II. The Grove: Ritornelle / “Thanks to these lonesome vales” Susannah Waters, Boston Baroque, Martin Pearlman 3:01
1996-01-03 – 1996-01-05 Dido and Aeneas: Act III. Scene I. The Ships: “Our next motion” / “Destruction’s our delight” Laura Tucker, Boston Baroque, Martin Pearlman 1:10
1996-01-03 – 1996-01-05 Dido and Aeneas: Act III. Scene I. The Ships: “See the flags and streamers curling” Donna Ames, Margaret O’Keefe, Laura Tucker, Boston Baroque, Martin Pearlman 0:56
1996-01-03 – 1996-01-05 Dido and Aeneas: Act III. Scene I. The Ships: Prelude / “Come away fellow sailors” / The Sailors’ Dance Richard Clement, Boston Baroque, Martin Pearlman 2:17
1996-01-03 – 1996-01-05 Dido and Aeneas: Act III. Scene I. The Ships: The Witches’ Dance Boston Baroque, Martin Pearlman 1:09
1996-01-03 – 1996-01-05 Dido and Aeneas: Act III. Scene II. The Palace: “But death, alas, I cannot shun” / “Great minds against themselves conspire” Nancy Maultsby, Boston Baroque, Martin Pearlman 1:18
1996-01-03 – 1996-01-05 Dido and Aeneas: Act III. Scene II. The Palace: “Thy hand Belinda” / “When I am laid in earth” Nancy Maultsby, Boston Baroque, Martin Pearlman 4:09
1996-01-03 – 1996-01-05 Dido and Aeneas: Act III. Scene II. The Palace: “With drooping wings ye Cupids come” Boston Baroque, Martin Pearlman 4:28
1996-01-03 – 1996-01-05 Dido and Aeneas: Act III. Scene II. The Palace: “Your counsel all is urged in vain” Russell Braun, Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman 3:20
1996-01-03 – 1996-01-05 Dido and Aeneas: Overture Boston Baroque, Martin Pearlman 1:50
1996-01-03 – 1996-01-05 The Fairy Queen: Chaconne Boston Baroque, Martin Pearlman 2:38
1996-01-03 – 1996-01-05 The Fairy Queen: Dance for the Fairies Boston Baroque, Martin Pearlman 1:05
1996-01-03 – 1996-01-05 The Fairy Queen: Hornpipe Boston Baroque, Martin Pearlman 0:58
1996-01-03 – 1996-01-05 The Fairy Queen: Overture Boston Baroque, Martin Pearlman 1:27
1996-01-03 – 1996-01-05 The Fairy Queen: Rondeau Boston Baroque, Martin Pearlman 1:28
1996-01-03 – 1996-01-05 The Gordian Knot Unty’d: Air Boston Baroque, Martin Pearlman 1:13
1996-01-03 – 1996-01-05 The Gordian Knot Unty’d: Minuet Boston Baroque, Martin Pearlman 1:33
1996-01-03 – 1996-01-05 The Married Beau: Hornpipe on a Ground Boston Baroque, Martin Pearlman 1:29
1996-01-03 – 1996-01-05 Timon of Athens: Curtain Tune on a Ground Boston Baroque, Martin Pearlman 1:59
2003-09-24 – 2003-09-26 Suite no. 1 in C major, BWV 1066: Bourrée I & II Martin Pearlman, Boston Baroque 2:16
2003-09-24 – 2003-09-26 Suite no. 1 in C major, BWV 1066: Courante Martin Pearlman, Boston Baroque 2:05
2003-09-24 – 2003-09-26 Suite no. 1 in C major, BWV 1066: Forlane Martin Pearlman, Boston Baroque 1:25
2003-09-24 – 2003-09-26 Suite no. 1 in C major, BWV 1066: Gavotte I & II Martin Pearlman, Boston Baroque 2:58
2003-09-24 – 2003-09-26 Suite no. 1 in C major, BWV 1066: Menuet I & II Martin Pearlman, Boston Baroque 2:59
2003-09-24 – 2003-09-26 Suite no. 1 in C major, BWV 1066: Ouverture Martin Pearlman, Boston Baroque 5:31
2003-09-24 – 2003-09-26 Suite no. 1 in C major, BWV 1066: Passepied I & II Martin Pearlman, Boston Baroque 2:50
2003-09-24 – 2003-09-26 Suite no. 2 in D minor, BWV 1067: Badinerie Martin Pearlman, Boston Baroque 1:31
2003-09-24 – 2003-09-26 Suite no. 2 in D minor, BWV 1067: Bourrée I & II Martin Pearlman, Boston Baroque 1:49
2003-09-24 – 2003-09-26 Suite no. 2 in D minor, BWV 1067: Menuet Martin Pearlman, Boston Baroque 1:12
2003-09-24 – 2003-09-26 Suite no. 2 in D minor, BWV 1067: Ouverture Martin Pearlman, Boston Baroque 6:01
2003-09-24 – 2003-09-26 Suite no. 2 in D minor, BWV 1067: Polonaise, Double Martin Pearlman, Boston Baroque 2:57
2003-09-24 – 2003-09-26 Suite no. 2 in D minor, BWV 1067: Rondeau Martin Pearlman, Boston Baroque 1:50
2003-09-24 – 2003-09-26 Suite no. 2 in D minor, BWV 1067: Sarabande Martin Pearlman, Boston Baroque 2:12
2003-09-24 – 2003-09-26 Suite no. 3 in D major, BWV 1068: Air Martin Pearlman, Boston Baroque 4:44
2003-09-24 – 2003-09-26 Suite no. 3 in D major, BWV 1068: Bourrée Martin Pearlman, Boston Baroque 1:15
2003-09-24 – 2003-09-26 Suite no. 3 in D major, BWV 1068: Gavotte I & II Martin Pearlman, Boston Baroque 3:21
2003-09-24 – 2003-09-26 Suite no. 3 in D major, BWV 1068: Gigue Martin Pearlman, Boston Baroque 2:44
2003-09-24 – 2003-09-26 Suite no. 3 in D major, BWV 1068: Ouverture Martin Pearlman, Boston Baroque 6:13
2003-09-24 – 2003-09-26 Suite no. 4 in D major, BWV 1069: Bourrée I & II Martin Pearlman, Boston Baroque 2:25
2003-09-24 – 2003-09-26 Suite no. 4 in D major, BWV 1069: Gavotte Martin Pearlman, Boston Baroque 1:48
2003-09-24 – 2003-09-26 Suite no. 4 in D major, BWV 1069: Menuet I & II Martin Pearlman, Boston Baroque 3:37
2003-09-24 – 2003-09-26 Suite no. 4 in D major, BWV 1069: Ouverture Martin Pearlman, Boston Baroque 7:17
2003-09-24 – 2003-09-26 Suite no. 4 in D major, BWV 1069: Réjouissance Martin Pearlman, Boston Baroque 2:33
2005-03-02 – 2005-03-03 Gloria in D major, RV 589: Cum Sancto Spiritu Tamara Matthews, Deanne Meek, Mary Phillips, Boston Baroque, Martin Pearlman 2:51
2005-03-02 – 2005-03-03 Gloria in D major, RV 589: Domine Deus Tamara Matthews, Deanne Meek, Mary Phillips, Boston Baroque, Martin Pearlman 3:54
2005-03-02 – 2005-03-03 Gloria in D major, RV 589: Domine Deus, Agnus Dei Tamara Matthews, Deanne Meek, Mary Phillips, Boston Baroque, Martin Pearlman 3:43
2005-03-02 – 2005-03-03 Gloria in D major, RV 589: Domine Fili unigenite Tamara Matthews, Deanne Meek, Mary Phillips, Boston Baroque, Martin Pearlman 2:06
2005-03-02 – 2005-03-03 Gloria in D major, RV 589: Et in terra pax Tamara Matthews, Deanne Meek, Mary Phillips, Boston Baroque, Martin Pearlman 4:09
2005-03-02 – 2005-03-03 Gloria in D major, RV 589: Gloria in excelsis Tamara Matthews, Deanne Meek, Mary Phillips, Boston Baroque, Martin Pearlman 2:14
2005-03-02 – 2005-03-03 Gloria in D major, RV 589: Gratias agimus tibi Tamara Matthews, Deanne Meek, Mary Phillips, Boston Baroque, Martin Pearlman 1:20
2005-03-02 – 2005-03-03 Gloria in D major, RV 589: Laudamus te Tamara Matthews, Deanne Meek, Mary Phillips, Boston Baroque, Martin Pearlman 2:18
2005-03-02 – 2005-03-03 Gloria in D major, RV 589: Qui sedes ad dexteram Patris Tamara Matthews, Deanne Meek, Mary Phillips, Boston Baroque, Martin Pearlman 2:24
2005-03-02 – 2005-03-03 Gloria in D major, RV 589: Qui tollis peccata mundi Tamara Matthews, Deanne Meek, Mary Phillips, Boston Baroque, Martin Pearlman 0:58
2005-03-02 – 2005-03-03 Gloria in D major, RV 589: Quoniuam tu solus sanctus Tamara Matthews, Deanne Meek, Mary Phillips, Boston Baroque, Martin Pearlman 0:45
2005-03-02 – 2005-03-03 Magnificat in D major, BWV 243: Deposuit potentes Don Frazure, Tamara Matthews, Deanne Meek, Mary Phillips, Stephen Powell, Boston Baroque, Martin Pearlman 1:53
2005-03-02 – 2005-03-03 Magnificat in D major, BWV 243: Esurientes implevit bonis Don Frazure, Tamara Matthews, Deanne Meek, Mary Phillips, Stephen Powell, Boston Baroque, Martin Pearlman 2:33
2005-03-02 – 2005-03-03 Magnificat in D major, BWV 243: Et exsultavit spiritus meus Don Frazure, Tamara Matthews, Deanne Meek, Mary Phillips, Stephen Powell, Boston Baroque, Martin Pearlman 2:06
2005-03-02 – 2005-03-03 Magnificat in D major, BWV 243: Et misericordia Don Frazure, Tamara Matthews, Deanne Meek, Mary Phillips, Stephen Powell, Boston Baroque, Martin Pearlman 3:30
2005-03-02 – 2005-03-03 Magnificat in D major, BWV 243: Fecit potentiam Don Frazure, Tamara Matthews, Deanne Meek, Mary Phillips, Stephen Powell, Boston Baroque, Martin Pearlman 1:46
2005-03-02 – 2005-03-03 Magnificat in D major, BWV 243: Gloria Patri Don Frazure, Tamara Matthews, Deanne Meek, Mary Phillips, Stephen Powell, Boston Baroque, Martin Pearlman 1:18
2005-03-02 – 2005-03-03 Magnificat in D major, BWV 243: Magnificat Don Frazure, Tamara Matthews, Deanne Meek, Mary Phillips, Stephen Powell, Boston Baroque, Martin Pearlman 2:55
2005-03-02 – 2005-03-03 Magnificat in D major, BWV 243: Omnes generationes Don Frazure, Tamara Matthews, Deanne Meek, Mary Phillips, Stephen Powell, Boston Baroque, Martin Pearlman 1:14
2005-03-02 – 2005-03-03 Magnificat in D major, BWV 243: Quia fecit mihi magna Don Frazure, Tamara Matthews, Deanne Meek, Mary Phillips, Stephen Powell, Boston Baroque, Martin Pearlman 1:55
2005-03-02 – 2005-03-03 Magnificat in D major, BWV 243: Quia respexit humilitatem Don Frazure, Tamara Matthews, Deanne Meek, Mary Phillips, Stephen Powell, Boston Baroque, Martin Pearlman 2:22
2005-03-02 – 2005-03-03 Magnificat in D major, BWV 243: Sicut erat in principio Don Frazure, Tamara Matthews, Deanne Meek, Mary Phillips, Stephen Powell, Boston Baroque, Martin Pearlman 0:52
2005-03-02 – 2005-03-03 Magnificat in D major, BWV 243: Sicut locutus est Don Frazure, Tamara Matthews, Deanne Meek, Mary Phillips, Stephen Powell, Boston Baroque, Martin Pearlman 1:22
2005-03-02 – 2005-03-03 Magnificat in D major, BWV 243: Suscepit Israel Don Frazure, Tamara Matthews, Deanne Meek, Mary Phillips, Stephen Powell, Boston Baroque, Martin Pearlman 2:07
2006-05 Elegiac Song (Elegischer Gesang), op. 118 Boston Baroque, Martin Pearlman 5:49
2006-05 Marche funèbre Boston Baroque, Martin Pearlman 5:14
2006-05 Requiem in C minor: Agnus Dei Boston Baroque, Martin Pearlman 5:30
2006-05 Requiem in C minor: Graduale Boston Baroque, Martin Pearlman 1:17
2006-05 Requiem in C minor: Introit and Kyrie Boston Baroque, Martin Pearlman 7:31
2006-05 Requiem in C minor: Offertory. Domine Jesu Christe Boston Baroque, Martin Pearlman 5:54
2006-05 Requiem in C minor: Offertory. Hostias Boston Baroque, Martin Pearlman 6:47
2006-05 Requiem in C minor: Pie Jesu Boston Baroque, Martin Pearlman 3:26
2006-05 Requiem in C minor: Sanctus and Benedictus Boston Baroque, Martin Pearlman 1:13
2006-05 Requiem in C minor: Sequence. Dies Irae Boston Baroque, Martin Pearlman 7:53
2008-05 Concerto Grosso no. 4 in F major: I. Adagio Boston Baroque, Martin Pearlman 1:38
2008-05 Concerto Grosso no. 4 in F major: II. Allegro Boston Baroque, Martin Pearlman 2:05
2008-05 Concerto Grosso no. 4 in F major: III. Vivace Boston Baroque, Martin Pearlman 1:17
2008-05 Concerto Grosso no. 4 in F major: IV. Adagio Boston Baroque, Martin Pearlman 1:43
2008-05 Concerto Grosso no. 4 in F major: V. Allegro Boston Baroque, Martin Pearlman 2:20
2008-05 Concerto Grosso no. 12 in D minor Boston Baroque, Martin Pearlman 10:00
2008-05 L'Autunno (Autumn) Concerto no. 3 in F major: I. Allegro, ballo en canto de' villanelli Boston Baroque, Martin Pearlman, Christina Day Martinson 4:51
2008-05 L'Autunno (Autumn) Concerto no. 3 in F major: II. Adagio ubriachi dormienti Boston Baroque, Martin Pearlman, Christina Day Martinson 2:42
2008-05 L'Autunno (Autumn) Concerto no. 3 in F major: III. Allegro la caccia Boston Baroque, Martin Pearlman, Christina Day Martinson 3:25
2008-05 L'Estate (Summer) Concerto no. 2 in G minor: I. Allegro non molto Boston Baroque, Martin Pearlman, Christina Day Martinson 5:37
2008-05 L'Estate (Summer) Concerto no. 2 in G minor: II. Adagio Boston Baroque, Martin Pearlman, Christina Day Martinson 2:12
2008-05 L'Estate (Summer) Concerto no. 2 in G minor: III. Presto tempo impestuoso d'estate Boston Baroque, Martin Pearlman, Christina Day Martinson 2:59
2008-05 L'Inverno (Winter) Concerto no. 4 in F minor: I. Allegro non molto Boston Baroque, Martin Pearlman, Christina Day Martinson 3:29
2008-05 L'Inverno (Winter) Concerto no. 4 in F minor: II. Largo Boston Baroque, Martin Pearlman, Christina Day Martinson 1:55
2008-05 L'Inverno (Winter) Concerto no. 4 in F minor: III. Allegro Boston Baroque, Martin Pearlman, Christina Day Martinson 3:27
2008-05 La Primavera (Spring) Concerto no. 1 in E major: I. Allegro Boston Baroque, Martin Pearlman, Christina Day Martinson 3:14
2008-05 La Primavera (Spring) Concerto no. 1 in E major: II. Largo Boston Baroque, Martin Pearlman, Christina Day Martinson 2:30
2008-05 La Primavera (Spring) Concerto no. 1 in E major: III. Allegro, danza pastorale Boston Baroque, Martin Pearlman, Christina Day Martinson 4:00
'Erhebet eure Häupter' Boston Baroque, Martin Pearlman 10:02
'Ich muß Nadine eilig nach' Boston Baroque, Martin Pearlman 1:04
'Ihr Freunde, Ihr Mädchen' Boston Baroque, Martin Pearlman 1:07
'O liebster Vater' Boston Baroque, Martin Pearlman 5:11
'Seht doch! Mit gold'nem Geweih' Boston Baroque, Martin Pearlman 2:49
'So kommt denn, ohne zu verweilen' Boston Baroque, Martin Pearlman 0:56
'Wut und Verzweiflung' Boston Baroque, Martin Pearlman 0:44
Act Two: 'Jungling, Nadine ist tot' Boston Baroque, Martin Pearlman 2:40
Act Two: Aria: 'Den Madchen trauet nicht zu viel' Boston Baroque, Martin Pearlman 2:55
Act Two: Aria: 'Die Lieb ist wohl ein narrisch Ding' Boston Baroque, Martin Pearlman 1:48
Act Two: Aria: 'Ihr gutigen Gotter' Boston Baroque, Martin Pearlman 5:02
Act Two: Aria: 'Mein einziger, liebster Nadir!' Boston Baroque, Martin Pearlman 2:32
Act Two: Aria: 'Nadir, du siegst' Boston Baroque, Martin Pearlman 2:58
Act Two: Chorus: 'Astromont' stirbt durch uns' Boston Baroque, Martin Pearlman 2:35
Act Two: Dialogue Boston Baroque, Martin Pearlman 0:28
Act Two: Dialogue Boston Baroque, Martin Pearlman 0:29
Act Two: Dialogue Boston Baroque, Martin Pearlman 3:09
Act Two: Dialogue Boston Baroque, Martin Pearlman 0:56
Act Two: Dialogue Boston Baroque, Martin Pearlman 0:39
Act Two: Dialogue Boston Baroque, Martin Pearlman 0:14
Act Two: Dialogue Boston Baroque, Martin Pearlman 1:18
Act Two: Dialogue Boston Baroque, Martin Pearlman 1:47
Act Two: Dialogue Boston Baroque, Martin Pearlman 0:37
Act Two: Du schwarzer Teufel Boston Baroque, Martin Pearlman 2:12
Act Two: Duet; 'Nun, liebes Weibchen' Boston Baroque, Martin Pearlman 2:08
Act Two: Finale: 'Miau! Miau!' Boston Baroque, Martin Pearlman 1:27
Act Two: Fort, armer Juengling Boston Baroque, Martin Pearlman 1:38
Act Two: Fuehl' meine Macht Boston Baroque, Martin Pearlman 0:33
Act Two: Herr Astromonte, wir danken euch Boston Baroque, Martin Pearlman 1:34
Act Two: Marsch Boston Baroque, Martin Pearlman 1:54
Act Two: Nadir, ermord' erst diesen hier Boston Baroque, Martin Pearlman 3:31
Act Two: Nadir! Nadir, der Sieg ist dein Boston Baroque, Martin Pearlman 1:46
Act Two: O Astromonte hoere mich! Boston Baroque, Martin Pearlman 3:48
Act Two: Overture Boston Baroque, Martin Pearlman 2:36
Allegro III Brandenburg Concerto No. 3 in G major BWV 1048 Martin Pearlman, Boston Baroque, Martin Pearlman 4:40
Aria: 'Alle Wetter! O ihr Götter' Boston Baroque, Martin Pearlman 1:13
Aria: 'Ein Mädchen, die von Liebe heiß' Boston Baroque, Martin Pearlman 3:11
Aria:' So ein schönes Weibchen' Boston Baroque, Martin Pearlman 1:41
Brandenburg Concerto no. 4 in G, BWV 1049: I. Allegro Boston Baroque, Martin Pearlman 6:57
Brandenburg Concerto no. 4 in G, BWV 1049: II. Andante Boston Baroque, Martin Pearlman 3:36
Brandenburg Concerto no. 4 in G, BWV 1049: III. Presto Boston Baroque, Martin Pearlman 4:43
Brandenburg Concerto no. 5 in D, BWV 1050: I. Allegro Boston Baroque, Martin Pearlman 9:42
Brandenburg Concerto no. 5 in D, BWV 1050: II. Affettuoso Boston Baroque, Martin Pearlman 5:23
Brandenburg Concerto no. 5 in D, BWV 1050: III. Allegro Boston Baroque, Martin Pearlman 5:18
Brandenburg Concerto No. 5, I (2) Boston Baroque 1:50
Brandenburg Concerto No. 5, I (3) Boston Baroque 2:15
Brandenburg Concerto No. 5, I (4) Boston Baroque 2:57
Brandenburg Concerto No. 5, I (5) Boston Baroque 0:28
Brandenburg Concerto no. 6 in B-flat, BWV 1051: I. (Allegro) Boston Baroque, Martin Pearlman 6:14
Brandenburg Concerto no. 6 in B-flat, BWV 1051: II. Adagio ma non tanto Boston Baroque, Martin Pearlman 4:45
Brandenburg Concerto no. 6 in B-flat, BWV 1051: III. Allegro Boston Baroque, Martin Pearlman 5:36
Brandenburg Concerto No.5, I Boston Baroque 2:28
Chorus and Solo : 'Welch reizende Musik' Boston Baroque, Martin Pearlman 7:07
Chorus and Solo: 'Seht doch! Mit gold'nem Geweih' Boston Baroque, Martin Pearlman 1:54
Chorus With Solo And Recitative: 'Ach, Astromonte Boston Baroque, Martin Pearlman 3:41
Concerto Grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso Boston Baroque, Martin Pearlman 2:37
Concerto Grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro Boston Baroque, Martin Pearlman 2:38
Concerto Grosso in A minor, op. 6 no. 4, HWV 322: III. Largo e piano Boston Baroque, Martin Pearlman 2:27
Concerto Grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro Boston Baroque, Martin Pearlman 2:34
Concerto Grosso in D major, op. 6 no. 5, HWV 323: I. Grave Boston Baroque, Martin Pearlman 1:48
Concerto Grosso in D major, op. 6 no. 5, HWV 323: II. Allegro Boston Baroque, Martin Pearlman 2:07
Concerto Grosso in D major, op. 6 no. 5, HWV 323: III. Presto Boston Baroque, Martin Pearlman 3:51
Concerto Grosso in D major, op. 6 no. 5, HWV 323: IV. Largo Boston Baroque, Martin Pearlman 2:24
Concerto Grosso in D major, op. 6 no. 5, HWV 323: V. Allegro Boston Baroque, Martin Pearlman 2:31
Concerto Grosso in D major, op. 6 no. 5, HWV 323: VI. Menuet. Un poco larghetto Boston Baroque, Martin Pearlman 2:53
Concerto Grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto Boston Baroque, Martin Pearlman 1:28
Concerto Grosso in E minor, op. 6 no. 3, HWV 321: II. Andante Boston Baroque, Martin Pearlman 1:33
Concerto Grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro Boston Baroque, Martin Pearlman 2:26
Concerto Grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise. Andante Boston Baroque, Martin Pearlman 5:37
Concerto Grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro ma non troppo Boston Baroque, Martin Pearlman 1:12
Concerto Grosso in F major, op. 6 no. 2, HWV 320: I. Andante larghetto Boston Baroque, Martin Pearlman 3:41
Concerto Grosso in F major, op. 6 no. 2, HWV 320: II. Allegro Boston Baroque, Martin Pearlman 2:27
Concerto Grosso in F major, op. 6 no. 2, HWV 320: III. Largo Boston Baroque, Martin Pearlman 2:35
Concerto Grosso in F major, op. 6 no. 2, HWV 320: IV. Allegro ma non troppo Boston Baroque, Martin Pearlman 2:07
Concerto Grosso in G major, op. 6 no. 1, HWV 319: I. A tempo giusto Boston Baroque, Martin Pearlman 1:47
Concerto Grosso in G major, op. 6 no. 1, HWV 319: II. Allegro Boston Baroque, Martin Pearlman 1:54
Concerto Grosso in G major, op. 6 no. 1, HWV 319: III. Adagio Boston Baroque, Martin Pearlman 2:38
Concerto Grosso in G major, op. 6 no. 1, HWV 319: IV. Allegro Boston Baroque, Martin Pearlman 2:32
Concerto Grosso in G major, op. 6 no. 1, HWV 319: V. Allegro Boston Baroque, Martin Pearlman 3:01
Concerto Grosso in G minor, op. 6 no. 6, HWV 324: I. Larghetto e affettuoso Boston Baroque, Martin Pearlman 3:30
Concerto Grosso in G minor, op. 6 no. 6, HWV 324: II. Allegro ma non troppo Boston Baroque, Martin Pearlman 1:32
Concerto Grosso in G minor, op. 6 no. 6, HWV 324: III. Musette. Larghetto Boston Baroque, Martin Pearlman 5:22
Concerto Grosso in G minor, op. 6 no. 6, HWV 324: IV. Allegro Boston Baroque, Martin Pearlman 2:54
Concerto Grosso in G minor, op. 6 no. 6, HWV 324: V. Allegro Boston Baroque, Martin Pearlman 2:36
Concerto no. 1 in F major, BWV 1046: I. (Allegro) Boston Baroque, Martin Pearlman 3:49
Concerto no. 1 in F major, BWV 1046: II. Adagio Boston Baroque, Martin Pearlman 3:54
Concerto no. 1 in F major, BWV 1046: III. Allegro Boston Baroque, Martin Pearlman 4:12
Concerto no. 1 in F major, BWV 1046: IV. Menuetto – Trio – Polonaise – Trio Boston Baroque, Martin Pearlman 7:28
Concerto no. 2 in F major, BWV 1047: I. (Allegro) Boston Baroque, Martin Pearlman 4:45
Concerto no. 2 in F major, BWV 1047: III. Allegro assai Boston Baroque, Martin Pearlman 2:42
Concerto no. 3 in G major, BWV 1048: I. (Allegro) Boston Baroque, Martin Pearlman 5:37
Concerto no. 3 in G major, BWV 1048: II. Adagio Boston Baroque, Martin Pearlman 0:16
Dialogue Boston Baroque, Martin Pearlman 0:59
Dialogue Boston Baroque, Martin Pearlman 1:06
Dialogue Boston Baroque, Martin Pearlman 1:25
Dialogue Boston Baroque, Martin Pearlman 0:23
Dialogue Boston Baroque, Martin Pearlman 0:37
Dialogue Boston Baroque, Martin Pearlman 1:45
Dialogue Boston Baroque, Martin Pearlman 0:29
Dialogue Boston Baroque, Martin Pearlman 1:33
Duet: 'Tralleralala! Tralleralla!' Boston Baroque, Martin Pearlman 3:22
Exsultate, Jubilate, K.165: Allegro Michael Maniaci 4:32
Exsultate, Jubilate, K.165: Allegro 'Alleluja' Michael Maniaci 2:39
Exsultate, Jubilate, K.165: Andante Michael Maniaci 7:25
Exsultate, Jubilate, K.165: Recitative Michael Maniaci 0:52
Finale: 'Wohin Nadine' Boston Baroque, Martin Pearlman 1:53
Herr und Ältester deiner Kreuzgemeine Boston Baroque, Martin Pearlman 1:07
Idomeneo, K.366: Overture Michael Maniaci 4:28
Idomeneo, K.366: Recitative and Aria 'Ah qual gelido ...Il padre adorato' Michael Maniaci 3:55
Introduction 'Ihr Mädchen, Ihr Jünglinge!' Boston Baroque, Martin Pearlman 5:13
Iphigénie en Tauride, Act I : Aria, 'De Noirs Pressentiments' Boston Baroque, Martin Pearlman 1:47
Iphigénie en Tauride, Act I : Aria, 'O Toi, Qui Prolongeas Mes Jours' Boston Baroque, Martin Pearlman 3:17
Iphigénie en Tauride, Act I : Ballet Boston Baroque, Martin Pearlman 2:16
Iphigénie en Tauride, Act I : Chor, 'Il Nous Fallait Du Sang' Boston Baroque, Martin Pearlman 0:44
Iphigénie en Tauride, Act I : Chor, 'Il Nous Fallait Du Sang' Boston Baroque, Martin Pearlman 0:49
Iphigénie en Tauride, Act I : Chor, 'Les Dieux Apaisent Leur Courroux', Recitative, 'Malheureuse', Chorus, 'Les Dieux Apaisent Leur Courroux', Recitative, 'Dieux Etouffez En Moi Le Cri De La Nature' Boston Baroque, Martin Pearlman 2:53
Iphigénie en Tauride, Act I : Chor, 'O Songe Affreux' Boston Baroque, Martin Pearlman 3:01
Iphigénie en Tauride, Act I : Chor, 'Quand Verrons-nous Tarir Nos Pleurs' Boston Baroque, Martin Pearlman 0:58
Iphigénie en Tauride, Act I : Intro And Chor, 'Grands Dieux Soyez-nous Secourables' Boston Baroque, Martin Pearlman 6:57
Iphigénie en Tauride, Act I : Recitative, 'Dieux Le Malheur En Tous Lieux Suit Mes Pas' Boston Baroque, Martin Pearlman 1:18
Iphigénie en Tauride, Act I : Recitative, 'Iphigenie, O Ciel' Boston Baroque, Martin Pearlman 3:45
Iphigénie en Tauride, Act I : Recitative, 'Malheureux, Quel Dessein' Boston Baroque, Martin Pearlman 0:43
Iphigénie en Tauride, Act II : Aria, 'Dieux Qui Me Poursuivez', Recitative, 'Quel Langage Accablant' Boston Baroque, Martin Pearlman 2:39
Iphigénie en Tauride, Act II : Aria, 'Le Calme Rentre Dans Mon Chor' Boston Baroque, Martin Pearlman 2:00
Iphigénie en Tauride, Act II : Aria, 'O Malheureuse Iphigenie', Recitative, 'Honorez Avec Moi' Boston Baroque, Martin Pearlman 5:15
Iphigénie en Tauride, Act II : Aria, 'Unis Des La Plus Tendre Enfance' Boston Baroque, Martin Pearlman 3:35
Iphigénie en Tauride, Act II : Ballet-Pantomime Boston Baroque, Martin Pearlman 0:58
Iphigénie en Tauride, Act II : Chor And Dance, 'Vengeons Et La Nature' Boston Baroque, Martin Pearlman 1:40
Iphigénie en Tauride, Act II : Chor, 'Contemplez Ces Tristes Apprets' Boston Baroque, Martin Pearlman 3:40
Iphigénie en Tauride, Act II : Chor, 'Patrie Infortunee' Boston Baroque, Martin Pearlman 0:53
Iphigénie en Tauride, Act II : Recitative, 'Dieux Protecteurs De Ces Affreux Rivages' Boston Baroque, Martin Pearlman 1:16
Iphigénie en Tauride, Act II : Recitative, 'Je Vois Toute L'horreur' Boston Baroque, Martin Pearlman 5:31
Iphigénie en Tauride, Act II : Recitative, 'Quel Silence Effrayant' Boston Baroque, Martin Pearlman 3:04
Iphigénie en Tauride, Act II : Recitative, Entrangers Malheureux' Boston Baroque, Martin Pearlman 1:13
Iphigénie en Tauride, Act III : Aria, 'Divinite Des Grandes Ames' Boston Baroque, Martin Pearlman 2:04
Iphigénie en Tauride, Act III : Duet, 'Ah Mon Ami' Boston Baroque, Martin Pearlman 2:37
Iphigénie en Tauride, Act III : Duet, 'Et Tu Pretends Encore Que Tu M'aimes', Recitative, 'Quoi Je Ne Vaincrai Pas Ta Constance Funeste' Boston Baroque, Martin Pearlman 4:48
Iphigénie en Tauride, Act III : Recitative, 'Je Cede A Vos Desirs', Aria, 'D'une Image, Helas' Boston Baroque, Martin Pearlman 4:02
Iphigénie en Tauride, Act III : Recitative, 'Malgre Toi, Je Saurai T'arracher', Recitative, 'Quoi Toujours A Mes Voeux' Boston Baroque, Martin Pearlman 3:05
Iphigénie en Tauride, Act III : Recitative, 'O Joie Inattendue' Boston Baroque, Martin Pearlman 1:28
Iphigénie en Tauride, Act III : Recitative, 'O Moment Trop Heureux' Boston Baroque, Martin Pearlman 0:38
Iphigénie en Tauride, Act III : Recitative, 'Puisque Le Ciel A Vos Jours S'interesse' Boston Baroque, Martin Pearlman 0:57
Iphigénie en Tauride, Act III : Recitative, 'Voici Ces Captifs Malheureux' Boston Baroque, Martin Pearlman 0:08
Iphigénie en Tauride, Act III : Trio, 'Je Pourrais Du Tyran Tromper La Barbarie' Boston Baroque, Martin Pearlman 3:42
Iphigénie en Tauride, Act IV : Aria, 'De Tes Forfaits La Trame Est Decouvert', Recitative, 'Qu'oses-tu Proposer, Barbare' Boston Baroque, Martin Pearlman 1:27
Iphigénie en Tauride, Act IV : Chor, 'O Diane, Sois-nous Propice', Recitative, 'La Force M'abandonne' Boston Baroque, Martin Pearlman 4:38
Iphigénie en Tauride, Act IV : Chor, 'Vengeons Le Sang De Notre Roi' Boston Baroque, Martin Pearlman 0:42
Iphigénie en Tauride, Act IV : Final Chor, 'Les Dieux, Longtemps En Courroux' Boston Baroque, Martin Pearlman 2:29
Iphigénie en Tauride, Act IV : Hymn, 'Chaste Fille De Latone', Recitative, 'Quel Moment Dieux Puissants', Aria, 'Ah Laissons La Ce Souvenir Funeste' Boston Baroque, Martin Pearlman 5:37
Iphigénie en Tauride, Act IV : Recitative, 'Arretez Ecoutez Mes Decrets Eternels' Boston Baroque, Martin Pearlman 1:33
Iphigénie en Tauride, Act IV : Recitative, 'Non, Cet Affreux Devoir', Aria, 'Je T'implore Et Je Tremble' Boston Baroque, Martin Pearlman 3:45
Iphigénie en Tauride, Act IV : Recitative, 'Ta Soeur Qu'ai-je Entendu', Aria, 'Dans Cet Objet Touchant' Boston Baroque, Martin Pearlman 0:53
Iphigénie en Tauride, Act IV : Recitative, 'Tremblez Tremblez On Sait Tout Le Mystere' Boston Baroque, Martin Pearlman 0:54
Jesus Makes My Heart Rejoice Boston Baroque, Martin Pearlman 0:50
La Clemenza di Tito, K.621: Aria 'Deh per questo istante solo' Michael Maniaci 6:30
La Clemenza di Tito, K.621: Aria 'Parto, ma tu ben mio' Michael Maniaci 6:26
La Clemenza di Tito, K.621: Overture Michael Maniaci 4:49
Lovefeast for Christmas: Der Herr ist mein Theil Boston Baroque, Martin Pearlman 1:30
Lovefeast for Christmas: Es ist ein Köstlich Ding Boston Baroque, Martin Pearlman 2:01
Lovefeast for Christmas: Hail Infant Newborn Boston Baroque, Martin Pearlman 1:05
Lovefeast for Christmas: Hymn: Freuen wir uns Boston Baroque, Martin Pearlman 1:29
Lovefeast for Christmas: Ich will euch wie ein Thau seyn Boston Baroque, Martin Pearlman 1:50
Lovefeast for Christmas: Join We All With One Accord Boston Baroque, Martin Pearlman 1:43
Lovefeast for Christmas: Loveliest Immanuel Boston Baroque, Martin Pearlman 2:13
Lovefeast for Christmas: Meine Seele erhebet den Herrn Boston Baroque, Martin Pearlman 1:45
Lovefeast for Christmas: Thou Child Divine Boston Baroque, Martin Pearlman 2:08
Lovefeast for Christmas: Zeige mir dein Angesicht Boston Baroque, Martin Pearlman 1:36
Lovefeast for Lent: Ach Schönster unter allen Boston Baroque, Martin Pearlman 5:06
Lovefeast for Lent: Die mit Thränen säen Boston Baroque, Martin Pearlman 2:37
Lovefeast for Lent: Gesegnet bist du, sein Volk Boston Baroque, Martin Pearlman 1:36
Lovefeast for Lent: Heiliger Herre Gott Boston Baroque, Martin Pearlman 1:52
Lovefeast for Lent: Herz und Herz vereint zusammen Boston Baroque, Martin Pearlman 1:58
Lovefeast for Lent: Ich gehe einher in der Kraft des Herrn Boston Baroque, Martin Pearlman 2:47
Lovefeast for Lent: Lob Gott getrost mit Singen Boston Baroque, Martin Pearlman 1:01
Lovefeast for Lent: O lieblicher Heiland, du mein Versöhner Boston Baroque, Martin Pearlman 2:32
Lovefeast for Lent: Suchet sein Antlitz Boston Baroque, Martin Pearlman 1:52
Lovefeast for Thanksgiving: Das ist ein Tag Boston Baroque, Martin Pearlman 0:48
Lovefeast for Thanksgiving: Die Frucht des Geistes ist Liebe Boston Baroque, Martin Pearlman 2:16
Lovefeast for Thanksgiving: Ich danke Dir weiglich Boston Baroque, Martin Pearlman 2:00
Lovefeast for Thanksgiving: Ich will dir ein Feudenopfer thun Boston Baroque, Martin Pearlman 2:02
Lovefeast for Thanksgiving: Ich will immer harren Boston Baroque, Martin Pearlman 1:28
Lovefeast for Thanksgiving: Kommt, danket dem Helden Boston Baroque, Martin Pearlman 1:16
Lovefeast for Thanksgiving: Mein Herz dichtet ein feines Lied Boston Baroque, Martin Pearlman 2:16
Lovefeast for Thanksgiving: O Sing, All Ye Redeemed Boston Baroque, Martin Pearlman 3:55
Lovefeast for Thanksgiving: Siehe meine Knechte Boston Baroque, Martin Pearlman 2:42
Lovefeast for Thanksgiving: Sing Hallelujah Boston Baroque, Martin Pearlman 1:03
Lucio Silla, K.135: Aria 'Ah se a morir mi chiama' Michael Maniaci 8:56
Lucio Silla, K.135: Recitative and Aria 'Dunque sperar poss'io ...Il tenero momento' Michael Maniaci 10:27
Martin Pearlman discusses Music of the Moravians Boston Baroque, Martin Pearlman 21:53
Martin Pearlman, Director, Discusses Iphigenie En Tauride Boston Baroque, Martin Pearlman 28:26
Music for the Royal Fireworks - Bourrée Boston Baroque, Martin Pearlman 1:27
Music for the Royal Fireworks - La Réjouissance Boston Baroque, Martin Pearlman 2:00
Music for the Royal Fireworks - Le Paix Boston Baroque, Martin Pearlman 3:06
Music for the Royal Fireworks - Menuets I and II Boston Baroque, Martin Pearlman 2:57
Music for the Royal Fireworks - Ouverture Boston Baroque, Martin Pearlman 7:58
Overture Boston Baroque, Martin Pearlman 4:15
Recitative: 'Das wirst du nie' Boston Baroque, Martin Pearlman 3:57
Recitative: 'Du bist erhört', Aria: 'In finstrer Höhenkluft' Boston Baroque, Martin Pearlman 3:24
Requiem in D minor, K. 626 (Levin completion): I. Introitus: "Requiem aeternam" Wolfgang Amadeus Mozart 4:38
Requiem in D minor, K. 626 (Levin completion): II. "Kyrie eleison" Wolfgang Amadeus Mozart 2:20
Requiem in D minor, K. 626 (Levin completion): IIIa. Sequenz: "Dies irae" Wolfgang Amadeus Mozart 1:49
Requiem in D minor, K. 626 (Levin completion): IIIb. Sequenz: "Tuba mirum" Wolfgang Amadeus Mozart 2:51
Requiem in D minor, K. 626 (Levin completion): IIIc. Sequenz: "Rex tremendae" Wolfgang Amadeus Mozart 1:51
Requiem in D minor, K. 626 (Levin completion): IIId. Sequenz: "Recordare" Wolfgang Amadeus Mozart 4:04
Requiem in D minor, K. 626 (Levin completion): IIIe. Sequenz: "Confutatis" Wolfgang Amadeus Mozart 2:01
Requiem in D minor, K. 626 (Levin completion): IIIf. Sequenz: "Lacrimosa" Wolfgang Amadeus Mozart 2:37
Requiem in D minor, K. 626 (Levin completion): IIIg. Sequenz: "Amen" Wolfgang Amadeus Mozart 1:28
Requiem in D minor, K. 626 (Levin completion): IVa. Offertorium: "Domine Jesu" Wolfgang Amadeus Mozart 3:14
Requiem in D minor, K. 626 (Levin completion): IVb. Offertorium: "Hostias" Wolfgang Amadeus Mozart 3:09
Requiem in D minor, K. 626 (Levin completion): IX. "Cum sanctis tuis" Wolfgang Amadeus Mozart 2:24
Requiem in D minor, K. 626 (Levin completion): V. "Sanctus" Wolfgang Amadeus Mozart 2:14
Requiem in D minor, K. 626 (Levin completion): VI. "Benedictus" Wolfgang Amadeus Mozart 5:17
Requiem in D minor, K. 626 (Levin completion): VII. "Agnus Dei" Wolfgang Amadeus Mozart 3:12
Requiem in D minor, K. 626 (Levin completion): VIII. Communio: "Lux aeterna" Wolfgang Amadeus Mozart 3:02
Rondo for Piano Boston Baroque, Martin Pearlman 5:02
Suite No. 2 in B Minor, Badinerie (part of LateNightTales mix) Boston Baroque 1:27
Vespers of 1610: Dues in adjutorium / Domine ad adjuvandum Richard Croft, Boston Baroque, Martin Pearlman 2:17
Water Music, Suite in D Major - (Alla Hornpipe) Boston Baroque, Martin Pearlman 2:57
Water Music, Suite in D Major - (Bourée) Boston Baroque, Martin Pearlman 1:11
Water Music, Suite in D Major - Allegro Boston Baroque, Martin Pearlman 1:56
Water Music, Suite in D Major - Lentement Boston Baroque, Martin Pearlman 1:26
Water Music, Suite in D Major - Minuet Boston Baroque, Martin Pearlman 2:17
Water Music, Suite in F Major - (Allegro) Boston Baroque, Martin Pearlman 3:57
Water Music, Suite in F Major - (Andante) Boston Baroque, Martin Pearlman 3:58
Water Music, Suite in F Major - (Minuet) Boston Baroque, Martin Pearlman 2:41
Water Music, Suite in F Major - Adagio e Staccato Boston Baroque, Martin Pearlman 2:10
Water Music, Suite in F Major - Air Boston Baroque, Martin Pearlman 2:29
Water Music, Suite in F Major - Alla Hornpipe Boston Baroque, Martin Pearlman 3:29
Water Music, Suite in F Major - Allegro - Andante - Allegro Boston Baroque, Martin Pearlman 6:57
Water Music, Suite in F Major - Bourée Boston Baroque, Martin Pearlman 1:47
Water Music, Suite in F Major - Hornpipe George Frideric Handel 2:06
Water Music, Suite in F Major - Ouverture Boston Baroque, Martin Pearlman 3:08
Water Music, Suite in F Major - Presto Boston Baroque, Martin Pearlman 3:17
Water Music, Suite in G Major - (Sarabande) Boston Baroque, Martin Pearlman 2:31
Water Music, Suite in G Major - Country Dance Boston Baroque, Martin Pearlman 1:27
Water Music, Suite in G Major - Menuets I and II Boston Baroque, Martin Pearlman 2:52
Water Music, Suite in G Major - Presto Boston Baroque, Martin Pearlman 2:41
vocal
1996-01-03 – 1996-01-05 Dido and Aeneas: Act I. The Palace: “Fear no danger to ensue” choir vocals Sharon Baker, Susannah Waters, Boston Baroque, Martin Pearlman 1:31
1996-01-03 – 1996-01-05 Dido and Aeneas: Act I. The Palace: “Grief increases by concealing” / “When monarchs unite” choir vocals Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman 0:47
1996-01-03 – 1996-01-05 Dido and Aeneas: Act I. The Palace: “See your royal guest appears” / “Cupid only throws the dart” choir vocals Russell Braun, Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman 1:26
1996-01-03 – 1996-01-05 Dido and Aeneas: Act I. The Palace: “Shake the cloud from off your brow” / “Banish sorrow” choir vocals Susannah Waters, Boston Baroque, Martin Pearlman 1:05
1996-01-03 – 1996-01-05 Dido and Aeneas: Act I. The Palace: “To the hills and the vales” / The Triumphing Dance choir vocals Boston Baroque, Martin Pearlman 2:08
1996-01-03 – 1996-01-05 Dido and Aeneas: Act II. Scene I. The Cave: “In our deep vaulted cell” / Echo Dance of the Furies choir vocals Boston Baroque, Martin Pearlman 2:21
1996-01-03 – 1996-01-05 Dido and Aeneas: Act II. Scene I. The Cave: “Ruin’d ere the set of sun?” choir vocals Donna Ames, Margaret O’Keefe, Laura Tucker, Boston Baroque, Martin Pearlman 1:11
1996-01-03 – 1996-01-05 Dido and Aeneas: Act II. Scene I. The Cave: Prelude for the Witches / “Wayward sisters” choir vocals Margaret O’Keefe, Laura Tucker, Boston Baroque, Martin Pearlman 2:37
1996-01-03 – 1996-01-05 Dido and Aeneas: Act II. Scene II. The Grove: “Behold upon my bending spear” / “Haste, haste to town” choir vocals Russell Braun, Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman 1:20
1996-01-03 – 1996-01-05 Dido and Aeneas: Act II. Scene II. The Grove: Ritornelle / “Thanks to these lonesome vales” choir vocals Susannah Waters, Boston Baroque, Martin Pearlman 3:01
1996-01-03 – 1996-01-05 Dido and Aeneas: Act III. Scene I. The Ships: “Our next motion” / “Destruction’s our delight” choir vocals Laura Tucker, Boston Baroque, Martin Pearlman 1:10
1996-01-03 – 1996-01-05 Dido and Aeneas: Act III. Scene I. The Ships: Prelude / “Come away fellow sailors” / The Sailors’ Dance choir vocals Richard Clement, Boston Baroque, Martin Pearlman 2:17
1996-01-03 – 1996-01-05 Dido and Aeneas: Act III. Scene II. The Palace: “But death, alas, I cannot shun” / “Great minds against themselves conspire” choir vocals Nancy Maultsby, Boston Baroque, Martin Pearlman 1:18
1996-01-03 – 1996-01-05 Dido and Aeneas: Act III. Scene II. The Palace: “With drooping wings ye Cupids come” choir vocals Boston Baroque, Martin Pearlman 4:28
Mozart Requiem: Lacrymosa; Amen choir vocals Boston Baroque, Martin Pearlman 4:09