| arranged |
---|
| Andante from Trio Sonata in D minor | | The King’s Consort, Robert King | 4:50 |
| Andante from Trio Sonata in E minor | | The King’s Consort, Robert King | 5:21 |
| chorus master |
---|
| Dear Lord and Father of Mankind | | Katherine Jenkins | 3:44 |
| Nella fantasia | | Katherine Jenkins | 5:10 |
| conducted |
---|
1986-04-23 – 1986-04-24 | Eternal Source of Light Divine | | James Bowman, The King’s Consort, Robert King | 3:12 |
1986-04-23 – 1986-04-24 | Jesu, meine Freud and Lust | | James Bowman, The King’s Consort, Robert King | 7:50 |
1986-04-23 – 1986-04-24 | Jubilate Domino | | James Bowman, The King’s Consort, Robert King | 8:55 |
1986-04-23 – 1986-04-24 | Lamentatio "Ach, das ich Wassers g’nug hätte" | | James Bowman, The King’s Consort, Robert King | 7:29 |
1986-04-23 – 1986-04-24 | Laßt uns all’ Mariam loben! | | James Bowman, The King’s Consort, Robert King | 4:35 |
1986-04-23 – 1986-04-24 | Maria, starke Sonnen | | James Bowman, The King’s Consort, Robert King | 3:47 |
1986-04-23 – 1986-04-24 | Weil, Jesu, ich in meinem Sinn | | James Bowman, The King’s Consort, Robert King | 17:16 |
1987-06-28 – 1987-06-30 | Oboe Concerto in D minor: Adagio | | Paul Goodwin, The King’s Consort, Robert King | 1:40 |
1987-06-28 – 1987-06-30 | Oboe Concerto in D minor: Adagio | | Paul Goodwin, The King’s Consort, Robert King | 1:02 |
1987-06-28 – 1987-06-30 | Oboe Concerto in D minor: Allegro | | Paul Goodwin, The King’s Consort, Robert King | 2:01 |
1987-06-28 – 1987-06-30 | Oboe Concerto in D minor: Allegro | | Paul Goodwin, The King’s Consort, Robert King | 3:02 |
1987-06-28 – 1987-06-30 | Oboe Concerto in F major: [Allegro] | | Paul Goodwin, The King’s Consort, Robert King | 8:11 |
1987-06-28 – 1987-06-30 | Oboe Concerto in F major: Allegro | | Paul Goodwin, The King’s Consort, Robert King | 6:08 |
1987-06-28 – 1987-06-30 | Oboe Concerto in F major: Siciliano | | Paul Goodwin, The King’s Consort, Robert King | 5:55 |
1987-06-28 – 1987-06-30 | Oboe d’amore Concerto in A major: [Allegro] | | Paul Goodwin, The King’s Consort, Robert King | 4:23 |
1987-06-28 – 1987-06-30 | Oboe d’amore Concerto in A major: Allegro ma non tanto | | Paul Goodwin, The King’s Consort, Robert King | 4:25 |
1987-06-28 – 1987-06-30 | Oboe d’amore Concerto in A major: Larghetto | | Paul Goodwin, The King’s Consort, Robert King | 5:44 |
1987-06-28 – 1987-06-30 | Oboe d’amore Concerto in G major: Adagio | | Paul Goodwin, The King’s Consort, Robert King | 2:36 |
1987-06-28 – 1987-06-30 | Oboe d’amore Concerto in G major: Allegro | | Paul Goodwin, The King’s Consort, Robert King | 5:02 |
1987-06-28 – 1987-06-30 | Oboe d’amore Concerto in G major: Soave | | Paul Goodwin, The King’s Consort, Robert King | 3:30 |
1987-06-28 – 1987-06-30 | Oboe d’amore Concerto in G major: Vivace | | Paul Goodwin, The King’s Consort, Robert King | 5:21 |
1987-12-02 – 1987-12-04 | In caelestibus regnis | | Michael Chance, The King’s Consort, Robert King | 2:32 |
1987-12-02 – 1987-12-04 | Salve Regina: Ad te clamamus | | Gillian Fisher, The King’s Consort, Robert King | 2:20 |
1987-12-02 – 1987-12-04 | Salve Regina: Eia ergo advocata | | Gillian Fisher, The King’s Consort, Robert King | 2:03 |
1987-12-02 – 1987-12-04 | Salve Regina: O clemens, o pia | | Gillian Fisher, The King’s Consort, Robert King | 3:09 |
1987-12-02 – 1987-12-04 | Salve Regina: Salve Regina | | Gillian Fisher, The King’s Consort, Robert King | 3:40 |
1987-12-02 – 1987-12-04 | Stabat mater: Cuius animam gementem | | Gillian Fisher, The King’s Consort, Robert King | 2:17 |
1987-12-02 – 1987-12-04 | Stabat mater: Eia Mater, fons amoris | | Michael Chance, The King’s Consort, Robert King | 2:41 |
1987-12-02 – 1987-12-04 | Stabat mater: Fac, ut ardeat cor meum | | Michael Chance, Gillian Fisher, The King’s Consort, Robert King | 2:20 |
1987-12-02 – 1987-12-04 | Stabat mater: Fac, ut portem Christi mortem | | Michael Chance, The King’s Consort, Robert King | 4:06 |
1987-12-02 – 1987-12-04 | Stabat mater: Inflammatus et accensus | | Michael Chance, Gillian Fisher, The King’s Consort, Robert King | 2:25 |
1987-12-02 – 1987-12-04 | Stabat mater: O quam tristis et afflicta | | Michael Chance, Gillian Fisher, The King’s Consort, Robert King | 2:35 |
1987-12-02 – 1987-12-04 | Stabat mater: Quae morebat et dolebat | | Michael Chance, The King’s Consort, Robert King | 2:22 |
1987-12-02 – 1987-12-04 | Stabat mater: Quando corpus morietur | | Michael Chance, Gillian Fisher, The King’s Consort, Robert King | 4:09 |
1987-12-02 – 1987-12-04 | Stabat mater: Quis est homo, qui non fleret | | Michael Chance, Gillian Fisher, The King’s Consort, Robert King | 3:21 |
1987-12-02 – 1987-12-04 | Stabat mater: Sancta mater, istud agas | | Michael Chance, Gillian Fisher, The King’s Consort, Robert King | 6:09 |
1987-12-02 – 1987-12-04 | Stabat mater: Stabat mater dolorosa | | Michael Chance, Gillian Fisher, The King’s Consort, Robert King | 4:02 |
1987-12-02 – 1987-12-04 | Stabat mater: Vidit suum dulcem natum | | Gillian Fisher, The King’s Consort, Robert King | 3:52 |
1987 | Schafe können sicher weiden (from Cantata BWV 208) | | Gillian Fisher, The King’s Consort, Robert King | 4:25 |
1988-04-09 – 1988-04-10 | Ah! how sweet it is to love | | James Bowman, Robert King, The King’s Consort | 2:02 |
1988-04-09 – 1988-04-10 | An Evening Hymn | | James Bowman, Robert King, The King’s Consort | 4:04 |
1988-04-09 – 1988-04-10 | Celia has a thousand charms | | James Bowman, Robert King, The King’s Consort | 2:30 |
1988-04-09 – 1988-04-10 | Fairest Isle, all isles excelling | | James Bowman, Robert King, The King’s Consort | 4:04 |
1988-04-09 – 1988-04-10 | Here the Deities approve | | James Bowman, Robert King, The King’s Consort | 4:04 |
1988-04-09 – 1988-04-10 | How long, great God? | | James Bowman, Robert King, The King’s Consort | 4:10 |
1988-04-09 – 1988-04-10 | If music be the food of love | | James Bowman, Robert King, The King’s Consort | 2:31 |
1988-04-09 – 1988-04-10 | Music for a while | | James Bowman, Robert King, The King’s Consort | 3:32 |
1988-04-09 – 1988-04-10 | Not all my torments | | James Bowman, Robert King, The King’s Consort | 2:03 |
1988-04-09 – 1988-04-10 | One charming night | | James Bowman, Robert King, The King’s Consort | 2:19 |
1988-04-09 – 1988-04-10 | Since from my dear Astrea's sight | | James Bowman, Robert King, The King’s Consort | 3:30 |
1988-04-09 – 1988-04-10 | The fatal hour comes on | | James Bowman, Robert King, The King’s Consort | 3:46 |
1988-04-09 – 1988-04-10 | The Knotting Song | | James Bowman, Robert King, The King’s Consort | 2:31 |
1988-04-09 – 1988-04-10 | The plaint | | James Bowman, Robert King, The King’s Consort | 7:39 |
1988-04-09 – 1988-04-10 | We sing to Him | | James Bowman, Robert King, The King’s Consort | 2:19 |
1988-04-09 – 1988-04-10 | What shall I do to show how much I love her? | | James Bowman, Robert King, The King’s Consort | 1:57 |
1988-04-09 – 1988-04-10 | With him he brings | | James Bowman, Robert King, The King’s Consort | 4:51 |
1988-05-24 | Eternal Source of Light Divine (Birthday Ode for Queen Anne) (beginning) | | James Bowman, Crispian Steele‐Perkins, Choir of New College, Oxford, King’s Consort, Robert King | 6:08 |
1988-09-05 – 1988-09-07 | Cantata, BWV 54 "Widerstehe doch der Sünde": I. Aria "Widerstehe doch der Sünde" | | James Bowman, The King’s Consort, Robert King | 8:23 |
1988-09-05 – 1988-09-07 | Cantata, BWV 54 "Widerstehe doch der Sünde": II. Recitativo "Die Art verruchter Sünden" | | James Bowman, The King’s Consort, Robert King | 1:02 |
1988-09-05 – 1988-09-07 | Cantata, BWV 54 "Widerstehe doch der Sünde": III. Aria "Wer Sünde tut, der ist vom Teufel" | | James Bowman, The King’s Consort, Robert King | 3:16 |
1988-09-05 – 1988-09-07 | Cantata, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia | | The King’s Consort, Robert King | 8:36 |
1988-09-05 – 1988-09-07 | Cantata, BWV 169 "Gott soll allein mein Herze haben": II. Arioso und Recitativo "Gott soll allein mein Herze haben" | | James Bowman, The King’s Consort, Robert King | 2:31 |
1988-09-05 – 1988-09-07 | Cantata, BWV 169 "Gott soll allein mein Herze haben": III. Aria "Gott soll allein mein Herze haben" | | James Bowman, The King’s Consort, Robert King | 6:20 |
1988-09-05 – 1988-09-07 | Cantata, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo "Was ist die Liebe Gottes" | | James Bowman, The King’s Consort, Robert King | 0:41 |
1988-09-05 – 1988-09-07 | Cantata, BWV 169 "Gott soll allein mein Herze haben": V. Aria "Stirb in mir" | | James Bowman, The King’s Consort, Robert King | 4:49 |
1988-09-05 – 1988-09-07 | Cantata, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo "Doch meint es auch dabei" | | James Bowman, The King’s Consort, Robert King | 0:25 |
1988-09-05 – 1988-09-07 | Cantata, BWV 169 "Gott soll allein mein Herze haben": VII. Chorale "Du süße Liebe, schenk uns deine Gunst" | | James Bowman, The King’s Consort, Robert King | 1:01 |
1988-09-05 – 1988-09-07 | Cantata, BWV 170 "Vergnügte Ruh', beliebte Seelenlust": I. Aria "Vergnügte Ruh, beliebte Seelenlust" | | James Bowman, The King’s Consort, Robert King | 6:33 |
1988-09-05 – 1988-09-07 | Cantata, BWV 170 "Vergnügte Ruh', beliebte Seelenlust": II. Recitativo "Die Welt, das Sündenhaus" | | James Bowman, The King’s Consort, Robert King | 1:17 |
1988-09-05 – 1988-09-07 | Cantata, BWV 170 "Vergnügte Ruh', beliebte Seelenlust": III. Aria "Wie jammern mich doch die verkehrten Herzen" | | James Bowman, The King’s Consort, Robert King | 6:45 |
1988-09-05 – 1988-09-07 | Cantata, BWV 170 "Vergnügte Ruh', beliebte Seelenlust": IV. Recitativo "Wer sollte sich demnach wohl hier zu leben wünschen" | | James Bowman, The King’s Consort, Robert King | 1:17 |
1988-09-05 – 1988-09-07 | Cantata, BWV 170 "Vergnügte Ruh', beliebte Seelenlust": V. Aria "Mir ekelt mehr zu leben" | | James Bowman, The King’s Consort, Robert King | 6:27 |
1988-12-02 – 1988-12-04 | L’Autunno, Concerto in F major, RV 293, op. 8 no. 3: Adagio | | Catherine Mackintosh, The King’s Consort, Robert King | 2:19 |
1988-12-02 – 1988-12-04 | L’Autunno, Concerto in F major, RV 293, op. 8 no. 3: Allegro | | Catherine Mackintosh, The King’s Consort, Robert King | 5:03 |
1988-12-02 – 1988-12-04 | L’Autunno, Concerto in F major, RV 293, op. 8 no. 3: Allegro | | Catherine Mackintosh, The King’s Consort, Robert King | 3:16 |
1988-12-02 – 1988-12-04 | L’Estate, Concerto in G minor, RV 315, op. 8 no. 2: Adagio – Presto | | Catherine Mackintosh, The King’s Consort, Robert King | 2:08 |
1988-12-02 – 1988-12-04 | L’Estate, Concerto in G minor, RV 315, op. 8 no. 2: Allegro non molto | | Catherine Mackintosh, The King’s Consort, Robert King | 5:22 |
1988-12-02 – 1988-12-04 | L’Estate, Concerto in G minor, RV 315, op. 8 no. 2: Presto | | Catherine Mackintosh, The King’s Consort, Robert King | 2:55 |
1988-12-02 – 1988-12-04 | L’Inverno, Concerto in F minor, RV 297, op. 8 no. 4: Allegro | | Catherine Mackintosh, The King’s Consort, Robert King | 3:14 |
1988-12-02 – 1988-12-04 | L’Inverno, Concerto in F minor, RV 297, op. 8 no. 4: Allegro non molto | | Catherine Mackintosh, The King’s Consort, Robert King | 3:34 |
1988-12-02 – 1988-12-04 | L’Inverno, Concerto in F minor, RV 297, op. 8 no. 4: Largo | | Catherine Mackintosh, The King’s Consort, Robert King | 1:53 |
1988-12-02 – 1988-12-04 | La Primavera, Concerto in E major, RV 269, op. 8 no. 1: Allegro | | Catherine Mackintosh, The King’s Consort, Robert King | 3:31 |
1988-12-02 – 1988-12-04 | La Primavera, Concerto in E major, RV 269, op. 8 no. 1: Danza pastorale (Allegro) | | Catherine Mackintosh, The King’s Consort, Robert King | 3:56 |
1988-12-02 – 1988-12-04 | La Primavera, Concerto in E major, RV 269, op. 8 no. 1: Largo e pianissimo sempre | | Catherine Mackintosh, The King’s Consort, Robert King | 2:28 |
1988-12-02 – 1988-12-04 | Violin Concerto in C minor, RV 761 “Amato bene”: Allegro | | Catherine Mackintosh, The King’s Consort, Robert King | 4:08 |
1988-12-02 – 1988-12-04 | Violin Concerto in C minor, RV 761 “Amato bene”: Allegro | | Catherine Mackintosh, The King’s Consort, Robert King | 3:47 |
1988-12-02 – 1988-12-04 | Violin Concerto in C minor, RV 761 “Amato bene”: Largo | | Catherine Mackintosh, The King’s Consort, Robert King | 2:25 |
1988-12-02 – 1988-12-04 | Violin Concerto in D major, RV 230, op. 3 no. 9: Allegro | | Catherine Mackintosh, The King’s Consort, Robert King | 2:21 |
1988-12-02 – 1988-12-04 | Violin Concerto in D major, RV 230, op. 3 no. 9: Allegro | | Catherine Mackintosh, The King’s Consort, Robert King | 2:20 |
1988-12-02 – 1988-12-04 | Violin Concerto in D major, RV 230, op. 3 no. 9: Larghetto | | Catherine Mackintosh, The King’s Consort, Robert King | 2:49 |
1989-01-16 | Musick for the Royal Fireworks: Bourrée | | The King’s Consort, Robert King | 1:41 |
1989-01-16 | Musick for the Royal Fireworks: La Paix | | The King’s Consort, Robert King | 3:34 |
1989-01-16 | Musick for the Royal Fireworks: La Réjouissance | | The King’s Consort, Robert King | 2:19 |
1989-01-16 | Musick for the Royal Fireworks: Menuet I and II | | The King’s Consort, Robert King | 2:46 |
1989-01-16 | Musick for the Royal Fireworks: Overture | | The King’s Consort, Robert King | 9:48 |
1989-01-18 – 1989-01-20 | Ode, Z 328 "Hail! bright Cecilia": I. Symphony | | The King’s Consort, Robert King | 9:27 |
1989-01-18 – 1989-01-20 | Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia" | | Edward Higginbottom, John Mark Ainsley, James Bowman, Choir of New College Oxford, Gillian Fisher, Michael George, The King’s Consort, Robert King | 4:11 |
1989-01-18 – 1989-01-20 | Ode, Z 328 "Hail! bright Cecilia": III. Aria (Alto, Bass) "Hark, each Tree its silence breaks" | | James Bowman, Michael George, The King’s Consort, Robert King | 4:14 |
1989-01-18 – 1989-01-20 | Ode, Z 328 "Hail! bright Cecilia": IV. Aria (Alto) "'Tis Nature's Voice" | | James Bowman, The King’s Consort, Robert King | 4:03 |
1989-01-18 – 1989-01-20 | Ode, Z 328 "Hail! bright Cecilia": IX. Aria (High Tenor) "The Airy Violin" | | Rogers Covey‐Crump, The King’s Consort, Robert King | 1:28 |
| See all 1,852 relationships |
| instruments |
---|
1986-04-23 – 1986-04-24 | Eternal Source of Light Divine | chamber organ | James Bowman, The King’s Consort, Robert King | 3:12 |
1986-04-23 – 1986-04-24 | Jesu, meine Freud and Lust | chamber organ | James Bowman, The King’s Consort, Robert King | 7:50 |
1986-04-23 – 1986-04-24 | Jubilate Domino | chamber organ | James Bowman, The King’s Consort, Robert King | 8:55 |
1986-04-23 – 1986-04-24 | Lamentatio "Ach, das ich Wassers g’nug hätte" | chamber organ | James Bowman, The King’s Consort, Robert King | 7:29 |
1986-04-23 – 1986-04-24 | Laßt uns all’ Mariam loben! | chamber organ | James Bowman, The King’s Consort, Robert King | 4:35 |
1986-04-23 – 1986-04-24 | Maria, starke Sonnen | chamber organ | James Bowman, The King’s Consort, Robert King | 3:47 |
1986-04-23 – 1986-04-24 | Weil, Jesu, ich in meinem Sinn | chamber organ | James Bowman, The King’s Consort, Robert King | 17:16 |
1987-05-14 – 1987-05-15 | Ah, heav'n! What is't I hear? | organ | James Bowman, Michael Chance, Alison Crum, Robert King, David Miller | 3:22 |
1987-05-14 – 1987-05-15 | Bonduca, or The British Heroine, Z574 (Duet: Sing, sing ye druids) | harpsichord | James Bowman, Michael Chance, Alison Crum, Robert King, Catherine Latham, David Miller, Marion Scott | 2:43 |
1987-05-14 – 1987-05-15 | Come ye sons of Art, away Z323 (Movement 3: Sound the trumpet, 'til around) | harpsichord | James Bowman, Michael Chance, Alison Crum, Robert King, David Miller | 2:27 |
1987-05-14 – 1987-05-15 | Hail! bright Cecilia Z328 (Movement 10: In vain the Am'rous Flute and soft Guitar ) | organ | James Bowman, Michael Chance, Alison Crum, Robert King, Catherine Latham, David Miller, Marion Scott | 6:07 |
1987-05-14 – 1987-05-15 | Incassum Lesbia, incassum rogas 'The Queen's Epicedium' Z383 | organ | Michael Chance, Alison Crum, Robert King | 7:50 |
1987-05-14 – 1987-05-15 | O dive custos Auriacae domus 'An elegy upon the death of Queen Mary' Z514 | organ | James Bowman, Michael Chance, Alison Crum, Robert King | 7:04 |
1987-05-14 – 1987-05-15 | O solitude, my sweetest choice! Z406 | organ | James Bowman, Robert King, David Miller | 5:44 |
1987-05-14 – 1987-05-15 | Ode on the death of Mr Henry Purcell (Mark how the Lark and Linnet Sing) | organ | James Bowman, Michael Chance, Alison Crum, Robert King, Catherine Latham, David Miller, Marion Scott | 22:06 |
1987-05-14 – 1987-05-15 | The maid's Last Prayer, or Any rather than Fail, Z601 (Duet: No, resistance is but vain) | organ | James Bowman, Michael Chance, Alison Crum, Robert King, David Miller | 4:40 |
1987-05-14 – 1987-05-15 | Timon of Athens Z632 (Duet: Hark how the songsters) | harpsichord | James Bowman, Michael Chance, Alison Crum, Robert King, Catherine Latham, David Miller, Marion Scott | 3:06 |
1987-06-28 – 1987-06-30 | Oboe Concerto in D minor: Adagio | harpsichord | Paul Goodwin, The King’s Consort, Robert King | 1:40 |
1987-06-28 – 1987-06-30 | Oboe Concerto in D minor: Adagio | harpsichord | Paul Goodwin, The King’s Consort, Robert King | 1:02 |
1987-06-28 – 1987-06-30 | Oboe Concerto in D minor: Allegro | harpsichord | Paul Goodwin, The King’s Consort, Robert King | 3:02 |
1987-06-28 – 1987-06-30 | Oboe Concerto in D minor: Allegro | harpsichord | Paul Goodwin, The King’s Consort, Robert King | 2:01 |
1987-06-28 – 1987-06-30 | Oboe Concerto in F major: [Allegro] | harpsichord | Paul Goodwin, The King’s Consort, Robert King | 8:11 |
1987-06-28 – 1987-06-30 | Oboe Concerto in F major: Allegro | harpsichord | Paul Goodwin, The King’s Consort, Robert King | 6:08 |
1987-06-28 – 1987-06-30 | Oboe Concerto in F major: Siciliano | harpsichord | Paul Goodwin, The King’s Consort, Robert King | 5:55 |
1987-06-28 – 1987-06-30 | Oboe d’amore Concerto in A major: [Allegro] | harpsichord | Paul Goodwin, The King’s Consort, Robert King | 4:23 |
1987-06-28 – 1987-06-30 | Oboe d’amore Concerto in A major: Allegro ma non tanto | harpsichord | Paul Goodwin, The King’s Consort, Robert King | 4:25 |
1987-06-28 – 1987-06-30 | Oboe d’amore Concerto in A major: Larghetto | harpsichord | Paul Goodwin, The King’s Consort, Robert King | 5:44 |
1987-06-28 – 1987-06-30 | Oboe d’amore Concerto in G major: Adagio | harpsichord | Paul Goodwin, The King’s Consort, Robert King | 2:36 |
1987-06-28 – 1987-06-30 | Oboe d’amore Concerto in G major: Allegro | harpsichord | Paul Goodwin, The King’s Consort, Robert King | 5:02 |
1987-06-28 – 1987-06-30 | Oboe d’amore Concerto in G major: Soave | harpsichord | Paul Goodwin, The King’s Consort, Robert King | 3:30 |
1987-06-28 – 1987-06-30 | Oboe d’amore Concerto in G major: Vivace | harpsichord | Paul Goodwin, The King’s Consort, Robert King | 5:21 |
1989-09-08 – 1989-09-10 | Sonata in A major, K. 225 | organ [continuo organ] | The King’s Consort, Robert King | 4:00 |
1989-09-08 – 1989-09-10 | Sonata in B-flat major, K. 68 | organ [continuo organ] | The King’s Consort, Robert King | 2:49 |
1989-09-08 – 1989-09-10 | Sonata in B-flat major, K. 212 | organ [continuo organ] | The King’s Consort, Robert King | 3:24 |
1989-09-08 – 1989-09-10 | Sonata in C major, K. 328 | organ [continuo organ] | The King’s Consort, Robert King | 4:20 |
1989-09-08 – 1989-09-10 | Sonata in C major, K. 336 | organ [continuo organ] | The King’s Consort, Robert King | 4:05 |
1989-09-08 – 1989-09-10 | Sonata in D major, K. 69 | organ [continuo organ] | The King’s Consort, Robert King | 2:37 |
1989-09-08 – 1989-09-10 | Sonata in D major, K. 144 | organ [continuo organ] | The King’s Consort, Robert King | 3:16 |
1989-09-08 – 1989-09-10 | Sonata in D major, K. 245 | organ [continuo organ] | The King’s Consort, Robert King | 3:45 |
1989-09-08 – 1989-09-10 | Sonata in E-flat major, K. 67 | organ [continuo organ] | The King’s Consort, Robert King | 2:37 |
1989-09-08 – 1989-09-10 | Sonata in F major, K. 145 | organ [continuo organ] | The King’s Consort, Robert King | 3:01 |
1989-09-08 – 1989-09-10 | Sonata in F major, K. 224 | organ [continuo organ] | The King’s Consort, Robert King | 4:20 |
1989-09-08 – 1989-09-10 | Sonata in F major, K. 244 | organ [continuo organ] | The King’s Consort, Robert King | 3:35 |
1989-09-08 – 1989-09-10 | Sonata in G major, K. 241 | organ [continuo organ] | The King’s Consort, Robert King | 2:59 |
1989-09-08 – 1989-09-10 | Sonata in G major, K. 274 | organ [continuo organ] | The King’s Consort, Robert King | 3:23 |
2011-03-05 – 2011-03-07 | Chaconne in A major | chamber organ | Susanne Heinrich, Robert King, Lynda Sayce | 2:51 |
2011-03-05 – 2011-03-07 | Deuxième Leçon de Ténèbres: I. Vau | chamber organ | Marianne Beate Kielland, Susanne Heinrich, Robert King, Lynda Sayce | 2:08 |
2011-03-05 – 2011-03-07 | Deuxième Leçon de Ténèbres: II. Zain | chamber organ | Marianne Beate Kielland, Susanne Heinrich, Robert King, Lynda Sayce | 2:57 |
2011-03-05 – 2011-03-07 | Deuxième Leçon de Ténèbres: III. Heth | chamber organ | Marianne Beate Kielland, Susanne Heinrich, Robert King, Lynda Sayce | 1:51 |
2011-03-05 – 2011-03-07 | Deuxième Leçon de Ténèbres: IV. Teth | chamber organ | Marianne Beate Kielland, Susanne Heinrich, Robert King, Lynda Sayce | 2:49 |
2011-03-05 – 2011-03-07 | Deuxième Leçon de Ténèbres: V. Jerusalem, convertare ad Dominum Deum tuum | chamber organ | Marianne Beate Kielland, Susanne Heinrich, Robert King, Lynda Sayce | 2:33 |
2011-03-05 – 2011-03-07 | Magnificat anima mea: I. Magnificat anima mea Dominum | chamber organ | Marianne Beate Kielland, Carolyn Sampson, Susanne Heinrich, Robert King, Lynda Sayce | 3:42 |
2011-03-05 – 2011-03-07 | Magnificat anima mea: II. Et misericordia ejus a progenie | chamber organ | Marianne Beate Kielland, Carolyn Sampson, Susanne Heinrich, Robert King, Lynda Sayce | 3:45 |
2011-03-05 – 2011-03-07 | Magnificat anima mea: III. Suscepit Israel puerum suum | chamber organ | Marianne Beate Kielland, Carolyn Sampson, Susanne Heinrich, Robert King, Lynda Sayce | 2:20 |
2011-03-05 – 2011-03-07 | Magnificat anima mea: IV. Gloria Patri, et Filio | chamber organ | Marianne Beate Kielland, Carolyn Sampson, Susanne Heinrich, Robert King, Lynda Sayce | 2:17 |
2011-03-05 – 2011-03-07 | Motet pour le jour de Pâques: I. Victoria Christo resurgenti | chamber organ | Marianne Beate Kielland, Carolyn Sampson, Susanne Heinrich, Robert King, Lynda Sayce | 3:07 |
2011-03-05 – 2011-03-07 | Motet pour le jour de Pâques: II. Sic Jesus pastor bonus | chamber organ | Marianne Beate Kielland, Susanne Heinrich, Robert King, Lynda Sayce | 1:53 |
2011-03-05 – 2011-03-07 | Motet pour le jour de Pâques: III. O Jesu salus lux et vita | chamber organ | Marianne Beate Kielland, Carolyn Sampson, Susanne Heinrich, Robert King, Lynda Sayce | 2:29 |
2011-03-05 – 2011-03-07 | Première Leçon de Ténèbres: II. Beth | chamber organ | Carolyn Sampson, Susanne Heinrich, Robert King, Lynda Sayce | 4:19 |
2011-03-05 – 2011-03-07 | Première Leçon de Ténèbres: III. Gimel | chamber organ | Carolyn Sampson, Susanne Heinrich, Robert King, Lynda Sayce | 2:35 |
2011-03-05 – 2011-03-07 | Première Leçon de Ténèbres: Incipit Lamentatio Jeremiae Prophetae / I. Aleph | chamber organ | Carolyn Sampson, Susanne Heinrich, Robert King, Lynda Sayce | 3:12 |
2011-03-05 – 2011-03-07 | Première Leçon de Ténèbres: IV. Daleth | chamber organ | Carolyn Sampson, Susanne Heinrich, Robert King, Lynda Sayce | 1:46 |
2011-03-05 – 2011-03-07 | Première Leçon de Ténèbres: V. Heth | chamber organ | Carolyn Sampson, Susanne Heinrich, Robert King, Lynda Sayce | 3:14 |
2011-03-05 – 2011-03-07 | Première Leçon de Ténèbres: VI. Jerusalem, convertare ad Dominum Deum uum | chamber organ | Carolyn Sampson, Susanne Heinrich, Robert King, Lynda Sayce | 3:32 |
2011-03-05 – 2011-03-07 | Tombeau pour Sieur de Ste Colombe | chamber organ | Susanne Heinrich, Robert King, Lynda Sayce | 7:28 |
2011-03-05 – 2011-03-07 | Troisième Leçon de Ténèbres: I. Jod | chamber organ | Marianne Beate Kielland, Carolyn Sampson, Susanne Heinrich, Robert King, Lynda Sayce | 2:32 |
2011-03-05 – 2011-03-07 | Troisième Leçon de Ténèbres: II. Caph | chamber organ | Marianne Beate Kielland, Susanne Heinrich, Robert King, Lynda Sayce | 1:47 |
2011-03-05 – 2011-03-07 | Troisième Leçon de Ténèbres: III. Lamed | chamber organ | Marianne Beate Kielland, Susanne Heinrich, Robert King, Lynda Sayce | 2:09 |
2011-03-05 – 2011-03-07 | Troisième Leçon de Ténèbres: IV. Mem | chamber organ | Marianne Beate Kielland, Carolyn Sampson, Susanne Heinrich, Robert King, Lynda Sayce | 3:55 |
2011-03-05 – 2011-03-07 | Troisième Leçon de Ténèbres: v. Jerusalem, convertare ad Dominum Deum tuum | chamber organ | Marianne Beate Kielland, Carolyn Sampson, Susanne Heinrich, Robert King, Lynda Sayce | 2:22 |
| Come, Ye Sons of Art, Away, Z. 323: "Sound the trumpet" | harpsichord | Michael Chance, James Bowman, Jane Coe, David Miller, Robert King | 2:34 |
| Hosanna to the Highest, Z. 187 | chamber organ | Charles Daniels, Michael George, Helen Gough, David Miller, Robert King | 5:27 |
| If Music Be the Food of Love, Z. 379 | organ | Rogers Covey‐Crump, Mark Caudle, Robert King, David Miller | 2:01 |
| Now That the Sun Hath Veiled His Light, Z. 193: "Now that the sun hath veiled his light" | chamber organ | Eamonn O’Dwyer, Jane Coe, David Miller, Robert King | 4:20 |
| O! Fair Cedaria, Hide Those Eyes | chamber organ | Barbara Bonney, Mark Caudle, Robert King, David Miller | 5:11 |
| On the brow of Richmond Hill, song, Z. 405 | chamber organ | James Bowman, The King’s Consort | 1:37 |
| Première Leçon de Ténèbres, for treble voice & continuo,VII. Jerusalem, convertere | chamber organ | James Bowman, The King’s Consort | 3:10 |
| She Loves and She Confesses Too, Z. 413 | chamber organ | Susan Gritton, Mark Caudle, David Miller, Robert King | 2:25 |
| Venite exultemus Domino | | James Bowman, Michael Chance, Mark Caudle, Robert King | 5:09 |
| produced |
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| Quartet in A major, op. 18 no. 5: I. Allegro | | Allegri String Quartet | 6:30 |
| Quartet in A major, op. 18 no. 5: II. Menuetto | | Allegri String Quartet | 4:38 |
| Quartet in A major, op. 18 no. 5: III. Andante cantabile | | Allegri String Quartet | 10:05 |
| Quartet in A major, op. 18 no. 5: IV. Allegro | | Allegri String Quartet | 6:53 |
| Quartet in C minor, op. 18 no. 4: I. Allegro ma non tanto | | Allegri String Quartet | 8:49 |
| Quartet in C minor, op. 18 no. 4: II. Andante scherzoso quasi Allegretto | | Allegri String Quartet | 7:33 |
| Quartet in C minor, op. 18 no. 4: III. Menuetto: Allegro | | Allegri String Quartet | 3:40 |
| Quartet in C minor, op. 18 no. 4: IV. Allegretto | | Allegri String Quartet | 4:22 |
| Quartet in D major, op. 18 no. 3: I. Allegro | | Allegri String Quartet | 7:54 |
| Quartet in D major, op. 18 no. 3: II. Andante con moto | | Allegri String Quartet | 8:37 |
| Quartet in D major, op. 18 no. 3: III. Allegro | | Allegri String Quartet | 2:52 |
| Quartet in D major, op. 18 no. 3: IV. Presto | | Allegri String Quartet | 6:36 |
| vocals |
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1974-03-15 – 1974-03-16 | Requiem, op. 9: Pie Jesu | treble vocals | Robert King, Stephen Cleobury | 3:26 |
1974 | Requiem: IV. Pie Jesu | | Choir of St John’s College, Cambridge, George Guest | 3:21 |
| Sua Gân (Lullaby) | other vocals [trebles] | Lynton Atkinson, Simon Keenlyside, Robert King, The Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest | 3:42 |
| conducted |
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1988-05-14 – 1988-05-16 | Royal and Ceremonial Odes | | Henry Purcell; The King’s Consort, Robert King | |
| Cantatas BWV 54 / BWV 169 / BWV 170 | | Bach; James Bowman, The King’s Consort, Robert King | |
| Mozart Epistle Sonatas | | Mozart; Ian Watson, The King’s Consort, Robert King | |
| graphic design |
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| The Sacred Music, Vol. 1 | | Monteverdi; The King’s Consort, Robert King | |
| instruments |
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1993-11-08 – 1993-11-11 | The Complete Cello Sonatas | harpsichord | Antonio Vivaldi; David Watkin, The King’s Consort | |
1993-11-08 – 1993-11-11 | The Complete Cello Sonatas | chamber organ | Antonio Vivaldi; David Watkin, The King’s Consort | |
| Cello Concertos | harpsichord | Antonio Vivaldi; Jonathan Cohen, The King’s Consort & Robert King | |
| Recorder Concertos | harpsichord | Vivaldi; Piers Adams, Musica da Camera | |
| Recorder Concertos | chamber organ | Vivaldi; Piers Adams, Musica da Camera | |
| Vivaldi Recorder Concertos | harpsichord | Antonio Vivaldi; Piers Adams, Robert King | |
| Vivaldi Recorder Concertos | chamber organ | Antonio Vivaldi; Piers Adams, Robert King | |
| liner notes |
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| Acis and Galatea | | Handel; Claron McFadden, John Mark Ainsley, Rogers Covey‐Crump, Michael George, The King’s Consort, Robert King | |
| Eternal Source of Light | | James Bowman, The King’s Consort, Robert King | |
| Eternal Source of Light | | Bach, Buxtehude, Franck, Handel, Monn; James Bowman, The King’s Consort, Robert King | |
| Exsultate jubilate! | | Wolfgang Amadeus Mozart; Carolyn Sampson, The King’s Consort, Robert King | |
| Fireworks Music / Water Music | | Handel; The King’s Consort, Robert King | |
| Joshua | | Handel; Emma Kirkby, James Bowman, Aidan Oliver, John Mark Ainsley, Michael George, Choir of New College Oxford, The King’s Consort, Robert King | |
| Jubilate Domino / Jesu, Meine Freud und Lust | | Buxtehude, Handel, Bach, Franck, Monn; James Bowman, The King’s Consort, Robert King | |
| Musick for the Royal Fireworks / Four Coronation Anthems | | Handel; The King’s Consort, Choir of New College, Oxford, Robert King | |
| Oboe & Oboe d’amore Concertos | | Bach, Telemann; Paul Goodwin, The King’s Consort, Robert King | |
| Oboe & Oboe d’amore Concertos | | Bach, Telemann; The King’s Consort, Robert King, Paul Goodwin | |
| Requiem pro defuncto Archiepiscopo Sigismundo / Missa in honorem Sanctae Ursulae | | Michael Haydn; Carolyn Sampson, Hilary Summers, James Gilchrist, Peter Harvey, Choir of the King’s Consort, The King’s Consort, Robert King | |
| Stabat Mater / Salve Regina / In Caelestibus Regnis | | Giovanni Battista Pergolesi; The King’s Consort, Robert King, Gillian Fisher, Michael Chance | |
| Stabat Mater / Salve Regina / In coelestibus regnis | | Pergolesi; Gillian Fisher, Michael Chance, The King’s Consort, Robert King | |
| The Four Seasons | | Antonio Vivaldi; Catherine Mackintosh, The King’s Consort, Robert King | |
| The Four Seasons | | Antonio Vivaldi; Catherine Mackintosh, The King’s Consort, Robert King | |
| The James Bowman Collection | | James Bowman, The King’s Consort | |
| produced |
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| Exsultate jubilate! | executive | Wolfgang Amadeus Mozart; Carolyn Sampson, The King’s Consort, Robert King | |
| Quartets, op. 18, Volume One | executive | Beethoven; Allegri String Quartet | |
| The James Bowman Collection | | James Bowman, The King’s Consort | |
| vocals |
---|
1972-03 | Ceremonial Music | treble vocals | Purcell; The Choir of St John’s College, Cambridge, The English Chamber Orchestra, Symphoniae Sacrae, Charles Brett, James Bowman, Ian Partridge, Forbes Robinson, George Guest | |
| reconstructed |
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| Israel in Ägypten | | | |
| wrote |
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| Why Did I Kiss That Girl | | | |