Concerto for Violin, Strings, and Continuo in E minor, RV 273: I. Allegro non molto | | | | | | | |
Concerto for Violin, Strings, and Continuo in E minor, RV 273: II. Largo | | | | | | | |
Concerto for Violin, Strings, and Continuo in E minor, RV 273: III. Allegro | | | | | | | |
Concerto for Violin, Strings, and Continuo in F major, RV 295: I. Allegro | | | | | | | |
Concerto for Violin, Strings, and Continuo in F major, RV 295: II. Larghetto | | | | | | | |
Concerto for Violin, Strings, and Continuo in F major, RV 295: III. Allegro | | | | | | | |
Concerto in B-flat major, RV 163 "Conca": I. (Allegro) - Allegro molto | | | | | | | |
Concerto in B-flat major, RV 163 "Conca": II. Andante | | | | | | | |
Concerto in B-flat major, RV 163 "Conca": III. Allegro | | | | | | | |
Concerto in B-flat major, RV 167: I. Allegro | | | | | | | |
Concerto in B-flat major, RV 167: II. Andante | | | | | | | |
Concerto in B-flat major, RV 167: III. Allegro | | | | | | | |
Concerto in B-flat major, RV 376: I. Larghetto - Andante | | | | | | | |
Concerto in B-flat major, RV 376: II. Andante | | | | | | | |
Concerto in B-flat major, RV 376: III. Allegro | | | | | | | |
Concerto in C major, RV 114: I. Allegro | | | | | | | |
Concerto in C major, RV 114: II. Adagio | | | | | | | |
Concerto in C major, RV 114: III. Ciaccona | | | | | | | |
Concerto in C minor, RV 119: I. Allegro | | | | | | | |
Concerto in C minor, RV 119: II. Largo | | | | | | | |
Concerto in C minor, RV 119: III. Allegro | | | | | | | |
Concerto in D major, RV 121: I. Allegro molto | | | | | | | |
Concerto in D major, RV 121: II. Adagio | | | | | | | |
Concerto in D major, RV 121: III. Allegro | | | | | | | |
Concerto in D major, RV 211: I. Allegro non molto | | | | | | | |
Concerto in D major, RV 211: II. Larghetto | | | | | | | |
Concerto in D major, RV 211: III. Allegro | | | | | | | |
Concerto in D minor, RV 127: I. Allegro | | | | | | | |
Concerto in D minor, RV 127: II. Largo | | | | | | | |
Concerto in D minor, RV 127: III. Allegro | | | | | | | |
Concerto in do minore per due violini, archi e basso continuo, RV 509: I. Allegro ma poco e cantabile | | | | | | | |
Concerto in do minore per due violini, archi e basso continuo, RV 509: II. Andante molto | | | | | | | |
Concerto in do minore per due violini, archi e basso continuo, RV 509: III. Allegro | | | | | | | |
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro | | - Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal
- [unknown]
- Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser
- Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
- (show 424 more)
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Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo | | | | | | | |
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale | | - Alexander Permovalsky, Baroque Festival Orchestra, Südwest-Studioorchester, Alberto Lizzio, Heribert Münchner
- I Solisti di Zagreb, Musici di San Marco, Slovak Chamber Orchestra, Alberto Lizzio, Bohdan Warchal
- [unknown]
- Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
- (show 371 more)
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Concerto in E-flat major, RV 257: I. Andante molto e quasi allegro | | | | | | | |
Concerto in E-flat major, RV 257: II. Adagio | | | | | | | |
Concerto in E-flat major, RV 257: III. Allegro | | | | | | | |
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro | | | | | | | |
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto | | - Alexander Permovalsky, Baroque Festival Orchestra, Südwest-Studioorchester, Alberto Lizzio, Heribert Münchner
- Musici di San Marco, Slovak Chamber Orchestra, Alberto Lizzio, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 349 more)
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Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro | | - Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal
- Musici di San Marco, Alberto Lizzio
- Baroque Festival Orchestra, Alexander Permovalsky, Alberto Lizzio
- Trevor Pinnock, Simon Standage, The English Concert
- (show 354 more)
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Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto | | | | | | | |
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto | | | | | | - 0O7-3717-0 (JASRAC ID)
- F minor (Key)
| |
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo | | | | | | | |
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro | | | | | | | |
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto | | - Baroque Festival Orchestra, Alexander Permovalsky, Alberto Lizzio
- Musici di San Marco, Nova Filarmonia Portuguesa, Slovak Chamber Orchestra, Álvaro Cassuto, Alberto Lizzio, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 361 more)
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Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte | | - Alexander Permovalsky, Baroque Festival Orchestra, Alberto Lizzio
- Musici di San Marco, Salzburger Kammerorchester, Slovak Chamber Orchestra, Alberto Lizzio, Alexander von Pitamic, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 361 more)
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Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto | | | | | | | |
Concerto in G minor, RV 152: I. Allegro molto | | | | | | | |
Concerto in G minor, RV 152: II. Andante molto | | | | | | | |
Concerto in G minor, RV 152: III. Allegro molto | | | | | | | |
Concerto in G minor, RV 156: I. Allegro | | | | | | | |
Concerto in G minor, RV 156: II. Adagio | | | | | | | |
Concerto in G minor, RV 156: III. Allegro | | | | | | | |
Concerto in G minor, RV 157: I. Allegro | | | | | | | |
Concerto in G minor, RV 157: II. Largo | | | | | | | |
Concerto in G minor, RV 157: III. Allegro | | | | | | | |
Così fan tutte: Ouvertura | | | | Overture | | | |
Damigella tutta bella, SV 235 | | | | Song | | | |
Das Jesulein soll doch mein Trost, BWV 702 | | | | | | | |
Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Ouvertüre | | | | | | | |
Dido’s Lament | | | | | | | |
Die Entführung aus dem Serail, K. 384: Ouvertüre | | | | Overture | | | |
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) | | | | Aria | | | |
Die Zauberflöte: Ouvertüre | | | | Overture | | | |
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) | | | | Aria | | | |
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) | | | | | | | |
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) | | | | Aria | | | |
Don Giovanni: Ouvertura | | | | Overture | | | |
Durch Adams Fall ist ganz verderbt, BWV 705 | | | | | | | |
El bajel que no recela | | | | | | | |
En amor, pastorcillos | | | | | | | |
Fantasia G-Dur, BWV 572 “Pièce d’Orgue” | | | | | | | |
Fantasia super: Christ lag in Todesbanden, BWV 695 | | | | | | | |
Fantasie C-Dur, BWV 570 | | | | | | | |
Fantasie c-Moll, BWV 1121 | | | | | | | |
Fantasie G-Dur, BWV 571: I. Allegro | | | | | | | |
Fantasie G-Dur, BWV 571: II. Adagio | | | | | | | |
Fantasie G-Dur, BWV 571: III. Allegro | | | | | | | |
Farnace, RV 711: "Forse, o caro, in questi accenti" (Tamiri) | | | | | | | |
Fuga super "Allein Gott in der Höh sei Ehr", BWV 716 | | | | | | | |
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VIII, 12. Aria “Cara speme, questo core tu cominci a lusingar” (Sesto) | | | | Aria | | | |
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VIII, 29. Aria “Se pietà di me non senti” (Cleopatra) | | | | Aria | | | |
Giustino, RV 717: Act III: Aria "Or che cinto ho il crin d’alloro" | | | | Aria | | | |
Gott, durch deine Güte (Gottes Sohn ist kommen), BWV 724 | | | | | | | |
Greensleeves | | | | | | | |
Griselda, RV 718: Atto I. "Ho il cor già lacero" (Griselda) | | | | | | | |
Griselda, RV 718: Atto II. "Agitata da due venti" (Costanza) | | | | Aria | | | |
Günther von Schwarzburg: Akt I | | | | | | | |
Günther von Schwarzburg: Akt II | | | | | | | |
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te | | | | Mass | | | |
Hercules, HWV 60: Act III, no. 49: Recitativo accompagnato "Where shall I fly? Where hide this quilty head?" (Dejanira) | | | | Aria | | | |
Herr Jesu Christ, dich zu uns wend, BWV 709 | | | | | | | |
Herr Jesu Christ, dich zu uns wend, BWV 749 | | | | | | | |
Herr Jesu Christ, meins Lebens Licht, BWV 750 | | | | | | | |
Hippolyte et Aricie: Acte III | | | | | | | |
Ich hab mein Sach Gott heimgestellt, BWV 707 | | | | | | | |
Ich hab mein Sach Gott heimgestellt, BWV 708 | | | | | | | |
Idomeneo, rè di Creta, K. 366: Act I, Scene I. No. 1 Aria "Padre, germani, addio!" (Ilia) | | | | Aria | | | |