| Como o nome da Virgen - (CSM 194) | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 5:08 | |
| Dized’, ai trobadores - (CSM 260) | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 1:06 | |
| En todo logar á poder | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 4:11 | |
| Humils, forfaitz, repres e penedens - (PC 248,44) | Sequentia, Barbara Thornton & Benjamin Bagby | | | 8:03 | |
| Instrumental Piece | Benjamin Bagby, Elizabeth Gaver, Elisabetta de Mircovich, Sequentia | | | 3:34 | |
| Kharjas in the Andalusian style : Gar si yes devina | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 1:11 | |
| Kharjas in the Andalusian style : Garid vos ay yermanellas | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 2:11 | |
| Kharjas in the Andalusian style : Meu sidi Ibrahim | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 2:32 | |
| Kharjas in the Andalusian style : Que faray, mamma? | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 1:20 | |
| København, Det Arnamagneæaske Institut, ms. AM 76, 8° (mid-15 c.): Maria candens lilium | Ensemble Peregrina, Benjamin Bagby; Agnieszka Budzińska-Bennett | | | 5:10 | |
| København, Det Arnamagneæaske Institut, ms. AM 76, 8° (mid-15th c.): Mith hierthae brendher | Ensemble Peregrina, Benjamin Bagby, Kelly Landerkin, Hanna Järveläinen, Lorenza Donadini & Agnieszka Budzińska-Bennett | | | 2:59 | |
| Kyrie eleison | Esther Labourdette, Benjamin Bagby, Sequentia | | | 3:17 | |
| Macar poucos cantares acabei e con son - (CSM 401) | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 6:05 | |
| Maldito seja quen non loara - (CSM 290) | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 3:38 | |
| Meister Rumelant von Sachsen (2nd half of 13th c.): Alle künige vürsten herren | Ensemble Peregrina & Benjamin Bagby | | | 2:30 | |
| Meister Rumelant von Sachsen (2nd half of 13th c.): Die Tenschen morder | Ensemble Peregrina & Benjamin Bagby | | | 5:20 | |
| Meister Rumelant von Sachsen (2nd half of 13th c.): Got in viel hohen vröuden saz | Ensemble Peregrina & Benjamin Bagby | | | 2:03 | |
| Michel Beheim (1420 – 1472/79): Von meiner mervart | Ensemble Peregrina & Benjamin Bagby | | | 14:27 | |
| Nenbre‐sse‐te, Madre de Deus, Maria - (CSM 421) | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 2:36 | |
| Pero que seja a gente - (CSM 181) | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 6:45 | |
| Pois que Deus quis da Virgen fillo - (CSM 38) | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 8:55 | |
| Por nos, Virgen Madre - (CSM 250) | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 2:08 | |
| Quantos me creveren loarán - (CSM 120) | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 3:03 | |
| Quen boa dona querrá - (CSM 160) | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 6:00 | |
| Santa Maria, strela do dia - (CSM 100) | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 3:03 | |
| Sobelos fondos do mar - (CSM 193) | Traditional, Sequentia, Barbara Thornton & Benjamin Bagby | | | 8:20 | |
| Symphonia armonie celestium revelationem: Alleluia O virga mediatrix | Laurie Monahan, Benjamin Bagby, Sequentia | | | 2:28 | |
| Symphonia armonie celestium revelationem: O vis eternitatis | Laurie Monahan, Benjamin Bagby, Elizabeth Gaver, Elisabetta de Mircovich, Sequentia | | | 8:05 | |
| Vos quid admiramini, virgines / Gratissima virginis species / Gaude gloriosa | Benjamin Bagby, Sequentia, Barbara Thornton | | | 2:00 | |
