| performed |
|---|
| Moses und Aron, Act II: Scene 1: Aaron und die 70 Ältesten vor dem Berg der Offenbarung (70 Älteste, Priester, Aron) | | BBC Symphony Orchestra, Pierre Boulez | 3:17 |
| Moses und Aron, Act II: Scene 2: "Wo ist Moses?" (Chor, 70 Älteste, Aron) | | BBC Symphony Orchestra, Pierre Boulez | 7:10 |
| Moses und Aron, Act II: Scene 3: "Dieses Bild bezeugt" (Aron) | | BBC Symphony Orchestra, Pierre Boulez | 1:01 |
| Moses und Aron, Act II: Scene 3: "O goldener Gott" (4 nackte Jungfrauen, Chor, 70 Älteste) | | BBC Symphony Orchestra, Pierre Boulez | 2:56 |
| Moses und Aron, Act II: Scene 3: "O Götterbild" (Eine Kranke, Chor, 70 Älteste, Ephraimit, Stammesfürsten, junger Mann) | | BBC Symphony Orchestra, Pierre Boulez | 3:24 |
| Moses und Aron, Act II: Scene 3: Feierlich (bar 320) | | BBC Symphony Orchestra, Pierre Boulez | 3:21 |
| Moses und Aron, Act II: Scene 3: Orgie der Trunkenheit und des Tanzes (70 Älteste) / Orgie der Vernichtung und des Selbstmordes (Mädchen) | | BBC Symphony Orchestra, Pierre Boulez | 5:34 |
| Moses und Aron, Act II: Scene 3: Rasch (bar 497) | | BBC Symphony Orchestra, Pierre Boulez | 4:44 |
| Moses und Aron, Act II: Scene 3: Tanz der Schlächter | | BBC Symphony Orchestra, Pierre Boulez | 2:10 |
| Moses und Aron, Act II: Scene 3: Ziemlich rasch (bar 824) / Ertische Orgie (nackter Jüngling, andere Nackte, Chor) | | BBC Symphony Orchestra, Pierre Boulez | 5:17 |
| Moses und Aron, Act II: Scene 4: "Moses steigt vom Berg herab!" (Ein Mann, Moses, Volk) | | BBC Symphony Orchestra, Pierre Boulez | 1:09 |
| Moses und Aron, Act II: Scene 5: "Aron, was hast du getan?" (Moses, Aron, Chor) | | BBC Symphony Orchestra, Pierre Boulez | 10:22 |
| vocals |
|---|
| 1964-04 | Albert Herring, op. 39: Act II, Scene I. “Well tried, Albert!” (Vicar) | baritone vocals | John Noble, English Chamber Orchestra, Benjamin Britten | 3:07 |
| 1964-04 | Albert Herring, op. 39: Act III. “Albert…!” (All) | baritone vocals | Sheila Amit, Owen Brannigan, April Cantelo, Edgar Evans, Sylvia Fisher, John Noble, Peter Pears, Johanna Peters, Sheila Rex, Stephen Terry, Joseph Ward, Catherine Wilson, English Chamber Orchestra, Benjamin Britten | 0:40 |
| 1964-04 | Albert Herring, op. 39: Act III. “In the midst of life is death” (All) | baritone vocals | Sheila Amit, Owen Brannigan, April Cantelo, Edgar Evans, Sylvia Fisher, John Noble, Peter Pears, Johanna Peters, Sheila Rex, Stephen Terry, Joseph Ward, Catherine Wilson, English Chamber Orchestra, Benjamin Britten | 4:22 |
| 1965-06-12 – 1965-06-16 | Carmina Burana: III. Cour d’amour: No. 16. Dies, nox et omnia | baritone vocals | John Noble, New Philharmonia Orchestra, Rafael Frühbeck de Burgos | 2:07 |
| 1967-08-30 | Appalachia (Variations on an Old Slave Song) | baritone vocals | BBC Chorus, BBC Choral Society, Goldsmiths' Choral Union, London Philharmonic Choir, John Noble, London Philharmonic Orchestra, Sir Charles Groves | 32:26 |
| 1970-08-18 – 1970-08-31 | Don Carlo: Atto III, Scena II, No. 9. Gran finale: "Schiusa or sia la porta del tempio!" (L'araldo, Coro) | baritone vocals [un araldo] | John McCarthy, John Noble, Ambrosian Opera Chorus, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini | 2:14 |
| 1970-08 | Macbeth: Atto I. "Nel dì della vittoria io le incontrai" (Lady Macbeth, servo) | baritone vocals [Servo] | John McCarthy, Dietrich Fischer‐Dieskau, John Noble, Έλενα Σουλιώτη, London Philharmonic Orchestra, Lamberto Gardelli | 9:21 |
| 1970-08 | Macbeth: Atto III. "Finché appelli, silent m'attendete" (Macbeth, coro, prima apparizione, seconda apparizione, terza apparizione) | baritone vocals [Prima apparizione] | John McCarthy, Ambrosian Singers, Andrew Dance, Dietrich Fischer‐Dieskau, Peter Marsland, John Noble, London Philharmonic Orchestra, Lamberto Gardelli | 11:57 |
| 1971-06 | Rigoletto: Atto II. "Schiudete, ire al carcere" (Usciere) | baritone vocals [Usciere de corte] | Clifford Grant, Sherrill Milnes, John Noble, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 3:07 |
| 1972-09 | Szenen aus Goethes Faust: Zweite Abteilung. Die ihr dies Haupt umschwebt im luft'gem Kreise | baritone vocals | Aldeburgh Festival Singers, Margaret Cable, John Elwes, Jenny Hill, Neil Jenkins, John Noble, Peter Pears, English Chamber Orchestra, Benjamin Britten | 10:49 |
| 1975-08 | Il corsaro: Atto II, scena 2. Finale “Signor, trafitti giacciono” | baritone vocals | John McCarthy, Ambrosian Singers, Montserrat Caballé, José Carreras, Clifford Grant, Gian-Piero Mastromei, John Noble, Philharmonia Orchestra, Lamberto Gardelli | 4:18 |
| 1975-08 | Il corsaro: Atto III, scena 1. “Cento leggiadre vergini - Ma pria togliam dall' anima” | baritone vocals | Gian-Piero Mastromei, John Noble, Philharmonia Orchestra, Lamberto Gardelli | 3:26 |
| 1976 | Le Prophète: Act I: "Ad nos, ad salutarem undam" | tenor vocals [Paysan 2] | Ambrosian Opera Chorus, Oliver Broome, Jean Dupouy, Jerome Hines, John Noble, Christian du Plessis, Royal Philharmonic Orchestra, Henry Lewis | 3:07 |
| 1976 | Le Prophète: Act I: "Ainsi ces beaux châteaux?" | tenor vocals [Paysan 2] | Ambrosian Opera Chorus, Oliver Broome, Jean Dupouy, Jerome Hines, John Noble, Christian du Plessis, Royal Philharmonic Orchestra, Henry Lewis | 2:27 |
| 1978-04 | Lady Macbeth of Mtsensk, op. 29: Act I, Scene II. “Ay! Ay! Ay!” | baritone vocals | John McCarthy, The Ambrosian Singers, Steven Emmerson, Nicolai Gedda, John Noble, Robert Tear, Taru Valjakka, Galina Vishnevskaya, London Philharmonic Orchestra, Mstislav Rostropovich | 2:40 |
| 1979-08 | La bohème: Act III. Ohe la, le guardie! Aprite! | baritone vocals [Doganiere] | John McCarthy, David Squibb, Ambrosian Opera Chorus, John Noble, Trinity Boys’ Choir, National Philharmonic Orchestra, James Levine | 4:12 |
| 1979-08 | La bohème: Act III. Sa dirmi, scusi, qual’e l’osteria | baritone vocals [Doganiere] | Michael Lewis, Sherrill Milnes, John Noble, Renata Scotto, National Philharmonic Orchestra, James Levine | 1:02 |
| 1982-06 | Il barbiere di Siviglia: Atto I. Recitativo "Finora in questa camera" – Finale I "Ehi, di casa!... buona gente!..." (Berta, Conte, Bartolo, Rosina, Basilio, Tutti, Figaro, Coro, Ufficiale) | baritone vocals | Thomas Allen, Ambrosia Opera Chorus, Francisco Araiza, Agnes Baltsa, Sally Burgess, Robert Lloyd, John Noble, Domenico Trimarchi, Academy of St Martin in the Fields, Neville Marriner | 21:11 |
| 1982-06 | Il barbiere di Siviglia: Atto I. Recitativo "Finora in questa camera" – Finale I "Ehi, di casa!... buona gente!..." (Berta, Conte, Bartolo, Rosina, Basilio, Tutti, Figaro, Coro, Ufficiale) | bass vocals | Thomas Allen, Ambrosia Opera Chorus, Francisco Araiza, Agnes Baltsa, Sally Burgess, Robert Lloyd, John Noble, Domenico Trimarchi, Academy of St Martin in the Fields, Neville Marriner | 21:11 |
| 1982-06 | Il barbiere di Siviglia: Atto II. Recitativo "Ah! disgraziati noi!" – Recitativo strumentato "Il Conte!" (Figaro, Conte, Rosina, Basilio, Ufficiale, Bartolo) | baritone vocals | Thomas Allen, Francisco Araiza, Agnes Baltsa, Robert Lloyd, John Noble, Domenico Trimarchi, Academy of St Martin in the Fields, Neville Marriner | 2:58 |
| 1982-06 | Il barbiere di Siviglia: Atto II. Recitativo "Ah! disgraziati noi!" – Recitativo strumentato "Il Conte!" (Figaro, Conte, Rosina, Basilio, Ufficiale, Bartolo) | bass vocals | Thomas Allen, Francisco Araiza, Agnes Baltsa, Robert Lloyd, John Noble, Domenico Trimarchi, Academy of St Martin in the Fields, Neville Marriner | 2:58 |
| Don Carlo: Atto III, scena 2. ”Schiusa or sia la porta del tempio!” | baritone vocals [un araldo reale] | Ambrosian Opera Chorus, John Noble, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini | 3:39 |
| Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 10. "Glencoe" | baritone vocals | Patricia Clark, Edgar Fleet, John Noble, Elisabeth Perry, Peter Pettinger, Felix Schmidt | 3:35 |
| Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 11. "Auld lang syne" | baritone vocals | Patricia Clark, Edgar Fleet, John Noble, Elisabeth Perry, Peter Pettinger, Felix Schmidt | 4:16 |
| Sea Drift: Blow! blow! blow! | baritone vocals | John Noble, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | 1:57 |
| Sea Drift: O past! O happy life! | baritone vocals | John Noble, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | 3:06 |
| Sea Drift: O reckless despairing carols | baritone vocals | John Noble, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | 6:25 |
| Sea Drift: O rising stars! | baritone vocals | John Noble, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | 1:36 |
| Sea Drift: Once Paumanok | baritone vocals | John Noble, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | 3:49 |
| Sea Drift: Shine! shine! shine! | baritone vocals | John Noble, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | 1:30 |
| Sea Drift: Till of a sudden | baritone vocals | John Noble, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | 2:37 |
| Sea Drift: Yes my brother I know | baritone vocals | John Noble, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | 4:04 |
| Serenade to Music | bass vocals | Alfreda Hodgson, Richard Angas, Kenneth Bowen, Norma Burrowes, John Carol Case, Bernard Dickerson, Meriel Dickinson, Wynford Evans, Marie Hayward, Sheila Armstrong, Gloria Jennings, Christopher Keyte, Susan Longfield, Shirley Minty, John Noble, Ian Partridge, London Philharmonic Orchestra, Sir Adrian Boult | 13:14 |
| Serenade to Music | bass vocals | London Symphony Orchestra, Sir Adrian Boult | 13:17 |
| Vespro della Beata Vergine (1610): I. Deus un adjutorium | bass vocals | Elly Ameling, Charles Brett, Norma Burrowes, Choir of King’s College, Cambridge, Martyn Hill, Peter Knapp, John Noble, Anthony Rolfe Johnson, Robert Tear, Early Music Consort of London, Philip Ledger | 2:05 |
| Vespro della Beata Vergine (1610): II. Psalm 109 - Dixit Dominus | bass vocals | Elly Ameling, Charles Brett, Norma Burrowes, Choir of King’s College, Cambridge, Martyn Hill, Peter Knapp, John Noble, Anthony Rolfe Johnson, Robert Tear, Early Music Consort of London, Philip Ledger | 7:34 |
| Vespro della Beata Vergine (1610): III. Concerto - Nigra sum | bass vocals | Elly Ameling, Charles Brett, Norma Burrowes, Choir of King’s College, Cambridge, Martyn Hill, Peter Knapp, John Noble, Anthony Rolfe Johnson, Robert Tear, Early Music Consort of London, Philip Ledger | 3:19 |
| Vespro della Beata Vergine (1610): IV. Psalm 112 - Laudate pueri | bass vocals | Elly Ameling, Charles Brett, Norma Burrowes, Choir of King’s College, Cambridge, Martyn Hill, Peter Knapp, John Noble, Anthony Rolfe Johnson, Robert Tear, Early Music Consort of London, Philip Ledger | 5:47 |
| Vespro della Beata Vergine (1610): IX. Concerto - Audi coelum | bass vocals | Elly Ameling, Charles Brett, Norma Burrowes, Choir of King’s College, Cambridge, Martyn Hill, Peter Knapp, John Noble, Anthony Rolfe Johnson, Robert Tear, Early Music Consort of London, Philip Ledger | 7:46 |
| Vespro della Beata Vergine (1610): V. Concerto - Pulchra es | bass vocals | Elly Ameling, Charles Brett, Norma Burrowes, Choir of King’s College, Cambridge, Martyn Hill, Peter Knapp, John Noble, Anthony Rolfe Johnson, Robert Tear, Early Music Consort of London, Philip Ledger | 3:23 |
| Vespro della Beata Vergine (1610): VI. Psalm 121 - Laetatus sum | bass vocals | Elly Ameling, Charles Brett, Norma Burrowes, Choir of King’s College, Cambridge, Martyn Hill, Peter Knapp, John Noble, Anthony Rolfe Johnson, Robert Tear, Early Music Consort of London, Philip Ledger | 6:38 |
| Vespro della Beata Vergine (1610): VII. Concerto - Duo seraphim | bass vocals | Elly Ameling, Charles Brett, Norma Burrowes, Choir of King’s College, Cambridge, Martyn Hill, Peter Knapp, John Noble, Anthony Rolfe Johnson, Robert Tear, Early Music Consort of London, Philip Ledger | 5:54 |
| Vespro della Beata Vergine (1610): VIII. Psalm 126 - Nisi Dominus | bass vocals | Elly Ameling, Charles Brett, Norma Burrowes, Choir of King’s College, Cambridge, Martyn Hill, Peter Knapp, John Noble, Anthony Rolfe Johnson, Robert Tear, Early Music Consort of London, Philip Ledger | 4:45 |
| Vespro della Beata Vergine (1610): X. Psalm 147 - Lauda Jerusalem | bass vocals | Elly Ameling, Charles Brett, Norma Burrowes, Choir of King’s College, Cambridge, Martyn Hill, Peter Knapp, John Noble, Anthony Rolfe Johnson, Robert Tear, Early Music Consort of London, Philip Ledger | 4:27 |
| Vespro della Beata Vergine (1610): XI. Sonata sopra 'Sancta Maria' | bass vocals | Elly Ameling, Charles Brett, Norma Burrowes, Choir of King’s College, Cambridge, Martyn Hill, Peter Knapp, John Noble, Anthony Rolfe Johnson, Robert Tear, Early Music Consort of London, Philip Ledger | 6:42 |
| Vespro della Beata Vergine (1610): XII. Hymn - Ave Maris Stella | bass vocals | Elly Ameling, Charles Brett, Norma Burrowes, Choir of King’s College, Cambridge, Martyn Hill, Peter Knapp, John Noble, Anthony Rolfe Johnson, Robert Tear, Early Music Consort of London, Philip Ledger | 10:21 |
| Vespro della Beata Vergine (1610): XIII. Magnificat | bass vocals | Elly Ameling, Charles Brett, Norma Burrowes, Choir of King’s College, Cambridge, Martyn Hill, Peter Knapp, John Noble, Anthony Rolfe Johnson, Robert Tear, Early Music Consort of London, Philip Ledger | 17:50 |
| Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 1. "Sion, the song of Evan" | baritone vocals | John Noble, Nigel Rogers, Elisabeth Perry, Peter Pettinger, Felix Schmidt | 3:25 |
| vocals |
|---|
| Great Recordings of the Century: Don Carlo | tenor vocals | Verdi; Domingo, Caballé, Raimondi, Verrett, Milnes, Foiani, Estes, Ambrosian Opera Chorus, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini | |
| Hippolyte et Aricie | baritone vocals [Fate III] | Rameau; Robert Tear, Angela Hickey, Janet Baker, John Shirley‐Quirk, English Chamber Orchestra, Anthony Lewis | |
| The Pilgrim's Progress (with rehearsal sequence) | baritone vocals | Vaughan Williams; John Noble, London Philharmonic Choir & Orchestra, Sir Adrian Boult | |
