¡... Y la negra bailaba! | Kathryn Stott | | | 2:37 | |
“Méditation” from Thaïs | Yo‐Yo Ma, Kathryn Stott | | | 5:53 | |
6 Pieces, op. 51 no. 6: Valse sentimentale | Yo‐Yo Ma, Kathryn Stott | | | 2:17 | |
7 Pieces for Saxophone and Piano, from op. 180: No. 3. Andante presque adagio | Federico Mondelci, Kathryn Stott | | | 4:00 | |
7 Pieces for Saxophone and Piano, from op. 180: No. 5. Adagio | Federico Mondelci, Kathryn Stott | | | 4:10 | |
7 Pieces for Saxophone and Piano, from op. 180: No. 7. Andante très doux | Federico Mondelci, Kathryn Stott | | | 3:13 | |
7 Pieces for Saxophone and Piano, from op. 180: No. 10. Andante calme et doux | Federico Mondelci, Kathryn Stott | | | 4:19 | |
7 Pieces for Saxophone and Piano, from op. 180: No. 12. Adagio | Federico Mondelci, Kathryn Stott | | | 5:21 | |
7 Pieces for Saxophone and Piano, from op. 180: No. 14. Andante con moto | Federico Mondelci, Kathryn Stott | | | 4:08 | |
7 Pieces for Saxophone and Piano, from op. 180: No. 15. Très doux presque adagio | Federico Mondelci, Kathryn Stott | | | 3:28 | |
8 Preludes for Piano: I. Grave | Kathryn Stott | | | 3:42 | |
8 Preludes for Piano: II. Allegretto tranquillo | Kathryn Stott | | | 1:27 | |
8 Preludes for Piano: III. Tranquillo ma con moto | Kathryn Stott | | | 2:15 | |
8 Preludes for Piano: IV. Allegro | Kathryn Stott | | | 1:14 | |
8 Preludes for Piano: V. Vivace | Kathryn Stott | | | 2:02 | |
8 Preludes for Piano: VI. Andantino grazioso | Kathryn Stott | | | 1:45 | |
8 Preludes for Piano: VII. Lento | Kathryn Stott | | | 7:31 | |
8 Preludes for Piano: VIII. Vivace | Kathryn Stott | | | 4:03 | |
15 Etudes for Saxophone and Piano, op. 188: No. 1. Pour les traits rapides | Federico Mondelci, Kathryn Stott | | | 1:30 | |
15 Etudes for Saxophone and Piano, op. 188: No. 2. Pour les sons liés et le charme de la sonorité | Federico Mondelci, Kathryn Stott | | | 3:38 | |
15 Etudes for Saxophone and Piano, op. 188: No. 3. Pour les arpèges | Federico Mondelci, Kathryn Stott | | | 1:52 | |
15 Etudes for Saxophone and Piano, op. 188: No. 4. Pour la douceur des attaques | Federico Mondelci, Kathryn Stott | | | 2:49 | |
15 Etudes for Saxophone and Piano, op. 188: No. 5. Pour le charme du son dans un mouvement vif | Federico Mondelci, Kathryn Stott | | | 2:23 | |
15 Etudes for Saxophone and Piano, op. 188: No. 6. Pour le style soutenu et doux en sons liés | Federico Mondelci, Kathryn Stott | | | 3:05 | |
15 Etudes for Saxophone and Piano, op. 188: No. 7. Pour les sons liés et le charme de la sonorité | Federico Mondelci, Kathryn Stott | | | 3:49 | |
15 Etudes for Saxophone and Piano, op. 188: No. 8. Pour les notes en staccato et le mélange de legato et staccato | Federico Mondelci, Kathryn Stott | | | 3:34 | |
15 Etudes for Saxophone and Piano, op. 188: No. 9. Pour la longeur de la respiration et l'égalité du son | Federico Mondelci, Kathryn Stott | | | 2:21 | |
15 Etudes for Saxophone and Piano, op. 188: No. 10. Pour la qualité du son dans un style soutenu et pour les nuances | Federico Mondelci, Kathryn Stott | | | 2:56 | |
15 Etudes for Saxophone and Piano, op. 188: No. 11. Pour la solidité du rythme | Federico Mondelci, Kathryn Stott | | | 1:02 | |
15 Etudes for Saxophone and Piano, op. 188: No. 12. Pour l'égalité du son et pour les nuances | Federico Mondelci, Kathryn Stott | | | 6:57 | |
15 Etudes for Saxophone and Piano, op. 188: No. 13. Pour la légèreté du son | Federico Mondelci, Kathryn Stott | | | 2:19 | |
15 Etudes for Saxophone and Piano, op. 188: No. 14. Pour une sonorité soutenue et expressive, pour la douceur du grave et de l’aigue | Federico Mondelci, Kathryn Stott | | | 2:53 | |
15 Etudes for Saxophone and Piano, op. 188: No. 15. Pour les accents qui doivent donner le rythme de la phrase | Federico Mondelci, Kathryn Stott | | | 2:43 | |
Albumblatt | Tine Thing Helseth, Kathryn Stott | | | 4:26 | |
Alma brasileira | Yo‐Yo Ma & Kathryn Stott | | | 4:46 | |
Amazing Grace, Postlude | Yo‐Yo Ma, Kathryn Stott | | | 1:43 | |
Amazing Grace, Prelude | Yo‐Yo Ma, Kathryn Stott | | | 4:05 | |
Ante El Escorial | Kathryn Stott | | | 5:01 | |
Arabesque no. 1 | Kathryn Stott | | | 4:35 | |
Arabesque no. 1 | Kathryn Stott | | | 4:34 | |
Arabesque no. 1 in E major, L. 66 | Kathryn Stott | | | 4:35 | |
Avanti Urania! | Tine Thing Helseth, Kathryn Stott | | | 1:18 | |
Ave Maria | Yo‐Yo Ma, Kathryn Stott | | | 2:43 | |
Back to Our Roots Suite: II. Hope | Yo‐Yo Ma, Kathryn Stott, Sérgio Assad, Odair Assad & Joseph Gramley | | | 5:00 | |
Bagatellen, op. 28: I. Aus der Zopfzeit | Per Enoksson, Kathryn Stott | | | 2:02 | |
Bagatellen, op. 28: II. Kleiner Mohrentanz | Per Enoksson, Kathryn Stott | | | 0:57 | |
Bagatellen, op. 28: III. Wiener Tanzweise | Per Enoksson, Kathryn Stott | | | 2:29 | |
Bagatellen, op. 28: IV. Kosakenritt | Per Enoksson, Kathryn Stott | | | 1:09 | |
Baião de 5 | Yo‐Yo Ma, Kathryn Stott, Sérgio Assad, Odair Assad & Joseph Gramley | | | 4:16 | |
Ballade | Kathryn Stott | | | 7:09 | |
Ballade | Kathryn Stott | | | 7:12 | |
Ballade for Cello and Piano | Christian Poltéra, Kathryn Stott | | | 16:48 | |
Ballade for piano and orchestra, op. 19: Andante cantabile | Kathryn Stott, BBC Philharmonic, Yan Pascal Tortelier | | | 14:07 | |
Ballade No. 1 in G minor, Op. 23 | Kathryn Stott | | | 10:07 | |
Ballade No. 2 in F major, Op. 38 | Kathryn Stott | | | 7:14 | |
Ballade No. 3 in A flat major, Op. 47 | Kathryn Stott | | | 7:55 | |
Ballade No. 4 in F minor, Op. 52 | Kathryn Stott | | | 11:24 | |
Ballade pour piano seul in F-sharp major, op. 19 | Kathryn Stott | | | 14:09 | |
Barcarolle no. 1 in A minor, op. 26 | Kathryn Stott | | | 4:49 | |
Barcarolle no. 2 in G major, op. 41 | Kathryn Stott | | | 6:46 | |
Barcarolle no. 3 in G-flat major, op. 42 | Kathryn Stott | | | 7:10 | |
Barcarolle no. 4 in A-flat major, op. 44 | Kathryn Stott | | | 3:48 | |
Barcarolle no. 5 in F-sharp minor, op. 66 | Kathryn Stott | | | 6:10 | |
Barcarolle no. 6 in E-flat major, op. 70 | Kathryn Stott | | | 3:28 | |
Barcarolle no. 7 in D minor, op. 90 | Kathryn Stott | | | 4:03 | |
Barcarolle No. 8 in D flat major, Op. 96 | Kathryn Stott | | | 4:34 | |
Barcarolle no. 9 in A minor, op. 101 | Kathryn Stott | | | 4:41 | |
Barcarolle no. 10 in A minor, op. 104 no. 2 | Kathryn Stott | | | 3:36 | |
Barcarolle no. 11 in G minor, op. 105 | Kathryn Stott | | | 4:53 | |
Barcarolle no. 12 in E-flat major, op. 106bis | Kathryn Stott | | | 3:28 | |
Barcarolle no. 13 in C major, op. 116 | Kathryn Stott | | | 4:04 | |
Beau Soir | Yo‐Yo Ma, Kathryn Stott | | | 2:31 | |
Berceuse, Op. 57 | Kathryn Stott | | | 5:27 | |
Brahms: F-A-E Sonata - 3. Scherzo: Allegro | Christian Poltéra & Kathryn Stott | | | 5:34 | |
Brahms: Sonata #3 In D Minor, Op. 108 - 1. Allegro | Christian Poltéra & Kathryn Stott | | | 7:55 | |
Brahms: Sonata #3 In D Minor, Op. 108 - 2. Adagio | Christian Poltéra & Kathryn Stott | | | 4:26 | |
Brahms: Sonata #3 In D Minor, Op. 108 - 3. Un Poco Presto E Con Sentimento | Christian Poltéra & Kathryn Stott | | | 2:48 | |
Brahms: Sonata #3 In D Minor, Op. 108 - 4. Presto Agitato | Christian Poltéra & Kathryn Stott | | | 5:52 | |
Brahms: Wie Melodien Zieht Es Mir, Op. 105, #1 | Christian Poltéra & Kathryn Stott | | | 1:45 | |
Campanilla | Kathryn Stott | | | 2:08 | |
Canción de luna | Kathryn Stott | | | 2:10 | |
Canto d'anime | Tine Thing Helseth, Kathryn Stott | | | 1:38 | |
Cello Sonata in G minor, Op. 65: I. Allegro moderato | Truls Mørk & Kathryn Stott | | | 15:03 | |
Cello Sonata in G minor, Op. 65: II. Scherzo. Allegro con brio | Truls Mørk & Kathryn Stott | | | 4:40 | |
Cello Sonata in G minor, Op. 65: III. Largo | Truls Mørk & Kathryn Stott | | | 4:14 | |
Cello Sonata in G minor, Op. 65: IV. Finale. Allegro | Truls Mørk & Kathryn Stott | | | 6:12 | |
Chega de Saudade | Cyro Baptista, Yo‐Yo Ma, Nilson Matta, Rosa Passos, Kathryn Stott | | | 5:02 | |
Chôros no. 8 | Kathryn Stott | | | 18:18 | |
Cinq études de jazz, WV 81: 1. Charleston | Kathryn Stott | | | 1:09 | |
Cinq études de jazz, WV 81: 2. Blues | Kathryn Stott | | | 3:36 | |
Cinq études de jazz, WV 81: 3. Chanson | Kathryn Stott | | | 2:50 | |
Cinq études de jazz, WV 81: 4. Tango | Kathryn Stott | | | 1:49 | |
Cinq études de jazz, WV 81: 5. Toccata sur le shimmy "Kitten on the Keys" de Zez Confrey | Kathryn Stott | | | 2:26 | |
Circuit | 東京交響楽団, 大友直人, 小川典子, Kathryn Stott | | | 20:07 | |
Clair de lune | Kathryn Stott | | | 5:16 | |
Clair de Lune | Kathryn Stott | | | 5:20 | |
Clair de Lune | Kathryn Stott | | | 5:17 | |
Contredanse in G flat major, B. 17 | Kathryn Stott | | | 2:28 | |
Dansa negra: Soturno (Gloomy) | Kathryn Stott | | | 3:36 | |
Danza de la moza donosa: Dolcemente espressivo | Kathryn Stott | | | 4:24 | |