| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Tema. Vivace | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. I. Alla marcia maestoso | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. II. Poco allegro | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. III. L'istesso tempo | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. IV. Un poco più vivace | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. IX. Allegro pesante e risoluto | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. V. Allegro vivace | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VI. Allegro ma non troppo e serioso | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VII. Un poco più allegro | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VIII. Poco vivace | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. X. Presto | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XI. Allegretto | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XII. Un poco più moto | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIII. Vivace | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIV. Grave e maestoso | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIX. Presto | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XV. Presto scherzando | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVI. Allegro | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVII. Allegro | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVIII. Poco moderato | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XX. Andante | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXI. Allegro con brio | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXII. Allegro molto | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIII. Allegro assai | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIV. Fughetta. Andante | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIX. Adagio ma non troppo | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXV. Allegro | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVI. Piacevole | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVII. Vivace | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVIII. Allegro | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXX. Andante, sempre cantabile | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXI. Largo, molto espressivo | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXII. Fuga. Allegro - Poco adagio | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXIII. Tempo di Menuetto moderato | | | | | | | |
| Andantino, op. 30/1 | | | | | | | |
| Ballade no. 2, S. 171 | | | | | | | |
| Caprice, op. 335a | | | | | | | |
| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: I. Allegro | | - Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra
- (show 43 more)
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| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: II. Andante | | - Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra
- (show 41 more)
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| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- London Symphony Orchestra, André Previn
- Academy of St Martin in the Fields, Sir Neville Marriner, Anne Queffélec, Imogen Cooper
- (show 54 more)
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| Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: I. Allegro | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, András Schiff, Nemzeti Filharmonikus zenekar, János Ferencsik
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
- (show 29 more)
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| Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: II. Adagio | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, András Schiff, Nemzeti Filharmonikus zenekar, János Ferencsik
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
- (show 27 more)
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| Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: III. Rondo. Tempo di minuetto | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, András Schiff, Nemzeti Filharmonikus zenekar, János Ferencsik
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
- (show 27 more)
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| Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio | | - [unknown]
- Björn Lundgren, Dubravka Tomšič, Orchestre symphonique de la Radio Ljubljana, London Festival Orchestra, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sven Bengtson, Alberto Lizzio, Anton Nanut
- Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis
- Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein
- (show 141 more)
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| Concerto in A minor for Piano and Orchestra, op. 16: III. Allegro moderato molto e marcato | | | | | | | |
| Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | | | | | | | |
| Das Lied von der Erde: II. Der Einsame im Herbst | | | | | | | |
| Das Lied von der Erde: III. Von der Jugend | | | | | | | |
| Das Lied von der Erde: IV. Von der Schönheit | | | | | | | |
| Das Lied von der Erde: V. Der Trunkene im Frühling | | | | | | | |
| Das Lied von der Erde: VI. Der Abschied | | | | | | | |
| Duo Concertant, op. 351 | | | | | | | |
| En rêve - Nocturne, S. 207 | | | | | | | |
| Fantasy in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | | | | | | | |
| Harmonies poétiques et religieuses, S. 173: No. 3. Bénédiction de Dieu dans la solitude | | | | | | | |
| Mephisto Waltz no. 1, S. 514 "Der Tanz in der Dorfschenke" | | | | | | | |
| Petite Pièce, L. 120, CD 127 | | | | | | | |
| Première Rapsodie pour clarinette en si bémol, L. 116, CD 124a | | | | | | | |
| Quintet for Clarinet, 2 Violins, Viola, and Cello in B minor, op. 115: I. Allegro | | | | | | | |
| Quintet for Clarinet, 2 Violins, Viola, and Cello in B minor, op. 115: II. Adagio | | | | | | | |
| Quintet for Clarinet, 2 Violins, Viola, and Cello in B minor, op. 115: III. Andantino - Presto non assai, ma con sentimento | | | | | | | |
| Quintet for Clarinet, 2 Violins, Viola, and Cello in B minor, op. 115: IV. Con moto | | | | | | | |
| Quintet for Piano, 2 Violins, Viola, and Cello in F minor, op. 34: I. Allegro non troppo | | | | | | | |
| Quintet for Piano, 2 Violins, Viola, and Cello in F minor, op. 34: II. Andante, un poco adagio | | | | | | | |
| Quintet for Piano, 2 Violins, Viola, and Cello in F minor, op. 34: III. Scherzo. Allegro | | | | | | | |
| Quintet for Piano, 2 Violins, Viola, and Cello in F minor, op. 34: IV. Finale. Poco sostenuto – Allegro non troppo – Presto, non troppo | | | | | | | |
| Schlaflos! Frage und Antwort, S. 203 | | | | | | | |
| Sonata for Cello and Piano in A minor, op. 36: I. Allegro agitato | | | | | | | |
| Sonata for Cello and Piano in A minor, op. 36: II. Andante molto tranquillo | | | | | | | |
| Sonata for Cello and Piano in A minor, op. 36: III. Allegro molto e marcato | | | | | | | |
| Sonata for Clarinet and Piano no. 1 in F minor, op. 120 no. 1: I. Allegro appassionato | | | | | | | |
| Sonata for Clarinet and Piano no. 1 in F minor, op. 120 no. 1: II. Andante un poco adagio | | | | | | | |
| Sonata for Clarinet and Piano no. 1 in F minor, op. 120 no. 1: III. Allegretto grazioso | | | | | | | |
| Sonata for Clarinet and Piano no. 1 in F minor, op. 120 no. 1: IV. Vivace | | | | | | | |
| Sonata for Clarinet and Piano no. 2 in E-flat major, op. 120 no. 2: I. Allegro amabile | | | | | | | |
| Sonata for Clarinet and Piano no. 2 in E-flat major, op. 120 no. 2: II. Allegro appassionato | | | | | | | |
| Sonata for Clarinet and Piano no. 2 in E-flat major, op. 120 no. 2: III. Andante con moto - Allegro | | | | | | | |
| Sonata for Piano no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | | | | | | | |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: IV. Allegro assai | | | | | | | |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | | | | | | | |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | | | | | | | |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | | | | | | | |
| Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazioni | | | | | | | |
| Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": II. Scherzo. Allegro molto | | | | | | | |
| Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe | | | | | | | |
| Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": IV. Allegro | | | | | | | |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | | | | | | | |
| Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | | | | | | | |
| Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | | | | | | | |
| Sonata for Piano no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | | | | | | | |
| Sonata for Piano no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | | | | | | | |
| Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | | | | | | | |
| Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | | | | | | | |
| Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto | | | | | | | |
| Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | | | | | | | |
| Sonate pour clarinette et piano en si bémol majeur, FP 184: I. Allegro tristamente (Allegretto - Très calme - Tempo allegretto) | | | | | | | |
| Sonate pour clarinette et piano en si bémol majeur, FP 184: II. Romanza (Très calme) | | | | | | | |
| Sonate pour clarinette et piano en si bémol majeur, FP 184: III. Allegro con fuoco (Très animé) | | | | | | | |
| Sonatine for Clarinet and Piano: I. Modéré | | | | | | | |
| Sonatine for Clarinet and Piano: II. Lent et soutenu | | | | | | | |
