| balance engineered |
---|
1998-06-18 – 1998-06-25 | Ave Maria | | David Heath, Nigel Kennedy, Fabio Zanon, English Chamber Orchestra & Paul Barritt | 2:32 |
1998-06-18 – 1998-06-25 | Banjo and Fiddle | | Nigel Kennedy, English Chamber Orchestra | 3:05 |
1998-06-18 – 1998-06-25 | Concerto No. 2 in G minor, Op. 8, RV 315, "L'estate": III. Presto | | Nigel Kennedy, English Chamber Orchestra | 2:39 |
1998-06-18 – 1998-06-25 | Czardas | | Nigel Kennedy, English Chamber Orchestra | 5:25 |
1998-06-18 – 1998-06-25 | Danny Boy | | Terry Edwards, London Voices, Liam O’Flynn, Osian Ellis, Nigel Kennedy, English Chamber Orchestra, Paul Barritt | 4:14 |
1998-06-18 – 1998-06-25 | Gymnopédie No. 1: Lent et douloureux | | John Anderson, Nigel Kennedy, English Chamber Orchestra, Paul Barritt | 2:47 |
1998-06-18 – 1998-06-25 | Gymnopédie No. 2: Lent et triste | | Nigel Kennedy, English Chamber Orchestra | 2:07 |
1998-06-18 – 1998-06-25 | Hungarian Dance No. 5 in G minor: Allegro - Vivace | | Nigel Kennedy, English Chamber Orchestra | 2:54 |
1998-06-18 – 1998-06-25 | Melody in the Wind | | John Anderson, Doug Boyle, Nigel Kennedy, Janice Knight, Rory McFarlane, English Chamber Orchestra, Paul Barritt | 5:51 |
1998-06-18 – 1998-06-25 | Nocturne No. 20 in C-sharp minor, Op. Posth. | | Nigel Kennedy, English Chamber Orchestra | 3:40 |
1998-06-18 – 1998-06-25 | Orchestersuite No. 3 D-dur, BWV 1068: II. Air | | David Heath, John Anderson, Nigel Kennedy, English Chamber Orchestra | 5:28 |
1998-06-18 – 1998-06-25 | Prelude No. 1 | | Nigel Kennedy, English Chamber Orchestra | 1:56 |
1998-06-18 – 1998-06-25 | Prelude No. 2 | | Nigel Kennedy, English Chamber Orchestra | 4:19 |
1998-06-18 – 1998-06-25 | Preludes, Book I, L. 117 No. 8: La fille aux cheveux de lin | | Nigel Kennedy, English Chamber Orchestra, Paul Barritt | 2:59 |
1998-06-18 – 1998-06-25 | Scarborough Fair | | Terry Edwards, London Voices, Greg Knowles, Liam O’Flynn, David Heath, Doug Boyle, Nigel Kennedy, Rory McFarlane, English Chamber Orchestra, Paul Barritt | 4:41 |
1998-06-18 – 1998-06-25 | Solomon Act III. Symphony in B flat major: The Arrival of the Queen of Sheba | | Nigel Kennedy, English Chamber Orchestra | 3:01 |
1998-06-18 – 1998-06-25 | Thais: Meditation | | Nigel Kennedy, English Chamber Orchestra | 6:37 |
1998-06-18 – 1998-06-25 | The Tale of Tsar Sultan, Op. 57: III. The Flight of the Bumble-Bee | | Nigel Kennedy, English Chamber Orchestra | 1:20 |
1998-06-18 – 1998-06-25 | Urge for Going | | Nigel Kennedy, English Chamber Orchestra | 4:10 |
1998-06-18 – 1998-06-25 | Zigeunerweisen, Op. 20 | | Nigel Kennedy, English Chamber Orchestra | 9:41 |
2000-01 | Concerto for Two Violins in D minor, BWV 1043: II. Largo ma non tanto | | Nigel Kennedy, Daniel Stabrawa, Berliner Philharmoniker | 6:36 |
2000-08 | Es ist genug, so nimm, Herr (Cantata: O Ewigkeit, du Donnerwort) | | Nigel Kennedy, Reinhard Armleder, Robert Brophy, Jonathan Gandelsman | 2:34 |
2000-08 | Sonata for Solo Violin No. 3 in C major, BWV 1005: IV. Allegro assai | | Nigel Kennedy | 5:14 |
2002-12-19 – 2002-12-21 | Lieder und Gesänge - Vol. III - 4. Nicht wiedersehen! (Never to meet again!) | | Alice Coote, Julius Drake | 4:48 |
2002-12-19 – 2002-12-21 | Urlicht | | Alice Coote, Julius Drake | 4:47 |
2005-12-03 – 2005-12-06 | 1812 Overture, op. 49 (original version with chorus) | | Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 16:27 |
2005-12-03 – 2005-12-06 | Eugene Onegin: Polonaise (Act III) | | Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 4:51 |
2005-12-03 – 2005-12-06 | Eugene Onegin: Waltz (Act II) | | Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 6:11 |
2005-12-03 – 2005-12-06 | Francesca da Rimini - Symphonic Fantasia After Dante, op. 32 | | Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 23:26 |
2006-07-07 – 2006-07-10 | Romeo and Juliet - Fantasy Overture (1880 version) | | Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 20:14 |
| A Lord of the Rings Suite | | James Galway, London Symphony Orchestra, Klauspeter Seibel | 6:45 |
| Abends am Strand, op. 45 no. 3 | | Ian Bostridge, Julius Drake | 3:12 |
| Ainsi la Nuit: (Libre et souple) | | Belcea Quartet | 0:33 |
| Ainsi la Nuit: I. Nocturne: Assez lent - | | Belcea Quartet | 2:42 |
| Ainsi la Nuit: II Miroir d'espace: Violent | | Belcea Quartet | 1:55 |
| Ainsi la Nuit: III. Litanies: Animé | | Belcea Quartet | 2:12 |
| Ainsi la Nuit: IV. Litanies 2 — | | Belcea Quartet | 3:31 |
| Ainsi la Nuit: Parenthèse 1: Très lent | | Belcea Quartet | 0:27 |
| Ainsi la Nuit: Parenthèse 2: Libre et flexible | | Belcea Quartet | 0:26 |
| Ainsi la Nuit: Parenthèse 3: Lent | | Belcea Quartet | 0:50 |
| Ainsi la Nuit: Parenthèse 4: Animé | | Belcea Quartet | 0:24 |
| Ainsi la Nuit: V. Constellations: Wif, souple et libre | | Belcea Quartet | 1:41 |
| Ainsi la Nuit: VI. Nocturne 2: Plus animé | | Belcea Quartet | 0:52 |
| Ainsi la Nuit: VII. Temps suspendu | | Belcea Quartet | 2:36 |
| An den Mond, D 193 | | Ian Bostridge, Julius Drake | 3:02 |
| An die Musik, D 547 | | Ian Bostridge, Julius Drake | 2:42 |
| An Silvia, D 891 | | Ian Bostridge, Julius Drake | 2:45 |
| Annie's Song | | James Galway, London Symphony Orchestra, Klauspeter Seibel | 2:58 |
| Auf dem Wasser zu singen, D 774 | | Ian Bostridge, Julius Drake | 3:28 |
| Ave Maria | | James Galway, Moray Welsh, London Symphony Orchestra, Klauspeter Seibel | 4:27 |
| Belsazar, op. 57 | | Ian Bostridge, Julius Drake | 4:40 |
| Casta diva | | James Galway, London Symphony Orchestra, Klauspeter Seibel | 5:04 |
| Che farò senza Euridice? | | James Galway, London Symphony Orchestra, Klauspeter Seibel | 4:30 |
| Concerto for 2 violins in D major, RV 511: I. Allegro molto - Adagio - Allegro | | Nigel Kennedy, Berliner Philharmoniker | 4:37 |
| Concerto for 2 violins in D major, RV 511: II. Largo | | Nigel Kennedy, Berliner Philharmoniker | 3:52 |
| Concerto for 2 violins in D major, RV 511: III. Allegro | | Nigel Kennedy, Berliner Philharmoniker | 3:38 |
| Concerto for 2 Violins, Strings and Continuo in A minor, Op. 3 No. 8, RV 522: I. Allegro | | Nigel Kennedy, Berliner Philharmoniker | 2:55 |
| Concerto for 2 Violins, Strings and Continuo in A minor, Op. 3 No. 8, RV 522: II. Larghetto e spiritoso | | Nigel Kennedy, Berliner Philharmoniker | 4:10 |
| Concerto for 2 Violins, Strings and Continuo in A minor, Op. 3 No. 8, RV 522: III. Allegro | | Nigel Kennedy, Berliner Philharmoniker | 2:39 |
| Concerto in E major, Op. 8 No. 1, RV 269 "La primavera": I. Allegro | | Nigel Kennedy, Berliner Philharmoniker | 3:05 |
| Concerto in E major, Op. 8 No. 1, RV 269 "La primavera": II. Largo | | Nigel Kennedy, Berliner Philharmoniker | 2:30 |
| Concerto in E major, Op. 8 No. 1, RV 269 "La primavera": III. Allegro | | Nigel Kennedy, Berliner Philharmoniker | 4:04 |
| Concerto in F major, Op. 8 No. 3, RV 293 "L'autunno": I. Allegro | | Nigel Kennedy, Berliner Philharmoniker | 5:08 |
| Concerto in F major, Op. 8 No. 3, RV 293 "L'autunno": II. Adagio molto | | Nigel Kennedy, Berliner Philharmoniker | 2:52 |
| Concerto in F major, Op. 8 No. 3, RV 293 "L'autunno": III. Allegro | | Nigel Kennedy, Berliner Philharmoniker | 3:38 |
| Concerto in F minor, Op. 8 No. 4, RV 297 "L'inverno": I. Allegro non molto | | Nigel Kennedy, Berliner Philharmoniker | 3:02 |
| Concerto in F minor, Op. 8 No. 4, RV 297 "L'inverno": II. Largo | | Nigel Kennedy, Berliner Philharmoniker | 1:40 |
| Concerto in F minor, Op. 8 No. 4, RV 297 "L'inverno": III. Allegro | | Nigel Kennedy, Berliner Philharmoniker | 3:32 |
| Concerto in G minor, Op. 8 No. 2, RV 315 "L'estate": I. Allegro non molto | | Nigel Kennedy, Berliner Philharmoniker | 5:16 |
| Concerto in G minor, Op. 8 No. 2, RV 315 "L'estate": II. Adagio - Presto | | Nigel Kennedy, Berliner Philharmoniker | 2:26 |
| Concerto in G minor, Op. 8 No. 2, RV 315 "L'estate": III. Presto | | Nigel Kennedy, Berliner Philharmoniker | 2:40 |
| Crisantemi for string orchestra: Andante mesto | | London Symphony Orchestra, Antonio Pappano | 7:02 |
| Dein Angesicht, op. 127 no. 2 | | Ian Bostridge, Julius Drake | 2:04 |
| Der Engel | | James Galway, London Symphony Orchestra, Klauspeter Seibel | 2:47 |
| Der Erlkönig D328 op. 1 | | Ian Bostridge, Julius Drake | 4:20 |
| Der Fischer, D 225 | | Ian Bostridge, Julius Drake | 2:48 |
| Der Musensohn, D 764 | | Ian Bostridge, Julius Drake | 2:02 |
| Der Zwerg, D 771 | | Ian Bostridge, Julius Drake | 5:21 |
| Dichterliebe, op. 48: I. Im wunderschönen Monat Mai | | Ian Bostridge, Julius Drake | 1:33 |
| Dichterliebe, op. 48: II. Aus meinen Tränen sprießen | | Ian Bostridge, Julius Drake | 0:51 |
| Dichterliebe, op. 48: III. Die Rose, die Lilie | | Ian Bostridge, Julius Drake | 0:33 |
| Dichterliebe, op. 48: IV. Wenn ich in deine Augen seh’ | | Ian Bostridge, Julius Drake | 1:45 |
| Dichterliebe, op. 48: IX. Das ist ein Flöten und Geigen | | Ian Bostridge, Julius Drake | 1:21 |
| Dichterliebe, op. 48: V. Ich will meine Seele tauchen | | Ian Bostridge, Julius Drake | 0:55 |
| Dichterliebe, op. 48: VI. Im Rhein, im heiligen Strome | | Ian Bostridge, Julius Drake | 2:18 |
| Dichterliebe, op. 48: VII. Ich grolle nicht | | Ian Bostridge, Julius Drake | 1:35 |
| Dichterliebe, op. 48: VIII. Und wüßten’s die Blumen | | Ian Bostridge, Julius Drake | 1:08 |
| Dichterliebe, op. 48: X. Hör’ ich das Liedchen klingen | | Ian Bostridge, Julius Drake | 2:14 |
| Dichterliebe, op. 48: XI. Ein Jüngling liebt ein Mädchen | | Ian Bostridge, Julius Drake | 1:05 |
| Dichterliebe, op. 48: XII. Am leuchtenden Sommermorgen | | Ian Bostridge, Julius Drake | 2:28 |
| Dichterliebe, op. 48: XIII. Ich hab’ im Traum geweinet | | Ian Bostridge, Julius Drake | 2:25 |
| Dichterliebe, op. 48: XIV. Allnächtlich im Traume | | Ian Bostridge, Julius Drake | 1:18 |
| Dichterliebe, op. 48: XV. Aus alten Märchen winkt es | | Ian Bostridge, Julius Drake | 2:28 |
| Dichterliebe, op. 48: XVI. Die alten bösen Lieder | | Ian Bostridge, Julius Drake | 4:38 |
| Die beiden Grenadiere, op. 49 no. 1 | | Ian Bostridge, Julius Drake | 3:54 |
| Die Forelle, D 550 | | Ian Bostridge, Julius Drake | 2:12 |
| Du bist die Ruh, D 776 | | Ian Bostridge, Julius Drake | 4:19 |
| En Aranjuez con tu amor | | James Galway, London Symphony Orchestra, Klauspeter Seibel | 7:29 |
| Erster Verlust, D 226 | | Ian Bostridge, Julius Drake | 2:03 |
| Es leuchtet meine Liebe, op. 127 no. 3 | | Ian Bostridge, Julius Drake | 1:47 |
| See all 181 relationships |
| edited |
---|
| 3 Folk Songs from Csík, Sz. 35a | | Lucie Horsch, Dani Luca | 3:16 |
| 3 Pieces for Solo Clarinet: No. 1 | | Lucie Horsch | 1:49 |
| 3 Pieces for Solo Clarinet: No. 3 | | Lucie Horsch | 1:28 |
| 4 Short Pieces, H104: 2. Spring Song | | The Heath Quartet, Sheku Kanneh-Mason | 2:16 |
| Adagio in D Minor, BWV 974 (after Alessandro Marcello’s Concerto for Oboe and Strings) | | Ksenija Sidorova | 4:04 |
| Blow the Wind Southerly | | Sheku Kanneh-Mason | 2:22 |
| Café 1930 | | Lucie Horsch, Sean Shibe | 6:13 |
| Cello Concerto in E minor, op. 85: I. Adagio - Moderato | | Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | 8:13 |
| Cello Concerto in E minor, op. 85: II. Lento - Allegro molto | | Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | 4:20 |
| Cello Concerto in E minor, op. 85: III. Adagio | | Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | 4:53 |
| Cello Concerto in E minor, op. 85: IV. Allegro | | Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | 11:42 |
| Chanson russe | | Lucie Horsch, LUDWIG Orchestra | 2:15 |
| Chau Paris | | Ksenija Sidorova, Claudio Constantini, Roberto Koch | 2:52 |
| Chinesische Bilder: The Actor with the Monkey | | Lucie Horsch | 4:33 |
| El diablo suelto | | Lucie Horsch, Sean Shibe | 2:22 |
| Elégie in C minor, op. 24 | | Rowena Calvert, Caroline Dearnley, Sheku Kanneh-Mason, Ashok Klouda, Josephine Knight, Robert Max, Chris Murray, Desmond Neysmith, Hannah Roberts, Nicholas Trygstad | 7:35 |
| Fantasie on a Theme of Piazzolla – Chiquilín de Bachín | | Ksenija Sidorova, Goldmund Quartet | 6:19 |
| Farewell to Stromness | | Lucie Horsch, LUDWIG Orchestra | 3:35 |
| From Jewish Life, B 54: 1. Prayer | | Braimah Kanneh‐Mason, Sheku Kanneh-Mason | 4:34 |
| Fuga y Misterio | | Lucie Horsch, Carel Kraayenhof, LUDWIG Orchestra | 3:52 |
| Histoire du Tango: Café 1930 | | Ksenija Sidorova, Alexander Sitkovetsky, Reentko Dirks, Roberto Koch | 6:42 |
| Hymnus, op. 57 | | Rowena Calvert, Ben Davies, Caroline Dearnley, Sheku Kanneh-Mason, Ashok Klouda, Josephine Knight, Robert Max, Chris Murray, Desmond Neysmith, Hannah Roberts, Nicholas Trygstad | 5:14 |
| Libertango | | Lucie Horsch, Carel Kraayenhof, LUDWIG Orchestra | 3:02 |
| Londonderry Air / Danny Boy | | Lucie Horsch, LUDWIG Orchestra | 2:37 |
| María de Buenos Aires: Yo soy María | | Ksenija Sidorova, Alexander Sitkovetsky, Claudio Constantini | 3:03 |
| Nocturne: A Kind of Lullaby of Times We Have Not Yet Lived | | Ksenija Sidorova, Roberto Koch, Goldmund Quartet | 4:06 |
| Nyami | | Lucie Horsch, Bao Sissoko | 2:47 |
| Ornithology | | Lucie Horsch, Fuse | 2:50 |
| Pašona kolo | | Lucie Horsch, LUDWIG Orchestra | 2:55 |
| Prelude, B 63 | | Braimah Kanneh‐Mason, Sheku Kanneh-Mason, Alinka Rowe, Ayla Sahin | 4:52 |
| Revelation | | Ksenija Sidorova | 4:59 |
| Romance del Diablo | | Ksenija Sidorova, Alexander Sitkovetsky, Claudio Constantini, Reentko Dirks, Roberto Koch | 6:06 |
| Romance, op. 62 | | The Heath Quartet, Toby Hughes, Sheku Kanneh-Mason | 5:36 |
| Romanian Folk Dances, Sz. 56: I. Stick Dance: Allegro moderato | | Lucie Horsch, Dani Luca | 1:14 |
| Romanian Folk Dances, Sz. 56: II. Sash Dance: Allegro | | Lucie Horsch, Dani Luca | 0:34 |
| Romanian Folk Dances, Sz. 56: III. In One Spot: Andante | | Lucie Horsch, Dani Luca | 1:11 |
| Romanian Folk Dances, Sz. 56: IV. Dance from Bucsum: Moderato | | Lucie Horsch, Dani Luca | 0:59 |
| Romanian Folk Dances, Sz. 56: V. Romanian Polka: Allegro – VI. Fast Dance: Allegro | | Lucie Horsch, Dani Luca | 1:26 |
| Scarborough Fair | | Plinio Fernandes, Sheku Kanneh-Mason | 3:14 |
| She Moved Through the Fair | | Lucie Horsch | 1:38 |
| Simple Gifts | | Lucie Horsch, LUDWIG Orchestra | 2:47 |
| Suite Lumiere: Soledad | | Ksenija Sidorova, Alexander Sitkovetsky | 7:47 |
| Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig | | Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 24:33 |
| Symphony no. 6 in A minor: II. Scherzo. Wuchtig | | Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 14:14 |
| Symphony no. 6 in A minor: III. Andante moderato | | Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 15:44 |
| Symphony no. 6 in A minor: IV. Finale: Allegro moderato | | Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 30:04 |
| Syrinx, L. 129 | | Lucie Horsch | 3:24 |
| Tico Tico (Tico-Tico no fubá) | | Lucie Horsch, Fuse | 3:14 |
| Tilibo | | Lucie Horsch, Bao Sissoko | 2:22 |
| Two Keys to One Poem by J. Brodsky: The Moon | | Ksenija Sidorova, Goldmund Quartet | 3:09 |
| Two Keys to One Poem by J. Brodsky: The River | | Ksenija Sidorova, Goldmund Quartet | 5:46 |
| Variations on an Original Theme, op. 36 "Enigma": 9. Nimrod (Adagio) | | Ben Davies, Caroline Dearnley, Sheku Kanneh-Mason, Ashok Klouda, Josephine Knight, Hannah Roberts | 4:00 |
| engineered |
---|
1996-06-22 | Concerto for Bassoon and Orchestra "The Five Sacred Trees": I. Eó mugna | assistant | Judith LeClair, London Symphony Orchestra, John Williams | 6:54 |
1996-06-22 | Concerto for Bassoon and Orchestra "The Five Sacred Trees": II. Tortan | assistant | Judith LeClair, London Symphony Orchestra, John Williams | 3:53 |
1996-06-22 | Concerto for Bassoon and Orchestra "The Five Sacred Trees": III. Eó rossa | assistant | Judith LeClair, London Symphony Orchestra, John Williams | 4:06 |
1996-06-22 | Concerto for Bassoon and Orchestra "The Five Sacred Trees": IV. Craeb uisnig | assistant | Judith LeClair, London Symphony Orchestra, John Williams | 2:53 |
1996-06-22 | Concerto for Bassoon and Orchestra "The Five Sacred Trees": V. Dathi | assistant | Judith LeClair, London Symphony Orchestra, John Williams | 8:10 |
1998-08-03 – 1998-08-04 | Chasing Rockets | | Royal Scottish National Orchestra, John Debney | 5:12 |
1998-08-03 – 1998-08-04 | Flying to Lois | | Royal Scottish National Orchestra, John Debney | 2:59 |
1998-08-03 – 1998-08-04 | Growing Up | | Royal Scottish National Orchestra, John Debney | 2:08 |
1998-08-03 – 1998-08-04 | Jonathan's Death | | Royal Scottish National Orchestra, John Debney | 4:03 |
1998-08-03 – 1998-08-04 | Leaving Home | | Royal Scottish National Orchestra, John Debney | 4:50 |
1998-08-03 – 1998-08-04 | Love Theme From Superman | | Royal Scottish National Orchestra, John Debney | 5:05 |
1998-08-03 – 1998-08-04 | March of the Villains | | Royal Scottish National Orchestra, John Debney | 3:57 |
1998-08-03 – 1998-08-04 | Prologue and Main Title | | Royal Scottish National Orchestra, John Debney | 5:36 |
1998-08-03 – 1998-08-04 | Pushing Boulders | | Royal Scottish National Orchestra, John Debney | 2:16 |
1998-08-03 – 1998-08-04 | The Destruction of Krypton | | Royal Scottish National Orchestra, John Debney | 5:30 |
1998-08-03 – 1998-08-04 | The Flying Sequence | | Royal Scottish National Orchestra, John Debney | 4:17 |
1998-08-03 – 1998-08-04 | The Fortress of Solitude | | Royal Scottish National Orchestra, John Debney | 8:22 |
1998-08-03 – 1998-08-04 | The Helicopter Sequence | | Royal Scottish National Orchestra, John Debney | 6:16 |
1998-08-03 – 1998-08-04 | The Penthouse | | Royal Scottish National Orchestra, John Debney | 1:50 |
1998-08-03 – 1998-08-04 | The Planet Krypton | | Royal Scottish National Orchestra, John Debney | 4:38 |
1998-08-03 – 1998-08-04 | The Prison Yard and End Title | | Royal Scottish National Orchestra, John Debney | 6:24 |
1998-08-03 – 1998-08-04 | The Truck Convoy | | Royal Scottish National Orchestra, John Debney | 1:55 |
1998-08-03 – 1998-08-04 | To the Lair | | Royal Scottish National Orchestra, John Debney | 2:20 |
1998-08-03 – 1998-08-04 | Trip to Earth | | Royal Scottish National Orchestra, John Debney | 2:41 |
1998-08-03 – 1998-08-04 | Turning Back the World | | Royal Scottish National Orchestra, John Debney | 2:02 |
2006-07-07 – 2006-07-10 | Romeo and Juliet - Fantasy Overture (1880 version) | assistant | Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 20:14 |
2015-02-21 – 2015-02-24 | Violin Concerto in D major, op. 77: I. Allegro non troppo (cadenza: Joseph Joachim) | | Janine Jansen, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 22:08 |
2015-02-21 – 2015-02-24 | Violin Concerto in D major, op. 77: II. Adagio | | Janine Jansen, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 8:28 |
2015-02-21 – 2015-02-24 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | | Janine Jansen, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 7:53 |
| "It Is the Cause" | | George Fenton | 4:42 |
| "Not Every Man Really Lives" (William Wallace and Princess Isabelle) | assistant | James Horner | 4:11 |
| "Sons of Scotland!" (William Wallace) | assistant | James Horner | 12:10 |
| "The Prisoner Wishes to Say a Word" (The Executioner and William Wallace) | assistant | James Horner | 3:43 |
| "You Have Bled With Wallace!" (Robert the Bruce) | assistant | James Horner | 1:23 |
| “After the Beheading” (Robert the Bruce) | assistant | James Horner | 1:48 |
| “Freedom” / The Execution / Bannockburn | assistant | Martin Neary, Westminster Abbey Choir, London Symphony Orchestra, James Horner | 7:24 |
| “Sons of Scotland” | assistant | Martin Neary, Westminster Abbey Choir, London Symphony Orchestra, James Horner | 6:20 |
| A Gift of a Thistle | assistant | Martin Neary, Westminster Abbey Choir, London Symphony Orchestra, James Horner | 1:38 |
| A Narrow Escape | assistant | James Horner | 2:04 |
| A Stormy Ride to the Library | assistant | James Horner | 2:52 |
| Abends am Strand, op. 45 no. 3 | | Ian Bostridge, Julius Drake | 3:12 |
| Airwaves | | George Fenton | 2:20 |
| An Elf on a Moonbeam | | Anna Lapwood | 3:48 |
| At Home with Mum | | Alexandre Desplat | 5:09 |
| Atlantis | | James Newton Howard | 2:00 |
| Atlantis Is Waiting | | James Newton Howard | 2:42 |
| Attack on Murron | assistant | Martin Neary, Westminster Abbey Choir, London Symphony Orchestra, James Horner | 3:00 |
| August and Everything After | | Counting Crows | 8:41 |
| Ave Maria | | Anna Lapwood | 2:52 |
| Balto Brings the Medicine! | assistant | James Horner | 4:53 |
| Barcelona (New Orchestrated Version) | | Freddie Mercury | 5:45 |
| Béatrice et Bénédict: Acte I, no. 7. "Ah! je vail l'aimer" | | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy | 2:39 |
| Bedding Down | | James Newton Howard | 2:33 |
| Behind the Sea (alternate version) | | Panic at the Disco | 2:26 |
| Beloved Son: Abba Father | | Dave Brubeck | 12:07 |
| Beloved Son: Eli | | Dave Brubeck | 17:14 |
| Beloved Son: Rabboni | | Dave Brubeck | 10:09 |
| Belsazar, op. 57 | | Ian Bostridge, Julius Drake | 4:40 |
| Benvenuto Cellini: Acte I, 2e tableau, no. 7 "Une heure encore …" | | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy | 1:51 |
| Benvenuto Cellini: Acte I, 2e tableau, no. 7 « La gloire était ma seule idole » | | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy | 4:10 |
| Benvenuto Cellini: Acte II, 4e tableau, no. 25 "Seul pour lutter …" | | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy | 3:18 |
| Benvenuto Cellini: Acte II, 4e tableau, no. 25 "Sur les monts les plus sauvages" | | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy | 5:20 |
| Betrayal & Desolation | assistant | Martin Neary, Westminster Abbey Choir, London Symphony Orchestra, James Horner | 7:48 |
| Betterton and Kinnerston | | George Fenton | 3:19 |
| Beyond Bach | | Gabriela Montero | 4:23 |
| Blue in Green | | Alan Broadbent With the London Metropolitan Orchestra | 8:06 |
| Boris and Balto | assistant | James Horner | 1:27 |
| Bounty Hunters | | George Fenton | 3:35 |
| Brandenburg Concerto No. 3 in G, BWV 1048: I. Allegro | | Gabriela Montero | 6:03 |
| Bread | other instruments [orchestra] | Laura Mvula | 3:22 |
| Building the Dam | | Alexandre Desplat | 2:16 |
| Cantata "Herz und Mund und Tat und Leben", BWV 147: Jesu, Joy of Man's Desiring | | Gabriela Montero | 5:26 |
| Caves: Bat Hunt | | George Fenton | 2:57 |
| Caves: Discovering Deer Cave | | George Fenton | 3:44 |
| Caves: Diving Into the Darkness | | George Fenton | 2:59 |
| Caves: Stalactite Gallery | | George Fenton | 2:23 |
| Changing the Law | | George Fenton | 6:12 |
| Children of Lima | | Alan Broadbent With the London Metropolitan Orchestra | 6:23 |
| Clair de Lune | | Anna Lapwood | 6:53 |
| Coral Riches | | George Fenton | 4:13 |
| Dawn (from "Pride and Prejudice") | | Anna Lapwood | 2:40 |
| Deep Blue | | George Fenton | 5:45 |
| Dein Angesicht, op. 127 no. 2 | | Ian Bostridge, Julius Drake | 2:04 |
| Deserts: Desert Winds / The Locusts | | George Fenton | 4:57 |
| Deserts: Fly Catchers | | George Fenton | 1:41 |
| Deserts: Namibia / The Lions and the Oryx | | George Fenton | 5:09 |
| Developing Story: Movement 1 | | Alan Broadbent With the London Metropolitan Orchestra | 9:49 |
| Developing Story: Movement 2 | | Alan Broadbent With the London Metropolitan Orchestra | 7:12 |
| Developing Story: Movement 3 | | Alan Broadbent With the London Metropolitan Orchestra | 9:19 |
| Dichterliebe, op. 48: I. Im wunderschönen Monat Mai | | Ian Bostridge, Julius Drake | 1:33 |
| Dichterliebe, op. 48: I. Im wunderschönen Monat Mai / II. Aus meinen Tränen sprießen | | Ian Bostridge, Julius Drake | 2:33 |
| Dichterliebe, op. 48: II. Aus meinen Tränen sprießen | | Ian Bostridge, Julius Drake | 0:51 |
| Dichterliebe, op. 48: III. Die Rose, die Lilie | | Ian Bostridge, Julius Drake | 0:33 |
| Dichterliebe, op. 48: IV. Wenn ich in deine Augen seh’ | | Ian Bostridge, Julius Drake | 1:45 |
| Dichterliebe, op. 48: IX. Das ist ein Flöten und Geigen | | Ian Bostridge, Julius Drake | 1:21 |
| Dichterliebe, op. 48: V. Ich will meine Seele tauchen | | Ian Bostridge, Julius Drake | 0:55 |
| Dichterliebe, op. 48: VI. Im Rhein, im heiligen Strome | | Ian Bostridge, Julius Drake | 2:18 |
| Dichterliebe, op. 48: VII. Ich grolle nicht | | Ian Bostridge, Julius Drake | 1:35 |
| Dichterliebe, op. 48: VIII. Und wüßten’s die Blumen | | Ian Bostridge, Julius Drake | 1:08 |
| Dichterliebe, op. 48: X. Hör’ ich das Liedchen klingen | | Ian Bostridge, Julius Drake | 2:14 |
| See all 379 relationships |
| mixed |
---|
| 3 Folk Songs from Csík, Sz. 35a | | Lucie Horsch, Dani Luca | 3:16 |
| 3 Pieces for Solo Clarinet: No. 1 | | Lucie Horsch | 1:49 |
| 3 Pieces for Solo Clarinet: No. 3 | | Lucie Horsch | 1:28 |
| A Different Rhythm | | Maurice Jarre | 10:56 |
| Aberlady | | Nicola Benedetti | 3:49 |
| Applause - Recording Session | | Rachel Smith & Natalie Murray Beale | 0:20 |
| Arrival in Africa | | Maurice Jarre | 8:46 |
| At Home with Mum | | Alexandre Desplat | 5:09 |
| August and Everything After | | Counting Crows | 8:41 |
| Ave Maria | | Maria Agresta, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | 5:25 |
| AveMaria_2010 | | 高橋洋子 | 3:25 |
| AveMaria_2010 (Off Vocal Version) | | 高橋洋子 | 3:25 |
| Aylagach | | Sevara Nazarkhan | 6:34 |
| Blue in Green | | Alan Broadbent With the London Metropolitan Orchestra | 8:06 |
| Bosworth | | Alexandre Desplat | 3:02 |
| Building the Dam | | Alexandre Desplat | 2:16 |
| Café 1930 | | Lucie Horsch, Sean Shibe | 6:13 |
| Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato - Recording Session / Excerpt | | Edward Elgar, Sophie Kauer, London Symphony Orchestra & Natalie Murray Beale | 3:45 |
| Cello Concerto in E Minor, Op. 85: IV. Allegro - Recording Session | | Edward Elgar, Sophie Kauer, London Symphony Orchestra & Natalie Murray Beale | 12:09 |
| Cello Concerto in E Minor, Op. 85: IV. Allegro - Recording Session / First Take / Excerpt | | Edward Elgar, Sophie Kauer, London Symphony Orchestra & Natalie Murray Beale | 1:32 |
| Chanson russe | | Lucie Horsch, LUDWIG Orchestra | 2:15 |
| Children of Lima | | Alan Broadbent With the London Metropolitan Orchestra | 6:23 |
| Chinesische Bilder: The Actor with the Monkey | | Lucie Horsch | 4:33 |
| City’s Archives | | Alexandre Desplat | 3:25 |
| Concerto for Group and Orchestra: First Movement: Moderato – Allegro | | Deep Purple, Royal Philharmonic Orchestra, Malcolm Arnold | ?:?? |
| Concerto for Group and Orchestra: Second Movement: Andante | | Deep Purple, Royal Philharmonic Orchestra, Malcolm Arnold | ?:?? |
| Concerto for Group and Orchestra: Third Movement: Vivace – Presto | | Deep Purple, Royal Philharmonic Orchestra, Malcolm Arnold | ?:?? |
| Control Room Talk - Recording Session | | Rachel Smith, Natalie Murray Beale, Sophie Kauer & Todd Field | 1:20 |
| Cura mente | | Elisa Vargas Fernandez | 3:21 |
| D’un matin de printemps | | London Symphony Orchestra, Jonathon Heyward | 5:32 |
| Death and Misery | | Maurice Jarre | 11:19 |
| Developing Story: Movement 1 | | Alan Broadbent With the London Metropolitan Orchestra | 9:49 |
| Developing Story: Movement 2 | | Alan Broadbent With the London Metropolitan Orchestra | 7:12 |
| Developing Story: Movement 3 | | Alan Broadbent With the London Metropolitan Orchestra | 9:19 |
| Digging the R | | Alexandre Desplat | 2:03 |
| Duplicity | | Alexandre Desplat | 2:26 |
| Dying by the River | | Alexandre Desplat | 2:56 |
| Ei, Sarvi Ravon | | Sevara Nazarkhan | 4:47 |
| El diablo suelto | | Lucie Horsch, Sean Shibe | 2:22 |
| Eli & Tub | | Alexandre Desplat | 1:17 |
| Empty Bench | | Alexandre Desplat | 3:03 |
| Farewell Richard | | Alexandre Desplat | 2:44 |
| Farewell to Stromness | | Lucie Horsch, LUDWIG Orchestra | 3:35 |
| Farghonacha Janon | | Sevara Nazarkhan | 7:37 |
| Folsom Lake | | Alexandre Desplat | 2:55 |
| Fuga y Misterio | | Lucie Horsch, Carel Kraayenhof, LUDWIG Orchestra | 3:52 |
| Galdir Talqinchasi | | Sevara Nazarkhan | 5:16 |
| Girya | | Sevara Nazarkhan | 5:14 |
| Gold! | | Alexandre Desplat | 2:44 |
| Greyfriars | | Alexandre Desplat | 1:04 |
| Gun Fight | | Alexandre Desplat | 3:43 |
| H.M.S. Pinafore: Act I. A British Tar | | Alfred Boe, James Cleverton, D'Oyly Carte Opera Chorus, Stephen Davis, D'Oyly Carte Opera Orchestra, John Owen Edwards | 2:20 |
| H.M.S. Pinafore: Act I. A Maiden Fair to See | | Alfred Boe, D'Oyly Carte Opera Chorus, D'Oyly Carte Opera Orchestra, John Owen Edwards | 2:03 |
| H.M.S. Pinafore: Act I. But Tell Me Who's the Youth | | Stephen Davis, Frances McCafferty, D'Oyly Carte Opera Orchestra, John Owen Edwards | 0:24 |
| H.M.S. Pinafore: Act I. Finale: Can I Survive This Overbearing? | | Yvonne Barclay, Alfred Boe, D'Oyly Carte Opera Chorus, Stephen Davis, Gaynor Keeble, Frances McCafferty, Gordon Sandison, Simon Wilding, Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 9:42 |
| H.M.S. Pinafore: Act I. For I Hold That on the Seas | | D'Oyly Carte Opera Chorus, Gaynor Keeble, Gordon Sandison, D'Oyly Carte Opera Orchestra, John Owen Edwards | 0:25 |
| H.M.S. Pinafore: Act I. Hail! Men-O'-War's Men... I'm Called Little Buttercup | | Stephen Davis, Frances McCafferty, D'Oyly Carte Opera Orchestra, John Owen Edwards | 2:41 |
| H.M.S. Pinafore: Act I. My Gallant Crew / I Am the Captain of the Pinafore | | D'Oyly Carte Opera Chorus, Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 2:15 |
| H.M.S. Pinafore: Act I. Now Give Three Cheers / I Am the Monarch of the Sea | | D'Oyly Carte Opera Chorus, Gaynor Keeble, Gordon Sandison, Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 1:30 |
| H.M.S. Pinafore: Act I. Over the Bright Blue Sea / Sir Joseph's Barge Is Seen | | D'Oyly Carte Opera Chorus, D'Oyly Carte Opera Orchestra, John Owen Edwards | 2:55 |
| H.M.S. Pinafore: Act I. Reflect, My Child (reconstructed duo) | | Yvonne Barclay, Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 2:04 |
| H.M.S. Pinafore: Act I. Refrain, Audacious Tar | | Yvonne Barclay, Alfred Boe, D'Oyly Carte Opera Orchestra, John Owen Edwards | 3:41 |
| H.M.S. Pinafore: Act I. Scene: Ah, My Poor Lad | | Alfred Boe, D'Oyly Carte Opera Chorus, Stephen Davis, Simon Wilding, D'Oyly Carte Opera Orchestra, John Owen Edwards | 1:16 |
| H.M.S. Pinafore: Act I. Scene: Ah! Sir Joseph's a True Gentleman | | Alfred Boe, D'Oyly Carte Opera Chorus, Stephen Davis, Simon Wilding, D'Oyly Carte Opera Orchestra, John Owen Edwards | 1:37 |
| H.M.S. Pinafore: Act I. Scene: Aye, Little Buttercup | | D'Oyly Carte Opera Chorus, Stephen Davis, Frances McCafferty, Simon Wilding, D'Oyly Carte Opera Orchestra, John Owen Edwards | 1:03 |
| H.M.S. Pinafore: Act I. Scene: It Is Useless | | Yvonne Barclay, Alfred Boe, D'Oyly Carte Opera Orchestra, John Owen Edwards | 2:43 |
| H.M.S. Pinafore: Act I. Scene: My Child, I Grieve to See... | | Yvonne Barclay, Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 2:21 |
| H.M.S. Pinafore: Act I. Scene: You've a Remarkably Fine Crew | | Alfred Boe, D'Oyly Carte Opera Chorus, Stephen Davis, Gordon Sandison, Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 2:55 |
| H.M.S. Pinafore: Act I. Sir, You Are Sad | | Frances McCafferty, Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 1:32 |
| H.M.S. Pinafore: Act I. Sorry Her Lot Who Loves Too Well | | Yvonne Barclay, D'Oyly Carte Opera Orchestra, John Owen Edwards | 3:30 |
| H.M.S. Pinafore: Act I. The Nightingale Signed for the Moon's Bright Ray | | Alfred Boe, D'Oyly Carte Opera Chorus, D'Oyly Carte Opera Orchestra, John Owen Edwards | 2:30 |
| H.M.S. Pinafore: Act I. We Sail the Ocean Blue | | D'Oyly Carte Opera Chorus, D'Oyly Carte Opera Orchestra, John Owen Edwards | 2:10 |
| H.M.S. Pinafore: Act I. When I Was a Lad | | Gordon Sandison, D'Oyly Carte Opera Orchestra, John Owen Edwards | 2:41 |
| H.M.S. Pinafore: Act II. Carefully on Tiptoe Stealing | | Yvonne Barclay, Alfred Boe, D'Oyly Carte Opera Chorus, Stephen Davis, Gaynor Keeble, Gordon Sandison, Simon Wilding, Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 7:33 |
| H.M.S. Pinafore: Act II. Entr'Acte | | D'Oyly Carte Opera Orchestra, John Owen Edwards | 1:19 |
| H.M.S. Pinafore: Act II. Fair Moon, to Thee I Sing | | Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 2:40 |
| H.M.S. Pinafore: Act II. Farewell, My Own | | Yvonne Barclay, Alfred Boe, D'Oyly Carte Opera Chorus, Frances McCafferty, Gordon Sandison, D'Oyly Carte Opera Orchestra, John Owen Edwards | 1:59 |
| H.M.S. Pinafore: Act II. Finale Act Two | | Yvonne Barclay, Alfred Boe, D'Oyly Carte Opera Chorus, Stephen Davis, Gaynor Keeble, Frances McCafferty, Gordon Sandison, Simon Wilding, Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 4:27 |
| H.M.S. Pinafore: Act II. Kind Captain, I've Important Information | | Simon Wilding, Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 2:30 |
| H.M.S. Pinafore: Act II. My Pain and My Distress / A Many Years Ago | | D'Oyly Carte Opera Chorus, Frances McCafferty, Gordon Sandison, D'Oyly Carte Opera Orchestra, John Owen Edwards | 3:03 |
| H.M.S. Pinafore: Act II. Never Mind the Why and Wherefore | | Yvonne Barclay, Gordon Sandison, Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 2:37 |
| H.M.S. Pinafore: Act II. Scene: How Sweetly He Carols | | Frances McCafferty, Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 1:49 |
| H.M.S. Pinafore: Act II. Scene: Incomprehensible | | Gaynor Keeble, Gordon Sandison, Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 1:56 |
| H.M.S. Pinafore: Act II. Scene: Madam, It Has Been Represented | | Yvonne Barclay, Gordon Sandison, D'Oyly Carte Opera Orchestra, John Owen Edwards | 0:53 |
| H.M.S. Pinafore: Act II. Scene: Now, Tell Me, My Fine Fellow | | Yvonne Barclay, Alfred Boe, Gordon Sandison, Simon Wilding, D'Oyly Carte Opera Orchestra, John Owen Edwards | 1:14 |
| H.M.S. Pinafore: Act II. Scene: Sir Joseph, I Cannot Express to You | | Gordon Sandison, Simon Wilding, Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 1:00 |
| H.M.S. Pinafore: Act II. Scene: Then I Am to Understand | | Yvonne Barclay, Alfred Boe, Gaynor Keeble, Frances McCafferty, Gordon Sandison, Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 1:16 |
| H.M.S. Pinafore: Act II. The Hours Creep on Apace | | Yvonne Barclay, D'Oyly Carte Opera Orchestra, John Owen Edwards | 4:57 |
| H.M.S. Pinafore: Act II. Things Are Seldom What They Seem | | Frances McCafferty, Tom McVeigh, D'Oyly Carte Opera Orchestra, John Owen Edwards | 3:11 |
| H.M.S. Pinafore: Overture | | D'Oyly Carte Opera Orchestra, John Owen Edwards | 4:11 |
| Here’s That Rainy Day | | Jimmy Van Heusen, Johnny Burke, Al Kay, New Trombone Collective & Martijn Sohier | 2:42 |
| Hunted | | Alexandre Desplat | 1:52 |
| If You Could See Me Now | | Alan Broadbent With the London Metropolitan Orchestra | 6:36 |
| Intro | | Deep Purple, Royal Philharmonic Orchestra, Malcolm Arnold | ?:?? |
| Introductory Words - Recording Session | | Rachel Smith, Natalie Murray Beale & Sophie Kauer | 0:22 |
| Kuki's Determination | | Maurice Jarre | 6:07 |
| Lady in the Lake | | Alan Broadbent With the London Metropolitan Orchestra | 4:35 |
| Leicester | | Alexandre Desplat | 2:17 |
| Libertango | | Ksenija Sidorova, BBC National Orchestra of Wales, Clark Rundell | 4:36 |
| Libertango | | Lucie Horsch, Carel Kraayenhof, LUDWIG Orchestra | 3:02 |
| See all 173 relationships |
| produced |
---|
| 3 Folk Songs from Csík, Sz. 35a | | Lucie Horsch, Dani Luca | 3:16 |
| 3 Pieces for Solo Clarinet: No. 1 | | Lucie Horsch | 1:49 |
| 3 Pieces for Solo Clarinet: No. 3 | | Lucie Horsch | 1:28 |
| 4 Romantic Pieces, op. 75: Allegro appassionato | | Antonín Dvořák arr. Steven Isserlis | 2:43 |
| 4 Romantic Pieces, op. 75: Allegro maestoso | | Antonín Dvořák arr. Steven Isserlis | 2:31 |
| 4 Romantic Pieces, op. 75: Allegro moderato | | Antonín Dvořák arr. Steven Isserlis | 3:17 |
| 4 Romantic Pieces, op. 75: Larghetto | | Antonín Dvořák arr. Steven Isserlis | 7:52 |
| 4 Short Pieces, H104: 2. Spring Song | | The Heath Quartet, Sheku Kanneh-Mason | 2:16 |
| Adagio “Cinderella and the Prince”, op. 97bis | | Steven Isserlis, Olli Mustonen | 3:52 |
| Adagio in D Minor, BWV 974 (after Alessandro Marcello’s Concerto for Oboe and Strings) | | Ksenija Sidorova | 4:04 |
| All That Jazz | | Rebecca Dent, Matthew Goodgame, Caroline Graham, Donna Hazelton & Warren Sollars | 4:54 |
| An Elf on a Moonbeam | | Anna Lapwood | 3:48 |
| Applause - Recording Session | task: post-production | Rachel Smith & Natalie Murray Beale | 0:20 |
| Arpeggione Sonata in A minor, D821: Adagio – | | Steven Isserlis, Dénes Várjon | 4:31 |
| Arpeggione Sonata in A minor, D821: Allegretto | | Steven Isserlis, Dénes Várjon | 9:28 |
| Arpeggione Sonata in A minor, D821: Allegro moderato | | Steven Isserlis, Dénes Várjon | 11:55 |
| As If We Never Said Goodbye | | Donna Hazelton | 4:33 |
| Ave Maria | | Anna Lapwood | 2:52 |
| Ballade in C major, op. 15 | | Steven Isserlis, Olli Mustonen | 10:54 |
| Beau soir, L 6 | | Lisa Batiashvili, Yannick Nézet‐Séguin | 2:14 |
| Blow the Wind Southerly | | Sheku Kanneh-Mason | 2:22 |
| Café 1930 | | Lucie Horsch, Sean Shibe | 6:13 |
| Cello Concerto in E minor, op. 85: I. Adagio - Moderato | | Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | 8:13 |
| Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato - Recording Session / Excerpt | task: post-production | Edward Elgar, Sophie Kauer, London Symphony Orchestra & Natalie Murray Beale | 3:45 |
| Cello Concerto in E minor, op. 85: II. Lento - Allegro molto | | Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | 4:20 |
| Cello Concerto in E minor, op. 85: III. Adagio | | Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | 4:53 |
| Cello Concerto in E minor, op. 85: IV. Allegro | | Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | 11:42 |
| Cello Concerto in E Minor, Op. 85: IV. Allegro - Recording Session | task: post-production | Edward Elgar, Sophie Kauer, London Symphony Orchestra & Natalie Murray Beale | 12:09 |
| Cello Concerto in E Minor, Op. 85: IV. Allegro - Recording Session / First Take / Excerpt | task: post-production | Edward Elgar, Sophie Kauer, London Symphony Orchestra & Natalie Murray Beale | 1:32 |
| Cello Sonata in B-flat major, op. 71: Allegretto con moto | | Steven Isserlis, Olli Mustonen | 5:26 |
| Cello Sonata in B-flat major, op. 71: Allegro molto | | Steven Isserlis, Olli Mustonen | 7:53 |
| Cello Sonata in B-flat major, op. 71: Andante molto sostenuto | | Steven Isserlis, Olli Mustonen | 8:37 |
| Cello Sonata in D major, op. 17: Allegro molto | | Luise Adolpha Le Beau | 5:26 |
| Cello Sonata in D major, op. 17: Allegro vivace | | Luise Adolpha Le Beau | 5:53 |
| Cello Sonata in D major, op. 17: Andante tranquillo | | Luise Adolpha Le Beau | 4:31 |
| Cello Sonata in D minor, op. 40: Allegro | | Steven Isserlis, Olli Mustonen | 3:02 |
| Cello Sonata in D minor, op. 40: Allegro | | Steven Isserlis, Olli Mustonen | 4:34 |
| Cello Sonata in D minor, op. 40: Allegro non troppo – Largo | | Steven Isserlis, Olli Mustonen | 12:00 |
| Cello Sonata in D minor, op. 40: Largo | | Steven Isserlis, Olli Mustonen | 7:47 |
| Cello Sonata in F major, op. 6: Allegro con brio | | Richard Strauss | 9:06 |
| Cello Sonata in F major, op. 6: Allegro vivace | | Richard Strauss | 9:08 |
| Cello Sonata in F major, op. 6: Larghetto | | Richard Strauss | 7:17 |
| Cello Sonata in G minor, op. 65: Finale: Allegro | | Steven Isserlis, Dénes Várjon | 6:29 |
| Cello Sonata in G minor, op. 65: Largo | | Steven Isserlis, Dénes Várjon | 3:37 |
| Cello Sonata in G minor, op. 65: Maestoso | | Steven Isserlis, Dénes Várjon | 15:10 |
| Cello Sonata in G minor, op. 65: Scherzo | | Steven Isserlis, Dénes Várjon | 5:16 |
| Chanson russe | | Lucie Horsch, LUDWIG Orchestra | 2:15 |
| Chau Paris | | Ksenija Sidorova, Claudio Constantini, Roberto Koch | 2:52 |
| Chinesische Bilder: The Actor with the Monkey | | Lucie Horsch | 4:33 |
| Clair de Lune | | Anna Lapwood | 6:53 |
| Concerto for Violin and Orchestra no. 1, op. 35 | | Lisa Batiashvili, The Philadelphia Orchestra, Yannick Nézet‐Séguin | 25:31 |
| Concerto for Violin and Orchestra no. 1, op. 35: I. Vivace assai | | Lisa Batiashvili, The Philadelphia Orchestra, Yannick Nézet‐Séguin | 12:03 |
| Concerto for Violin and Orchestra no. 1, op. 35: II. Vivace scherzando | | Lisa Batiashvili, The Philadelphia Orchestra, Yannick Nézet‐Séguin | 4:23 |
| Concerto for Violin and Orchestra no. 1, op. 35: III. Tempo comodo. Allegretto | | Lisa Batiashvili, The Philadelphia Orchestra, Yannick Nézet‐Séguin | 9:04 |
| Control Room Talk - Recording Session | task: post-production | Rachel Smith, Natalie Murray Beale, Sophie Kauer & Todd Field | 1:20 |
| Cura mente | task: post-production | Elisa Vargas Fernandez | 3:21 |
| D’un matin de printemps | | London Symphony Orchestra, Jonathon Heyward | 5:32 |
| Dawn (from "Pride and Prejudice") | | Anna Lapwood | 2:40 |
| Don’t Rain on My Parade | | Donna Hazelton | 2:35 |
| Dreamland | | Anna Lapwood | 4:58 |
| El diablo suelto | | Lucie Horsch, Sean Shibe | 2:22 |
| Elégie in C minor, op. 24 | | Rowena Calvert, Caroline Dearnley, Sheku Kanneh-Mason, Ashok Klouda, Josephine Knight, Robert Max, Chris Murray, Desmond Neysmith, Hannah Roberts, Nicholas Trygstad | 7:35 |
| Empty Chairs at Empty Tables | | Matthew Goodgame | 2:54 |
| Experience | | Anna Lapwood | 5:50 |
| Fantasie on a Theme of Piazzolla – Chiquilín de Bachín | | Ksenija Sidorova, Goldmund Quartet | 6:19 |
| Farewell to Stromness | | Lucie Horsch, LUDWIG Orchestra | 3:35 |
| Flying (from "Peter Pan") | | Anna Lapwood | 2:37 |
| From Jewish Life, B 54: 1. Prayer | | Braimah Kanneh‐Mason, Sheku Kanneh-Mason | 4:34 |
| Fuga y Misterio | | Lucie Horsch, Carel Kraayenhof, LUDWIG Orchestra | 3:52 |
| Grain Moon | | Anna Lapwood | 3:19 |
| Here’s That Rainy Day | task: post-production | Jimmy Van Heusen, Johnny Burke, Al Kay, New Trombone Collective & Martijn Sohier | 2:42 |
| High Flying Adored | | Matthew Goodgame & Donna Hazelton | 3:30 |
| Histoire du Tango: Café 1930 | | Ksenija Sidorova, Alexander Sitkovetsky, Reentko Dirks, Roberto Koch | 6:42 |
| Hymnus, op. 57 | | Rowena Calvert, Ben Davies, Caroline Dearnley, Sheku Kanneh-Mason, Ashok Klouda, Josephine Knight, Robert Max, Chris Murray, Desmond Neysmith, Hannah Roberts, Nicholas Trygstad | 5:14 |
| I Can Just Imagine It | | Matthew Goodgame & Warren Sollars | 3:00 |
| In Paradisum | | Anna Lapwood | 4:46 |
| Introduction and Polonaise brillante in C major, op. 3: Alla Polacca | | Steven Isserlis, Dénes Várjon | 5:55 |
| Introduction and Polonaise brillante in C major, op. 3: Introduction | | Steven Isserlis, Dénes Várjon | 3:08 |
| Introductory Words - Recording Session | task: post-production | Rachel Smith, Natalie Murray Beale & Sophie Kauer | 0:22 |
| Kol Nidrei, op. 47 | | Max Bruch | 10:18 |
| Libertango | | Lucie Horsch, Carel Kraayenhof, LUDWIG Orchestra | 3:02 |
| Londonderry Air / Danny Boy | | Lucie Horsch, LUDWIG Orchestra | 2:37 |
| Losing My Mind | | Donna Hazelton | 3:33 |
| Lydia Tár Field Recording | task: post-production | Cate Blanchett & Elisa Vargas Fernandez | 0:31 |
| Mack the Knife | | Warren Sollars | 2:42 |
| Mad Rush | | Anna Lapwood | 7:31 |
| María de Buenos Aires: Yo soy María | | Ksenija Sidorova, Alexander Sitkovetsky, Claudio Constantini | 3:03 |
| Miracle of Miracles | | Warren Sollars | 1:56 |
| Mister Snow | | Rebecca Dent | 3:21 |
| Moderato for Cello and Piano | | Steven Isserlis, Olli Mustonen | 2:31 |
| Nacht und Träume, D827 | | Steven Isserlis, Dénes Várjon | 3:45 |
| Nie ma czego trzeba, op. 74 no. 13 | | Steven Isserlis, Dénes Várjon | 3:34 |
| Nocturne in C minor, op. 15 no. 1 | | Steven Isserlis, Dénes Várjon | 4:27 |
| Nocturne Op. 9 No. 2 | | Anna Lapwood | 4:24 |
| Nocturne: A Kind of Lullaby of Times We Have Not Yet Lived | | Ksenija Sidorova, Roberto Koch, Goldmund Quartet | 4:06 |
| Nyami | | Lucie Horsch, Bao Sissoko | 2:47 |
| O Flower of Fire | | London Symphony Orchestra, Antonio Pappano | 17:07 |
| Oh! weep for those | | Isaac Nathan arr. Steven Isserlis | 3:33 |
| On the Nature of Daylight | | Anna Lapwood & The Chapel Choir of Pembroke College, Cambridge | 6:31 |
| On the Street Where You Live | | Matthew Goodgame | 2:50 |
| See all 157 relationships |
| recording engineer for |
---|
1993-04-29 | Afterbeats | | Joel McNeely, Royal Scottish National Orchestra | 0:42 |
1993-04-29 | Autumn | | Joel McNeely, Royal Scottish National Orchestra | 0:54 |
1993-04-29 | Autumn Afternoon | | Joel McNeely, Royal Scottish National Orchestra | 0:52 |
1993-04-29 | Confession | | Joel McNeely, Royal Scottish National Orchestra | 0:50 |
1993-04-29 | Cortege | | Joel McNeely, Royal Scottish National Orchestra | 0:49 |
1993-04-29 | Duo | | Joel McNeely, Royal Scottish National Orchestra | 1:25 |
1993-04-29 | Encore | | Joel McNeely, Royal Scottish National Orchestra | 0:47 |
1993-04-29 | Finale | | Joel McNeely, Royal Scottish National Orchestra | 1:45 |
1993-04-29 | Harvest Eve | | Joel McNeely, Royal Scottish National Orchestra | 0:45 |
1993-04-29 | Homebodies | | Joel McNeely, Royal Scottish National Orchestra | 1:29 |
1993-04-29 | Jennifer | | Joel McNeely, Royal Scottish National Orchestra | 0:53 |
1993-04-29 | Miss Gravely Digs | | Joel McNeely, Royal Scottish National Orchestra | 0:37 |
1993-04-29 | Miss Gravely's Test | | Joel McNeely, Royal Scottish National Orchestra | 0:38 |
1993-04-29 | Ostinato | | Joel McNeely, Royal Scottish National Orchestra | 1:05 |
1993-04-29 | Overture | | Joel McNeely, Royal Scottish National Orchestra | 1:24 |
1993-04-29 | Porch Talk | | Joel McNeely, Royal Scottish National Orchestra | 1:05 |
1993-04-29 | Proposal | | Joel McNeely, Royal Scottish National Orchestra | 1:13 |
1993-04-29 | Slumber | | Joel McNeely, Royal Scottish National Orchestra | 0:31 |
1993-04-29 | Suspicion | | Joel McNeely, Royal Scottish National Orchestra | 1:01 |
1993-04-29 | Tea Time | | Joel McNeely, Royal Scottish National Orchestra | 1:40 |
1993-04-29 | The Bathtub | | Joel McNeely, Royal Scottish National Orchestra | 0:40 |
1993-04-29 | The Body | | Joel McNeely, Royal Scottish National Orchestra | 1:24 |
1993-04-29 | The Burial | | Joel McNeely, Royal Scottish National Orchestra | 1:27 |
1993-04-29 | The Captain | | Joel McNeely, Royal Scottish National Orchestra | 1:44 |
1993-04-29 | The Closet | | Joel McNeely, Royal Scottish National Orchestra | 0:25 |
1993-04-29 | The Country Road | | Joel McNeely, Royal Scottish National Orchestra | 0:53 |
1993-04-29 | The Cup | | Joel McNeely, Royal Scottish National Orchestra | 1:04 |
1993-04-29 | The Doctor | | Joel McNeely, Royal Scottish National Orchestra | 1:01 |
1993-04-29 | The Doctor's Return | | Joel McNeely, Royal Scottish National Orchestra | 1:09 |
1993-04-29 | The Murder | | Joel McNeely, Royal Scottish National Orchestra | 0:56 |
1993-04-29 | The Phantom Coach | | Joel McNeely, Royal Scottish National Orchestra | 1:09 |
1993-04-29 | The Police | | Joel McNeely, Royal Scottish National Orchestra | 0:47 |
1993-04-29 | The Sketch | | Joel McNeely, Royal Scottish National Orchestra | 1:51 |
1993-04-29 | The Solution | | Joel McNeely, Royal Scottish National Orchestra | 0:54 |
1993-04-29 | The Tramp | | Joel McNeely, Royal Scottish National Orchestra | 1:37 |
1993-04-29 | The Walk | | Joel McNeely, Royal Scottish National Orchestra | 0:37 |
1993-04-29 | The Wish | | Joel McNeely, Royal Scottish National Orchestra | 0:40 |
1993-04-29 | Valse Lent | | Joel McNeely, Royal Scottish National Orchestra | 2:21 |
1993-04-29 | Waltz Macabre | | Joel McNeely, Royal Scottish National Orchestra | 1:24 |
1993-04-29 | Waltz Reprise | | Joel McNeely, Royal Scottish National Orchestra | 0:42 |
1996-08-01 – 1996-08-02 | Assault in the Shadows | | Royal Scottish National Orchestra, Elmer Bernstein | 2:28 |
1996-08-01 – 1996-08-02 | Atticus Accepts the Case / Roll in the Tire | | Royal Scottish National Orchestra, Elmer Bernstein | 2:06 |
1996-08-01 – 1996-08-02 | Boo Who? | | Royal Scottish National Orchestra, Elmer Bernstein | 3:01 |
1996-08-01 – 1996-08-02 | Creepy Caper / Peek-A-Boo | | Royal Scottish National Orchestra, Elmer Bernstein | 4:10 |
1996-08-01 – 1996-08-02 | End Title | | Royal Scottish National Orchestra, Elmer Bernstein | 3:25 |
1996-08-01 – 1996-08-02 | Ewell Regret It | | Royal Scottish National Orchestra, Elmer Bernstein | 2:11 |
1996-08-01 – 1996-08-02 | Ewell's Hatred | | Royal Scottish National Orchestra, Elmer Bernstein | 3:33 |
1996-08-01 – 1996-08-02 | Footsteps in the Dark | | Royal Scottish National Orchestra, Elmer Bernstein | 2:07 |
1996-08-01 – 1996-08-02 | Guilty Verdict | | Royal Scottish National Orchestra, Elmer Bernstein | 3:11 |
1996-08-01 – 1996-08-02 | Jem's Discovery | | Royal Scottish National Orchestra, Elmer Bernstein | 3:48 |
1996-08-01 – 1996-08-02 | Lynch Mob | | Royal Scottish National Orchestra, Elmer Bernstein | 3:04 |
1996-08-01 – 1996-08-02 | Main Title | | Royal Scottish National Orchestra, Elmer Bernstein | 3:21 |
1996-08-01 – 1996-08-02 | Remember Mama | | Royal Scottish National Orchestra, Elmer Bernstein | 1:08 |
1996-08-01 – 1996-08-02 | Tree Treasure | | Royal Scottish National Orchestra, Elmer Bernstein | 4:24 |
1998-04-24 | Better Get Him | | John Barry | 7:09 |
1998-04-24 | Chapeau Gratis | | John Barry | 1:26 |
1998-04-24 | Glasses | | John Barry | 0:54 |
1998-04-24 | Gus and Oscar | | John Barry | 1:24 |
1998-04-24 | Heather | | John Barry | 2:13 |
1998-04-24 | Heather and Roz | | John Barry | 1:22 |
1998-04-24 | I'm Burning Up | | John Barry | 1:20 |
1998-04-24 | I'm Frightened | | John Barry | 2:45 |
1998-04-24 | I'm Weak | | John Barry | 3:25 |
1998-04-24 | Kill for Pussy | | John Barry | 2:56 |
1998-04-24 | Main Title | | John Barry | 3:54 |
1998-04-24 | Matty Was Mary Ann | | John Barry | 4:22 |
1998-04-24 | Matty's Place | | John Barry | 1:37 |
1998-04-24 | Ned | | John Barry | 1:07 |
1998-04-24 | Surprise and Explosion | | John Barry | 2:34 |
1998-05-07 – 1998-08-07 | ’85 Lone Pine Mall | | Royal Scottish National Orchestra, John Debney | 3:46 |
1998-05-07 – 1998-08-07 | 4 × 4 | | Royal Scottish National Orchestra, John Debney | 0:58 |
1998-05-07 – 1998-08-07 | Back to the Future | | Royal Scottish National Orchestra, John Debney | 3:31 |
1998-05-07 – 1998-08-07 | Back to the Future: The Ride | | Royal Scottish National Orchestra, John Debney | 4:10 |
1998-05-07 – 1998-08-07 | Burn the Book | | Royal Scottish National Orchestra, John Debney | 2:49 |
1998-05-07 – 1998-08-07 | Clocktower, Part 1 | | Royal Scottish National Orchestra, John Debney | 5:23 |
1998-05-07 – 1998-08-07 | Clocktower, Part 2 and Helicopter | | Royal Scottish National Orchestra, John Debney | 5:45 |
1998-05-07 – 1998-08-07 | Doc Returns | | Royal Scottish National Orchestra, John Debney | 1:30 |
1998-05-07 – 1998-08-07 | End Logo | | Royal Scottish National Orchestra, John Debney | 0:21 |
1998-05-07 – 1998-08-07 | He’s Gone | | Royal Scottish National Orchestra, John Debney | 0:47 |
1998-05-07 – 1998-08-07 | Hill Valley, 2015 | | Royal Scottish National Orchestra, John Debney | 4:15 |
1998-05-07 – 1998-08-07 | I’m Back | | Royal Scottish National Orchestra, John Debney | 0:51 |
1998-05-07 – 1998-08-07 | Marty’s Letter | | Royal Scottish National Orchestra, John Debney | 1:37 |
1998-05-07 – 1998-08-07 | Skateboard Chase | | Royal Scottish National Orchestra, John Debney | 1:49 |
1998-05-07 – 1998-08-07 | The Letter | | Royal Scottish National Orchestra, John Debney | 2:03 |
1998-05-07 – 1998-08-07 | The West | | Royal Scottish National Orchestra, John Debney | 1:16 |
1998-05-09 | A Day Together | | John Debney, Royal Scottish National Orchestra | 2:35 |
1998-05-09 | Coin | | John Debney, Royal Scottish National Orchestra | 0:25 |
1998-05-09 | Grand Hotel | | John Debney, Royal Scottish National Orchestra | 1:26 |
1998-05-09 | Is He the One? | | John Debney, Royal Scottish National Orchestra | 1:00 |
1998-05-09 | June 27th | | John Debney, Royal Scottish National Orchestra | 1:30 |
1998-05-09 | Near the Lake | | John Debney, Royal Scottish National Orchestra | 2:18 |
1998-05-09 | Nineteen Twelve | | John Debney, Royal Scottish National Orchestra | 1:46 |
1998-05-09 | Old Woman | | John Debney, Royal Scottish National Orchestra | 1:04 |
1998-05-09 | Razor | | John Debney, Royal Scottish National Orchestra | 1:16 |
1998-05-09 | Rhapsody on a Theme of Paganini | | John Debney, Royal Scottish National Orchestra | 3:10 |
1998-05-09 | Room 417 | | John Debney, Royal Scottish National Orchestra | 1:08 |
1998-05-09 | Rowing | | John Debney, Royal Scottish National Orchestra | 1:33 |
1998-05-09 | Somewhere in Time | | John Debney, Royal Scottish National Orchestra | 3:40 |
1998-05-09 | Somewhere in Time (End Credits) | | John Debney, Royal Scottish National Orchestra | 4:55 |
1998-05-09 | Thanks | | John Debney, Royal Scottish National Orchestra | 1:24 |
| See all 768 relationships |
| sound engineered |
---|
| Allegro | | Nigel Kennedy | 6:09 |
| Dusk | | Nigel Kennedy | 2:53 |
| Helena’s Honeysuckle | | Nigel Kennedy | 1:08 |
| How Can You Face Me Now? | | Nigel Kennedy | 5:41 |
| I’m Crazy ’bout My Baby (and My Baby’s Crazy ’bout Me) | | Nigel Kennedy | 6:57 |
| New Dawn | | Nigel Kennedy | 2:31 |
| Out in the Ocean | | Nigel Kennedy | 2:01 |
| Piano Quintet in G minor, op. 57: I. Prelude (Lento) | | Piotr Anderszewski, Belcea Quartet | 4:47 |
| Piano Quintet in G minor, op. 57: II. Fugue (Adagio) | | Piotr Anderszewski, Belcea Quartet | 11:35 |
| Piano Quintet in G minor, op. 57: III. Scherzo (Allegretto) | | Piotr Anderszewski, Belcea Quartet | 3:38 |
| Piano Quintet in G minor, op. 57: IV. Intermezzo (Lento) | | Piotr Anderszewski, Belcea Quartet | 7:03 |
| Piano Quintet in G minor, op. 57: V. Finale (Allegretto) | | Piotr Anderszewski, Belcea Quartet | 7:40 |
| Por do sol | | Nigel Kennedy | 3:45 |
| String Quartet no. 3 in F major, op. 73: I. Allegretto | | Belcea Quartet | 7:28 |
| String Quartet no. 3 in F major, op. 73: II. Moderato con moto | | Belcea Quartet | 5:38 |
| String Quartet no. 3 in F major, op. 73: III. Allegro non troppo | | Belcea Quartet | 4:12 |
| String Quartet no. 3 in F major, op. 73: IV. Adagio | | Belcea Quartet | 6:00 |
| String Quartet no. 3 in F major, op. 73: V. Moderato | | Belcea Quartet | 11:13 |
| Sweet & Slow | | Nigel Kennedy | 8:04 |
| Take Five | | Nigel Kennedy | 7:10 |
| Viper’s Drag | | Nigel Kennedy | 6:19 |
| Vivace | | Nigel Kennedy | 5:53 |
| balance engineered |
---|
| Kennedy plays Bach with the Berlin Philharmonic | | Johann Sebastian Bach; Nigel Kennedy, Berliner Philharmoniker | |
| Romance | | Han‐Na Chang, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | |
| engineered |
---|
| Star Wars, Episode I: The Phantom Menace | assistant | John Williams | |
| Star Wars, Episode I: The Phantom Menace: Original Motion Picture Soundtrack | assistant | John Williams | |
| Star Wars, Episodio I: La Amenaza Fantasma | assistant | John Williams | |
| Star Wars: The Phantom Menace: The Ultimate Edition | co | John Williams | |
| Words for You | | Various Artists | |
| mastering |
---|
| A New Dawn | | Lili Boulanger, Joseph Bologne, Chevalier de Saint‐Georges, Igor Stravinsky; Francesca Dego, London Symphony Orchestra, Jonathon Heyward | |
| Arctic | | Eldbjørg Hemsing & Arctic Philharmonic | |
| Beethoven: Symphony no. 7 / Kendall: O Flower of Fire | | Ludwig van Beethoven, Hannah Kendall; London Symphony Orchestra, Antonio Pappano | |
| mixed |
---|
| Marius et Fanny : Opéra d'après Marcel Pagnol | | Vladimir Cosma | |
| The Lord of the Rings: The Fellowship of the Ring: Original Motion Picture Soundtrack | additional | Howard Shore | |
| The Lord of the Rings: The Fellowship of the Ring: The Complete Recordings | | Howard Shore | |
| The Lord of the Rings: The Fellowship of the Ring: The Complete Recordings | | Howard Shore | |
| Video Games Live, Volume One | | Video Games Live | |
| produced |
---|
| Arctic | | Eldbjørg Hemsing & Arctic Philharmonic | |
| Video Games Live, Volume One | | Video Games Live | |
| recording engineer for |
---|
1998-04-27 | Midway | | John Williams | |
| Amazing Stories | | John Williams & Georges Delerue | |
| Amazing Stories | | Various Artists | |
| EVANGELION:3.0+1.0 THRICE UPON A TIME original sound track | | 鷺巣詩郎 | |
| Frontiers | | Jerry Goldsmith | |
| Interpretations: The British Rock Songbook | | Bettye LaVette | |
| Music from “EVANGELION: 3.0” YOU CAN (NOT) REDO | | 鷺巣詩郎 | |
| Passione | additional | Andrea Bocelli | |
| Shiro SAGISU Music from “SHIN EVANGELION” | | 鷺巣詩郎 | |
| Sleepy Hollow: Music From the Motion Picture | additional | Danny Elfman | |
| Sleepy Hollow: Music From the Motion Picture | additional | Danny Elfman | |
| The Common Linnets | additional | The Common Linnets | |
| Video Games Live, Volume One | | Video Games Live | |
| sound engineered |
---|
| Berlioz Arias | | Berlioz; Roberto Alagna, Bertrand de Billy, Orchestra of the Royal Opera House, Covent Garden | |