| audio engineered |
|---|
| Symphony no. 9 in E-flat major, op. 70: I. Allegro | | London Symphony Orchestra, Gianandrea Noseda | 5:20 |
| Symphony no. 9 in E-flat major, op. 70: II. Moderato | | London Symphony Orchestra, Gianandrea Noseda | 8:02 |
| Symphony no. 9 in E-flat major, op. 70: III. Presto | | London Symphony Orchestra, Gianandrea Noseda | 2:55 |
| Symphony no. 9 in E-flat major, op. 70: IV. Largo | | London Symphony Orchestra, Gianandrea Noseda | 3:36 |
| Symphony no. 9 in E-flat major, op. 70: V. Allegretto – Allegro | | London Symphony Orchestra, Gianandrea Noseda | 6:36 |
| Symphony no. 10 in E minor, op. 93: I. Moderato | | London Symphony Orchestra, Gianandrea Noseda | 22:53 |
| Symphony no. 10 in E minor, op. 93: II. Allegro | | London Symphony Orchestra, Gianandrea Noseda | 4:27 |
| Symphony no. 10 in E minor, op. 93: III. Allegretto – Largo – Più mosso | | London Symphony Orchestra, Gianandrea Noseda | 11:59 |
| Symphony no. 10 in E minor, op. 93: IV. Andante – Allegro | | London Symphony Orchestra, Gianandrea Noseda | 13:17 |
| balance engineered |
|---|
| 1993-01 | Kinderszenen, op. 15: VII. Träumerei | | Radu Lupu | 2:27 |
| 1993-01 – | Kinderszenen, op. 15: VII. Träumerei | | Radu Lupu | 2:30 |
| 1994-05-03 – 1994-05-05 | Così fan tutte: Atto I, scena 2. “Soave sia il vento” | | Renée Fleming, Anne Sofie von Otter, Michele Pertusi, Chamber Orchestra of Europe, Sir Georg Solti | 2:47 |
| 1994-05 | Così fan tutte: Atto I, scena 1. “È la fede delle femmine come l’araba fenice” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:03 |
| 1994-05 | Così fan tutte: Atto I, scena 1. “Fuor la spada! Scegliete qual di noi più vi piace” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:04 |
| 1994-05 | Così fan tutte: Atto I, scena 1. “La mia Dorabella capace non è” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:52 |
| 1994-05 | Così fan tutte: Atto I, scena 1. “Scioccherie di poeti!” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:17 |
| 1994-05 | Così fan tutte: Atto I, scena 1. “Una bella serenata far io voglio alla mia dea” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:22 |
| 1994-05 | Così fan tutte: Atto I, scena 2. “Ah guarda, sorella” | | Chamber Orchestra of Europe, Sir Georg Solti | 4:33 |
| 1994-05 | Così fan tutte: Atto I, scena 2. “Al fato dan legge quegli occhi vezzosi” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:13 |
| 1994-05 | Così fan tutte: Atto I, scena 2. “Bella vita militar!” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:30 |
| 1994-05 | Così fan tutte: Atto I, scena 2. “Bella vita militar” | | Chamber Orchestra of Europe, Sir Georg Solti | 0:48 |
| 1994-05 | Così fan tutte: Atto I, scena 2. “Di scrivermi ogni giorno” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:42 |
| 1994-05 | Così fan tutte: Atto I, scena 2. “Dove son?” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:03 |
| 1994-05 | Così fan tutte: Atto I, scena 2. “La commedia e graziosa” | | Chamber Orchestra of Europe, Sir Georg Solti | 0:31 |
| 1994-05 | Così fan tutte: Atto I, scena 2. “Mi par, che stamattina volentieri farei la pazzarelli” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:17 |
| 1994-05 | Così fan tutte: Atto I, scena 2. “Non piangere, idol mio!” | | Chamber Orchestra of Europe, Sir Georg Solti | 0:48 |
| 1994-05 | Così fan tutte: Atto I, scena 2. “Non sono cattivo comico! … Nel” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:00 |
| 1994-05 | Così fan tutte: Atto I, scena 2. “Non v’è più tempo amici” | | Chamber Orchestra of Europe, Sir Georg Solti | 0:32 |
| 1994-05 | Così fan tutte: Atto I, scena 2. “Sento o Dio, che questo piede” | | Chamber Orchestra of Europe, Sir Georg Solti | 3:57 |
| 1994-05 | Così fan tutte: Atto I, scena 2. “Stelle! Per carita, signor Alfonso” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:04 |
| 1994-05 | Così fan tutte: Atto I, scena 2. “Vorrei dir, e cor non ho” | | Chamber Orchestra of Europe, Sir Georg Solti | 0:37 |
| 1994-05 | Così fan tutte: Atto I, scena 3. “Ah, non partite!” | | Chamber Orchestra of Europe, Sir Georg Solti | 0:59 |
| 1994-05 | Così fan tutte: Atto I, scena 3. “Ah, non partite” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:11 |
| 1994-05 | Così fan tutte: Atto I, scena 3. “Alla bella Despinetta vi presento, amici miei” | | Chamber Orchestra of Europe, Sir Georg Solti | 4:16 |
| 1994-05 | Così fan tutte: Atto I, scena 3. “Che silenzio! Che aspetto di tristezza” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:38 |
| 1994-05 | Così fan tutte: Atto I, scena 3. “Che sussurro! Che strepito! Che scompiglio e mai questo?” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:15 |
| 1994-05 | Così fan tutte: Atto I, scena 3. “Che vita maledetta è il far la cameriera!” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:00 |
| 1994-05 | Così fan tutte: Atto I, scena 3. “Come scoglio immoto resta” | | Renée Fleming, Chamber Orchestra of Europe, Sir Georg Solti | 4:31 |
| 1994-05 | Così fan tutte: Atto I, scena 3. “E voi ridete?” | | Chamber Orchestra of Europe, Sir Georg Solti | 0:50 |
| 1994-05 | Così fan tutte: Atto I, scena 3. “In uomini, in soldati sempre fedeltà” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:35 |
| 1994-05 | Così fan tutte: Atto I, scena 3. “La saria da ridere” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:15 |
| 1994-05 | Così fan tutte: Atto I, scena 3. “Non siate ritrosi, occhietti vezzosi” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:28 |
| 1994-05 | Così fan tutte: Atto I, scena 3. “Si può sapere un poco la cagion di quel riso?” | | Chamber Orchestra of Europe, Sir Georg Solti | 0:56 |
| 1994-05 | Così fan tutte: Atto I, scena 3. “Signora Dorabella, signora Fiordiligi” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:03 |
| 1994-05 | Così fan tutte: Atto I, scena 3. “Smanie implacabili” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:03 |
| 1994-05 | Così fan tutte: Atto I, scena 3. “Temerari! Sortite fuori di questo loco!” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:13 |
| 1994-05 | Così fan tutte: Atto I, scena 3. “Un aura amorosa del nostro tesoro” | | Chamber Orchestra of Europe, Sir Georg Solti | 4:46 |
| 1994-05 | Così fan tutte: Atto I, scena 4. “Ah, che tutta in un momento si cangio la sorte mia!” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:58 |
| 1994-05 | Così fan tutte: Atto I, scena 4. “Dammi un bacio, o mio tesoro” | | Chamber Orchestra of Europe, Sir Georg Solti | 3:38 |
| 1994-05 | Così fan tutte: Atto I, scena 4. “Eccovi il medico, signore belle!” | | Chamber Orchestra of Europe, Sir Georg Solti | 5:54 |
| 1994-05 | Così fan tutte: Atto I, scena 4. “Si mora, si, si mora” | | Chamber Orchestra of Europe, Sir Georg Solti | 5:01 |
| 1994-05 | Così fan tutte: Atto II, scena 1. “Ah, correte al giardino” | | Chamber Orchestra of Europe, Sir Georg Solti | 0:19 |
| 1994-05 | Così fan tutte: Atto II, scena 1. “Andate la, che siete due bizzarre ragazze” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:57 |
| 1994-05 | Così fan tutte: Atto II, scena 1. “Il core vi dono, bell’idolo mio” | | Chamber Orchestra of Europe, Sir Georg Solti | 4:11 |
| 1994-05 | Così fan tutte: Atto II, scena 1. “Il tutto deponete sopra quei tavolini” | | Chamber Orchestra of Europe, Sir Georg Solti | 0:57 |
| 1994-05 | Così fan tutte: Atto II, scena 1. “La mano a me date. Movetevi un po!” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:35 |
| 1994-05 | Così fan tutte: Atto II, scena 1. “Oh che bella giornata!” | | Chamber Orchestra of Europe, Sir Georg Solti | 3:08 |
| 1994-05 | Così fan tutte: Atto II, scena 1. “Prendero quel brunettino” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:57 |
| 1994-05 | Così fan tutte: Atto II, scena 1. “Secondate, aurette amiche” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:49 |
| 1994-05 | Così fan tutte: Atto II, scena 1. “Sorella, cosa dici?” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:44 |
| 1994-05 | Così fan tutte: Atto II, scena 1. “Una donna a quindici anni” | | Chamber Orchestra of Europe, Sir Georg Solti | 3:19 |
| 1994-05 | Così fan tutte: Atto II, scena 2. “Ah! Lo veggio, quell’anima bella” | | Chamber Orchestra of Europe, Sir Georg Solti | 4:18 |
| 1994-05 | Così fan tutte: Atto II, scena 2. “Amico, abbiamo vinto!” | | Chamber Orchestra of Europe, Sir Georg Solti | 3:47 |
| 1994-05 | Così fan tutte: Atto II, scena 2. “Barbara! Perché fuggi?” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:35 |
| 1994-05 | Così fan tutte: Atto II, scena 2. “Bravo! Questa è costanza!” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:21 |
| 1994-05 | Così fan tutte: Atto II, scena 2. “Donne mie, la fate a tanti” | | Chamber Orchestra of Europe, Sir Georg Solti | 3:09 |
| 1994-05 | Così fan tutte: Atto II, scena 2. “Ei parte…senti…ah no!” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:02 |
| 1994-05 | Così fan tutte: Atto II, scena 2. “In qual fiero contrasto” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:27 |
| 1994-05 | Così fan tutte: Atto II, scena 2. “Per pietà, ben mio, perdona all’error” | | Chamber Orchestra of Europe, Sir Georg Solti | 7:49 |
| 1994-05 | Così fan tutte: Atto II, scena 2. “Tradito, schernito dal perfido cor” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:00 |
| 1994-05 | Così fan tutte: Atto II, scena 3. “Ah, poveretto me, cosa ho veduto!” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:05 |
| 1994-05 | Così fan tutte: Atto II, scena 3. “Come tutto congiura a sedurre il mio cor!” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:52 |
| 1994-05 | Così fan tutte: Atto II, scena 3. “È Amore un ladroncello” | | Chamber Orchestra of Europe, Sir Georg Solti | 3:15 |
| 1994-05 | Così fan tutte: Atto II, scena 3. “Fra gli amplessi in pochi istanti” | | Chamber Orchestra of Europe, Sir Georg Solti | 6:00 |
| 1994-05 | Così fan tutte: Atto II, scena 3. “Ora vedo che siete una donna di garbo” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:34 |
| 1994-05 | Così fan tutte: Atto II, scena 3. “Tutti accusan le donne” | | Chamber Orchestra of Europe, Sir Georg Solti | 0:57 |
| 1994-05 | Così fan tutte: Atto II, scena 3. “Vittoria, padroncini!” | | Chamber Orchestra of Europe, Sir Georg Solti | 0:36 |
| 1994-05 | Così fan tutte: Atto II, scena 4. “Benedetti i doppi coniugi” | | Chamber Orchestra of Europe, Sir Georg Solti | 3:56 |
| 1994-05 | Così fan tutte: Atto II, scena 4. “E nel tuo, nel mio bicchiero” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:05 |
| 1994-05 | Così fan tutte: Atto II, scena 4. “Fate presto, o cari amici” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:42 |
| 1994-05 | Così fan tutte: Atto II, scena 4. “Fortunato l’uom che prende ogni cosa pel buon verso” | | Chamber Orchestra of Europe, Sir Georg Solti | 2:19 |
| 1994-05 | Così fan tutte: Atto II, scena 4. “Miei signori, tutto e fatto” | | Chamber Orchestra of Europe, Sir Georg Solti | 3:17 |
| 1994-05 | Così fan tutte: Atto II, scena 4. “Sani e salvi agli amplessi amorosi” | | Chamber Orchestra of Europe, Sir Georg Solti | 5:12 |
| 1994-05 | Così fan tutte: Atto II, scena 4. “V’ingannai, ma fu l’inganno” | | Chamber Orchestra of Europe, Sir Georg Solti | 1:47 |
| 1994-05 | Così fan tutte: Ouvertura | | Chamber Orchestra of Europe, Sir Georg Solti | 4:07 |
| 1995-08 | Hymnus amoris: I. Amor mihi vitam donat | | San Francisco Symphony, Herbert Blomstedt | 8:35 |
| 1995-08 | Hymnus amoris: II. Amor est dolor meus | | San Francisco Symphony, Herbert Blomstedt | 5:40 |
| 1995-08 | Hymnus amoris: III. Amor est pax mea | | San Francisco Symphony, Herbert Blomstedt | 5:57 |
| 1995-08 | Little Suite: I. Präludium | | San Francisco Symphony, Herbert Blomstedt | 3:17 |
| 1995-08 | Little Suite: II. Intermezzo | | San Francisco Symphony, Herbert Blomstedt | 5:36 |
| 1995-08 | Little Suite: III. Finale | | San Francisco Symphony, Herbert Blomstedt | 6:35 |
| 1996-09-24 – 1996-09-27 | Nuances: I. Pas vite (Poème languide, op. 52 no. 3) | | Alexander Ghindin, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 1:04 |
| 1996-09-24 – 1996-09-27 | Nuances: II. Allegretto (Poème, op. 59 no. 1) | | Alexander Ghindin, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 1:51 |
| 1996-09-24 – 1996-09-27 | Nuances: III. Con delicatezza (Feuillet d'album, op. 58) | | Alexander Ghindin, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 0:54 |
| 1996-09-24 – 1996-09-27 | Nuances: IV. Vivo (Poème ailé, op. 51 no. 3) | | Alexander Ghindin, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 1:01 |
| 1996-09-24 – 1996-09-27 | Nuances: IX. Fier, belliquex (Prélude, op. 74 no. 5) | | Alexander Ghindin, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 1:03 |
| 1996-09-24 – 1996-09-27 | Nuances: V. Con delicatezza cristallina (Désir, op. 57 no. 1) | | Alexander Ghindin, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 1:41 |
| 1996-09-24 – 1996-09-27 | Nuances: VI. Avec enchantment (Caresse dansée, op. 57 no. 2) | | Alexander Ghindin, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 1:27 |
| 1996-09-24 – 1996-09-27 | Nuances: VII. Allegro fantastico (Étude, op. 65 no. 1) | | Alexander Ghindin, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 3:20 |
| 1996-09-24 – 1996-09-27 | Nuances: VIII. Avec une grâce capricieuse (Poème-nocturne, op. 61) | | Alexander Ghindin, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 8:29 |
| 1996-09-24 – 1996-09-27 | Nuances: X. Fantastique (Poème, op. 71 no. 1) | | Alexander Ghindin, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 2:40 |
| 1996-09-24 – 1996-09-27 | Nuances: XI. Sauvage, belliqueux (Prélude, op. 59 no. 2) | | Alexander Ghindin, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 1:39 |
| 1996-09-24 – 1996-09-27 | Nuances: XII. Allegretto (Masque, op. 63 no. 1) | | Alexander Ghindin, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 1:32 |
| 1996-09-24 – 1996-09-27 | Nuances: XIII. Gracieux, délicat (Étrangeté, op. 63 no. 2) | | Alexander Ghindin, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 1:46 |
| 1996-09-24 – 1996-09-27 | Nuances: XIV. Molto vivace (Étude, op. 65 no. 3) | | Alexander Ghindin, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 2:09 |
| 1996-10-05 – 1996-10-07 | Don Giovanni : Atto I, scena 1. “Leporello, ove sei ?” (Don Giovanni, Leporello, Commendatore, Donna Anna, Don Ottavio) | | London Philharmonic Orchestra, Sir Georg Solti | 0:39 |
| 1996-10-05 – 1996-10-07 | Don Giovanni : Atto I, scena 1. “Ma qual mai s’offre, o dei” (Donna Anna, Don Ottavio) | | London Philharmonic Orchestra, Sir Georg Solti | 6:28 |
| 1996-10-05 – 1996-10-07 | Don Giovanni : Atto I, scena 1. “Notte e giorno faticar” (Leporello, Donna Anna, Don Giovanni, Commendatore) | | London Philharmonic Orchestra, Sir Georg Solti | 5:29 |
| 1996-10-05 – 1996-10-07 | Don Giovanni : Atto I, scena 2. “Ah ! Chi mi dice mai” (Donna Elvira, Don Giovanni, Leporello) | | London Philharmonic Orchestra, Sir Georg Solti | 3:24 |
| See all 1,656 relationships |
| edited |
|---|
| 2009-02 – 2010-06 | Symphony no. 3 in E flat major, op. 20 "The First of May": I. Allegretto | | Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 14:32 |
| 2009-02 – 2010-06 | Symphony no. 3 in E flat major, op. 20 "The First of May": II. Allegro | | Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 9:57 |
| 2009-02 – 2010-06 | Symphony no. 3 in E flat major, op. 20 "The First of May": III. Moderato: "On the very first May Day" | | Хор Мариинского театра, Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 4:07 |
| 2009-02 – 2010-06 | Symphony no. 10 in E minor, op. 93: I. Moderato | | Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 22:52 |
| 2009-02 – 2010-06 | Symphony no. 10 in E minor, op. 93: II. Allegro | | Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 4:26 |
| 2009-02 – 2010-06 | Symphony no. 10 in E minor, op. 93: III. Allegretto | | Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 11:32 |
| 2009-02 – 2010-06 | Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro | | Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 12:57 |
| 2009-06 | Ach! Ach! Tiefe Nacht! | | Mariinsky Orchestra, Valery Gergiev | 10:14 |
| 2009-06 | Amfortas! Die Wunde! Die Wunde! | | Mariinsky Orchestra, Valery Gergiev | 8:36 |
| 2009-06 | Die Zeit ist da. Schon lockt mein Zauberschloss den Toren. | | Mariinsky Orchestra, Valery Gergiev | 4:04 |
| 2009-06 | Dies alles hab' ich nun getraeumt? | | Mariinsky Orchestra, Valery Gergiev | 3:24 |
| 2009-06 | Du siehst, das ist nicht so. | | Mariinsky Orchestra, Valery Gergiev | 7:14 |
| 2009-06 | Enthuellet den Gral! | | Mariinsky Orchestra, Valery Gergiev | 6:58 |
| 2009-06 | Geleiten wir im bergenden Schrein. | | Mariinsky Orchestra, Valery Gergiev | 3:45 |
| 2009-06 | Grausamer! Fuehlst du im Herzen nur and'rer Schmerzen. | | Mariinsky Orchestra, Valery Gergiev | 12:43 |
| 2009-06 | He! Ho! Waldhueter ihr! | | Mariinsky Orchestra, Valery Gergiev | 9:19 |
| 2009-06 | Heil dir, mein Gast! | | Mariinsky Orchestra, Valery Gergiev | 6:19 |
| 2009-06 | Heil mir, dass ich dich wiederfinde! | | Mariinsky Orchestra, Valery Gergiev | 12:22 |
| 2009-06 | Hier war das Tosen! Hier, hier! | | Mariinsky Orchestra, Valery Gergiev | 3:58 |
| 2009-06 | Hoechsten heiles Wunder! | | Mariinsky Orchestra, Valery Gergiev | 5:26 |
| 2009-06 | Ich sah das Kind an seiner Mutter Brust | | Mariinsky Orchestra, Valery Gergiev | 5:29 |
| 2009-06 | Ja! Wehe! Wehe! Weh' ueber mich! | | Mariinsky Orchestra, Valery Gergiev | 7:16 |
| 2009-06 | Komm'! Komm'! Holder Knabe! | | Mariinsky Orchestra, Valery Gergiev | 5:29 |
| 2009-06 | Mein Sohn, Amfortas, bist du am Amt? | | Mariinsky Orchestra, Valery Gergiev | 11:00 |
| 2009-06 | Mittag. Die Stund' ist da. | | Mariinsky Orchestra, Valery Gergiev | 4:30 |
| 2009-06 | Nicht Dankt! Ha, ha! Was wird es helfen? | | Mariinsky Orchestra, Valery Gergiev | 8:10 |
| 2009-06 | Nicht so! Die heil'ge Quelle selbst erquicke unsres Pilgers Bad. | | Mariinsky Orchestra, Valery Gergiev | 13:16 |
| 2009-06 | Nun achte wohl, und lass mich seh'n. | | Mariinsky Orchestra, Valery Gergiev | 7:17 |
| 2009-06 | Nun sag': nichts weisst du, was ich dich frage. | | Mariinsky Orchestra, Valery Gergiev | 7:40 |
| 2009-06 | Nur eine Waffe taugt | | Mariinsky Orchestra, Valery Gergiev | 3:59 |
| 2009-06 | O wunden-wundervoller heiliger Speer! | | Mariinsky Orchestra, Valery Gergiev | 4:17 |
| 2009-06 | Parsifal! Weile! | | Mariinsky Orchestra, Valery Gergiev | 2:54 |
| 2009-06 | Prelude | | Mariinsky Orchestra, Valery Gergiev | 12:41 |
| 2009-06 | Recht so! Habt Dank! Ein wenig Rast. | | Mariinsky Orchestra, Valery Gergiev | 6:36 |
| 2009-06 | Titurel, der fromme Held, der kannt' ihn wohl. | | Mariinsky Orchestra, Valery Gergiev | 12:02 |
| 2009-06 | Vergeh, unseliges Weib! | | Mariinsky Orchestra, Valery Gergiev | 4:14 |
| 2009-06 | Verwandlungsmusik (Transformation Music) | | Mariinsky Orchestra, Valery Gergiev | 3:44 |
| 2009-06 | Vom Bade kehrt der Koenig heim. | | Mariinsky Orchestra, Valery Gergiev | 2:10 |
| 2009-06 | Von dorther kam das Stoehen. | | Mariinsky Orchestra, Valery Gergiev | 8:50 |
| 2009-06 | Vorspiel | | Mariinsky Orchestra, Valery Gergiev | 5:42 |
| 2009-06 | Vorspiel | | Mariinsky Orchestra, Valery Gergiev | 1:38 |
| 2009-06 | Weh'! Weh'! Hoho! Auf! Wer ist der Frevler? | | Mariinsky Orchestra, Valery Gergiev | 8:09 |
| 2009-06 | Wehe! Wehe! Was tat ich? Wo war ich? | | Mariinsky Orchestra, Valery Gergiev | 4:44 |
| 2009-06 | Wein und Brot des letzten Mahles | | Mariinsky Orchestra, Valery Gergiev | 12:24 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte I. « Ah ! Ah ! C’est vous qui lanciez » | | Ferruccio Furlanetto, Anna Kiknadze, Andrei Serov, Mariinsky Orchestra, Valery Gergiev | 1:51 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte I. « Allégresse ! » | | Chorus of the Mariinsky Theatre, Mariinsky Orchestra, Valery Gergiev | 1:29 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte I. « Alza ! » | | Anna Kiknadze, Dmitry Koleushko, Chorus of the Mariinsky Theatre, Yulia Matochkina, Eleonora Vindau, Carlos d'Onofrio, Mariinsky Orchestra, Valery Gergiev | 5:19 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte I. « C’est merveille de voir » | | Ferruccio Furlanetto, Chorus of the Mariinsky Theatre, Andrei Serov, Mariinsky Orchestra, Valery Gergiev | 3:46 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte I. « Dulcinée est jolie » | | Dmitry Koleushko, Carlos d'Onofrio, Mariinsky Orchestra, Valery Gergiev | 2:01 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte I. « O Dulcinée » | | Ferruccio Furlanetto, Andrei Serov, Mariinsky Orchestra, Valery Gergiev | 1:50 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte I. « Quand apparaissent les étoiles » | | Ferruccio Furlanetto, Anna Kiknadze, Dmitry Koleushko, Mariinsky Orchestra, Valery Gergiev | 5:09 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte I. « Quand la femme a vingt ans » | | Anna Kiknadze, Chorus of the Mariinsky Theatre, Mariinsky Orchestra, Valery Gergiev | 3:06 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte I. « Vous êtes, monseigneur » | | Ferruccio Furlanetto, Anna Kiknadze, Dmitry Koleushko, Yulia Matochkina, Eleonora Vindau, Carlos d'Onofrio, Mariinsky Orchestra, Valery Gergiev | 7:34 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte II. « C’est vers ton amour » | | Ferruccio Furlanetto, Andrei Serov, Mariinsky Orchestra, Valery Gergiev | 6:53 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte II. « Comment peut‐on penser du bien » | | Andrei Serov, Mariinsky Orchestra, Valery Gergiev | 3:00 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte II. « Regarde ! » | | Ferruccio Furlanetto, Andrei Serov, Mariinsky Orchestra, Valery Gergiev | 4:02 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte III. « Ah ! Voir un corps long » | | Chorus of the Mariinsky Theatre, Mariinsky Orchestra, Valery Gergiev | 0:31 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte III. « C’est ici le chemin » | | Ferruccio Furlanetto, Andrei Serov, Mariinsky Orchestra, Valery Gergiev | 6:54 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte III. « Ô mes rêves divins ! » | | Ferruccio Furlanetto, Didier Jouanny, Chorus of the Mariinsky Theatre, Andrei Serov, Mariinsky Orchestra, Valery Gergiev | 2:15 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte III. « Seigneur, reçois mon âme » | | Ferruccio Furlanetto, Didier Jouanny, Chorus of the Mariinsky Theatre, Mariinsky Orchestra, Valery Gergiev | 8:33 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte III. Premier interlude | | Mariinsky Orchestra, Valery Gergiev | 2:32 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte IV. « Ah ! J’ai en ce moment le désir d’autre chose » | | Anna Kiknadze, Dmitry Koleushko, Chorus of the Mariinsky Theatre, Yulia Matochkina, Eleonora Vindau, Carlos d'Onofrio, Mariinsky Orchestra, Valery Gergiev | 1:43 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte IV. « Alors, traîtresse » | | Anna Kiknadze, Dmitry Koleushko, Yulia Matochkina, Eleonora Vindau, Carlos d'Onofrio, Mariinsky Orchestra, Valery Gergiev | 5:36 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte IV. « Alza ! Ne pensons qu’au plaisir d’aimer » | | Anna Kiknadze, Chorus of the Mariinsky Theatre, Mariinsky Orchestra, Valery Gergiev | 3:42 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte IV. « Annonce le grand Don Quichotte » | | Ferruccio Furlanetto, Anna Kiknadze, Chorus of the Mariinsky Theatre, Andrei Serov, Mariinsky Orchestra, Valery Gergiev | 5:04 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte IV. « Enfin, te revoilà ! » | | Anna Kiknadze, Dmitry Koleushko, Chorus of the Mariinsky Theatre, Andrei Serov, Carlos d'Onofrio, Mariinsky Orchestra, Valery Gergiev | 2:15 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte IV. « Marchez dans mon chemin » | | Ferruccio Furlanetto, Mariinsky Orchestra, Valery Gergiev | 1:44 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte IV. « Me marier, moi ! » | | Ferruccio Furlanetto, Anna Kiknadze, Chorus of the Mariinsky Theatre, Mariinsky Orchestra, Valery Gergiev | 6:16 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte IV. « On ne s’explique pas » | | Ferruccio Furlanetto, Anna Kiknadze, Dmitry Koleushko, Chorus of the Mariinsky Theatre, Yulia Matochkina, Andrei Serov, Eleonora Vindau, Carlos d'Onofrio, Mariinsky Orchestra, Valery Gergiev | 1:36 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte IV. « Riez, allez ! » | | Andrei Serov, Mariinsky Orchestra, Valery Gergiev | 2:43 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte V. « L’Étoile ! » | | Ferruccio Furlanetto, Anna Kiknadze, Andrei Serov, Mariinsky Orchestra, Valery Gergiev | 2:21 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte V. « Ô mon maître ! » | | Ferruccio Furlanetto, Andrei Serov, Mariinsky Orchestra, Valery Gergiev | 5:59 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte V. « Oui ! Je fus le chef » | | Ferruccio Furlanetto, Andrei Serov, Mariinsky Orchestra, Valery Gergiev | 2:59 |
| 2011-05-27 – 2011-05-29 | Don Quichotte : Acte V. Deuxième interlude | | Mariinsky Orchestra, Valery Gergiev | 2:51 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: Finale. Allegro di molto | | Frankie Wakefield, Ceri-lyn Cissone, Alexander Knox, Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | 6:25 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 1. Scherzo | | Alexander Knox, London Symphony Orchestra, Sir John Eliot Gardiner | 4:17 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 2. L’istesso tempo | | Ceri-lyn Cissone, Alexander Knox, London Symphony Orchestra, Sir John Eliot Gardiner | 3:32 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 2a. Allegro vivace | | Frankie Wakefield, Alexander Knox, London Symphony Orchestra, Sir John Eliot Gardiner | 2:12 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 3. Lied mit Chor | | Ceri-lyn Cissone, Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | 4:40 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 4. Andante | | Ceri-lyn Cissone, Frankie Wakefield, London Symphony Orchestra, Sir John Eliot Gardiner | 1:41 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 5. Allegro appassionato | | Ceri-lyn Cissone, Alexander Knox, London Symphony Orchestra, Sir John Eliot Gardiner | 4:19 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 7. Nocturne (Con moto tranquillo) | | London Symphony Orchestra, Sir John Eliot Gardiner | 6:11 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 8. Andante | | Frankie Wakefield, Ceri-lyn Cissone, Alexander Knox, London Symphony Orchestra, Sir John Eliot Gardiner | 3:18 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 9. Hochzeitmarsch (”Wedding March”) & no. 12. Allegro vivace come primo | | Alexander Knox, London Symphony Orchestra, Sir John Eliot Gardiner | 5:12 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: Prologue (Narration). “Ay me! for aught that I could ever read” | | Alexander Knox | 1:03 |
| Belshazzar’s Feast: I. “Thus spake Isaiah” | | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 5:26 |
| Belshazzar’s Feast: II. A tempo - “If I forget thee” | | Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 2:29 |
| Belshazzar’s Feast: III. “By the waters of Babylon” | | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 2:57 |
| Belshazzar’s Feast: IV. “Babylon was a great city” | | Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 4:03 |
| Belshazzar’s Feast: IX. “The trumpeters and pipers” | | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 1:04 |
| Belshazzar’s Feast: V. “Praise ye the God of Gold” | | Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 5:02 |
| Belshazzar’s Feast: VI. Allegro molto - “Thus in Babylon” | | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 2:05 |
| Belshazzar’s Feast: VII. “Thou, O King, art King of Kings” | | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 1:07 |
| Belshazzar’s Feast: VIII. “And in that same hour” | | Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 6:07 |
| Belshazzar’s Feast: X. Allegro - “Then sing aloud to God our strength” | | London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | 4:00 |
| Boléro | | London Symphony Orchestra, Valery Gergiev | 15:48 |
| Candide: Act One: “Candide and Dr Pangloss board a crowded ship” – Storm Music – Earthquake Music | | Sir Thomas Allen, Liam Bonthrone, London Symphony Orchestra, Marin Alsop | 1:24 |
| Candide: Act One: “Candide, liberated by the battle” | | Sir Thomas Allen, Leonardo Capalbo, London Symphony Orchestra, Marin Alsop | 2:47 |
| Candide: Act One: “Class is dismissed” – Happy Instrumental | | Sir Thomas Allen, Leonardo Capalbo, Jane Archibald, Carmen Artaza, London Symphony Orchestra, Marin Alsop | 1:37 |
| Candide: Act One: “Quick, Madame, The Jew!” – Entrance of the Jew – Entrance of the Archbishop – Travel to the Stables | | Sir Thomas Allen, Leonardo Capalbo, Jane Archibald, Anne Sofie von Otter, Frederick Jones, Liam Bonthrone, London Symphony Orchestra, Marin Alsop | 4:59 |
| See all 710 relationships |
| engineered |
|---|
| 2018-01-25 | Prélude à l'après-midi d’un faune | | London Symphony Orchestra, François‐Xavier Roth | 9:37 |
| 2018-03-25 – 2018-03-28 | La Mer: I. De l’aube à midi sur la mer | | London Symphony Orchestra, François‐Xavier Roth | 8:24 |
| 2018-03-25 – 2018-03-28 | La Mer: II. Jeux de vagues | | London Symphony Orchestra, François‐Xavier Roth | 6:44 |
| 2018-03-25 – 2018-03-28 | La Mer: III. Dialogue du vent et de la mer | | London Symphony Orchestra, François‐Xavier Roth | 8:02 |
| 2019-03-27 – 2019-03-28 | Symphony no. 1 in F minor: I. Allegretto – Allegro non troppo | | London Symphony Orchestra, Gianandrea Noseda | 8:28 |
| 2019-03-27 – 2019-03-28 | Symphony no. 1 in F minor: II. Allegro – Meno mosso – Allegro – Meno mosso | | London Symphony Orchestra, Gianandrea Noseda | 4:33 |
| 2019-03-27 – 2019-03-28 | Symphony no. 1 in F minor: III. Lento – Largo – Lento | | London Symphony Orchestra, Gianandrea Noseda | 9:23 |
| 2019-03-27 – 2019-03-28 | Symphony no. 1 in F minor: IV. Allegro molto – Lento – Allegro molto – Meno mosso – Allegro molto – Molto meno mosso – Adagio – Largo – Presto | | London Symphony Orchestra, Gianandrea Noseda | 11:10 |
| 2019-04-25 | Rapsodie espagnole: I. Prélude à la nuit | | London Symphony Orchestra, François‐Xavier Roth | 4:19 |
| 2019-04-25 | Rapsodie espagnole: II. Malagueña | | London Symphony Orchestra, François‐Xavier Roth | 2:11 |
| 2019-04-25 | Rapsodie espagnole: III. Habanera | | London Symphony Orchestra, François‐Xavier Roth | 3:03 |
| 2019-04-25 | Rapsodie espagnole: IV. Feria | | London Symphony Orchestra, François‐Xavier Roth | 6:48 |
| 2019-06-08 – 2019-06-17 | Adagio for Strings | | HAUSER, London Symphony Orchestra | 7:55 |
| 2019-06-08 – 2019-06-17 | Air on a G String | | HAUSER, London Symphony Orchestra | 4:50 |
| 2019-06-08 – 2019-06-17 | Caruso | | HAUSER, London Symphony Orchestra | 5:31 |
| 2019-06-08 – 2019-06-17 | Concerto for Clarinet | | HAUSER, London Symphony Orchestra | 3:22 |
| 2019-06-08 – 2019-06-17 | Intermezzo from Cavalliera Rusticana | | HAUSER, London Symphony Orchestra | 3:26 |
| 2019-06-08 – 2019-06-17 | Lacrimosa | | HAUSER, London Symphony Orchestra | 2:53 |
| 2019-06-08 – 2019-06-17 | Lascia ch’io pianga | | HAUSER, London Symphony Orchestra | 4:29 |
| 2019-06-08 – 2019-06-17 | Nessun dorma | | HAUSER, London Symphony Orchestra | 2:58 |
| 2019-06-08 – 2019-06-17 | Nocturne | | HAUSER, London Symphony Orchestra | 7:08 |
| 2019-06-08 – 2019-06-17 | Nocturne in C Sharp | | HAUSER, London Symphony Orchestra | 4:33 |
| 2019-06-08 – 2019-06-17 | Piano Concerto no. 21 | | HAUSER, London Symphony Orchestra | 7:24 |
| 2019-06-08 – 2019-06-17 | River Flows in You | | HAUSER, London Symphony Orchestra | 3:01 |
| 2019-06-08 – 2019-06-17 | Second Piano Concerto | | HAUSER, London Symphony Orchestra | 4:48 |
| 2019-06-08 – 2019-06-17 | Swan Lake | | HAUSER, London Symphony Orchestra | 2:52 |
| 2019-06-08 – 2019-06-17 | The Lonely Shepherd | | HAUSER, London Symphony Orchestra | 3:33 |
| 2019-06-08 – 2019-06-17 | The Nutcracker Suite | | HAUSER, London Symphony Orchestra | 4:17 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act I Scene 1: “A potom běž domů” | | Simon O'Neill, Katarina Dalayman, Andrew Staples, Amanda Majeski, Magdalena Kožená, London Symphony Orchestra, Sir Simon Rattle | 5:43 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act I Scene 1: “Co pak je?” | | Ladislav Elgr, Simon O'Neill, Claire Barnett-Jones, London Symphony Orchestra, Sir Simon Rattle | 2:08 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act I Scene 1: “Je baryňa doma?” | | Pavlo Hunka, Claire Barnett-Jones, Ladislav Elgr, Simon O’Neill, London Symphony Orchestra, Sir Simon Rattle | 3:06 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act I Scene 1: “Přišel jsi sem lelky chytat?” | | Pavlo Hunka, Simon O'Neill, London Symphony Orchestra, Sir Simon Rattle | 0:58 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act I Scene 1: “Zázrak!” | | Ladislav Elgr, Claire Barnett-Jones, Pavlo Hunka, London Symphony Orchestra, Sir Simon Rattle | 1:40 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act I Scene 1: Introduction | | London Symphony Orchestra, Sir Simon Rattle | 4:21 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act I Scene 2: “Abych ani otce” | | Amanda Majeski, Andrew Staples, Katarina Dalayman, London Symphony Orchestra, Sir Simon Rattle | 4:27 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act I Scene 2: “Ale nač tobě to vykládám?” | | Amanda Majeski, Magdalena Kožená, Claire Barnett-Jones, Andrew Staples, London Symphony Orchestra, Sir Simon Rattle | 2:08 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act I Scene 2: “Což pak už mne nemáš rád?” | | Amanda Majeski, Andrew Staples, London Symphony Orchestra, Sir Simon Rattle | 2:52 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act I Scene 2: “Víš co mi napadlo?” | | Amanda Majeski, Magdalena Kožená, London Symphony Orchestra, Sir Simon Rattle | 6:12 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act I Scene 2: “Zdráva…” | | Amanda Majeski, Magdalena Kožená, London Symphony Orchestra, Sir Simon Rattle | 3:33 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act I: Intermezzo I (Interlude) | | London Symphony Orchestra, Sir Simon Rattle | 1:18 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act II Scene 1: “Nic zvláštního, jenom jsem trochu nachmelen” | | Pavlo Hunka, Katarina Dalayman, London Symphony Orchestra, Sir Simon Rattle | 3:36 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act II Scene 1: “Půjdu též se projít” | | Magdalena Kožená, Amanda Majeski, Katarina Dalayman, London Symphony Orchestra, Sir Simon Rattle | 6:08 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act II Scene 1: “Vida, chvástala jsi se” | | Katarina Dalayman, Amanda Majeski, London Symphony Orchestra, Sir Simon Rattle | 2:11 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act II Scene 2: “Choď si, dívka, do času” | | Ladislav Elgr, Magdalena Kožená, London Symphony Orchestra, Sir Simon Rattle | 2:44 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act II Scene 2: “Jste to vy, Katěrino Petrovno?” | | Simon O'Neill, Amanda Majeski, London Symphony Orchestra, Sir Simon Rattle | 5:33 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act II Scene 2: “Nikoho tu není!” | | Ladislav Elgr, Simon O'Neill, London Symphony Orchestra, Sir Simon Rattle | 3:46 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act II Scene 2: “Nuže, shodli jste se?” | | Magdalena Kožená, Simon O'Neill, Ladislav Elgr, Amanda Majeski, London Symphony Orchestra, Sir Simon Rattle | 4:11 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act II Scene 2: “Za vodou, za vodičkou” | | Magdalena Kožená, Ladislav Elgr, Simon O’Neill, London Symphony Orchestra, Sir Simon Rattle | 1:50 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act II Scene 2: Introduction | | London Symphony Orchestra, Sir Simon Rattle | 1:21 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act III Scene 1: “Celého mne to pokropilo” | | Pavlo Hunka, Ladislav Elgr, London Symphony Orchestra, Sir Simon Rattle | 2:52 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act III Scene 1: “Pssst! Pssst! Zdá se, že je to on!” | | Magdalena Kožená, Simon O'Neill, London Symphony Orchestra, Sir Simon Rattle | 1:04 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act III Scene 1: “Tu jdou! Maminka jde s nimi!” | | Magdalena Kožená, Amanda Majeski, Ladislav Elgr, Pavlo Hunka, Katarina Dalayman, Andrew Staples, London Symphony Chorus, London Symphony Orchestra, Sir Simon Rattle | 3:08 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act III Scene 1: Introduction – “Krápe!” | | Lukáš Zeman, Ladislav Elgr, London Symphony Orchestra, Sir Simon Rattle | 1:23 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act III Scene 2: “Ach Glašo!” | | Andrew Staples, Claire Barnett-Jones, Magdalena Kožená, Ladislav Elgr, Amanda Majeski, London Symphony Orchestra, Sir Simon Rattle | 2:05 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act III Scene 2: “Ale ne!” | | Amanda Majeski, Simon O’Neill, London Symphony Chorus, London Symphony Orchestra, Sir Simon Rattle | 3:12 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act III Scene 2: “Ale smrt nepřichází” | | Amanda Majeski, Simon O’Neill, London Symphony Orchestra, Sir Simon Rattle | 5:18 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act III Scene 2: “Proč se tak chovají?” | | Amanda Majeski, London Symphony Orchestra, Sir Simon Rattle | 2:03 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act III Scene 2: “Ptáčci přiletí na mohylu” | | Amanda Majeski, Lukáš Zeman, Pavlo Hunka, Claire Barnett-Jones, Andrew Staples, Katarina Dalayman, London Symphony Chorus, London Symphony Orchestra, Sir Simon Rattle | 3:13 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act III Scene 2: “Svedl nás Bůh!” | | Simon O’Neill, Amanda Majeski, London Symphony Orchestra, Sir Simon Rattle | 1:56 |
| 2023-01-11 – 2023-01-13 | Katya Kabanova, JW I/8: Act III Scene 2: “Vidět se s ním” | | Amanda Majeski, Lukáš Zeman, London Symphony Chorus, London Symphony Orchestra, Sir Simon Rattle | 3:27 |
| Also sprach Zarathustra, Op. 30: I. Einleitung (Sonnenaufgang) | | San Francisco Symphony, Herbert Blomstedt | 1:44 |
| Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern | | San Francisco Symphony, Herbert Blomstedt | 3:34 |
| Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht | | San Francisco Symphony, Herbert Blomstedt | 2:04 |
| Also sprach Zarathustra, Op. 30: IV. Von den Freuden und Leidenschaften | | San Francisco Symphony, Herbert Blomstedt | 1:55 |
| Also sprach Zarathustra, Op. 30: IX. Nachtwandlerlied | | San Francisco Symphony, Herbert Blomstedt | 4:37 |
| Also sprach Zarathustra, Op. 30: V. Das Grablied | | San Francisco Symphony, Herbert Blomstedt | 2:39 |
| Also sprach Zarathustra, Op. 30: VI. Von der Wissenschaft | | San Francisco Symphony, Herbert Blomstedt | 4:36 |
| Also sprach Zarathustra, Op. 30: VII. Der Genesende | | San Francisco Symphony, Herbert Blomstedt | 5:07 |
| Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied | | San Francisco Symphony, Herbert Blomstedt | 7:39 |
| Antiphona ad Magnificat: O quam suavis est, Domine | | Gabrieli Consort & Players, Paul McCreesh | 2:08 |
| Antiphona ad Magnificat: O quam suavis est, Domine a 6 | | Gabrieli Consort & Players, Paul McCreesh | 4:46 |
| Antiphona I: Sacerdos in aeternum Christus | | Gabrieli Consort & Players, Paul McCreesh | 0:48 |
| Antiphona I: Sacerdos in aeternum Christus | | Gabrieli Consort & Players, Paul McCreesh | 0:45 |
| Antiphona II: Miserator Dominus | | Gabrieli Consort & Players, Paul McCreesh | 0:50 |
| Antiphona II: Miserator Dominus | | Gabrieli Consort & Players, Paul McCreesh | 0:49 |
| Antiphona III: Calicem salutaris accipiam | | Gabrieli Consort & Players,Paul McCreesh | 0:40 |
| Antiphona III: Calicem salutaris accipiam | | Gabrieli Consort & Players, Paul McCreesh | 0:37 |
| Antiphona IV: Sicut novellae olivarum | | Gabrieli Consort & Players,Paul McCreesh | 0:47 |
| Antiphona IV: Sicut novellae olivarum | | Gabrieli Consort & Players, Paul McCreesh | 0:44 |
| Antiphona V: Qui pacem ponit fines Ecclesiae | | Gabrieli Consort & Players, Paul McCreesh | 0:46 |
| Antiphona V: Qui pacem ponit fines Ecclesiae | | Gabrieli Consort & Players, Paul McCreesh | 0:45 |
| Beatus est et bene tibi a 4 | | Gabrieli Consort & Players & Paul McCreesh | 2:38 |
| Benedicamus Domino | | Gabrieli Consort & Players, Paul McCreesh | 1:12 |
| Benedicamus Domino / Deo dicamus gratias / Sanctissimae Trinitati | | Gabrieli Consort & Players, Paul McCreesh | 2:24 |
| Cançión a 5 | | Gabrieli Consort & Players, Paul McCreesh | 1:51 |
| Cançión a 5 | | Gabrieli Consort & Players, Paul McCreesh | 2:01 |
| Cançión a 6 | | Gabrieli Consort & Players, Paul McCreesh | 1:52 |
| Cançión Regina caeli laetare / Ressurrexi a 5 | | Gabrieli Consort & Players, Paul McCreesh | 2:51 |
| Carnival Overture, op. 92 | | Royal Philharmonic Orchestra, Grzegorz Nowak | 9:34 |
| Deus in adjutorum / Domine ad adjuvandum | | Gabrieli Consort & Players, Paul McCreesh | 1:01 |
| Dominus vobiscum / Deus qui nobis sub sacramento mirabili | | Gabrieli Consort & Players, Paul McCreesh | 1:17 |
| Ego flos campi a 4 | | Gabrieli Consort & Players, Paul McCreesh | 1:54 |
| Fidelio op. 72: Akt II. »Ihr habt wieder geruht?« (Rocco, Florestan, Leonore) | assistant | Lucerne Festival Orchestra, Claudio Abbado | 0:33 |
| Fidelio op. 72: Akt II. »Ist alles bereit?« (Pizarro, Rocco) | assistant | Lucerne Festival Orchestra, Claudio Abbado | 0:08 |
| Fidelio op. 72: Akt II. Nr. 11 Introduktion und Arie: »Gott! Welch Dunkel hier! … In des Lebens Frühlingstagen« (Florestan) | assistant | Lucerne Festival Orchestra, Claudio Abbado | 11:25 |
| Fidelio op. 72: Akt II. Nr. 12 Melodram und Duett: »Wie kalt ist es diesem unterirdischen Gewölbe!« … »Nur hurtig fort, nur frisch gegraben« (Leonore, Rocco) | assistant | Lucerne Festival Orchestra, Claudio Abbado | 5:54 |
| Fidelio op. 72: Akt II. Nr. 13 Terzett: »Euch werde Lohn in bessern Welten« (Florestan, Rocco, Leonore) | assistant | Lucerne Festival Orchestra, Claudio Abbado | 6:31 |
| Fidelio op. 72: Akt II. Nr. 14 Quartett: »Er sterbe! Doch er soll erst wissen« (Pizarro, Florestan, Leonore, Rocco) | assistant | Lucerne Festival Orchestra, Claudio Abbado | 5:03 |
| Fidelio op. 72: Akt II. Nr. 15 Duett: »O namenlose Freude!« (Leonore, Florestan) | assistant | Lucerne Festival Orchestra, Claudio Abbado | 3:04 |
| Fidelio op. 72: Akt II. Nr. 16 Finale II: »Heil sei dem Tag« … »Des besten Königs Wink und Wille« … »Wer ein holdes Weib errungen« (Chor, Fernando, Rocco, Pizarro, Leonore, Marzelline, Florestan, Jaquino) | assistant | Lucerne Festival Orchestra, Claudio Abbado | 13:54 |
| See all 329 relationships |
| mixed |
|---|
| 2009-06 | Ach! Ach! Tiefe Nacht! | | Mariinsky Orchestra, Valery Gergiev | 10:14 |
| 2009-06 | Amfortas! Die Wunde! Die Wunde! | | Mariinsky Orchestra, Valery Gergiev | 8:36 |
| 2009-06 | Die Zeit ist da. Schon lockt mein Zauberschloss den Toren. | | Mariinsky Orchestra, Valery Gergiev | 4:04 |
| 2009-06 | Dies alles hab' ich nun getraeumt? | | Mariinsky Orchestra, Valery Gergiev | 3:24 |
| 2009-06 | Du siehst, das ist nicht so. | | Mariinsky Orchestra, Valery Gergiev | 7:14 |
| 2009-06 | Enthuellet den Gral! | | Mariinsky Orchestra, Valery Gergiev | 6:58 |
| 2009-06 | Geleiten wir im bergenden Schrein. | | Mariinsky Orchestra, Valery Gergiev | 3:45 |
| 2009-06 | Grausamer! Fuehlst du im Herzen nur and'rer Schmerzen. | | Mariinsky Orchestra, Valery Gergiev | 12:43 |
| 2009-06 | He! Ho! Waldhueter ihr! | | Mariinsky Orchestra, Valery Gergiev | 9:19 |
| 2009-06 | Heil dir, mein Gast! | | Mariinsky Orchestra, Valery Gergiev | 6:19 |
| 2009-06 | Heil mir, dass ich dich wiederfinde! | | Mariinsky Orchestra, Valery Gergiev | 12:22 |
| 2009-06 | Hier war das Tosen! Hier, hier! | | Mariinsky Orchestra, Valery Gergiev | 3:58 |
| 2009-06 | Hoechsten heiles Wunder! | | Mariinsky Orchestra, Valery Gergiev | 5:26 |
| 2009-06 | Ich sah das Kind an seiner Mutter Brust | | Mariinsky Orchestra, Valery Gergiev | 5:29 |
| 2009-06 | Ja! Wehe! Wehe! Weh' ueber mich! | | Mariinsky Orchestra, Valery Gergiev | 7:16 |
| 2009-06 | Komm'! Komm'! Holder Knabe! | | Mariinsky Orchestra, Valery Gergiev | 5:29 |
| 2009-06 | Mein Sohn, Amfortas, bist du am Amt? | | Mariinsky Orchestra, Valery Gergiev | 11:00 |
| 2009-06 | Mittag. Die Stund' ist da. | | Mariinsky Orchestra, Valery Gergiev | 4:30 |
| 2009-06 | Nicht Dankt! Ha, ha! Was wird es helfen? | | Mariinsky Orchestra, Valery Gergiev | 8:10 |
| 2009-06 | Nicht so! Die heil'ge Quelle selbst erquicke unsres Pilgers Bad. | | Mariinsky Orchestra, Valery Gergiev | 13:16 |
| 2009-06 | Nun achte wohl, und lass mich seh'n. | | Mariinsky Orchestra, Valery Gergiev | 7:17 |
| 2009-06 | Nun sag': nichts weisst du, was ich dich frage. | | Mariinsky Orchestra, Valery Gergiev | 7:40 |
| 2009-06 | Nur eine Waffe taugt | | Mariinsky Orchestra, Valery Gergiev | 3:59 |
| 2009-06 | O wunden-wundervoller heiliger Speer! | | Mariinsky Orchestra, Valery Gergiev | 4:17 |
| 2009-06 | Parsifal! Weile! | | Mariinsky Orchestra, Valery Gergiev | 2:54 |
| 2009-06 | Prelude | | Mariinsky Orchestra, Valery Gergiev | 12:41 |
| 2009-06 | Recht so! Habt Dank! Ein wenig Rast. | | Mariinsky Orchestra, Valery Gergiev | 6:36 |
| 2009-06 | Titurel, der fromme Held, der kannt' ihn wohl. | | Mariinsky Orchestra, Valery Gergiev | 12:02 |
| 2009-06 | Vergeh, unseliges Weib! | | Mariinsky Orchestra, Valery Gergiev | 4:14 |
| 2009-06 | Verwandlungsmusik (Transformation Music) | | Mariinsky Orchestra, Valery Gergiev | 3:44 |
| 2009-06 | Vom Bade kehrt der Koenig heim. | | Mariinsky Orchestra, Valery Gergiev | 2:10 |
| 2009-06 | Von dorther kam das Stoehen. | | Mariinsky Orchestra, Valery Gergiev | 8:50 |
| 2009-06 | Vorspiel | | Mariinsky Orchestra, Valery Gergiev | 1:38 |
| 2009-06 | Vorspiel | | Mariinsky Orchestra, Valery Gergiev | 5:42 |
| 2009-06 | Weh'! Weh'! Hoho! Auf! Wer ist der Frevler? | | Mariinsky Orchestra, Valery Gergiev | 8:09 |
| 2009-06 | Wehe! Wehe! Was tat ich? Wo war ich? | | Mariinsky Orchestra, Valery Gergiev | 4:44 |
| 2009-06 | Wein und Brot des letzten Mahles | | Mariinsky Orchestra, Valery Gergiev | 12:24 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: Finale. Allegro di molto | | Frankie Wakefield, Ceri-lyn Cissone, Alexander Knox, Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | 6:25 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 1. Scherzo | | Alexander Knox, London Symphony Orchestra, Sir John Eliot Gardiner | 4:17 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 2. L’istesso tempo | | Ceri-lyn Cissone, Alexander Knox, London Symphony Orchestra, Sir John Eliot Gardiner | 3:32 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 2a. Allegro vivace | | Frankie Wakefield, Alexander Knox, London Symphony Orchestra, Sir John Eliot Gardiner | 2:12 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 3. Lied mit Chor | | Ceri-lyn Cissone, Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | 4:40 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 4. Andante | | Ceri-lyn Cissone, Frankie Wakefield, London Symphony Orchestra, Sir John Eliot Gardiner | 1:41 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 5. Allegro appassionato | | Ceri-lyn Cissone, Alexander Knox, London Symphony Orchestra, Sir John Eliot Gardiner | 4:19 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 7. Nocturne (Con moto tranquillo) | | London Symphony Orchestra, Sir John Eliot Gardiner | 6:11 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 8. Andante | | Frankie Wakefield, Ceri-lyn Cissone, Alexander Knox, London Symphony Orchestra, Sir John Eliot Gardiner | 3:18 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: No. 9. Hochzeitmarsch (”Wedding March”) & no. 12. Allegro vivace come primo | | Alexander Knox, London Symphony Orchestra, Sir John Eliot Gardiner | 5:12 |
| A Midsummer Night’s Dream: Incidental Music, op. 61: Prologue (Narration). “Ay me! for aught that I could ever read” | | Alexander Knox | 1:03 |
| All Is Still on Christmas Night | | Canterbury Cathedral Girls' Choir | 4:17 |
| Autumn 1 | | Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder | 5:42 |
| Autumn 2 | | Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder | 3:08 |
| Autumn 3 | | Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder | 1:45 |
| Away in a Manger | | Canterbury Cathedral Girls' Choir | 2:57 |
| Candide: Act One: “Candide and Dr Pangloss board a crowded ship” – Storm Music – Earthquake Music | | Sir Thomas Allen, Liam Bonthrone, London Symphony Orchestra, Marin Alsop | 1:24 |
| Candide: Act One: “Candide, liberated by the battle” | | Sir Thomas Allen, Leonardo Capalbo, London Symphony Orchestra, Marin Alsop | 2:47 |
| Candide: Act One: “Class is dismissed” – Happy Instrumental | | Sir Thomas Allen, Leonardo Capalbo, Jane Archibald, Carmen Artaza, London Symphony Orchestra, Marin Alsop | 1:37 |
| Candide: Act One: “Quick, Madame, The Jew!” – Entrance of the Jew – Entrance of the Archbishop – Travel to the Stables | | Sir Thomas Allen, Leonardo Capalbo, Jane Archibald, Anne Sofie von Otter, Frederick Jones, Liam Bonthrone, London Symphony Orchestra, Marin Alsop | 4:59 |
| Candide: Act One: “Suddenly, Candide rushes in” – You Were Dead, You Know | | Sir Thomas Allen, Leonardo Capalbo, Jane Archibald, London Symphony Orchestra, Marin Alsop | 3:23 |
| Candide: Act One: “The helping hand” – Battle Music – Westphalia Chorale – Battle Scene | | Sir Thomas Allen, Jane Archibald, London Symphony Chorus, London Symphony Orchestra, Marin Alsop | 2:52 |
| Candide: Act One: “The roués, though captivated!” | | Sir Thomas Allen, Anne Sofie von Otter, Leonardo Capalbo, Marcus Farnsworth, London Symphony Orchestra, Marin Alsop | 0:44 |
| Candide: Act One: “What is he doing to my sister?” – Candide Begins His Travels | | Sir Thomas Allen, Leonardo Capalbo, Jane Archibald, Marcus Farnsworth, Frederick Jones, Carmen Artaza, Lucy McAuley, London Symphony Orchestra, Marin Alsop | 1:54 |
| Candide: Act One: Auto-da-fé (What a day) | | Sir Thomas Allen, Leonardo Capalbo, Thomas Atkins, Marcus Farnsworth, Guildhall School Young Artists, London Symphony Chorus, London Symphony Orchestra, Marin Alsop | 5:20 |
| Candide: Act One: Barcarolle | | Anne Sofie von Otter, Sir Thomas Allen, Leonardo Capalbo, Jane Archibald, London Symphony Orchestra, Marin Alsop | 4:15 |
| Candide: Act One: Candide’s Lament | | Leonardo Capalbo, London Symphony Orchestra, Marin Alsop | 3:26 |
| Candide: Act One: Dear Boy | | Sir Thomas Allen, London Symphony Chorus, London Symphony Orchestra, Marin Alsop | 4:08 |
| Candide: Act One: Glitter and Be Gay | | Jane Archibald, London Symphony Orchestra, Marin Alsop | 6:06 |
| Candide: Act One: I Am Easily Assimilated (Old Lady’s Tango) | | Anne Sofie von Otter, Jane Archibald, Thomas Atkins, Frederick Jones, London Symphony Chorus, London Symphony Orchestra, Marin Alsop | 3:49 |
| Candide: Act One: It Must Be So (Candide’s Meditation) | | Leonardo Capalbo, London Symphony Orchestra, Marin Alsop | 1:53 |
| Candide: Act One: Life Is Happiness Indeed – Parade | | Sir Thomas Allen, Leonardo Capalbo, Jane Archibald, Marcus Farnsworth, Frederick Jones, Carmen Artaza, Lucy McAuley, London Symphony Orchestra, Marin Alsop | 6:12 |
| Candide: Act One: Oh, Happy We | | Jane Archibald, Leonardo Capalbo, London Symphony Orchestra, Marin Alsop | 2:04 |
| Candide: Act One: Quartet Finale | | Sir Thomas Allen, Leonardo Capalbo, Jane Archibald, Anne Sofie von Otter, Marcus Farnsworth, London Symphony Chorus, London Symphony Orchestra, Marin Alsop | 3:13 |
| Candide: Act One: The Best of All Possible Worlds | | Sir Thomas Allen, Leonardo Capalbo, Jane Archibald, Marcus Farnsworth, Carmen Artaza, London Symphony Orchestra, Marin Alsop | 2:43 |
| Candide: Act One: The Paris Waltz | | Sir Thomas Allen, London Symphony Orchestra, Marin Alsop | 2:59 |
| Candide: Act One: Westphalian Fanfare – “Good evening, ladies and gentlemen” | | Sir Thomas Allen, London Symphony Orchestra, Marin Alsop | 2:43 |
| Candide: Act Two: “Cunegonde!” – You Were Dead, You Know (Reprise) | | Leonardo Capalbo, Jane Archibald, London Symphony Orchestra, Marin Alsop | 1:02 |
| Candide: Act Two: “Having arrived in Surinam” | | Sir Thomas Allen, Leonardo Capalbo, Jane Archibald, Anne Sofie von Otter, Thomas Atkins, Carmen Artaza, Guildhall School Young Artists, London Symphony Orchestra, Marin Alsop | 2:03 |
| Candide: Act Two: “Meanwhile, Candide stumbles on through the South American jungle” – Alleluia | | Sir Thomas Allen, Leonardo Capalbo, Marcus Farnsworth, Carmen Artaza, London Symphony Chorus, London Symphony Orchestra, Marin Alsop | 4:09 |
| Candide: Act Two: “Of course, the ship sinks” | | Sir Thomas Allen, Anne Sofie von Otter, Jane Archibald, Frederick Jones, London Symphony Orchestra, Marin Alsop | 1:30 |
| Candide: Act Two: “Señor, I must take advice” | | Sir Thomas Allen, Jane Archibald, Anne Sofie von Otter, Marcus Farnsworth, Thomas Atkins, London Symphony Orchestra, Marin Alsop | 1:03 |
| Candide: Act Two: “Sir, unhand that Odalisque” – Barcarolle (Reprise) | | Sir Thomas Allen, Leonardo Capalbo, Jane Archibald, Anne Sofie von Otter, Marcus Farnsworth, Thomas Atkins, Carmen Artaza, London Symphony Orchestra, Marin Alsop | 2:37 |
| Candide: Act Two: “Welcome back” | | Sir Thomas Allen, Leonardo Capalbo, Thomas Atkins, Marcus Farnsworth, Carmen Artaza, Frederick Jones, Liam Bonthrone, London Symphony Orchestra, Marin Alsop | 1:53 |
| Candide: Act Two: Ballad of Eldorado | | Leonardo Capalbo, London Symphony Chorus, London Symphony Orchestra, Marin Alsop | 3:23 |
| Candide: Act Two: Bon Voyage | | Thomas Atkins, London Symphony Chorus, London Symphony Orchestra, Marin Alsop | 2:45 |
| Candide: Act Two: Introduction to Eldorado – Sheep Song | | Sir Thomas Allen, Leonardo Capalbo, Carmen Artaza, Katherine McIndoe, Lucy McAuley, London Symphony Chorus, London Symphony Orchestra, Marin Alsop | 4:57 |
| Candide: Act Two: Make Our Garden Grow (Finale) | | Sir Thomas Allen, Leonardo Capalbo, Jane Archibald, Anne Sofie von Otter, Marcus Farnsworth, Thomas Atkins, Carmen Artaza, Guildhall School Young Artists, London Symphony Chorus, London Symphony Orchestra, Marin Alsop | 4:39 |
| Candide: Act Two: My Love (Governor’s Serenade) | | Thomas Atkins, Jane Archibald, London Symphony Orchestra, Marin Alsop | 2:33 |
| Candide: Act Two: Universal Good | | London Symphony Chorus, London Symphony Orchestra, Marin Alsop | 1:02 |
| Candide: Act Two: Universal Good (Life Is Neither) – “Come, cast aside all vain speculations” | | Leonardo Capalbo, London Symphony Chorus, London Symphony Orchestra, Marin Alsop | 2:28 |
| Candide: Act Two: We Are Women (Polka) | | Jane Archibald, Anne Sofie von Otter, London Symphony Orchestra, Marin Alsop | 3:21 |
| Candide: Act Two: What’s The Use | | Anne Sofie von Otter, Marcus Farnsworth, Frederick Jones, Jonathan Eyers, London Symphony Chorus, London Symphony Orchestra, Marin Alsop | 4:05 |
| Candide: Overture | | London Symphony Orchestra, Marin Alsop | 4:42 |
| Carol of the Bells | | Canterbury Cathedral Girls' Choir | 3:22 |
| Christmas Introit | | Canterbury Cathedral Girls' Choir | 1:11 |
| Clapping Music | | LSO Percussion Ensemble | 3:37 |
| Das Paradies und die Peri, op. 50: Dritter Teil: No. 18. Schmücket die Stufen zu Allahs Thron | | Bianca Andrew, Francesca Chiejina, Emily Kyte, London Symphony Chorus, Elizabeth Skinner, London Symphony Orchestra, Sir Simon Rattle | 2:54 |
| Das Paradies und die Peri, op. 50: Dritter Teil: No. 19. Dem Sang von ferne lauschend | | Bernarda Fink, Mark Padmore, London Symphony Orchestra, Sir Simon Rattle | 2:54 |
| Das Paradies und die Peri, op. 50: Dritter Teil: No. 20. Verstossen! Verschlossen aufs neu | | Sally Matthews, London Symphony Orchestra, Sir Simon Rattle | 4:05 |
| Das Paradies und die Peri, op. 50: Dritter Teil: No. 21. Jetzt sank des Abends goldner Schein | | Florian Boesch, London Symphony Orchestra, Sir Simon Rattle | 4:05 |
| Das Paradies und die Peri, op. 50: Dritter Teil: No. 22. Und wie sie niederwärts sich schwingt | | Bianca Andrew, Florian Boesch, Francesca Chiejina, Emily Kyte, Mark Padmore, Elizabeth Skinner, London Symphony Orchestra, Sir Simon Rattle | 3:14 |
| Das Paradies und die Peri, op. 50: Dritter Teil: No. 23. Hinab zu jenem Sonnentempel | | Florian Boesch, Bernarda Fink, Sally Matthews, Mark Padmore, London Symphony Orchestra, Sir Simon Rattle | 5:40 |
| See all 421 relationships |
| produced |
|---|
| Petruskha (rev. 1947): Scene 1: I. The Shrovetide Fair (Introduction) | | London Symphony Orchestra, Sir Simon Rattle | 1:20 |
| Petruskha (rev. 1947): Scene 1: II. The Crowds | | London Symphony Orchestra, Sir Simon Rattle | 4:00 |
| Petruskha (rev. 1947): Scene 1: III. The Conjuring Trick | | London Symphony Orchestra, Sir Simon Rattle | 1:55 |
| Petruskha (rev. 1947): Scene 1: IV. Russian Dance | | London Symphony Orchestra, Sir Simon Rattle | 2:47 |
| Petruskha (rev. 1947): Scene 2: I. Petrushka’s Cell | | London Symphony Orchestra, Sir Simon Rattle | 4:36 |
| Petruskha (rev. 1947): Scene 3: I. The Moor’s Cell | | London Symphony Orchestra, Sir Simon Rattle | 2:42 |
| Petruskha (rev. 1947): Scene 3: II. Dance of the Ballerina | | London Symphony Orchestra, Sir Simon Rattle | 0:49 |
| Petruskha (rev. 1947): Scene 3: III. Waltz (The Ballerina and the Moor) | | London Symphony Orchestra, Sir Simon Rattle | 3:10 |
| Petruskha (rev. 1947): Scene 4: I. The Shrovetide Fair (towards evening) | | London Symphony Orchestra, Sir Simon Rattle | 1:11 |
| Petruskha (rev. 1947): Scene 4: II. Dance of the Wet-Nurses | | London Symphony Orchestra, Sir Simon Rattle | 2:39 |
| Petruskha (rev. 1947): Scene 4: III. A Peasant Enters with a Bear | | London Symphony Orchestra, Sir Simon Rattle | 1:15 |
| Petruskha (rev. 1947): Scene 4: IV. The Gypsy Girls Dance | | London Symphony Orchestra, Sir Simon Rattle | 1:05 |
| Petruskha (rev. 1947): Scene 4: V. Dance of the Coachmen and Grooms | | London Symphony Orchestra, Sir Simon Rattle | 2:09 |
| Petruskha (rev. 1947): Scene 4: VI. The Mummers (Masqueraders) | | London Symphony Orchestra, Sir Simon Rattle | 2:22 |
| Petruskha (rev. 1947): Scene 4: VII. Death of Petrushka | | London Symphony Orchestra, Sir Simon Rattle | 3:17 |
| The Firebird: I. Introduction | | London Symphony Orchestra, Sir Simon Rattle | 2:39 |
| The Firebird: II. Premier tableau. Le jardin enchanté de Kastchei | | London Symphony Orchestra, Sir Simon Rattle | 1:35 |
| The Firebird: III. Apparition de l’oiseau de feu poursuivi par Ivan Tsarévitch | | London Symphony Orchestra, Sir Simon Rattle | 2:09 |
| The Firebird: IV. Danse de l’oiseau de feu | | London Symphony Orchestra, Sir Simon Rattle | 1:29 |
| The Firebird: IX. Danse infernale de tous les sujets de Kastchei | | London Symphony Orchestra, Sir Simon Rattle | 4:39 |
| The Firebird: V. Capture de l’oiseau de feu par Ivan Tsarévitch – Supplications de l'oiseau de feu – Apparition des treize princesses enchantées | | London Symphony Orchestra, Sir Simon Rattle | 9:35 |
| The Firebird: VI. Jeu des princesses avec les pommes d’or | | London Symphony Orchestra, Sir Simon Rattle | 2:33 |
| The Firebird: VII. Brusque apparition d’Ivan Tsarévitch – Corovod (Ronde) des princesses – Lever du jour | | London Symphony Orchestra, Sir Simon Rattle | 7:15 |
| The Firebird: VIII. Ivan Tsarévitch pénètre dans le palais de Kastchei – Carillon féérique, apparition des monstres-gardiens de Kastchei et capture d’Ivan Tsarévitch – Arrivée de Kastchei l’immortel – Dialogue de Kastchei avec Ivan Tsarévitch – Intercession des princesses – Apparition de l’oiseau de feu – Danse de la suite de Kastchei enchantée par l'oiseau de feu | | London Symphony Orchestra, Sir Simon Rattle | 6:21 |
| The Firebird: X. Berceuse (L’oiseau de feu) – Réveil de Kastchei – Mort de Kastchei – Profondes ténèbres | | London Symphony Orchestra, Sir Simon Rattle | 5:52 |
| The Firebird: XI. Second tableau. Disparition du palais et des sortilèges de Kastchei, animation des chevaliers pétrifiés. Allégresse générale | | London Symphony Orchestra, Sir Simon Rattle | 3:15 |
| The Rite of Spring (rev. 1947): Part 1: Adoration of the Earth. Introduction | | London Symphony Orchestra, Sir Simon Rattle | 3:25 |
| The Rite of Spring (rev. 1947): Part 1: Dance of the Earth | | London Symphony Orchestra, Sir Simon Rattle | 1:13 |
| The Rite of Spring (rev. 1947): Part 1: Procession of the Sage – The Sage | | London Symphony Orchestra, Sir Simon Rattle | 1:05 |
| The Rite of Spring (rev. 1947): Part 1: Ritual of Abduction | | London Symphony Orchestra, Sir Simon Rattle | 1:17 |
| The Rite of Spring (rev. 1947): Part 1: Ritual of the Rival Tribes | | London Symphony Orchestra, Sir Simon Rattle | 1:53 |
| The Rite of Spring (rev. 1947): Part 1: Spring Rounds | | London Symphony Orchestra, Sir Simon Rattle | 3:31 |
| The Rite of Spring (rev. 1947): Part 1: The Augurs of Spring – Dances of the Young Girls | | London Symphony Orchestra, Sir Simon Rattle | 3:08 |
| The Rite of Spring (rev. 1947): Part 2: Evocation of the Ancestors | | London Symphony Orchestra, Sir Simon Rattle | 0:43 |
| The Rite of Spring (rev. 1947): Part 2: Glorification of the Chosen One | | London Symphony Orchestra, Sir Simon Rattle | 1:38 |
| The Rite of Spring (rev. 1947): Part 2: Mystic Circles of the Young Girls | | London Symphony Orchestra, Sir Simon Rattle | 2:59 |
| The Rite of Spring (rev. 1947): Part 2: Ritual Action of the Ancestors | | London Symphony Orchestra, Sir Simon Rattle | 3:38 |
| The Rite of Spring (rev. 1947): Part 2: Sacrificial Dance (The Chosen One) | | London Symphony Orchestra, Sir Simon Rattle | 4:47 |
| The Rite of Spring (rev. 1947): Part 2: The Sacrifice. Introduction | | London Symphony Orchestra, Sir Simon Rattle | 4:35 |
| recording engineer for |
|---|
| 1995-04 | Earth Dances | | Cleveland Orchestra, Christoph von Dohnányi | 36:49 |
| 2007-07 | Totus tuus, op. 60 | | Gabrieli Consort, Paul McCreesh | 11:36 |
| 2009-12-28 – 2009-12-31 | Les noces: Part I, Scene I: The Bride's Chamber | | Andrei Petrenko, Млада Худолей, Хор Мариинского театра, Ольга Савова, Андрей Серов, Александр Тимченко, Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 4:18 |
| 2009-12-28 – 2009-12-31 | Les noces: Part I, Scene II: At the Bridegroom's | | Andrei Petrenko, Млада Худолей, Хор Мариинского театра, Ольга Савова, Андрей Серов, Александр Тимченко, Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 5:08 |
| 2009-12-28 – 2009-12-31 | Les noces: Part I, Scene III: The Bride's Departure | | Andrei Petrenko, Млада Худолей, Хор Мариинского театра, Ольга Савова, Андрей Серов, Александр Тимченко, Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 2:45 |
| 2009-12-28 – 2009-12-31 | Les noces: Part II, Scene IV: The Wedding Feast | | Andrei Petrenko, Млада Худолей, Хор Мариинского театра, Ольга Савова, Андрей Серов, Александр Тимченко, Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 9:25 |
| 2010-02-04 – 2010-02-08 | Oedipus rex: Act II: "Et maintenant, vous allez entendre…" | | Andrei Petrenko, Gérard Depardieu, Хор Мариинского театра, Евгений Никитин, Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 7:38 |
| 2010-02-04 – 2010-02-08 | Oedipus rex: Act II: "La dispute des princes attire Jocaste…" | | Andrei Petrenko, Gérard Depardieu, Хор Мариинского театра, Екатерина Семенчук, Сергей Семишкур, Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 12:18 |
| 2010-02-04 – 2010-02-08 | Oedipus rex: Act II: "Le témoin du meurtre sort de l'ombre…" | | Andrei Petrenko, Gérard Depardieu, Хор Мариинского театра, Евгений Никитин, Сергей Семишкур, Александр Тимченко, Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 7:53 |
| 2010-02-04 – 2010-02-08 | Oedipus rex: Prologue and Act I: "Œdipe interroge la fountaine de vérité…" | | Andrei Petrenko, Gérard Depardieu, Хор Мариинского театра, Михаил Петренко, Сергей Семишкур, Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 9:28 |
| 2010-02-04 – 2010-02-08 | Oedipus rex: Prologue and Act I: "Spectateurs, vous allez entendre une version latine d'Œdipe-Roi…" | | Andrei Petrenko, Gérard Depardieu, Хор Мариинского театра, Сергей Семишкур, Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 7:43 |
| 2010-02-04 – 2010-02-08 | Oedipus rex: Prologue and Act I: "Voici Créon, beau-frère d'Œdipe…" | | Andrei Petrenko, Gérard Depardieu, Хор Мариинского театра, Евгений Никитин, Сергей Семишкур, Симфонический оркестр Мариинского театра, Валерий Абисалович Гергиев | 7:32 |
| 2012-03-12 – 2012-03-13 | Autumn 1 | | Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder | 5:42 |
| 2012-03-12 – 2012-03-13 | Autumn 2 | | Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder | 3:08 |
| 2012-03-12 – 2012-03-13 | Autumn 3 | | Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder | 1:45 |
| 2012-03-12 – 2012-03-13 | Spring 0 | | Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder | 0:42 |
| 2012-03-12 – 2012-03-13 | Spring 1 | | Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder | 2:32 |
| 2012-03-12 – 2012-03-13 | Spring 2 | | Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder | 3:19 |
| 2012-03-12 – 2012-03-13 | Spring 3 | | Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder | 3:09 |
| 2012-03-12 – 2012-03-13 | Summer 1 | | Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder | 4:11 |
| 2012-03-12 – 2012-03-13 | Summer 2 | | Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder | 3:59 |
| 2012-03-12 – 2012-03-13 | Summer 3 | | Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder | 5:01 |
| 2012-03-12 – 2012-03-13 | Winter 1 | | Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder | 3:01 |
| 2012-03-12 – 2012-03-13 | Winter 2 | | Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder | 2:51 |
| 2012-03-12 – 2012-03-13 | Winter 3 | | Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder | 4:39 |
| 2013-07-10 – 2013-07-11 | Piano Concerto in G minor, op. 33: I. Allegro agitato | | Garrick Ohlsson, Česká filharmonie, Jiří Bělohlávek | 19:12 |
| 2013-07-10 – 2013-07-11 | Piano Concerto in G minor, op. 33: II. Andante sostenuto | | Garrick Ohlsson, Česká filharmonie, Jiří Bělohlávek | 8:59 |
| 2013-07-10 – 2013-07-11 | Piano Concerto in G minor, op. 33: III. Allegro con fuoco | | Garrick Ohlsson, Česká filharmonie, Jiří Bělohlávek | 11:40 |
| 2013-11-06 – 2013-11-13 | Roméo et Juliette, op. 17 : Deuxière Partie: Nº 2. Roméo seul - Tristesse - Bruit Iointain de bal et de concert - Grande Fête chez Capulet | | Valery Gergiev, London Symphony Orchestra | 12:14 |
| 2013-11-06 – 2013-11-13 | Roméo et Juliette, op. 17 : Deuxière Partie: Nº 3. Scène d'amour: Nuit sereine - Le Jardin de Capulet, silencieux et désert « Ohé ! Capulets, bonsoir ! » - Les jeunes Capulets sortant de la fête, passent en chantant des réminiscences de la musique du bal | | Valery Gergiev, London Symphony Orchestra, Simon Halsey, Guildhall School Singers,London Symphony Chorus | 17:48 |
| 2013-11-06 – 2013-11-13 | Roméo et Juliette, op. 17 : Deuxière Partie: Nº 4. Scherzo: La Reine Mab, ou la Fée des Songes | | Valery Gergiev, London Symphony Orchestra | 7:52 |
| 2013-11-06 – 2013-11-13 | Roméo et Juliette, op. 17 : Première Partie: Nº 1. Introduction : Combats - Tumulte - Intervention du Prince | | Valery Gergiev, London Symphony Orchestra | 4:39 |
| 2013-11-06 – 2013-11-13 | Roméo et Juliette, op. 17 : Première Partie: Nº 1. Prologue : Récitatif Chorale « D’anciennes haines endormies » | | Valery Gergiev, London Symphony Orchestra, Simon Halsey, Guildhall School Singers,Olga Borodina, London Symphony Chorus | 4:32 |
| 2013-11-06 – 2013-11-13 | Roméo et Juliette, op. 17 : Première Partie: Nº 1. Prologue : Récitatif et Scherzetto « Bientôt de Roméo » | | Valery Gergiev, London Symphony Orchestra, Simon Halsey, Guildhall School Singers,London Symphony Chorus, Kenneth Tarver | 2:59 |
| 2013-11-06 – 2013-11-13 | Roméo et Juliette, op. 17 : Première Partie: Nº 1. Prologue : Strophes « Premiers transports que nul n’oublie ! » | | Valery Gergiev, London Symphony Orchestra, Simon Halsey, Guildhall School Singers,London Symphony Chorus, Olga Borodina | 6:59 |
| 2013-11-06 – 2013-11-13 | Roméo et Juliette, op. 17 : Troisième Partie : Nº 5. Convoi funèbre de Juliette « Jetez des fleurs pour la vierge expirée ! » | | Valery Gergiev, London Symphony Orchestra, Simon Halsey, Guildhall School Singers,London Symphony Chorus | 9:25 |
| 2013-11-06 – 2013-11-13 | Roméo et Juliette, op. 17 : Troisième Partie : Nº 6. Roméo au tombeau des Capulets: Invocation - Réveil de Juliette Joie délirante, désespoir, dernières angoisses et mort des deux amants | | Valery Gergiev, London Symphony Orchestra | 7:14 |
| 2013-11-06 – 2013-11-13 | Roméo et Juliette, op. 17 : Troisième Partie : Nº 7. Final : Air du Père Laurence « Pauvres enfants que je pleure » | | Valery Gergiev, London Symphony Orchestra, Simon Halsey, Guildhall School Singers,London Symphony Chorus, Evgeny Nikitin, Kenneth Tarver | 8:21 |
| 2013-11-06 – 2013-11-13 | Roméo et Juliette, op. 17 : Troisième Partie : Nº 7. Final : La foule accourt au cimetière - Rixe des Capulets et des Montagus « Quoi ! Roméo de retour » - Récitatif du Père Laurence « Je vais dévoiler le mystère » | | Valery Gergiev, London Symphony Orchestra, Simon Halsey, Guildhall School Singers,London Symphony Chorus, Evgeny Nikitin, Kenneth Tarver | 3:52 |
| 2013-11-06 – 2013-11-13 | Roméo et Juliette, op. 17 : Troisième Partie : Nº 7. Final : Serment de réconciliation « Jurez donc, par l’auguste symbole » | | Valery Gergiev, London Symphony Orchestra, Simon Halsey, Guildhall School Singers,London Symphony Chorus, Evgeny Nikitin, Kenneth Tarver | 4:25 |
| 2014-01-21 | Overture: The Hebrides | | London Symphony Orchestra, Sir John Eliot Gardiner | 9:59 |
| 2014-01-21 | Piano concerto in A minor: I. Allegro affettuoso | | Maria João Pires, London Symphony Orchestra, Sir John Eliot Gardiner | 15:20 |
| 2014-01-21 | Piano concerto in A minor: II. Intermezzo grazioso | | Maria João Pires, London Symphony Orchestra, Sir John Eliot Gardiner | 5:04 |
| 2014-01-21 | Piano concerto in A minor: III. Allegro vivace | | Maria João Pires, London Symphony Orchestra, Sir John Eliot Gardiner | 11:04 |
| 2014-01-21 | Symphony no. 3 in A minor: I. Andante con moto - Allegro un poco agitato | | London Symphony Orchestra, Sir John Eliot Gardiner | 15:01 |
| 2014-01-21 | Symphony no. 3 in A minor: II. Vivace non troppo | | London Symphony Orchestra, Sir John Eliot Gardiner | 4:11 |
| 2014-01-21 | Symphony no. 3 in A minor: III. Adagio | | London Symphony Orchestra, Sir John Eliot Gardiner | 8:56 |
| 2014-01-21 | Symphony no. 3 in A minor: IV. Allegro vivacissimo - Allegro maestoso assai | | London Symphony Orchestra, Sir John Eliot Gardiner | 9:39 |
| 2014-03-30 | Symphony no. 1 in E major, op. 26: I. Lento | | London Symphony Orchestra, Valery Gergiev | 6:51 |
| 2014-03-30 | Symphony no. 1 in E major, op. 26: II. Allegro drammatico | | London Symphony Orchestra, Valery Gergiev | 10:56 |
| 2014-03-30 | Symphony no. 1 in E major, op. 26: III. Lento | | London Symphony Orchestra, Valery Gergiev | 7:59 |
| 2014-03-30 | Symphony no. 1 in E major, op. 26: IV. Vivace | | London Symphony Orchestra, Valery Gergiev | 3:21 |
| 2014-03-30 | Symphony no. 1 in E major, op. 26: V. Allegro | | London Symphony Orchestra, Valery Gergiev | 7:17 |
| 2014-03-30 | Symphony no. 1 in E major, op. 26: VI. Andante | | Ekaterina Sergeeva, Alexander Timchenko, London Symphony Orchestra, Valery Gergiev, London Symphony Chorus, Simon Halsey | 13:41 |
| 2014-11-11 – 2014-11-13 | Russia | | London Symphony Orchestra, Valery Gergiev | 13:05 |
| 2014-11-11 – 2014-11-13 | Symphony no. 3: I. Lento – Allegro moderato - Allegro | | London Symphony Orchestra, Valery Gergiev | 17:45 |
| 2014-11-11 – 2014-11-13 | Symphony no. 3: II. Adagio ma non troppo - Allegro vivace | | London Symphony Orchestra, Valery Gergiev | 11:53 |
| 2014-11-11 – 2014-11-13 | Symphony no. 3: III. Allegro – Allegro vivace – Allegro (Tempo primo) – Allegretto - Allegro vivace | | London Symphony Orchestra, Valery Gergiev | 13:49 |
| 2015-02-19 | Symphony no. 1 in D minor, op. 13: I. Grave - Allegro non troppo | | London Symphony Orchestra, Valery Gergiev | 13:35 |
| 2015-02-19 | Symphony no. 1 in D minor, op. 13: II. Allegro animato | | London Symphony Orchestra, Valery Gergiev | 7:03 |
| 2015-02-19 | Symphony no. 1 in D minor, op. 13: III. Larghetto | | London Symphony Orchestra, Valery Gergiev | 9:24 |
| 2015-02-19 | Symphony no. 1 in D minor, op. 13: IV. Allegro con fuoco | | London Symphony Orchestra, Valery Gergiev | 11:40 |
| 2015-02-19 | Tamara | | London Symphony Orchestra, Valery Gergiev | 19:38 |
| 2015-04-26 | Chamber Symphony in C minor (String Quartet no. 8), op. 110a: I. Largo | | LSO String Ensemble, Roman Simovic | 5:14 |
| 2015-04-26 | Chamber Symphony in C minor (String Quartet no. 8), op. 110a: II. Allegro molto | | LSO String Ensemble, Roman Simovic | 2:57 |
| 2015-04-26 | Chamber Symphony in C minor (String Quartet no. 8), op. 110a: III. Allegretto | | LSO String Ensemble, Roman Simovic | 4:41 |
| 2015-04-26 | Chamber Symphony in C minor (String Quartet no. 8), op. 110a: IV. Largo | | LSO String Ensemble, Roman Simovic | 6:15 |
| 2015-04-26 | Chamber Symphony in C minor (String Quartet no. 8), op. 110a: V. Largo | | LSO String Ensemble, Roman Simovic | 4:33 |
| 2015-04-26 | String Quartet no. 14 in D minor, “Death and the Maiden”, D. 810: I. Allegro | | LSO String Ensemble, Roman Simovic | 16:04 |
| 2015-04-26 | String Quartet no. 14 in D minor, “Death and the Maiden”, D. 810: II. Andante con moto | | LSO String Ensemble, Roman Simovic | 14:10 |
| 2015-04-26 | String Quartet no. 14 in D minor, “Death and the Maiden”, D. 810: III. Scherzo: Allegro molto | | LSO String Ensemble, Roman Simovic | 3:44 |
| 2015-04-26 | String Quartet no. 14 in D minor, “Death and the Maiden”, D. 810: IV. Presto | | LSO String Ensemble, Roman Simovic | 8:50 |
| 2017-09-21 – 2017-09-24 | Petruskha (rev. 1947): Scene 1: I. The Shrovetide Fair (Introduction) | | London Symphony Orchestra, Sir Simon Rattle | 1:20 |
| 2017-09-21 – 2017-09-24 | Petruskha (rev. 1947): Scene 1: II. The Crowds | | London Symphony Orchestra, Sir Simon Rattle | 4:00 |
| 2017-09-21 – 2017-09-24 | Petruskha (rev. 1947): Scene 1: III. The Conjuring Trick | | London Symphony Orchestra, Sir Simon Rattle | 1:55 |
| 2017-09-21 – 2017-09-24 | Petruskha (rev. 1947): Scene 1: IV. Russian Dance | | London Symphony Orchestra, Sir Simon Rattle | 2:47 |
| 2017-09-21 – 2017-09-24 | Petruskha (rev. 1947): Scene 2: I. Petrushka’s Cell | | London Symphony Orchestra, Sir Simon Rattle | 4:36 |
| 2017-09-21 – 2017-09-24 | Petruskha (rev. 1947): Scene 3: I. The Moor’s Cell | | London Symphony Orchestra, Sir Simon Rattle | 2:42 |
| 2017-09-21 – 2017-09-24 | Petruskha (rev. 1947): Scene 3: II. Dance of the Ballerina | | London Symphony Orchestra, Sir Simon Rattle | 0:49 |
| 2017-09-21 – 2017-09-24 | Petruskha (rev. 1947): Scene 3: III. Waltz (The Ballerina and the Moor) | | London Symphony Orchestra, Sir Simon Rattle | 3:10 |
| 2017-09-21 – 2017-09-24 | Petruskha (rev. 1947): Scene 4: I. The Shrovetide Fair (towards evening) | | London Symphony Orchestra, Sir Simon Rattle | 1:11 |
| 2017-09-21 – 2017-09-24 | Petruskha (rev. 1947): Scene 4: II. Dance of the Wet-Nurses | | London Symphony Orchestra, Sir Simon Rattle | 2:39 |
| 2017-09-21 – 2017-09-24 | Petruskha (rev. 1947): Scene 4: III. A Peasant Enters with a Bear | | London Symphony Orchestra, Sir Simon Rattle | 1:15 |
| 2017-09-21 – 2017-09-24 | Petruskha (rev. 1947): Scene 4: IV. The Gypsy Girls Dance | | London Symphony Orchestra, Sir Simon Rattle | 1:05 |
| 2017-09-21 – 2017-09-24 | Petruskha (rev. 1947): Scene 4: V. Dance of the Coachmen and Grooms | | London Symphony Orchestra, Sir Simon Rattle | 2:09 |
| 2017-09-21 – 2017-09-24 | Petruskha (rev. 1947): Scene 4: VI. The Mummers (Masqueraders) | | London Symphony Orchestra, Sir Simon Rattle | 2:22 |
| 2017-09-21 – 2017-09-24 | Petruskha (rev. 1947): Scene 4: VII. Death of Petrushka | | London Symphony Orchestra, Sir Simon Rattle | 3:17 |
| 2017-09-21 – 2017-09-24 | The Firebird: I. Introduction | | London Symphony Orchestra, Sir Simon Rattle | 2:39 |
| 2017-09-21 – 2017-09-24 | The Firebird: II. Premier tableau. Le jardin enchanté de Kastchei | | London Symphony Orchestra, Sir Simon Rattle | 1:35 |
| 2017-09-21 – 2017-09-24 | The Firebird: III. Apparition de l’oiseau de feu poursuivi par Ivan Tsarévitch | | London Symphony Orchestra, Sir Simon Rattle | 2:09 |
| 2017-09-21 – 2017-09-24 | The Firebird: IV. Danse de l’oiseau de feu | | London Symphony Orchestra, Sir Simon Rattle | 1:29 |
| 2017-09-21 – 2017-09-24 | The Firebird: IX. Danse infernale de tous les sujets de Kastchei | | London Symphony Orchestra, Sir Simon Rattle | 4:39 |
| 2017-09-21 – 2017-09-24 | The Firebird: V. Capture de l’oiseau de feu par Ivan Tsarévitch – Supplications de l'oiseau de feu – Apparition des treize princesses enchantées | | London Symphony Orchestra, Sir Simon Rattle | 9:35 |
| 2017-09-21 – 2017-09-24 | The Firebird: VI. Jeu des princesses avec les pommes d’or | | London Symphony Orchestra, Sir Simon Rattle | 2:33 |
| 2017-09-21 – 2017-09-24 | The Firebird: VII. Brusque apparition d’Ivan Tsarévitch – Corovod (Ronde) des princesses – Lever du jour | | London Symphony Orchestra, Sir Simon Rattle | 7:15 |
| 2017-09-21 – 2017-09-24 | The Firebird: VIII. Ivan Tsarévitch pénètre dans le palais de Kastchei – Carillon féérique, apparition des monstres-gardiens de Kastchei et capture d’Ivan Tsarévitch – Arrivée de Kastchei l’immortel – Dialogue de Kastchei avec Ivan Tsarévitch – Intercession des princesses – Apparition de l’oiseau de feu – Danse de la suite de Kastchei enchantée par l'oiseau de feu | | London Symphony Orchestra, Sir Simon Rattle | 6:21 |
| 2017-09-21 – 2017-09-24 | The Firebird: X. Berceuse (L’oiseau de feu) – Réveil de Kastchei – Mort de Kastchei – Profondes ténèbres | | London Symphony Orchestra, Sir Simon Rattle | 5:52 |
| 2017-09-21 – 2017-09-24 | The Firebird: XI. Second tableau. Disparition du palais et des sortilèges de Kastchei, animation des chevaliers pétrifiés. Allégresse générale | | London Symphony Orchestra, Sir Simon Rattle | 3:15 |
| 2017-09-21 – 2017-09-24 | The Rite of Spring (rev. 1947): Part 1: Adoration of the Earth. Introduction | | London Symphony Orchestra, Sir Simon Rattle | 3:25 |
| 2017-09-21 – 2017-09-24 | The Rite of Spring (rev. 1947): Part 1: Dance of the Earth | | London Symphony Orchestra, Sir Simon Rattle | 1:13 |
| See all 533 relationships |
| sound engineered |
|---|
| 1998-06 | Requiem, op. 48: Libera me | | Bryn Terfel, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | 4:52 |
| Carmina Burana: Blanziflor et Helena: 24. Ave formosissima | | London Symphony Chorus, London Symphony Orchestra, Richard Hickox | 1:50 |
| Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | | London Symphony Chorus, London Symphony Orchestra, Richard Hickox | 2:33 |
| Carmina Burana: Fortuna Imperatrix Mundi: 2. Fortune plango vulnera | | London Symphony Chorus, London Symphony Orchestra, Richard Hickox | 2:40 |
| Carmina Burana: Fortuna Imperatrix Mundi: 25. O Fortuna | | London Symphony Chorus, London Symphony Orchestra, Richard Hickox | 3:13 |
| Carmina Burana: I. Primo vere: 3. Veris leta facies | | London Symphony Chorus, London Symphony Orchestra, Richard Hickox | 3:54 |
| Carmina Burana: I. Primo vere: 4. Omnia Sol temperat | | Christopher Maltman, London Symphony Orchestra, Richard Hickox | 2:10 |
| Carmina Burana: I. Primo vere: 5. Ecce gratum | | London Symphony Chorus, London Symphony Orchestra, Richard Hickox | 2:44 |
| Carmina Burana: II. In taberna: 11. Estuans interius | | Christopher Maltman, London Symphony Orchestra, Richard Hickox | 2:28 |
| Carmina Burana: II. In taberna: 12. Olim lacus colueram | | Barry Banks, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | 3:34 |
| Carmina Burana: II. In taberna: 13. Ego sum abbas | | London Symphony Chorus, Christopher Maltman, London Symphony Orchestra, Richard Hickox | 1:29 |
| Carmina Burana: II. In taberna: 14. In taberna quando sumus | | London Symphony Chorus, London Symphony Orchestra, Richard Hickox | 3:05 |
| Carmina Burana: III. Cour d’amours: 15. Amor volat undique | | Laura Claycomb, Tiffin Boys’ Choir, London Symphony Orchestra, Richard Hickox | 3:16 |
| Carmina Burana: III. Cour d’amours: 16. Dies, nox et omnia | | Christopher Maltman, London Symphony Orchestra, Richard Hickox | 2:06 |
| Carmina Burana: III. Cour d’amours: 17. Stetit puella | | Laura Claycomb, London Symphony Orchestra, Richard Hickox | 1:49 |
| Carmina Burana: III. Cour d’amours: 18. Circa mea pectora | | London Symphony Chorus, Christopher Maltman, London Symphony Orchestra, Richard Hickox | 2:04 |
| Carmina Burana: III. Cour d’amours: 19. Si puer cum puellula | | London Symphony Chorus, Christopher Maltman, London Symphony Orchestra, Richard Hickox | 0:58 |
| Carmina Burana: III. Cour d’amours: 20. Veni, veni, venias | | London Symphony Chorus, London Symphony Orchestra, Richard Hickox | 1:01 |
| Carmina Burana: III. Cour d’amours: 21. In trutina | | Laura Claycomb, London Symphony Orchestra, Richard Hickox | 2:16 |
| Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum | | Laura Claycomb, London Symphony Chorus, Christopher Maltman, Tiffin Boys’ Choir, London Symphony Orchestra, Richard Hickox | 2:22 |
| Carmina Burana: III. Cour d’amours: 23. Dulcissime | | Laura Claycomb, London Symphony Orchestra, Richard Hickox | 0:43 |
| Carmina Burana: Uf dem anger: 6. Tanz | | London Symphony Orchestra, Richard Hickox | 1:44 |
| Carmina Burana: Uf dem anger: 7. Floret silva | | London Symphony Chorus, London Symphony Orchestra, Richard Hickox | 3:19 |
| Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir | | London Symphony Chorus, London Symphony Orchestra, Richard Hickox | 3:23 |
| Carmina Burana: Uf dem anger: 9. Reie | | London Symphony Chorus, London Symphony Orchestra, Richard Hickox | 4:51 |
| Carmina Burana: Uf dem anger: 10. Were diu werlt alle min | | London Symphony Chorus, London Symphony Orchestra, Richard Hickox | 0:53 |
| Piano Concerto no. 21 in C major, K. 467: I. Allegro maestoso | | Robert Levin, Academy of Ancient Music, Richard Egarr | 13:45 |
| Piano Concerto no. 21 in C major, K. 467: II. Andante | | Robert Levin, Academy of Ancient Music, Richard Egarr | 5:53 |
| Piano Concerto no. 21 in C major, K. 467: III. Allegro vivace assai | | Robert Levin, Academy of Ancient Music, Richard Egarr | 6:46 |
| Piano Concerto no. 24 in C minor, K. 491: I. Allegro | | Robert Levin, Academy of Ancient Music, Richard Egarr | 12:45 |
| Piano Concerto no. 24 in C minor, K. 491: II. Larghetto | | Robert Levin, Academy of Ancient Music, Richard Egarr | 6:58 |
| Piano Concerto no. 24 in C minor, K. 491: III. Allegretto | | Robert Levin, Academy of Ancient Music, Richard Egarr | 9:21 |
| The Reluctant Dragon | assistant | John Rutter | 21:34 |
| The Reluctant Dragon: Banquet Fugue | assistant | John Rutter | 1:03 |
| The Reluctant Dragon: Finale: Let's begin again | assistant | John Rutter | 5:06 |
| The Reluctant Dragon: Introduction | assistant | John Rutter | 2:37 |
| The Reluctant Dragon: Planning the tournament: First he waves his spear around | assistant | John Rutter | 1:50 |
| The Reluctant Dragon: The boy visits the dragon's cave | assistant | John Rutter | 3:37 |
| The Reluctant Dragon: The tournament | assistant | John Rutter | 3:08 |
| The Reluctant Dragon: The villagers and St George arrive | assistant | John Rutter | 1:25 |
| The Reluctant Dragon: Trio: I say, old boy | assistant | John Rutter | 2:41 |
| The Wind in the Willows | assistant | John Rutter | 28:22 |
| The Wind in the Willows: Court scene | assistant | John Rutter | 2:39 |
| The Wind in the Willows: Finale: Home is a special kind of feeling | assistant | John Rutter | 4:43 |
| The Wind in the Willows: Introduction | assistant | John Rutter | 3:05 |
| The Wind in the Willows: Rat and Mole meet: A life on the river | assistant | John Rutter | 2:46 |
| The Wind in the Willows: Scene at Badger's house | assistant | John Rutter | 4:04 |
| The Wind in the Willows: The banquet at Toad Hall | assistant | John Rutter | 0:51 |
| The Wind in the Willows: The recapture of Toad Hall: Let's wallop a weasel | assistant | John Rutter | 3:58 |
| The Wind in the Willows: Toad in gaol: Let me tickle your fancy | assistant | John Rutter | 1:54 |
| The Wind in the Willows: Toad's car | assistant | John Rutter | 1:55 |
| The Wind in the Willows: Toad's song: I've got style | assistant | John Rutter | 2:32 |
| Violin Concerto no. 1, Sz. 36: Allegro giocoso | | Renaud Capuçon, London Symphony Orchestra, François‐Xavier Roth | 12:11 |
| Violin Concerto no. 1, Sz. 36: Andante sostenuto | | Renaud Capuçon, London Symphony Orchestra, François‐Xavier Roth | 9:37 |
| Violin Concerto no. 2, Sz. 112: Allegro molto | | Renaud Capuçon, London Symphony Orchestra, François‐Xavier Roth | 12:17 |
| Violin Concerto no. 2, Sz. 112: Allegro non troppo | | Renaud Capuçon, London Symphony Orchestra, François‐Xavier Roth | 16:10 |
| Violin Concerto no. 2, Sz. 112: Andante tranquillo | | Renaud Capuçon, London Symphony Orchestra, François‐Xavier Roth | 9:54 |
| balance engineered |
|---|
| Der Freischütz | | Weber; Christine Brewer, Sally Matthews, Simon O’Neill, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | |
| In Paradisum | | Gabriel Fauré, Maurice Duruflé; Orchestra dell’Accademia Nazionale di Santa Cecilia, Myung-Whun Chung, Cecilia Bartoli, Bryn Terfel | |
| edited |
|---|
| Enigma Variations / Introduction & Allegro | | Elgar; London Symphony Orchestra, Sir Colin Davis | |
| Fauré: Requiem / Bach: Partita, Chorales & Ciaconna | | Fauré, JS Bach; Tenebrae, London Symphony Orchestra Chamber Ensemble, Nigel Short, Gordan Nikolitch, Grace Davidson, William Gaunt | |
| Tchaikovsky: Serenade in C / Bartók: Divertimento | | Tchaikovsky, Bartók; LSO String Ensemble, Roman Simovic | |
| engineered |
|---|
| Chess | assistant | Björn Ulvaeus & Benny Andersson | |
| Chess | assistant | Björn Ulvaeus & Benny Andersson | |
| Missa Solemnis | | Ludwig van Beethoven; Júlia Várady, Iris Vermillion, Vinson Cole, René Pape, Rundfunkchor Berlin, Berliner Philharmoniker, Sir Georg Solti | |
| mastering |
|---|
| 2012-06-06 – 2012-06-14 | Symphony No. 7 'Leningrad' | | Shostakovich; Valery Gergiev, Mariinsky Orchestra | |
| A Midsummer Night’s Dream | | Mendelssohn; Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | |
| Candide | | Leonard Bernstein; Leonardo Capalbo, Jane Archibald, Anne Sofie von Otter, Sir Thomas Allen, London Symphony Orchestra, Marin Alsop | |
| Christmas With Canterbury Cathedral Girls' Choir | | Canterbury Cathedral Girls' Choir | |
| Clapping Music / Music for Pieces of Wood / Sextet | | Steve Reich; LSO Percussion Ensemble | |
| Das Paradies und die Peri | | Schumann; London Symphony Orchestra, Sir Simon Rattle | |
| Elektra | | Strauss; Jeanne‐Michèle Charbonnet, Angela Denoke, Dame Felicity Palmer, Matthias Goerne, London Symphony Orchestra, Valery Gergiev | |
| Elektra | | Strauss; Jeanne‐Michèle Charbonnet, Angela Denoke, Dame Felicity Palmer, Matthias Goerne, London Symphony Orchestra, Valery Gergiev | |
| Enigma Variations / Introduction & Allegro | | Elgar; London Symphony Orchestra, Sir Colin Davis | |
| Nazareno | | Bernstein, Stravinsky, Golijov; Katia & Marielle Labèque, Chris Richards, London Symphony Orchestra, Sir Simon Rattle | |
| Nazareno | | Bernstein, Stravinsky, Golijov; Katia & Marielle Labèque, Chris Richards, London Symphony Orchestra, Sir Simon Rattle | |
| Parsifal | | Richard Wagner; Gary Lehman, Violeta Urmana, René Pape, Mariinsky Orchestra & Chorus, Valery Gergiev | |
| Piano Concerto no. 2 | | Beethoven; Maria João Pires, London Symphony Orchestra, Bernard Haitink | |
| Piano Concertos, K467 & K491 | | Mozart; Academy of Ancient Music, Robert Levin, Richard Egarr | |
| Quartet Quintet | | Steve Reich, Gwilym Simcock; LSO Percussion Ensemble | |
| Requiem | | Verdi; Erika Grimaldi, Daniela Barcellona, Francesco Meli, Michele Pertusi, London Symphony Chorus, Simon Halsey, London Symphony Orchestra, Gianandrea Noseda | |
| Speranza / From the Wreckage | | Mark-Anthony Turnage; Daniel Harding, Håkan Hardenberger, London Symphony Orchestra | |
| Symphonie fantastique / Overture: Waverley | | Berlioz; London Symphony Orchestra, Valery Gergiev | |
| Symphonies nos. 1-7 / Kullervo / The Oceanides / Pohjola's Daughter | | Sibelius, Sir Colin Davis, Monica Groop, Peter Mattei, London Symphony Chorus, London Symphony Orchestra | |
| Symphonies nos. 3 & 4 | | Scriabin; London Symphony Orchestra, Valery Gergiev | |
| Symphony no. 7 | | Shostakovich; London Symphony Orchestra, Gianandrea Noseda | |
| Symphony no. 9 | | Bruckner; London Symphony Orchestra, Bernard Haitink | |
| Symphony no. 10 | | Sir Peter Maxwell Davies; Sir Antonio Pappano, Markus Butter, Simon Halsey, London Symphony Chorus, London Symphony Orchestra | |
| Tchaikovsky: Serenade in C / Bartók: Divertimento | | Tchaikovsky, Bartók; LSO String Ensemble, Roman Simovic | |
| The Cunning Little Vixen / Sinfonietta | | Janáček; London Symphony Orchestra, Sir Simon Rattle, Lucy Crowe, Gerald Finley, Sophia Burgos | |
| Vaughan Williams: Fantasia on a Theme by Thomas Tallis / Britten: Variations on a Theme of Frank Bridge / Elgar: Introduction and Allegro | | Vaughan Williams, Britten, Elgar; LSO String Ensemble, Roman Simovic | |
| mixed |
|---|
| Symphonies nos. 1-7 / Kullervo / The Oceanides / Pohjola's Daughter | | Sibelius, Sir Colin Davis, Monica Groop, Peter Mattei, London Symphony Chorus, London Symphony Orchestra | |
| Tchaikovsky: Serenade in C / Bartók: Divertimento | | Tchaikovsky, Bartók; LSO String Ensemble, Roman Simovic | |
| recording engineer for |
|---|
| From Spain To Eternet The sacred polyphony of El Greco's Toledo | | Ensemble Plus Ultra | |
