| performed |
|---|
| Farewell to Lórien | | Howard Shore feat. Hilary Summers | 4:38 |
| vocals |
|---|
| 1989-03-14 – 1989-03-16 | Messiah: Air: O thou that tellest good tiding to zion | contralto vocals | The Brandenburg Consort, Stephen Cleobury | 3:44 |
| 1989-03-14 – 1989-03-16 | Messiah: But who may abide the day of his coming | contralto vocals | The Brandenburg Consort, Stephen Cleobury | 4:19 |
| 1989-03-14 – 1989-03-16 | Messiah: He was despised and rejected | contralto vocals | The Brandenburg Consort, Stephen Cleobury | 10:37 |
| 1989-03-14 – 1989-03-16 | Messiah: O death, where is thy sting? | contralto vocals | The Brandenburg Consort, Stephen Cleobury | 1:09 |
| 1989-03-14 – 1989-03-16 | Messiah: Then shall be brought to pass | contralto vocals | The Brandenburg Consort, Stephen Cleobury | 0:18 |
| 1989-03-14 – 1989-03-16 | Messiah: Thou art gone up on high | contralto vocals | The Brandenburg Consort, Stephen Cleobury | 3:14 |
| 1992-12-16 – 1992-12-18 | Messiah: Air: O thou that tellest good tiding to zion | contralto vocals | The Brandenburg Consort, Stephen Cleobury | 3:44 |
| 1992-12-16 – 1992-12-18 | Messiah: Behold, a virgin shall conceive | contralto vocals | The Brandenburg Consort, Stephen Cleobury | 0:24 |
| 1992-12-16 – 1992-12-18 | Messiah: But who may abide the day of his coming | contralto vocals | The Brandenburg Consort, Stephen Cleobury | 4:19 |
| 1992-12-16 – 1992-12-18 | Messiah: He was despised and rejected | contralto vocals | The Brandenburg Consort, Stephen Cleobury | 10:37 |
| 1992-12-16 – 1992-12-18 | Messiah: O death, where is thy sting? | contralto vocals | The Brandenburg Consort, Stephen Cleobury | 1:09 |
| 1992-12-16 – 1992-12-18 | Messiah: Then shall be brought to pass | contralto vocals | The Brandenburg Consort, Stephen Cleobury | 0:18 |
| 1992-12-16 – 1992-12-18 | Messiah: Thou art gone up on high | contralto vocals | The Brandenburg Consort, Stephen Cleobury | 3:14 |
| 1993-03-14 – 1993-03-16 | Messiah: Behold, a virgin shall conceive | contralto vocals | The Brandenburg Consort, Stephen Cleobury | 0:24 |
| 1994 | Messiah: Part I. Aria "But who may abide" (alto) | alto vocals | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | 4:05 |
| 1994 | Messiah: Part I. Aria "O thou that tellest" (alto) | alto vocals | The Choir of King’s College, Cambridge, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | 5:27 |
| 1994 | Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano) | alto vocals | Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | 4:35 |
| 1994 | Messiah: Part I. Recitative "Behold, a virgin" (alto) | alto vocals | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | 0:23 |
| 1994 | Messiah: Part I. Recitative "Then shall the eyes of the blind" (alto) | alto vocals | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | 0:24 |
| 1994 | Messiah: Part II. Aria "He was despised" (alto) | alto vocals | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | 9:51 |
| 1994 | Messiah: Part II. Aria "Thou art gone up on high" (alto) | alto vocals | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | 3:12 |
| 1994 | Messiah: Part III. Duet "O death, where is thy sting" (alto & tenor) | alto vocals | John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury | 1:03 |
| 1994 | Messiah: Part III. Recitative "Then shall be brought to pass" (alto) | alto vocals | Hilary Summers, The Brandenburg Consort, Stephen Cleobury | 0:17 |
| 1995-12 | A Midsummer Night’s Dream, op. 64: Act III. "Now, fair Hyppolyta" (Theseus, Hyppolyta, Lysander, Demerius, Helena, Hermia) | contralto vocals | London Symphony Orchestra, Sir Colin Davis | 4:48 |
| 2000-07-09 – 2000-07-14 | Beatus vir, RV 795: VIII. In memoria aeterna | contralto vocals | Nathalie Stutzmann, Alexandra Gibson, Hilary Summers, The King’s Consort, Robert King | 4:49 |
| 2000-07-09 – 2000-07-14 | Beatus vir, RV 795: XII. Dispersit, dedit pauperibus | contralto vocals | Hilary Summers, The King’s Consort, Robert King | 2:26 |
| 2000-07-09 – 2000-07-14 | Beatus vir, RV 795: XIV. Peccator videbit | contralto vocals | Hilary Summers, The King’s Consort, Robert King | 2:54 |
| 2000-11-26 | Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": III. Recitativo (Alt) "Der Heiland sendet ja die Seinen" | alto vocals | English Baroque Soloists, Sir John Eliot Gardiner | 0:36 |
| 2000-11-26 | Kantate, BWV 163 "Nur jedem das Seine": IV. Recitativo (Sopran, Alt) "Ich wollte dir, o Gott, das Herze" | alto vocals | English Baroque Soloists, Sir John Eliot Gardiner | 2:40 |
| 2000-11-26 | Kantate, BWV 163 "Nur jedem das Seine": V. Aria (Duetto Sopran, Alt) "Nimm mich mir und gib mich dir!" | alto vocals | English Baroque Soloists, Sir John Eliot Gardiner | 2:46 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Aria: Al seren d’amica | alto vocals [Gloria] | Hilary Summers, The King’s Consort, Robert King | 8:39 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Aria: All'amene franche arene | alto vocals [Gloria] | Hilary Summers, The King’s Consort, Robert King | 4:56 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Aria: Care pupille | alto vocals [Gloria] | Hilary Summers, The King’s Consort, Robert King | 3:50 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Aria: Godi pur | alto vocals [Gloria] | Hilary Summers, The King’s Consort, Robert King | 3:34 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Aria: Ognor colmi | alto vocals [Gloria] | Hilary Summers, The King’s Consort, Robert King | 3:47 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Aria: Questo nodo | alto vocals [Gloria] | Hilary Summers, The King’s Consort, Robert King | 4:01 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Duet: In braccio de’ contenti | alto vocals [Gloria] | Tuva Semmingsen, Hilary Summers, The King’s Consort, Robert King | 2:46 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Duet: Vedrò sempre la pace | alto vocals [Gloria] | Tuva Semmingsen, Hilary Summers, The King’s Consort, Robert King | 1:15 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Recitative: Al vezzo | alto vocals [Gloria] | Tuva Semmingsen, Hilary Summers, The King’s Consort, Robert King | 3:36 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Recitative: Dà innesto così | alto vocals [Gloria] | Tuva Semmingsen, Hilary Summers, The King’s Consort, Robert King | 1:07 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Recitative: Dall’eccelsa | alto vocals [Gloria] | Hilary Summers, The King’s Consort, Robert King | 0:38 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Recitative: Delle regali nozze | alto vocals [Gloria] | Tuva Semmingsen, Hilary Summers, The King’s Consort, Robert King | 0:59 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Recitative: E voi, Grazie | alto vocals [Gloria] | Tuva Semmingsen, Hilary Summers, The King’s Consort, Robert King | 1:02 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Recitative: Già della | alto vocals [Gloria] | Tuva Semmingsen, Hilary Summers, The King’s Consort, Robert King | 0:43 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Recitative: Impaziente il desio | alto vocals [Gloria] | Tuva Semmingsen, Hilary Summers, The King’s Consort, Robert King | 0:45 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Recitative: Invan potrà | alto vocals [Gloria] | Hilary Summers, The King’s Consort, Robert King | 0:35 |
| 2002-02-01 – 2002-02-06 | Gloria e Imeneo, RV 687: Recitative: Non turbino | alto vocals [Gloria] | Tuva Semmingsen, Hilary Summers, The King’s Consort, Robert King | 0:39 |
| 2002-02-01 – 2002-02-06 | La Senna Festeggiante, RV 693: Aria: Godrem fra noi la pace | alto vocals [La Virtù] | Carolyn Sampson, Hilary Summers, The King’s Consort, Robert King | 1:17 |
| 2002-02-01 – 2002-02-06 | La Senna Festeggiante, RV 693: Aria: In quest’ onde, che feconde | alto vocals [La Virtù] | Hilary Summers, The King’s Consort, Robert King | 4:06 |
| 2002-02-01 – 2002-02-06 | La Senna Festeggiante, RV 693: Aria: Stelle, con vostra pace | alto vocals [La Virtù] | Hilary Summers, The King’s Consort, Robert King | 4:22 |
| 2002-02-01 – 2002-02-06 | La Senna Festeggiante, RV 693: Aria: Vaga perla, benché sia | alto vocals [La Virtù] | Hilary Summers, The King’s Consort, Robert King | 3:00 |
| 2002-02-01 – 2002-02-06 | La Senna Festeggiante, RV 693: Choir: Di queste selve | alto vocals [La Virtù] | Charles Daniels, Andrew Foster-Williams, Carolyn Sampson, Hilary Summers, The King’s Consort, Robert King | 4:08 |
| 2002-02-01 – 2002-02-06 | La Senna Festeggiante, RV 693: Chorus a 3: Della Senna | alto vocals [La Virtù] | Andrew Foster-Williams, Carolyn Sampson, Hilary Summers, The King’s Consort, Robert King | 1:46 |
| 2002-02-01 – 2002-02-06 | La Senna Festeggiante, RV 693: Duet: Io qui provo | alto vocals [La Virtù] | Carolyn Sampson, Hilary Summers, The King’s Consort, Robert King | 3:17 |
| 2002-02-01 – 2002-02-06 | La Senna Festeggiante, RV 693: Duet: Qui per darci amabil pace | alto vocals [La Virtù] | Carolyn Sampson, Hilary Summers, The King’s Consort, Robert King | 2:16 |
| 2002-02-01 – 2002-02-06 | La Senna Festeggiante, RV 693: Recitative: Anch’io raminga errando | alto vocals [La Virtù] | Hilary Summers, The King’s Consort, Robert King | 0:36 |
| 2002-02-01 – 2002-02-06 | La Senna Festeggiante, RV 693: Recitative: Della ferrea stagion | alto vocals [La Virtù] | Carolyn Sampson, Hilary Summers, The King’s Consort, Robert King | 0:45 |
| 2002-02-01 – 2002-02-06 | La Senna Festeggiante, RV 693: Recitative: Non si ritardi | alto vocals [La Virtù] | Carolyn Sampson, Hilary Summers, The King’s Consort, Robert King | 0:57 |
| 2002-02-01 – 2002-02-06 | La Senna Festeggiante, RV 693: Recitative: O di qual melodia | alto vocals [La Virtù] | Andrew Foster-Williams, Carolyn Sampson, Hilary Summers, The King’s Consort, Robert King | 1:04 |
| 2002-02-01 – 2002-02-06 | La Senna Festeggiante, RV 693: Recitative: Sì, sì, già che tu | alto vocals [La Virtù] | Carolyn Sampson, Hilary Summers, The King’s Consort, Robert King | 1:03 |
| 2002-02-01 – 2002-02-06 | La Senna Festeggiante, RV 693: Recitative: Tutto muor | alto vocals [La Virtù] | Andrew Foster-Williams, Hilary Summers, The King’s Consort, Robert King | 1:21 |
| 2002-02-01 – 2002-02-06 | La Senna Festeggiante, RV 693: Recitative: Vedrete in questo | alto vocals [La Virtù] | Andrew Foster-Williams, Carolyn Sampson, Hilary Summers, The King’s Consort, Robert King | 1:20 |
| 2002-09 | Le Marteau sans maître: I. Avant l’Artisanat furieux. Rapide | mezzo-soprano vocals | Hilary Summers, Ensemble intercontemporain, Pierre Boulez | 1:55 |
| 2002-09 | Le Marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent | mezzo-soprano vocals | Hilary Summers, Ensemble intercontemporain, Pierre Boulez | 4:31 |
| 2002-09 | Le Marteau sans maître: III. L’Artisanat furieux. Modéré sans rigueur | mezzo-soprano vocals | Hilary Summers, Ensemble intercontemporain, Pierre Boulez | 2:39 |
| 2002-09 | Le Marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide | mezzo-soprano vocals | Hilary Summers, Ensemble intercontemporain, Pierre Boulez | 4:16 |
| 2002-09 | Le Marteau sans maître: IX. Bel édifice et les pressentiments – double. Tempo libre de rècit | mezzo-soprano vocals | Hilary Summers, Ensemble intercontemporain, Pierre Boulez | 8:36 |
| 2002-09 | Le Marteau sans maître: V. Bel édifice et les pressentiments – version première. Assez vif | mezzo-soprano vocals | Hilary Summers, Ensemble intercontemporain, Pierre Boulez | 4:08 |
| 2002-09 | Le Marteau sans maître: VI. Bourreaux de solitude. Assez lent | mezzo-soprano vocals | Hilary Summers, Ensemble intercontemporain, Pierre Boulez | 5:03 |
| 2002-09 | Le Marteau sans maître: VII. Après l’Artisanat furieux. Rapide | mezzo-soprano vocals | Hilary Summers, Ensemble intercontemporain, Pierre Boulez | 1:07 |
| 2002-09 | Le Marteau sans maître: VIII. Commentaire III de Bourreaux de solitude. Assez lent | mezzo-soprano vocals | Hilary Summers, Ensemble intercontemporain, Pierre Boulez | 6:25 |
| 2003-11 | Nisi Dominus, RV 803: I. Nisi Dominus aedificaverit | contralto vocals | Carolyn Sampson, Tuva Semmingsen, Hilary Summers, The King’s Consort, Robert King | 1:28 |
| 2003-11 | Nisi Dominus, RV 803: V. Sicut sagittae | contralto vocals | Hilary Summers, The King’s Consort, Robert King | 2:25 |
| 2003-11 | Nisi Dominus, RV 803: VIII. Sicut erat in principio | contralto vocals | Carolyn Sampson, Tuva Semmingsen, Hilary Summers, The King’s Consort, Robert King | 1:26 |
| 2009-09-16 | Into the Little Hill | alto vocals | Keren Motseri, Hilary Summers, Franck Ollu, Ensemble Modern | ?:?? |
| 2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act I, Scene I. Duetto "Ricordati, mio ben" (Vitige, Teodata) | contralto vocals | Renata Pokupić, Hilary Summers, Early Opera Company, Christian Curnyn | 4:29 |
| 2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act I, Scene I. Recitativo "Fra i ciechi orror' notturni" (Vitige, Teodata) | contralto vocals | Renata Pokupić, Hilary Summers, Early Opera Company, Christian Curnyn | 0:42 |
| 2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act I, Scene II. Recitativo "Lotario, al sacro nodo" (Ugone, Lotario, Guido, Teodata) / Scene III. "Recitativo Con l'alma reverente" (Emilia, Guido, Ugone, Lotario, Teodata) | contralto vocals | Thomas Walker, Andrew Foster-Williams, Iestyn Davies, Hilary Summers, Rosemary Joshua, Early Opera Company, Christian Curnyn | 1:46 |
| 2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act I, Scene V. Aria "Benchè povera donzella" (Teodata) | contralto vocals | Hilary Summers, Early Opera Company, Christian Curnyn | 5:19 |
| 2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act I, Scene V. Recitativo "O dell'Italo soglio, eccelso nume" (Ugone, Flavio, Teodata) | contralto vocals | Thomas Walker, Tim Mead, Hilary Summers, Early Opera Company, Christian Curnyn | 1:35 |
| 2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act II, Scene I. Recitativo "Al tuo cenno reale ubbidiente" (Teodata, Flavio) / Scene II. Recitativo "Dove, dove mi celo?" (Ugone, Flavio, Teodata) / Scene III. Recitativo "Ah! Teodata, Teodata!" (Ugone, Teodata) | contralto vocals | Hilary Summers, Tim Mead, Thomas Walker, Early Opera Company, Christian Curnyn | 2:36 |
| 2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act II, Scene VIII. Aria "Con un vezzo, con un riso (Teodata) | contralto vocals | Hilary Summers, Early Opera Company, Christian Curnyn | 4:36 |
| 2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act II, Scene VIII. Recitativo "Teodata!" (Vitige, Teodata) | contralto vocals | Renata Pokupić, Hilary Summers, Early Opera Company, Christian Curnyn | 1:04 |
| 2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act III, Scene II. Aria "Che colpa è la mia" (Teodata) | contralto vocals | Hilary Summers, Early Opera Company, Christian Curnyn | 4:13 |
| 2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act III, Scene II. Arioso e recitativo "Corrispondi a chi ti adora" (Vitige, Flavio, Teodata) | contralto vocals | Renata Pokupić, Tim Mead, Iestyn Davies, Early Opera Company, Christian Curnyn | 2:15 |
| 2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act III, Scene II. Recitativo "Barbara Teodata" (Vitige, Teodata) | contralto vocals | Renata Pokupić, Hilary Summers, Early Opera Company. Christian Curnyn | 0:18 |
| 2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act III, Scene II. Recitativo "Guido, Lotario uccise? (Flavio, Vitige, Teodata) | contralto vocals | Tim Mead, Renata Pokupić, Iestyn Davies, Early Opera Company, Christian Curnyn | 1:06 |
| 2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act III, Scene V. Recitativo "Vitige!" (Teodata, Vitige, Flavio) / Scene VI. Recitativo "Signore, se il mio delitto" (Guido, Ugone, Flavio) / Recitativo "Al tuo piede, o regnante" (Emilia, Flavio, Ugone, Vitige, Guido) | contralto vocals | Hilary Summers, Renata Pokupić, Tim Mead, Iestyn Davies, Thomas Walker, Tim Mead, Rosemary Joshua, Early Opera Company, Christian Curnyn | 3:01 |
| 2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act III, Scene VII. Recitativo "E tu, Vitige, in pena" (Flavio, Vitige, Teodata, Ugone, Guido) | contralto vocals | Tim Mead, Renata Pokupić, Hilary Summers, Thomas Walker, Iestyn Davies, Early Opera Company, Christian Curnyn | 0:37 |
| 2011-06-11 – 2011-06-13 | The Rape of Lucretia, op. 37: Act I, Scene II. "Listen! I heard a knock" (Lucretia, Bianca, Lucia) | contralto vocals | Claire Booth, Angelika Kirchschlager, Hilary Summers, Aldeburgh Festival Ensemble, Oliver Knussen | 2:47 |
| 2011-06-11 – 2011-06-13 | The Rape of Lucretia, op. 37: Act I, Scene II. "Lucia runs to the door" (Female Chorus, Tarquinius, Male Chorus, Bianca, Lucia, Lucretia) | contralto vocals | Claire Booth, Susan Gritton, Hilary Summers, Ian Bostridge, Peter Coleman-Wright, Angelika Kirchschlager, Aldeburgh Festival Ensemble, Oliver Knussen | 5:23 |
| 2011-06-11 – 2011-06-13 | The Rape of Lucretia, op. 37: Act I, Scene II. "Their spinning wheel unwinds" (Female Chorus, Lucretia, Bianca, Lucia) | contralto vocals | Claire Booth, Susan Gritton, Angelika Kirchschlager, Hilary Summers, Aldeburgh Festival Ensemble, Oliver Knussen | 5:21 |
| 2011-06-11 – 2011-06-13 | The Rape of Lucretia, op. 37: Act I, Scene II. "Time treads upon the hands of women" (Lucia, Bianca, Female Chorus, Lucretia) | contralto vocals | Claire Booth, Susan Gritton, Angelika Kirchschlager, Hilary Summers, Aldeburgh Festival Ensemble, Oliver Knussen | 3:26 |
| 2011-06-11 – 2011-06-13 | The Rape of Lucretia, op. 37: Act II, Scene I. "The prosperity of the Etruscans" (Female Chorus, Male Chorus, Collatinus, Lucia, Junius, Bianca) | contralto vocals | Claire Booth, Susan Gritton, Hilary Summers, Ian Bostridge, Benjamin Russell, Benjamin Russell, Aldeburgh Festival Ensemble, Oliver Knussen | 7:30 |
| 2011-06-11 – 2011-06-13 | The Rape of Lucretia, op. 37: Act II, Scene II. "Flowers bring to every year" (Lucretia, Bianca) | contralto vocals | Angelika Kirchschlager, Hilary Summers, Aldeburgh Festival Ensemble, Oliver Knussen | 3:18 |
| 2011-06-11 – 2011-06-13 | The Rape of Lucretia, op. 37: Act II, Scene II. "Good morning my Lady" (Bianca, Lucia, Lucretia) | contralto vocals | Claire Booth, Angelika Kirchschlager, Hilary Summers, Aldeburgh Festival Ensemble, Oliver Knussen | 3:27 |
| 2011-06-11 – 2011-06-13 | The Rape of Lucretia, op. 37: Act II, Scene II. "Oh! What a lovely day!" (Lucia, Bianca) | contralto vocals | Claire Booth, Hilary Summers, Aldeburgh Festival Ensemble, Oliver Knussen | 5:56 |
| 2011-06-11 – 2011-06-13 | The Rape of Lucretia, op. 37: Act II, Scene II. "This dead hand lets fall" (Collatinus, Junius, Bianca, Lucia, Female Chorus, Male Chorus) | contralto vocals | Claire Booth, Susan Gritton, Hilary Summers, Ian Bostridge, Benjamin Russell, Christopher Purves, Aldeburgh Festival Ensemble, Oliver Knussen | 3:57 |
| 2011-06-11 – 2011-06-13 | The Rape of Lucretia, op. 37: Act II, Scene II. "You were right. Tarquinius took one of the horses" (Lucia, Bianca, Collatinus, Junius) | contralto vocals | Claire Booth, Hilary Summers, Benjamin Russell, Benjamin Russell, Aldeburgh Festival Ensemble, Oliver Knussen | 2:39 |
| 2015-11-26 – 2015-11-30 | Israel in Ägypten: Part 1 "Exodus": Aber die Fluten überwältigten | alto vocals | Choir of the King’s Consort, Julia Doyle, Benjamin Hulett, Hilary Summers, Lydia Teuscher, Roderick Williams, The King’s Consort, Robert King | 1:08 |
| See all 239 relationships |
| vocals |
|---|
| La Didone | contralto vocals | Pietro Francesco Cavalli; Thomas Hengelbrock, Balthasar-Neumann-Ensemble, Yvonne Kenny, Laurence Dale | |
| Messiah | alto vocals | George Frideric Handel; Lynne Dawson, Hilary Summers, John Mark Ainsley, Alastair Miles, The Choir of King’s College, Cambridge, Brandenburg Consort, Stephen Cleobury | |
| Messiah | alto vocals | Handel; Dawson, Summers, Ainsley, Miles, Choir of King’s College, Cambridge, Brandenburg Consort, Stephen Cleobury | |
| Requiem pro defuncto Archiepiscopo Sigismundo / Missa in honorem Sanctae Ursulae | alto vocals | Michael Haydn; Carolyn Sampson, Hilary Summers, James Gilchrist, Peter Harvey, Choir of the King’s Consort, The King’s Consort, Robert King | |
