| conducted |
|---|
| 1996-11-05 – 1996-11-09 | Á fellr austan um eitrdala (The Prophecy of the Seeress) | | Sequentia | 11:34 |
| 1996-11-05 – 1996-11-09 | Baldrs minni (In Memory of Baldr) | | Sequentia | 3:34 |
| 1996-11-05 – 1996-11-09 | Hlióðs bið ek allar (The Prophecy of the Seeress) | | Sequentia | 10:12 |
| 1996-11-05 – 1996-11-09 | Leikr elds ok ísa (The Song of Fire and Ice) | | Sequentia | 2:18 |
| 1996-11-05 – 1996-11-09 | Núerum komnar til konungs húsa (The Song of the Mill) | | Sequentia | 12:16 |
| 1996-11-05 – 1996-11-09 | Ragnarok (The End of the Gods) | | Sequentia | 1:28 |
| 1996-11-05 – 1996-11-09 | Senn vóru æsir allir á þingi (Baldr’s Dreams) | | Sequentia | 9:32 |
| 1996-11-05 – 1996-11-09 | Veit ek at ek hekk (Óðinn’s Rune‐Verses) | | Sequentia | 5:41 |
| 1996-11-05 – 1996-11-09 | Vreiðr var þa Ving‐Þórr (The Tale of Þrymr) | | Sequentia | 13:52 |
| 1996-11-05 – 1996-11-09 | Þat man hón fólkvíg (The Prophecy of the Seeress) | | Sequentia | 6:23 |
| [Instrumentalstück/Instrumental piece] | | Sequentia | 6:05 |
| Do fraig amors | | Sequentia | 2:18 |
| Durch Barbarei, Arabia | | Sequentia | 5:36 |
| Es guegt sich | | Sequentia | 12:31 |
| Es seusst dort her | | Sequentia | 12:21 |
| Kyrie eleison | | Esther Labourdette, Benjamin Bagby, Sequentia | 3:17 |
| O snöde werlt | | Sequentia | 14:49 |
| Vil lieber grüsse | | Sequentia | 6:42 |
| Wer ist, di da durchleuchtet | | Sequentia | 7:14 |
| Wes mich mein bül | | Sequentia | 3:15 |
| instruments |
|---|
| 1987-06-23 – 1987-06-25 | Ar Ne Kuth Ich Sorghe Non (instrumental) | harp | Sequentia | 4:08 |
| 1987-06-23 – 1987-06-25 | Edi Be Thu, Heven-Queenë (instrumental) | hurdy gurdy [symphonia] | Sequentia | 2:22 |
| 1987-06-23 – 1987-06-25 | Man Mai Longë Lives Weenë | hurdy gurdy [symphonia] | Sequentia | 6:56 |
| 1987-06-23 – 1987-06-25 | Worldes Blis Ne Last No Throwë | harp | Sequentia | 11:29 |
| 1993-06-16 – 1993-06-21 | Instrumental Piece | harp | Benjamin Bagby, Elizabeth Gaver, Elisabetta de Mircovich, Sequentia | 3:34 |
| 1993-06-16 – 1993-06-21 | Symphonia armonie celestium revelationem: Alleluia O virga mediatrix | harp | Laurie Monahan, Benjamin Bagby, Sequentia | 2:28 |
| 1993-06-16 – 1993-06-21 | Symphonia armonie celestium revelationem: O vis eternitatis | hurdy gurdy [organistrum] | Laurie Monahan, Benjamin Bagby, Elizabeth Gaver, Elisabetta de Mircovich, Sequentia | 8:05 |
| 1996-11 | Á fellr austan um eitrdala (The Prophecy of the Seeress) | lyre | Sequentia | 11:34 |
| 1996-11 | Hlióðs bið ek allar (The Prophecy of the Seeress) | lyre | Sequentia | 10:12 |
| 1996-11 | Senn vóru æsir allir á þingi (Baldr’s Dreams) | lyre | Sequentia | 9:32 |
| 1996-11 | Veit ek at ek hekk (Óðinn’s Rune‐Verses) | lyre | Sequentia | 5:41 |
| 1996-11 | Vreiðr var þa Ving‐Þórr (The Tale of Þrymr) | lyre | Sequentia | 13:52 |
| 2017-02 | København, Det Arnamagneæaske Institut, ms. AM 76, 8° (mid-15th c.): Mith hierthae brendher | harp | Ensemble Peregrina, Benjamin Bagby, Kelly Landerkin, Hanna Järveläinen, Lorenza Donadini & Agnieszka Budzińska-Bennett | 2:59 |
| 2017-02 | Meister Rumelant von Sachsen (2nd half of 13th c.): Die Tenschen morder | harp | Ensemble Peregrina & Benjamin Bagby | 5:20 |
| [Instrumentalstück/Instrumental piece] | harp | Sequentia | 6:05 |
| Abundance de felonnie | harp | Sequentia | 5:13 |
| Amours trop vous doi cherir | harp | Sequentia | 2:02 |
| Belle, com loiaus amans | harp | Jehannot de Lescurel | 1:34 |
| Comment que, pour l'eloignance | diatonic button accordion [Organetto] | Sequentia | 3:04 |
| Dame, Par Vo Dous Regart / Biétris Est Mes Delis / Gracieusette / Dame, Par Vo Dous Regart / Instrumental Piece / Fi, Mesdisans Esragié | diatonic button accordion [Organetto] | Sequentia | 4:54 |
| Do fraig amors | harp | Sequentia | 2:18 |
| Durch Barbarei, Arabia | harp | Sequentia | 5:36 |
| Es guegt sich | harp | Sequentia | 12:31 |
| Es seusst dort her | harp | Sequentia | 12:21 |
| Estampie | harp | Sequentia | 3:33 |
| Estampie | diatonic button accordion [Organetto] | Sequentia | 3:22 |
| Instrumental Piece | harp | Sequentia | 2:55 |
| Instrumental piece / Diex, quant la verrai / Instrumental piece / Bonnenment m'agrée / Douce dame, je vous pri / Instrumental piece / Guilleurs me font mout souvent / Instrumental piece | harp | Sequentia | 7:43 |
| Motets and clausulae based on the tenor flos filius | harp | Sequentia | 5:12 |
| Motets and clausulae based on the tenor tanquam | harp | Sequencia | 7:27 |
| O snöde werlt | harp | Sequentia | 14:49 |
| Onques maiz nus hom ne chanta | harp | Sequentia | 8:16 |
| Se li maus c'amours envoie | harp | Sequentia | 7:00 |
| Tant ai amé c'or me convient haïr | harp | Sequentia | 5:22 |
| Vil lieber grüsse | harp | Sequentia | 6:42 |
| Wer ist, di da durchleuchtet | harp | Sequentia | 7:14 |
| Wes mich mein bül | harp | Sequentia | 3:15 |
| performed |
|---|
| Vos quid admiramini, virgines / Gratissima virginis species / Gaude gloriosa | | Benjamin Bagby, Sequentia, Barbara Thornton | 2:00 |
| produced |
|---|
| O Maria, Deu maire | | Sequentia | 4:36 |
| vocals |
|---|
| 1987-06-23 – 1987-06-25 | Ar Ne Kuth Ich Sorghe Non | | Sequentia | 4:49 |
| 1987-06-23 – 1987-06-25 | Ar Ne Kuth Ich Sorghe Non (instrumental) | | Sequentia | 4:08 |
| 1987-06-23 – 1987-06-25 | Edi Be Thu, Heven-Queenë (instrumental) | | Sequentia | 2:22 |
| 1987-06-23 – 1987-06-25 | Fuwëles in the Frith | | Sequentia | 0:46 |
| 1987-06-23 – 1987-06-25 | Jesu Christes Mildë Moder | | Sequentia | 6:09 |
| 1987-06-23 – 1987-06-25 | Man Mai Longë Lives Weenë | | Sequentia | 6:56 |
| 1987-06-23 – 1987-06-25 | Sainte Marië Viërgenë / Crist & St. Marië / St. Nicholas | | Sequentia | 4:12 |
| 1987-06-23 – 1987-06-25 | Worldes Blis Ne Last No Throwë | | Sequentia | 11:29 |
| 1996-11 | Á fellr austan um eitrdala (The Prophecy of the Seeress) | | Sequentia | 11:34 |
| 1996-11 | Hlióðs bið ek allar (The Prophecy of the Seeress) | | Sequentia | 10:12 |
| 1996-11 | Senn vóru æsir allir á þingi (Baldr’s Dreams) | | Sequentia | 9:32 |
| 1996-11 | Veit ek at ek hekk (Óðinn’s Rune‐Verses) | | Sequentia | 5:41 |
| 1996-11 | Vreiðr var þa Ving‐Þórr (The Tale of Þrymr) | | Sequentia | 13:52 |
| 2017-02 | København, Det Arnamagneæaske Institut, ms. AM 76, 8° (mid-15th c.): Mith hierthae brendher | | Ensemble Peregrina, Benjamin Bagby, Kelly Landerkin, Hanna Järveläinen, Lorenza Donadini & Agnieszka Budzińska-Bennett | 2:59 |
| 2017-02 | Meister Rumelant von Sachsen (2nd half of 13th c.): Alle künige vürsten herren | | Ensemble Peregrina & Benjamin Bagby | 2:30 |
| 2017-02 | Meister Rumelant von Sachsen (2nd half of 13th c.): Die Tenschen morder | | Ensemble Peregrina & Benjamin Bagby | 5:20 |
| 2017-02 | Meister Rumelant von Sachsen (2nd half of 13th c.): Got in viel hohen vröuden saz | | Ensemble Peregrina & Benjamin Bagby | 2:03 |
| 2017-02 | Michel Beheim (1420 – 1472/79): Von meiner mervart | | Ensemble Peregrina & Benjamin Bagby | 14:27 |
| [Instrumentalstück/Instrumental piece] | | Sequentia | 6:05 |
| 4 Planctus Aus Las Huelgas | | Anonymous | 18:55 |
| A dieu commant amouretes | | Adam de la Halle | 1:16 |
| A vous, douce debonnaire | | Sequentia | 2:43 |
| Aucun ont trouvé chant par usage / Lonc tans me sui tenu de chanter / Annuntiantes | | Sequentia | 2:24 |
| Aucun se sont loé d'amours / A dieu commant amouretes / Super te | | Sequentia | 1:32 |
| Avoir cuidai engané le marchié | | Sequentia | 3:54 |
| Bonne amourete me tient gai | | Sequentia | 0:29 |
| Dame, or sui traïs | | Sequentia | 0:56 |
| Dame, Par Vo Dous Regart / Biétris Est Mes Delis / Gracieusette / Dame, Par Vo Dous Regart / Instrumental Piece / Fi, Mesdisans Esragié | | Sequentia | 4:54 |
| De la grant joie d'amours | | Sequentia | 3:09 |
| Dieus soit en cheste maison | | Adam de la Halle | 1:33 |
| Diex, comment porroie | | Sequentia | 1:20 |
| Do fraig amors | | Sequentia | 2:18 |
| Durch Barbarei, Arabia | | Sequentia | 5:36 |
| En mai, quant rosier sont flouri / L'autre jour, par un matin / Hé ! Resvelle-toi Robin | | Sequentia | 1:15 |
| Es guegt sich | | Sequentia | 12:31 |
| Es seusst dort her | | Sequentia | 12:21 |
| Fortz Chausa Es Que Tot Lo Major Dan | | Gaucelm Faidit | 8:19 |
| Hareu ! Li maus d'amer m'ochist | | Adam de la Halle | 0:42 |
| Instrumental piece / Diex, quant la verrai / Instrumental piece / Bonnenment m'agrée / Douce dame, je vous pri / Instrumental piece / Guilleurs me font mout souvent / Instrumental piece | | Sequentia | 7:43 |
| Je Cuidoie Bien Metre Jus/Se J'ai Folement Amé/Solem | | Sequentia | 1:47 |
| Motets and clausulae based on the tenor tanquam | | Sequencia | 7:27 |
| O snöde werlt | | Sequentia | 14:49 |
| Onques maiz nus hom ne chanta | | Sequentia | 8:16 |
| Or est Baiars en la pasture | | Sequentia | 0:54 |
| Planctus Cigne | | Anonymous | 6:31 |
| Ples De Tristor | | Guiraut Riquier | 12:33 |
| Qui à droit veut amours servier | | Adam de la Halle | 6:05 |
| Tant ai amé c'or me convient haïr | | Sequentia | 5:22 |
| Tant con je vivrai | | Adam de la Halle | 1:10 |
| Tristor Et Cuncti Tristantur | | Anonymous | 4:24 |
| Vil lieber grüsse | | Sequentia | 6:42 |
| Wer ist, di da durchleuchtet | | Sequentia | 7:14 |
| Wes mich mein bül | | Sequentia | 3:15 |
| instruments |
|---|
| O Jerusalem | portative [portative organ] | Hildegard von Bingen; Sequentia | |
| O Jerusalem | harp [mediaeval harp] | Hildegard von Bingen; Sequentia | |
| O Jerusalem | hurdy gurdy [organistrum] | Hildegard von Bingen; Sequentia | |
| The Rheingold Curse | lyre | Sequentia | |
| liner notes |
|---|
| 1983 | Trouvères : höfische Liebeslieder aus Nordfrankreich um 1175-1300 | | Sequentia | |
| English Songs of the Middle Ages | | Sequentia | |
| vocals |
|---|
| O Jerusalem | | Hildegard von Bingen; Sequentia | |
| The Rheingold Curse | | Sequentia | |
