Albada, interludi i dansa: Albada | | | | | | | |
Albada, interludi i dansa: Dansa | | | | | | | |
Albada, interludi i dansa: Interludi | | | | | | | |
Alexander Nevsky, op. 78: VII. Alexander's Entry Into Pskov | | | | | | | |
Bohemios | | | | Zarzuela | | | |
Bohemios: Coro de bohemios "La noche misteriosa" | | | | | | | |
Bohemios: Intermedio | | | | | | | |
Concierto fantástico, op. 78: I. Allegro ma non troppo | | | | | | | |
Concierto fantástico, op. 78: II. Andante | | | | | | | |
Concierto fantástico, op. 78: III. Allegro | | | | | | | |
Don Quixote: Scène 1 | | | | | | | |
Don Quixote: Scène 2 | | | | | | | |
Don Quixote: Scène 3 | | | | | | | |
Don Quixote: Scène 4 | | | | | | | |
Don Quixote: Scène 5 | | | | | | | |
Doña Francisquita: Acto I. Canción del ruiseñor "Era una rosa que un jardín" | | | | | | | |
Doña Francisquita: Acto II. Romanza de Fernando "Por el humo se sabe" | | | | | | | |
Doña Francisquita: Acto III. Coro de románticos "¿Dónde va?, ¿dónde va la alegría?" | | | | | | | |
Doña Francisquita: Acto III. Fandango | | | | | | | |
El barberillo de Lavapiés: Acto I. Entrada de Paloma "Como nací en la calle de la Paloma" | | | | | | | |
El barberillo de Lavapiés: Acto I. Jota de los estudiantes | | | | | | | |
El barberillo de Lavapiés: Acto II. Seguidillas manchegas "En el templo de Marte" | | | | | | | |
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico) | | - Fiorenza Cossotto, Plácido Domingo, Philharmonia Orchestra, Zubin Mehta
- Fedora Barbieri, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Plácido Domingo, Brigitte Fassbaender, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini
- Franco Corelli, Giulietta Simionato, Wiener Philharmoniker, Herbert von Karajan
- (show 31 more)
| | Aria | | | |
Pastorale for Trumpet, Bass Trombone & Piano | | | | | | | |
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus” | | | | | | | |
Quintet for Bass Trombone & Strings: I. Allegro Ritmico | | | | | | | |
Quintet for Bass Trombone & Strings: II. Moderato | | | | | | | |
Quintet for Bass Trombone & Strings: III. Allegro Molto | | | | | | | |
Quintet for Bass Trombone & Strings: IV. Fugue | | | | | | | |
Rapsodia española, op. 70 | | | | | | | |
Sinfonía n.º 4 “Espacio quebrado”: I. Quasi star | | | | | | | |
Sinfonía n.º 4 “Espacio quebrado”: II. Hiperbórea | | | | | | | |
Sinfonía n.º 4 “Espacio quebrado”: III. Almost a rock | | | | | | | |
Sinfonía n.º 4 “Espacio quebrado”: IV. Solaris | | | | | | | |
Symphony "Homenade e Pedrell": III. Pedrelliana: Allegretto giusto | | | | | | | |
Symphony no. 1: I. Allegro animato | | | | | | | |
Symphony no. 1: II. Adagio | | | | | | | |
Symphony no. 1: III. Allegro spiritoso | | | | | | | |
Symphony no. 2 "Metamorphoses": Ia. Poco sostenuto | | | | | | | |
Symphony no. 2 "Metamorphoses": Ib. Allegro assai | | | | | | | |
Symphony no. 2 "Metamorphoses": Ic. Poco più animato | | | | | | | |
Symphony no. 2 "Metamorphoses": Id. Lento | | | | | | | |
Symphony no. 2 "Metamorphoses": Ie. Comodamente | | | | | | | |
Symphony no. 2 "Metamorphoses": If. Molto vivace | | | | | | | |
Symphony no. 2 "Metamorphoses": Ig. | | | | | | | |
Symphony no. 3 "Collages": I. Allegro moderato | | | | | | | |
Symphony no. 3 "Collages": II. Lento | | | | | | | |
Symphony no. 3 "Collages": III. Allegro con brio | | | | | | | |
Symphony no. 3 "Collages": IV. Moderato | | | | | | | |
Symphony no. 3 "Collages": V. Vivace | | | | | | | |
Symphony no. 3 "Collages": VI. Allegretto | | | | | | | |
Symphony no. 3 "Collages": VII. Calmo | | | | | | | |
Symphony no. 4 "New York" | | | | Symphony | | | |
Symphony no. 8 in G major, op. 88: I. Allegro con brio | | | | | | - G major (Key)
- G minor (Key)
| |
Symphony no. 8 in G major, op. 88: II. Adagio | | | | | | | |
Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace | | | | | | | |
Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | | | | | | | |
Symphony no. 10 "Amerindia", W511: I. Allegro | | | | | | | |
Symphony no. 10 "Amerindia", W511: II. Lento | | | | | | | |
Symphony no. 10 "Amerindia", W511: III. Scherzo allegretto scherzando | | | | | | | |
Symphony no. 10 "Amerindia", W511: IV. Lento | | | | | | | |
Symphony no. 10 "Amerindia", W511: V. Poco allegro | | | | | | | |
Te Deum in C major: V. In te Domine speravi | | | | | | | |
Trio for Horn, Bass Trombone & Piano: I. Lento - Allegro Agitato | | | | | | | |
Trio for Horn, Bass Trombone & Piano: II. Andante | | | | | | | |
Trio for Horn, Bass Trombone & Piano: III. Allegro | | | | | | | |
Trio for Tenor Trombone, Bass Trombone & Piano: I. Andante Teneremante | | | | | | | |
Trio for Tenor Trombone, Bass Trombone & Piano: II. Barcarolle | | | | | | | |
Trio for Tenor Trombone, Bass Trombone & Piano: III. Caprice | | | | | | | |
Une Cantate de Noël | | - Chœur des jeunes de Lausanne, Chœur de radio, Lausanne, Pierre Mollet, Le Petit Chœur du Collège de Villamont, L’Orchestre de la Suisse Romande, Ernest Ansermet
- Vesselin Gellev, Ronald Corp, Neville Creed, London Philharmonic Choir, New London Children’s Choir, London Philharmonic Orchestra, Vladimir Jurowski
- Arthur Honegger
- BBC National Orchestra of Wales, BBC National Chorus of Wales, Tewkesbury Abbey Schola Cantorum, Dean Close School Chamber Choir, Thierry Fischer, Robert Court
- (show 9 more)
| | Cantata | | | |