12 danzas españolas, op. 37, nº 5: Andaluza (Playera) | | | | | | | |
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) | | | | | | | |
12 estudos, W235, nº 11: Lent - Più mosso - Animé | | | | Étude | | | |
Aire de Joropo | | | | | | | |
Aire de zamba | | | | | | | |
Angostura | | | | | | | |
Boceto andaluz | | | | | | | |
Bolero | | | | | | | |
Campanas del alba | | | | | | | |
Canarios | | | | | | | |
Cançó del lladre | | | | | | | |
Cançó i dansa núm. 6 | | | | | | | |
Cançó i dansa núm. 6: Cançó | | | | | | | |
Cançó i dansa núm. 6: Dansa | | | | | | | |
Carora | | | | | | | |
Concerto for Guitar and Orchestra no. 1 in D major, op. 99: I. Allegretto | | | | | | | |
Concerto for Guitar and Orchestra no. 1 in D major, op. 99: II. Andantino alla romanza | | | | | | | |
Concerto for Guitar and Orchestra no. 1 in D major, op. 99: III. Ritmico e cavalleresco | | | | | | | |
Concerto for Mandolin in C major, RV 425: I. Allegro | | | | | | | |
Concerto for Mandolin in C major, RV 425: II. Largo | | | | | | | |
Concerto for Mandolin in C major, RV 425: III. Allegro | | | | | | | |
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: I. Allegro | | | | | | | |
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: II. Andante | | | | | | | |
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: III. Allegro | | | | | | | |
Concierto de Aranjuez: II. Adagio | | | | | | | |
Cueca | | | | | | | |
Danza mora | | | | | | | |
Danza paraguaya | | | | | | | |
El diablo suelto | | | | | | | |
El Marabino | | | | | | | |
El noi de la mare | | | | Song | | | |
El sombrero de tres picos, suite no. 2: II. Danza del molinero (farruca) | | | | | | | |
El sombrero de tres picos, suite no. 2: II. Danza del molinero (farruca) | | | | | | | |
El testament d’Amèlia | | | | | | | |
El vito | | | | | | | |
Espagnoletta | | | | | | | |
Estrella del mar | | | | | | | |
Estudio | | | | | | | |
Estudio "Remembranza" | | | | | | | |
Estudio V | | | | Étude | | | |
Estudio XII | | | | Étude | | | |
Fandanguillo, op. 36 | | | | | | | |
Five Pieces from Venezuela: No. 1. Cántico | | | | | | | |
Five Pieces from Venezuela: No. 3. Canción | | | | | | | |
Folias | | | | | | | |
Guaso | | | | | | | |
Guitar Concerto in A major, RV 82: I. Allegro non molto | | | | | | | |
Guitar Concerto in A major, RV 82: II. Larghetto | | | | | | | |
Guitar Concerto in A major, RV 82: III. Allegro | | | | | | | |
Habanera | | | | | | | |
Homenaje, pour le tombeau de Claude Debussy, G. 56 | | | | | | | |
Introduction and Variations on a Theme by Mozart, op. 9 | | | | | | | |
Invocación y danza | | | | Suite | | | |
La filla del marxant | | | | | | | |
La maja de Goya | | | | | | | |
La maja de Goya | | | | | | | |
Los seys libros del Delphín de música, Libro sesto: Guárdame las vacas (7 diferencias) | | | | Étude | | | |
María Luisa | | | | | | | |
Marizápalos | | | | | | | |
Merengue | | | | | | | |
Nocturno | | | | | | | |
Pavana | | | | | | | |
Por los campos de España, nº 1: En los trigales | | | | | | | |
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid": III. Allegretto | | | | | | | |
Quirpa Guatireña | | | | | | | |
Ráfaga, op. 53 | | | | | | | |
Recuerdos de la Alhambra | | | | | | | |
Recuerdos de viaje, op. 71: VI. Rumores de la caleta | | | | | | | |
Serenata española | | | | | | | |
Sonata in E minor | | | | Sonata | | | |
Sonata in G major | | | | Sonata | | | |
Sonata in G minor | | | | Sonata | | | |
Sonata no. 1 in G minor for Violin Solo, BWV 1001: II. Fuga | | | | | | | |
Sonata no. 1 in G minor for Violin Solo, BWV 1001: II. Fuga | | | | | | | |
Sonatina | | | | Sonata | | | |
Suite E-Dur, BWV 1006a: III. Gavotte en Rondeau | | | | | | | |
Suite española no. 1, op. 47: I. Granada (Serenata) | | | | | | | |
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) | | | | | | | |
Suite española no. 1, op. 47: V. Asturias (Leyenda) | | | | | | | |
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: I. Prélude | | | | | | | |
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: II. Allemande | | | | | | | |
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: III. Courante | | | | | | | |
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: IV. Sarabande | | | | | | | |
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: V. Bourrée I & II | | | | | | | |
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: VI. Gigue | | | | | | | |
Suite in E minor, BWV 996: V. Bourrée | | | | | | | |
Suite no. 6 D‐Dur, BWV 1012: V. Gavottes I & II | | | | | | | |
Torre Bermeja | | | | | | | |
Tres libros de música en cifras para virhuela: Fantasia No.X | | | | Étude | | | |
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne | | | | | | | |
Zambra granadina (Danse orientale) | | | | | | | |
Zapateado | | | | | | | |