| vocals |
|---|
| 1947-07-16 – 1947-10-19 | The Rape of Lucretia, op. 37: Act 1, Scene 2: "It is better to desire" (Bianca, Lucretia, Lucia, Female Chorus) | soprano vocals [Lucia] | Flora Nielsen, Nancy Evans, Margaret Ritchie, Joan Cross, English Opera Group Chamber Orchestra, Sir Reginald Goodall | 4:48 |
| 1947-07-16 – 1947-10-19 | The Rape of Lucretia, op. 37: Act 1, Scene 2: "None of the women move" (Female Chorus, Tarquinius, Male Chorus, Bianca, Lucia, Lucretia) | soprano vocals [Lucia] | Joan Cross, Frederick Sharp, Sir Peter Pears, Flora Nielsen, Margaret Ritchie, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall | 5:33 |
| 1947-07-16 – 1947-10-19 | The Rape of Lucretia, op. 37: Act 1, Scene 2: "Their spinning-wheel unwinds" (Female Chorus, Lucretia, Bianca, Lucia) | soprano vocals [Lucia] | Joan Cross, Sir Peter Pears, Flora Nielsen, Margaret Ritchie, English Opera Group Chamber Orchestra, Sir Reginald Goodall | 5:27 |
| 1947-07-16 – 1947-10-19 | The Rape of Lucretia, op. 37: Act 2, Scene 2: "How hideous! Take them away!" (Lucretia, Bianca, Lucia) | soprano vocals [Lucia] | Nancy Evans, Flora Nielsen, Margaret Ritchie, English Opera Group Chamber Orchestra, Sir Reginald Goodall | 1:23 |
| 1947-07-16 – 1947-10-19 | The Rape of Lucretia, op. 37: Act 2, Scene 2: "Oh! What a lovely day!" (Lucia, Bianca) | soprano vocals [Lucia] | Margaret Ritchie, Flora Nielsen, English Opera Group Chamber Orchestra, Sir Reginald Goodall | 4:28 |
| 1947-07-16 – 1947-10-19 | The Rape of Lucretia, op. 37: Act 2, Scene 2: "This dead hand lets fall" (Collatinus, Junius, Lucia, Bianca, Female & Male Chorus) | soprano vocals [Lucia] | Norman Lumsden, Denis Dowling, Margaret Ritchie, Flora Nielsen, Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | 4:22 |
| 1947-10-10 | Der Hirt auf dem Felsen D. 965 (1997 - Remaster) | soprano vocals | Margaret Ritchie, Reginald Kell, Gerald Moore | 9:24 |
| 1947 | Der Hirt auf dem Felsen, D. 965 | soprano vocals | Margaret Ritchie | 9:25 |
| 1949 | Prometheus, D. 674 | soprano vocals | Margaret Ritchie | 4:37 |
| 1953-06-15 – 1953-06-16 | Sinfonia Antartica (no. 7): I. Prelude (Allegro maestoso) | soprano vocals | Herbert Bardgett, Hallé Choir, Margaret Ritchie, Hallé Orchestra, Sir John Barbirolli | 10:12 |
| 1953-06-15 – 1953-06-16 | Sinfonia Antartica (no. 7): V. Epilogue (alla marcia) | soprano vocals | Herbert Bardgett, Hallé Choir, Margaret Ritchie, Hallé Orchestra, Sir John Barbirolli | 8:19 |
| 1955 | Come, Ye Sons of Art, Z. 323: IX. "See Nature, Rejoicing" | soprano vocals | Bruce Boyce, Margaret Ritchie, Ruggero Gerlin, St. Anthony Singers | 2:45 |
| 1955 | Come, Ye Sons of Art, Z. 323: VII. "Bid the Virtues, Bid the Graces" | soprano vocals | Ruggero Gerlin, Margaret Ritchie, L'Ensemble Orchestral de L'Oiseau-Lyre | 3:13 |
| A Pastoral Symphony: IV. Moderato maestoso | soprano vocals | Margaret Ritchie, London Philharmonic Orchestra, Sir Adrian Boult | 10:54 |
| A Village Romeo and Juliet: I. September. A piece of land on a hill | soprano vocals | Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham | 16:24 |
| A Village Romeo and Juliet: II. Six years later. Outside Marti's house | soprano vocals | Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham | 9:41 |
| A Village Romeo and Juliet: III. The Wildland | soprano vocals | Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham | 12:36 |
| A Village Romeo and Juliet: IVa. Interior of Marti's house | soprano vocals | Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham | 13:25 |
| A Village Romeo and Juliet: IVb. The Dream of Sali and Vreli | soprano vocals | Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham | 11:19 |
| A Village Romeo and Juliet: Va. The Fair | soprano vocals | Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham | 8:10 |
| A Village Romeo and Juliet: VI. The Paradise Garden | soprano vocals | Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham | 21:16 |
| Accompagnato (Soprano): "And Lo, The Angel Of The Lord..." | solo and soprano vocals | Handel | 0:54 |
| Accompagnato (Soprano): "And Suddenly There Was With The Angel..." | solo and soprano vocals | Handel | 0:15 |
| Air (Soprano): "He Shall Feed His Flock..." | solo and soprano vocals | Handel | 5:45 |
| Air (Soprano): "How Beautiful Are The Feet..." | solo and soprano vocals | Handel | 2:29 |
| Air (Soprano): "I Know That My Redeemer Liveth..." | solo and soprano vocals | Handel | 10:03 |
| Air (Soprano): "If God Be For Us..." | solo and soprano vocals | Handel | 4:48 |
| Air (Soprano): "Rejoice Greatly, O Daughter Of Zion..." | solo and soprano vocals | Handel | 4:23 |
| Recitative (Soprano): "And The Angel Said Upon Them..." | solo and soprano vocals | Handel | 1:03 |
| Recitative (Soprano): "Then Shall The Eyes...." | solo and soprano vocals | Handel | 0:41 |
| Recitative (Soprano): "There Were ... Shepherds Abiding In The Field..." | solo and soprano vocals | Handel | 0:26 |
| Sinfonia antarctica: I. Prelude: Andante maestoso | soprano vocals | London Philharmonic Choir, Margaret Ritchie, London Philharmonic Orchestra, Sir Adrian Boult | 10:53 |
| Sinfonia antarctica: V. Epilogue: Alla marcia, moderato ma non troppo | soprano vocals | London Philharmonic Choir, Margaret Ritchie, London Philharmonic Orchestra, Sir Adrian Boult | 10:41 |
| Sinfonía antártica: Epílogo (Alla marcia, moderato ma non troppo) | soprano vocals | Sir John Gielgud, London Philharmonic Choir, Margaret Ritchie, London Philharmonic Orchestra, Sir Adrian Boult | ?:?? |
| Symphony no. 4 in G major: Fourth Movement: Sehr behaglich | soprano vocals | Margaret Ritchie, Koninklijk Concertgebouworkest, Eduard van Beinum | ?:?? |
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