| “Hail! Bright Cecilia”, Z. 328: II. “Hail! Bright Cecilia” | | - Paul Elliott, Brian Gordon, Monteverdi Choir, Jennifer Smith, Ashley Stafford, David Thomas, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
- Michael Rippon, English Chamber Orchestra, Charles Mackerras
- Mark le Brocq, Gabrieli Consort, Peter Harvey, Susan Hemington Jones, Timothy Wilson, Gabrieli Players, Paul McCreesh
- Edward Higginbottom, John Mark Ainsley, James Bowman, Choir of New College Oxford, Gillian Fisher, Michael George, The King’s Consort, Robert King
- (show 11 more)
| | | | | |
| “Hail! Bright Cecilia”, Z. 328: V. “Soul of the world” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: VI. “Thou tun’st this world” | | - Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner
- Gabrieli Consort, Susan Hemington Jones, Gabrieli Players, Paul McCreesh
- Edward Higginbottom, Choir of New College Oxford, Gillian Fisher, The King’s Consort, Robert King
- Susan Hamilton, Mark Padmore, Siri Karoline Thornhill, Philippe Herreweghe, Collegium Vocale Gent
- (show 9 more)
| | | | | |
| “Hail! Bright Cecilia”, Z. 328: XIII. “Hail! Bright Cecilia, hail to thee” | | - The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras
- Paul Elliott, Brian Gordon, Monteverdi Choir, Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner
- Susan Hamilton, Mark Padmore, Siri Karoline Thornhill, Philippe Herreweghe, Collegium Vocale Gent
- Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, English Chamber Orchestra, Charles Mackerras
- (show 10 more)
| | | | | |
| A Boy Was Born, op. 3: Theme. A boy was born | | | | | | | |
| A Boy Was Born, op. 3: Variation I. Lullay, Jesu | | | | | | | |
| A Boy Was Born, op. 3: Variation II. Herod | | | | | | | |
| A Boy Was Born, op. 3: Variation III. Jesu, as Thou art our Saviour | | | | | | | |
| A Boy Was Born, op. 3: Variation IV. The three kings | | | | | | | |
| A Boy Was Born, op. 3: Variation V. In the bleak mid-winter | | - Choir of King’s College, Cambridge, Stephen Cleobury, Ladies From The Cambridge University Chamber Choir
- Choristers of All Saints, Margaret Street, Boys' Voices of the English Opera Group, Purcell Singers, Benjamin Britten
- Westminster Cathedral Choristers, Corydon Singers, Matthew Best
- The Sixteen, Harry Christophers
- (show 10 more)
| | | | | |
| A Boy Was Born, op. 3: Variation VI (Finale). Noel! | | | | | | | |
| A Good-Night | | | | | | | |
| A Hymn of the Nativity | | | | | | | |
| A Rose Magnificat | | | | | | | |
| Adam Lay Ybounden | | | | | | | |
| As dew in Aprylle | | | | Song | | | |
| Ave maris stella | | | | | | | |
| Ave maris stella | | | | | | | |
| Ave maris stella à 6 | | | | | | | |
| Balulalow | | | | | | | |
| Choralsatz, BWV 323 "Gott sei uns gnädig und barmherzig" | | - Bach‐Collegium Stuttgart, Helmuth Rilling
- Die Kölner Akademie, Michael Alexander Willens
- Rundfunkchor Berlin, Sigurd Brauns, Katharina Maechler, Laszlo Tamas, Robin Gritton
- Gabrieli Consort, Gemeindechor Dresden, Gemeindechor Freiberg, Andreas Vogt, Paul McCreesh
| | | | | |
| Christe à 8 | | | | | | | |
| Deus, qui beatum Marcum | | | | | | | |
| Die Jahreszeiten, Der Frühling: II. Chor des Landvolkes: Allegretto: "Komm, holder Lenz!" (Chor) | | | | | | | |
| Die Jahreszeiten, Der Frühling: VI. Bittgesang: Terzett mit Chor: poco Adagio: "Sei uns gnädig, milder Himmel!" (Lukas, Chor, Simon, Hanne) | | - Berliner Philharmoniker, Herbert von Karajan
- Helen Donath, Adalbert Kraus, Süddeutscher Madrigalchor, Kurt Widmer, Orchester der Ludwigsburger Schlossfestspiele, Wolfgang Gönnenwein
- Barbara Bonney, Monteverdi Choir, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner
- Freiburger Barockorchester, René Jacobs
- (show 16 more)
| | | | | |
| Die Jahreszeiten, Der Frühling: VIII. Freudenlied: Andante: "Oh, wie lieblich ist der Anblick" (Hanne, Lukas, Chor, Simon) | | - Berliner Philharmoniker, Herbert von Karajan
- Helen Donath, Adalbert Kraus, Süddeutscher Madrigalchor, Kurt Widmer, Orchester der Ludwigsburger Schlossfestspiele, Wolfgang Gönnenwein
- Barbara Bonney, Monteverdi Choir, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner
- London Symphony Orchestra, Sir Colin Davis
- (show 17 more)
| | | | | |
| Die Jahreszeiten, Der Herbst: XX. Terzett mit Chor: Allegretto: "So lohnet die Natur den Fleiß" (Simon, Hanne, Lukas, Chor) | | - Berliner Philharmoniker, Herbert von Karajan
- Helen Donath, Adalbert Kraus, Süddeutscher Madrigalchor, Kurt Widmer, Orchester der Ludwigsburger Schlossfestspiele, Wolfgang Gönnenwein
- Barbara Bonney, Monteverdi Choir, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner
- Wiener Symphoniker, Karl Böhm
- (show 17 more)
| | | | | |
| Die Jahreszeiten, Der Herbst: XXVI. Chor der Landleute und Jäger: Vivace: "Hört! hört das laute Getön" (Chor) | | | | | | | |
| Die Jahreszeiten, Der Herbst: XXVIII. Chor: Allegro molto: "Juhe! Juhe! Der Wein ist da" | | | | | | | |
| Die Jahreszeiten, Der Sommer: XI. Terzett mit Chor: Largo. Allegro: "Sie steigt herauf, die Sonne" (Hanne, Lukas, Simon, Chor) | | - Berliner Philharmoniker, Herbert von Karajan
- Helen Donath, Adalbert Kraus, Süddeutscher Madrigalchor, Kurt Widmer, Orchester der Ludwigsburger Schlossfestspiele, Wolfgang Gönnenwein
- Barbara Bonney, Monteverdi Choir, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner
- Freiburger Barockorchester, René Jacobs
- (show 18 more)
| | | | | |
| Die Jahreszeiten, Der Sommer: XVII. Chor: Allegro assai: "Ach, das Ungewitter naht!" (Chor) | | - Berliner Philharmoniker, Herbert von Karajan
- Werner Güra, Dietrich Henschel, Marlis Petersen, RIAS Kammerchor, Freiburger Barockorchester, René Jacobs
- Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
- Süddeutscher Madrigalchor, Orchester der Ludwigsburger Schlossfestspiele, Wolfgang Gönnenwein
- (show 20 more)
| | | | | |
| Die Jahreszeiten, Der Sommer: XVIII. Terzett mit Chor: Allegretto: "Die düst'ren Wolken trennen sich" (Lukas, Hanne, Simon, Chor) | | - Berliner Philharmoniker, Herbert von Karajan
- Freiburger Barockorchester, René Jacobs
- Helen Donath, Adalbert Kraus, Süddeutscher Madrigalchor, Kurt Widmer, Orchester der Ludwigsburger Schlossfestspiele, Wolfgang Gönnenwein
- Barbara Bonney, Monteverdi Choir, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner
- (show 17 more)
| | | | | |
| Die Jahreszeiten, Der Winter: XXXIV. Lied mit Chor: Allegro: "Knurre, schnurre, knurre" (Chor, Hanne) | | | | | | | |
| Die Jahreszeiten, Der Winter: XXXIX. Terzett und Doppelchor: Allegro moderato: "Dann bricht der große Morgen an" (Simon, Lukas, Hanne, Chor) | | - Berliner Philharmoniker, Herbert von Karajan
- Helen Donath, Adalbert Kraus, Süddeutscher Madrigalchor, Kurt Widmer, Orchester der Ludwigsburger Schlossfestspiele, Wolfgang Gönnenwein
- Barbara Bonney, Monteverdi Choir, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner
- Wiener Symphoniker, Karl Böhm
- (show 21 more)
| | | | | |
| Die Jahreszeiten, Der Winter: XXXVI. Lied mit Chor: Moderato: "Ein Mädchen, das auf Ehre hielt" (Hanne, Chor) | | | | | | | |
| Gloria a 16 | | | | | | | |
| Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" | | - Münchener Bach‐Chor, Detlef Kühl, Johannes Fink, Konrad Hampe, Kurt Hausmann, Fritz Kiskalt, Karl Kolbinger, Herbert Duft, Hans-Martin Linde, Elmar Schloter, Andreas Schwinn, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Netherlands Bach Collegium, Pieter Jan Leusink
- Chamber Choir of Europe, Nicol Matt
- (show 8 more)
| | | | | |
| Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" | | - Münchener Bach‐Chor, Detlef Kühl, Johannes Fink, Konrad Hampe, Kurt Hausmann, Fritz Kiskalt, Karl Kolbinger, Herbert Duft, Hans-Martin Linde, Elmar Schloter, Andreas Schwinn, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Netherlands Bach Collegium, Pieter Jan Leusink
- Chamber Choir of Europe, Nicol Matt
- (show 6 more)
| | | | | |
| Kantate, BWV 180 "Schmücke dich, o liebe Seele": VII. Choral "Jesu, wahres Brot des Lebens" | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act I: Prelude, Song & Chorus – Come If You Dare, Our Trumpets Sound (Chorus) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act I: Song & Chorus – I Call You All to Woden’s Hall (Chorus) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act I: Verse & Chorus – The Lot Is Cast / Brave Souls (Chorus) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act I: Verse & Chorus – The White Horse Neigh’d Aloud / To Woden Thanks We Render (Chorus) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act I: Verse & Chorus – Woden, First to Thee / We Have Sacrific’d (Chorus) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Chorus – Hither This Way (Chorus) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Chorus & Dance – Come, Shepherds, Lead up a Lively Measure (Chorus) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Prelude – Aire | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Prelude, Song & Chorus – How Blest Are Shepherds (Shepherd) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Second Act Tune – Rondeau (From Distress’d Innocency, Z. 577) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Song & Chorus – Hither This Way (Philadel) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Verse & Chorus – Come Follow Me (Chorus) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act III: Chorus – ’Tis Love That Has Warm’d Us (Chorus) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act III: Chorus & Dance – See, See, We Assemble (Chorus) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act III: Prelude, Song & Chorus – ’Tis I That Have Warm’d Ye / ’Tis Love That Has Warm’d Us (Cupid) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act III: Third Act Tune – Aire | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act IV: Fourth Act Tune – Hornpipe | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act IV: Passacaglia – How Happy the Lover / For Love Every Creature (Chorus) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act IV: Soft Music – Aire (from Bonduca, Z. 574) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: Grand Dance – Chaconne | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: New Song & Chorus for Britannia & St George – Sound Heroes, Your Brazen Trumpets Sound! / Let All Rehearse (Fame) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: Prelude – Rondeau (From The Old Bachelor, Z. 607) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: Prelude, Song & Chorus – Round Thy Coasts (Nereid) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: Soft Tune | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: Song & Dance – Your Hay It Is Mow’d (Comus & Peasants) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: Tune for Trumpets (after Dioclesian, Z. 627) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition): Aire | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition): Aire (from Amphitryon, Z. 572) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition): Hornpipe (from Amphitryon, Z. 572) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition): Minuet (from Amphitryon, Z. 572) | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition): Overture | | | | | | | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition): Scotch Tune (from Amphitryon, Z. 572) | | | | | | | |
| Kyrie à 5 | | | | | | | |
| Kyrie à 12 | | | | | | | |
| Letabundus | | | | | | | |
| Long long ago | | | | | | | |
| Lullay, Lullay, Als I Lay on Yoolis Night | | | | | | | |
| Magnificat | | | | | | | |
| Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 12 more)
| | | | | |
| Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 11 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” | | - The English Concert Choir, The English Concert, Trevor Pinnock
- Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
- Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood
- RIAS Chamber Chorus, RIAS Berlin Sinfonietta, Marcus Creed
- (show 108 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” | | | | | | | |
| Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) | | - The English Concert Choir, Anne Sofie von Otter, The English Concert, Trevor Pinnock
- Simon Preston, Christ Church Cathedral Choir, Oxford, Carolyn Watkinson, Academy of Ancient Music, Christopher Hogwood
- London Philharmonic Orchestra, Karl Richter
- Academy of St. Martin in the Fields Chorus, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 100 more)
| | Aria | | | |
| Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” | | | | | | | |
| Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” | | - Amor Artis Chorale, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- London Philharmonic Orchestra, Karl Richter
- Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 104 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” | | | | | | | |
| Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” | | | | | | | |
| Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” | | - The English Concert Choir, The English Concert, Trevor Pinnock
- Amor Artis Chorale, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood
- The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
- (show 80 more)
| | | | | |
| Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” | | - The English Concert Choir, The English Concert, Trevor Pinnock
- The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
- Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood
- (show 81 more)
| | | | | |
| Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” | | | | | | | |
| Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” | | - Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Paul Elliott, Academy of Ancient Music, Christopher Hogwood
- Atlanta Symphony Orchestra Chamber Chorus, Jon Humphrey, Atlanta Symphony Orchestra, Robert Shaw
- The English Concert Choir, The English Concert, Trevor Pinnock
- (show 73 more)
| | | | | |
| Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” | | | | | | | |
| Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” | | - The English Concert Choir, The English Concert, Trevor Pinnock
- Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
- (show 61 more)
| | | | | |
| Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” | | | | | | | |
| Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) | | - Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
- London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Choir of Clare College, Cambridge, Freiburger Barockorchester, René Jacobs
- (show 37 more)
| | | | | |
| Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” | | | | | | | |
| Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” | | - Simon Preston, Christ Church Cathedral Choir, Oxford, David Thomas, Academy of Ancient Music, Christopher Hogwood
- Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- The English Concert Choir, The English Concert, Trevor Pinnock
- Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis
- (show 75 more)
| | | | | |
| Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” | | | | Song | | | |
| Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” | | - Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- Frederic Jackson, London Philharmonic Choir, London Philharmonic Orchestra, Walter Süsskind
- The English Concert Choir, The English Concert, Trevor Pinnock
- (show 77 more)
| | | | | |
| Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” | | - Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- The English Concert Choir, The English Concert, Trevor Pinnock
- Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
- (show 62 more)
| | | | | |
| Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” | | | | | | | |
