| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 1: Variation I | | | | | | | |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 2: Variation II | | | | | | | |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 3: Variation III | | | | | | | |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 4: Variation IV | | | | | | | |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 5: Variation V. Si prenda il tempo un poco più vivace | | | | | | | |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 6: Variation VI. Adagio | | | | | | | |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 7: Variation VII. Allegro ma non troppo | | | | | | | |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 1: Variation I | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 3: Variation III | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 4: Variation IV | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 5: Variation V | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 6: Variation VI | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 7: Variation VII | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 8: Variation VIII | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 9: Variation IX | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 10: Variation X. Adagio | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 11: Variation XI. Poco adagio quasi andante | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 12: Variation XII. Allegro | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66: Thema. Allegretto | | | | | | | |
| Bogenstrich – Meditations on a Poem of Rilke: I. Liebes-Lied 1 | | | | | | | |
| Bogenstrich – Meditations on a Poem of Rilke: II. Lied ohne Worte | | | | | | | |
| Bogenstrich – Meditations on a Poem of Rilke: III. Variationen | | | | | | | |
| Bogenstrich – Meditations on a Poem of Rilke: IV. Wie eine Fuge | | | | | | | |
| Bogenstrich – Meditations on a Poem of Rilke: V. Liebes-Lied 2 | | | | | | | |
| Böse Zellen: I. | | | | | | | |
| Böse Zellen: II. | | | | | | | |
| Böse Zellen: III. | | | | | | | |
| Böse Zellen: IV. | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | | | | | | | |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | | | | | | | |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | | | | | | | |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 19 in F major, K. 459: I. Allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 19 in F major, K. 459: II. Allegretto | | | | | | | |
| Concerto for Piano and Orchestra no. 19 in F major, K. 459: III. Allegro assai | | | | | | | |
| Französische Suite Nr. 5 G-dur, BWV 816: I. Allemande | | | | | | | |
| Französische Suite Nr. 5 G-dur, BWV 816: II. Courante | | | | | | | |
| Französische Suite Nr. 5 G-dur, BWV 816: III. Sarabande | | | | | | | |
| Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte | | | | | | | |
| Französische Suite Nr. 5 G-dur, BWV 816: V. Bourrée | | | | | | | |
| Französische Suite Nr. 5 G-dur, BWV 816: VI. Loure | | | | | | | |
| Französische Suite Nr. 5 G-dur, BWV 816: VII. Gigue | | | | | | | |
| Inventio Nr. 1 C-Dur, BWV 772 | | | | | | | |
| Inventio Nr. 2 c-Moll, BWV 773 | | | | | | | |
| Inventio Nr. 3 D-Dur, BWV 774 | | | | | | | |
| Inventio Nr. 4 d-Moll, BWV 775 | | | | | | | |
| Inventio Nr. 5 Es-Dur, BWV 776 | | | | | | | |
| Inventio Nr. 6 E-Dur, BWV 777 | | | | | | | |
| Inventio Nr. 7 e-Moll, BWV 778 | | | | | | | |
| Inventio Nr. 8 F-Dur, BWV 779 | | | | | | | |
| Inventio Nr. 9 f-Moll, BWV 780 | | | | | | | |
| Inventio Nr. 10 G-Dur, BWV 781 | | | | | | | |
| Inventio Nr. 11 g-Moll, BWV 782 | | | | | | | |
| Inventio Nr. 12 A-Dur, BWV 783 | | | | | | | |
| Inventio Nr. 13 a-Moll, BWV 784 | | | | | | | |
| Inventio Nr. 14 B-Dur, BWV 785 | | | | | | | |
| Inventio Nr. 15 h-Moll, BWV 786 | | | | | | | |
| Quintet for Piano, 2 Violins, Viola, and Cello in F minor, op. 34: I. Allegro non troppo | | | | | | | |
| Quintet for Piano, 2 Violins, Viola, and Cello in F minor, op. 34: II. Andante, un poco adagio | | | | | | | |
| Quintet for Piano, 2 Violins, Viola, and Cello in F minor, op. 34: III. Scherzo. Allegro | | | | | | | |
| Quintet for Piano, 2 Violins, Viola, and Cello in F minor, op. 34: IV. Finale. Poco sostenuto – Allegro non troppo – Presto, non troppo | | | | | | | |
| Sinfonia Nr. 1 C-Dur, BWV 787 | | | | | | | |
| Sinfonia Nr. 2 c-Moll, BWV 788 | | | | | | | |
| Sinfonia Nr. 3 D-Dur, BWV 789 | | | | | | | |
| Sinfonia Nr. 4 d-Moll, BWV 790 | | | | | | | |
| Sinfonia Nr. 5 Es-Dur, BWV 791 | | | | | | | |
| Sinfonia Nr. 6 E-Dur, BWV 792 | | | | | | | |
| Sinfonia Nr. 7 e-Moll, BWV 793 | | | | | | | |
| Sinfonia Nr. 8 F-Dur, BWV 794 | | | | | | | |
| Sinfonia Nr. 9 f-Moll, BWV 795 | | | | | | | |
| Sinfonia Nr. 10 G-Dur, BWV 796 | | | | | | | |
| Sinfonia Nr. 11 g-Moll, BWV 797 | | | | | | | |
| Sinfonia Nr. 12 A-Dur, BWV 798 | | | | | | | |
| Sinfonia Nr. 13 a-Moll, BWV 799 | | | | | | | |
| Sinfonia Nr. 14 B-Dur, BWV 800 | | | | | | | |
| Sinfonia Nr. 15 h-Moll, BWV 801 | | | | | | | |
| Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto / II. Allegro - Adagio - Presto - Tempo primo | | | | | | | |
| Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: III. Rondo. Allegro vivace | | | | | | | |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto e espressivo - Allegro molto più tosto presto | | | | | | | |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | | | | | | | |
| Sonata for Cello and Piano no. 3 in A major, op. 69: I. Allegro ma non tanto | | | | | | | |
| Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto | | | | | | | |
| Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile - Allegro vivace | | | | | | | |
| Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: I. Andante - Allegro vivace | | | | | | | |
| Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: II. Adagio - Tempo d'andante - Allegro vivace | | | | | | | |
| Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio | | | | | | | |
| Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | | | | | | | |
| Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato | | | | | | | |
| The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Fugue | | | | | | | |
| The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude | | | | | | | |
| The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847: Fugue | | | | | | | |
