Relationships

students: Carl Czerny
Dorothea von Ertmann ( – ????)
Anna Louise Barbara Keglevics
Ferdinand Ries ( – ????)
Archduke Rudolph of Austria ( – ????)
teachers: Johann Georg Albrechtsberger ( – ????)
Joseph Haydn ( – ????)
Christian Gottlob Neefe
Johann Baptist Schenk (1793)
has catalogue: Kinsky catalogue (Beethoven WoO works)
Works of Ludwig van Beethoven by opus number
Allmusic: http://www.allmusic.com/artist/mn0000536126 [info]
BBC Music: http://www.bbc.co.uk/music/artists/1f9df192-a621-4f54-8850-2c5373b7eac9 [info]
Discogs: https://www.discogs.com/artist/95544 [info]
IMDb: http://www.imdb.com/name/nm0002727/ [info]
IMSLP: imslp: Category:Beethoven, Ludwig van [info]
Last.fm: http://www.last.fm/music/Ludwig+van+Beethoven [info]
SecondHandSongs: http://www.secondhandsongs.com/artist/6529 [info]
VGMdb: https://vgmdb.net/artist/1663 [info]
VIAF ID: VIAF: 32182557 [info]
Wikidata: Q255 [info]
biographies: http://www.pbs.org/wnet/gperf/education/beethoven.html [info]
lyrics page: http://muzikum.eu/en/122-6434/ludwig-van-beethoven/lyrics.html [info]
other databases: http://catalogue.bnf.fr/ark:/12148/cb138912954 [info]
http://musicmoz.org/Composition/Composers/B/Beethoven,_Ludwig_van/ [info]
http://rateyourmusic.com/artist/ludwig_van_beethoven [info]
http://soundtrackcollector.com/composer/1186/ [info]
http://www.45worlds.com/classical/composer/beethoven-ludwig-van [info]
picture: https://commons.wikimedia.org/wiki/File:Beethoven.jpg [info]
purchase music for download: https://itunes.apple.com/us/artist/id1130028 [info]
purchase music for mail-order: US: B000AP1SR4 [info]
social networking: https://www.facebook.com/pages/Beethoven/110664992295466?rf=112492528765959 [info]
stream for free: http://www.staimusic.com/en/bands/ludwig-van-beethoven_5924.html [info]
https://open.spotify.com/artist/2wOqMjp9TyABvtHdOSOTUS [info]

Appearances

Date Title Attributes Artist Length
arranger
1801 String Quartet in E major, Hess 34
1801 String Quartet in E major, Hess 34: I. Allegro moderato
1801 String Quartet in E major, Hess 34: II. Allegretto
1801 String Quartet in E major, Hess 34: III. Allegro
1802 – 1803 Trio in E-flat major, op. 38
1802 – 1803 Trio in E-flat major, op. 38: I. Adagio - Allegro con brio
1802 – 1803 Trio in E-flat major, op. 38: II. Adagio cantabile
1802 – 1803 Trio in E-flat major, op. 38: III. Tempo di menuetto
1802 – 1803 Trio in E-flat major, op. 38: IV. Andante con variazioni
1802 – 1803 Trio in E-flat major, op. 38: V. Scherzo. Allegro molto e vivace
1802 – 1803 Trio in E-flat major, op. 38: VI. Andante con moto alla marcia - Presto
1824 Opferlied, op. 121b (second version, for three soloists, choir and orchestra)
Fugue for String Quartet in B-flat major, Hess 36
Quartet for Piano, Violin, Viola, and Cello in E-flat major, op. 16: I. Grave - Allegro ma non troppo
Quartet for Piano, Violin, Viola, and Cello in E-flat major, op. 16a: II. Andante cantabile
Quartet for Piano, Violin, Viola, and Cello in E-flat major, op. 16a: III. Rondo. Allegro ma non troppo
Sonata for Cello and Piano in F major, op. 17
Sonata for Cello and Piano in F major, op. 17: I. Allegro moderato
Sonata for Cello and Piano in F major, op. 17: II. Poco adagio, quasi andante
Sonata for Cello and Piano in F major, op. 17: III. Rondo. Allegro moderato
Trio nach der 2. Sinfonie, op. 36
Trio nach der 2. Sinfonie, op. 36: I. Adagio. Allegro
Trio nach der 2. Sinfonie, op. 36: II. Larghetto
Trio nach der 2. Sinfonie, op. 36: III. Scherzo
Trio nach der 2. Sinfonie, op. 36: IV. Allegro molto
composer
Beethoven: Forever By The Sea additional Dan Gibson
Piano Trios Ludwig van Beethoven; The Castle Trio
1782 9 Variations for Piano in C minor on a March by Ernst Christoph Dressler, WoO 63
1782 – 1783 Sonata for Piano in D major, WoO 47 no. 3 “Kurfürsten”
1782 – 1783 Sonata for Piano in D major, WoO 47 no. 3 “Kurfürsten”: I. Allegro
1782 – 1783 Sonata for Piano in D major, WoO 47 no. 3 “Kurfürsten”: II. Menuetto
1782 – 1783 Sonata for Piano in D major, WoO 47 no. 3 “Kurfürsten”: III. Scherzando
1782 – 1783 Sonata for Piano in E-flat major, WoO 47 no. 1 “Kurfürsten”
1782 – 1783 Sonata for Piano in E-flat major, WoO 47 no. 1 “Kurfürsten”: I. Allegro cantabile
1782 – 1783 Sonata for Piano in E-flat major, WoO 47 no. 1 “Kurfürsten”: II. Andante
1782 – 1783 Sonata for Piano in E-flat major, WoO 47 no. 1 “Kurfürsten”: III. Rondo. Vivace
1782 – 1783 Sonata for Piano in F minor, WoO 47 no. 2 “Kurfürsten”
1782 – 1783 Sonata for Piano in F minor, WoO 47 no. 2 “Kurfürsten”: I. Larghetto maestoso
1782 – 1783 Sonata for Piano in F minor, WoO 47 no. 2 “Kurfürsten”: II. Andante
1782 – 1783 Sonata for Piano in F minor, WoO 47 no. 2 “Kurfürsten”: III. Presto
1782 – 1783 Three Piano Sonatas, WoO 47, "Kurfürstensonaten"
1783 Fugue for Organ in D major, WoO 31
1783 Rondo in A major, WoO 49: Allegretto
1783 Rondo in C major, WoO 48: Allegretto
1783 Song for Voice and Piano, WoO 107: "Schilderung eines Mädchens"
1784 Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess)
1784 Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato
1784 Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto
1784 Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess)
1784 Piano Concerto in E-flat major, WoO 4
1784 Piano Concerto in E-flat major, WoO 4 (completion by Ronald Brautigam)
1784 Piano Concerto in E-flat major, WoO 4 (completion by Howard Shelley)
1784 Piano Concerto in E-flat major, WoO 4: I. Allegro moderato
1784 Piano Concerto in E-flat major, WoO 4: I. Allegro moderato (completion by Ronald Brautigam)
1784 Piano Concerto in E-flat major, WoO 4: I. Allegro moderato (completion by Howard Shelley)
1784 Piano Concerto in E-flat major, WoO 4: II. Larghetto
1784 Piano Concerto in E-flat major, WoO 4: II. Larghetto (completion by Ronald Brautigam)
1784 Piano Concerto in E-flat major, WoO 4: II. Larghetto (completion by Howard Shelley)
1784 Piano Concerto in E-flat major, WoO 4: III. Rondo. Allegretto (completion by Howard Shelley)
1784 Piano Concerto in E-flat major, WoO 4: III. Rondo. Allegretto
1784 Piano Concerto in E-flat major, WoO 4: III. Rondo. Allegretto (completion by Ronald Brautigam)
1785 3 Quartets for Piano, Violin, Viola, and Cello, WoO 36
1785 Quartet for Piano, Violin, Viola, and Cello, WoO 36 no. 1 in E-flat major
1785 Quartet for Piano, Violin, Viola, and Cello, WoO 36 no. 1 in E-flat major: I. Adagio assai
1785 Quartet for Piano, Violin, Viola, and Cello, WoO 36 no. 1 in E-flat major: II. Allegro con spirito
1785 Quartet for Piano, Violin, Viola, and Cello, WoO 36 no. 1 in E-flat major: III. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto
1785 Quartet for Piano, Violin, Viola, and Cello, WoO 36 no. 2 in D major
1785 Quartet for Piano, Violin, Viola, and Cello, WoO 36 no. 2 in D major: I. Allegro moderato
1785 Quartet for Piano, Violin, Viola, and Cello, WoO 36 no. 2 in D major: II. Andante con moto
1785 Quartet for Piano, Violin, Viola, and Cello, WoO 36 no. 2 in D major: III. Rondo. Allegro
1785 Quartet for Piano, Violin, Viola, and Cello, WoO 36 no. 3 in C major
1785 Quartet for Piano, Violin, Viola, and Cello, WoO 36 no. 3 in C major: I. Allegro vivace
1785 Quartet for Piano, Violin, Viola, and Cello, WoO 36 no. 3 in C major: II. Adagio con espressione
1785 Quartet for Piano, Violin, Viola, and Cello, WoO 36 no. 3 in C major: III. Rondo. Allegro
1786 Romance cantabile for Piano, Flute, and Bassoon accompanied by 2 Oboes and String Orchestra, Hess 13 (fragment completion: Willy Hess)
1786 Trio for Piano, Flute, and Bassoon in G major, WoO 37
1786 Trio for Piano, Flute, and Bassoon in G major, WoO 37: I. Allegro
1786 Trio for Piano, Flute, and Bassoon in G major, WoO 37: II. Adagio
1786 Trio for Piano, Flute, and Bassoon in G major, WoO 37: III. Tema andante con Variazioni
1787 – 1795 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
1788 – 1801 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio
1788 – 1801 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio
1788 – 1801 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro
1789 2 Preludes, op. 39
1789 2 Preludes, op. 39: No. 1 in C major
1789 2 Preludes, op. 39: No. 2 in C minor
1789 Piece for Piano (arrangement of Christian Friedrich Daniel Schubart's "Kaplied" by Beethoven, Hess 63
1790 Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: Ia. Recitative (soprano, choir) "Er schlummert" - "Lasst sanft den grossen Fürsten ruhen!"
1790 Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: Ib. Arie (soprano) "Fliesse, Wonnezähre, fliesse!"
1790 Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: II. Recitative (bass) "Ihr staunt, Völker der Erde!"
1790 Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IIIa. Recitative (tenor) "Wie bebt mein Herz vor Wonne!"
1790 Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IIIb. Trio (tenor, bass, soprano) "Ihr, die Joseph ihren vater nannten"
1790 Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IV. Choir "Heil! Stürzet nieder, Millionen'"
1790 Cantata on the Death of Emperor Joseph II, WoO 87
1790 Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus "Tot! Tot, stöhnt es durch die öde Nacht" (solo quartet)
1790 Cantata on the Death of Emperor Joseph II, WoO 87: II. Recitative "Ein Ungeheuer, sein Name Fanatismus" (bass)
1790 Cantata on the Death of Emperor Joseph II, WoO 87: III. Aria "Da kam Joseph" (bass)
1790 Cantata on the Death of Emperor Joseph II, WoO 87: IV. Aria & Chorus "Da stiegen die Menschen ans Licht" (soprano)
1790 Cantata on the Death of Emperor Joseph II, WoO 87: V. Recitative "Er schläft" (soprano)
1790 Cantata on the Death of Emperor Joseph II, WoO 87: VI. Aria "Hier schlummert seinen stillen Frieden" (soprano)
1790 Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus "Tot, stöhnt es durch die öde Nacht" (solo quartet)
1790 Music for a Ballet on Horseback, WoO 1: IIIa. Hunting Song. Allegretto
1790 Music for a Ballet on Horseback, WoO 1: IIIb. German Song (da capo)
1790 Music for a Ballet on Horseback, WoO 1: IVa. Romance. Andantino
1790 Music for a Ballet on Horseback, WoO 1: IVb. German Song (da capo)
1790 Music for a Ballet on Horseback, WoO 1: Va. War Song. Allegro assai con brio
1790 Music for a Ballet on Horseback, WoO 1: Vb. German Song (da capo)
1790 Music for a Ballet on Horseback, WoO 1: VIa. Drinking Song. Allegro con brio "Mihi est propositum"
1790 Music for a Ballet on Horseback, WoO 1: VIb. German Song (da capo)
1790 Musik zu einem Ritterballett, WoO 1
1790 Musik zu einem Ritterballett, WoO 1: I. Marsch
1790 Musik zu einem Ritterballett, WoO 1: II. Deutscher Gesang. Allegro moderato
1790 Musik zu einem Ritterballett, WoO 1: III. Jagdlied. Allegretto
1790 Musik zu einem Ritterballett, WoO 1: IV. Romanze. Andantino
1790 Musik zu einem Ritterballett, WoO 1: V. Kriegslied. Allegro assai con brio
1790 Musik zu einem Ritterballett, WoO 1: VI. Trinklied. Allegro con brio
1790 Musik zu einem Ritterballett, WoO 1: VII. Deutscher Tanz. Walzer
1790 Musik zu einem Ritterballett, WoO 1: VIII. Coda. Allegro vivace - Andantino - Tempo I
1790 Song for Voice and Piano, WoO 113: "Klage"
1790 – 1791 24 Variations for Piano on Vincenzo Righini's Arietta "Venni amore" in D major, WoO 65
1790 – 1792 6 Variations for Piano on a Swiss Song in F major, WoO 64
1790 – 1792 Allegretto for Piano, Violin, and Cello in E-flat major, Hess 48
1790 – 1792 Concerto for Violin and Orchestra in C major, WoO 5 (completed by Fischer [+ Urakawa cadenza])
1790 – 1792 Flute Sonata in B♭ major, Anh. 4
1790 – 1792 Menuet for piano in F-sharp major, Hess 88
1790 – 1792 Minuet for 2 Violins, Viola, and Cello in A-flat major, Hess 33
1790 – 1792 Sonata for Flute and Piano in B-flat major, Anh. 4: I. Allegro
1790 – 1792 Sonata for Flute and Piano in B-flat major, Anh. 4: II. Polacca
1790 – 1792 Sonata for Flute and Piano in B-flat major, Anh. 4: III. Largo
1790 – 1792 Sonata for Flute and Piano in B-flat major, Anh. 4: IV. Thema mit Variationen: Allegro
1790 – 1792 Sonata for Piano in F major, WoO 50: I. []
1790 – 1792 Sonata for Piano in F major, WoO 50: II. Allegretto
1790 – 1822 11 Bagatelles, op. 119
1791 12 Contredances for Orchestra, WoO 14: No. 8 in C major
1791 12 Contredances for Orchestra, WoO 14: No. 12 in E-flat major
1791 Trio for Piano, Violin, and Cello in E-flat major, WoO 38
1791 Trio for Piano, Violin, and Cello in E-flat major, WoO 38: I. Allegro moderato
1791 Trio for Piano, Violin, and Cello in E-flat major, WoO 38: II. Scherzo. Allegro ma non troppo
1791 Trio for Piano, Violin, and Cello in E-flat major, WoO 38: III. Rondo. Allegretto
1791 – 1792 Aria for Bass and Orchestra, WoO 90 "Mit Mädeln sich vertragen"
1791 – 1792 Scene and Aria for Soprano and Orchestra, WoO 92 "Primo amore"
1791 – 1798 Sonata for Piano in C major, WoO 51 (fragment)
1791 – 1798 Sonata for Piano in C major, WoO 51: I. Allegro
1791 – 1798 Sonata for Piano in C major, WoO 51: II. Adagio
1791 – 1801 12 Contredances for Orchestra, WoO 14: No. 1 in C major
1791 – 1801 12 Contredances for Orchestra, WoO 14: No. 5 in E-flat major
1791 – 1802 12 Contredances for Orchestra, WoO 14
1792 8 Variations for Piano in C major on a theme by Count Waldstetin, WoO 67: Thema. Andante con moto - Var. I-VII - Var. VIII. Un poco Adagio - Capriccio - Allegro - Adagio - Allegro - Adagio - Allegretto - Allegro - Presto
1792 13 Variations for Piano in A major on the Arietta "Es war einmal ein alter Mann" from Dittersdorf's Singspiel "Das rote Käppchen", WoO 66
1792 14 Variations for Piano, Violin, and Cello in E-flat major, op. 44
1792 Aria for Bass and Orchestra, WoO 89 "Prüfung des Küssens"
1792 Duo for 2 Flutes in G major, WoO 26
1792 Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio
1792 Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi Allegretto
1792 Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103
1792 Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: I. Allegro
1792 Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: II. Andante
1792 Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: III. Menuetto: Allegro
1792 Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 103: IV. Finale. Presto
1792 Song for Voice and Piano, op. 52 no. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe"
1792 Song for Voice and Piano, op. 52 no. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet mir die Natur"
1792 Song for Voice and Piano, op. 52 no. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land"
1792 Song for Voice and Piano, op. 52 no. 8 in G major: Andante "Das Blümchen Wunderhold: Es steht ein Blümchen irgend wo in einem stillen Tal"
1792 Song for Voice and Piano, WoO 112: "An Laura"
1792 – 1793 Song for Voice and Piano, WoO 114: Selbstgespräch
1792 – 1793 Trio for Piano, Violin, and Cello no. 1 in E-flat major, op. 1 no. 1: I. Allegro
1792 – 1793 Trio for Piano, Violin, and Cello no. 1 in E-flat major, op. 1 no. 1: II. Adagio cantabile
1792 – 1793 Trio for Piano, Violin, and Cello no. 1 in E-flat major, op. 1 no. 1: III. Scherzo. Allegro assai - Trio
1792 – 1793 Trio for Piano, Violin, and Cello no. 1 in E-flat major, op. 1 no. 1: IV. Finale. Presto
1792 – 1793 Zwölf Variationen F-Dur über das Thema "Se vuol ballare", WoO 40: Thema. Allegretto - Variazioni I-XII - Coda
1792 – 1796 Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71
1792 – 1796 Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: I. Adagio - Allegro
1792 – 1796 Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: II. Adagio
1792 – 1796 Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: III. Menuetto. Quasi Allegretto
1792 – 1796 Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, op. 71: IV. Rondo. Allegro
1792 – 1797 12 German Dances for Piano, WoO 13
1793 Allemande for Piano in A major, WoO 81
1793 Rondino for Wind Octet in E-flat major, WoO 25
1793 Rondo for Piano and Orchestra in B-flat major, WoO 6: Allegro
1793 Song for Voice and Piano, op. 52 no. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl"
1793 Song for Voice and Piano, WoO 116: "Que le temps me dure"
1793 – 1794 Rondo G-Dur, WoO 41: Allegro
1793 – 1795 Piano Sonatas, op. 2
1793 – 1795 Piano Trios nos. 1-3, op. 1
1793 – 1795 Sonata for Piano no. 1 in F minor, op. 2 no. 1
1793 – 1795 Sonata for Piano no. 1 in F minor, op. 2 no. 1: I. Allegro
1793 – 1795 Sonata for Piano no. 1 in F minor, op. 2 no. 1: II. Adagio
1793 – 1795 Sonata for Piano no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto
1793 – 1795 Sonata for Piano no. 1 in F minor, op. 2 no. 1: IV. Prestissimo
1793 – 1795 Trio for Piano, Violin, and Cello no. 3 in C minor, op. 1 no. 3
1794 5 Pieces for Mechanical Clock, WoO 33: No. 4 in C major: Allegro non più molto
1794 5 Pieces for Mechanical Clock, WoO 33: No. 5 in C major: Menuett. Allegretto
1794 Song for voice and piano, WoO 108 "An einen Säugling"
1794 Trio for Piano, Violin, and Cello no. 2 in G major, op. 1 no. 2: I. Adagio - Allegro vivace
1794 Trio for Piano, Violin, and Cello no. 2 in G major, op. 1 no. 2: II. Largo con espressione
1794 Trio for Piano, Violin, and Cello no. 2 in G major, op. 1 no. 2: III. Scherzo. Allegro - Trio
1794 Trio for Piano, Violin, and Cello no. 2 in G major, op. 1 no. 2: IV. Finale. Presto
1794 Trio for Piano, Violin, and Cello no. 3 in C minor, op. 1 no. 3: I. Allegro con brio
1794 Trio for Piano, Violin, and Cello no. 3 in C minor, op. 1 no. 3: II. Andante cantabile con variazioni
1794 Trio for Piano, Violin, and Cello no. 3 in C minor, op. 1 no. 3: III. Menuetto. Quasi allegro
1794 Trio for Piano, Violin, and Cello no. 3 in C minor, op. 1 no. 3: IV. Finale. Prestissimo
1794 – 1795 Canzonetta for Voice, monodical Chorus and Pianos, WoO 119: "O care selve"
1794 – 1795 Five 4-part double fugues in double counterpoint, Hess 243
1794 – 1795 Instrumental Canon for 3, WoO 160 No. 1
1794 – 1795 Instrumental Canon for 4, WoO 160 No. 2
1794 – 1795 Nine 4-part simple fugues in strict counterpoint, Hess 238
1794 – 1795 Prelude and Fugue for 2 Violins and Cello in E minor, Hess 29
1794 – 1795 Prelude and Fugue for 2 Violins and Cello in E minor, Hess 29: I. Prelude
1794 – 1795 Prelude and Fugue for 2 Violins and Cello in E minor, Hess 29: II. Fugue
1794 – 1795 Prelude and Fugue for 2 Violins, Viola, and Cello in C major, Hess 31
1794 – 1795 Prelude and Fugue for 2 Violins, Viola, and Cello in C major, Hess 31: Fugue
1794 – 1795 Prelude and Fugue for 2 Violins, Viola, and Cello in C major, Hess 31: Prelude
1794 – 1795 Prelude and Fugue for 2 Violins, Viola, and Cello in F major, Hess 30
1794 – 1795 Prelude and Fugue for 2 Violins, Viola, and Cello in F major, Hess 30: Fugue
1794 – 1795 Prelude and Fugue for 2 Violins, Viola, and Cello in F major, Hess 30: Prelude
1794 – 1795 Sonata for Piano no. 2 in A major, op. 2 no. 2
1794 – 1795 Sonata for Piano no. 2 in A major, op. 2 no. 2: I. Allegro vivace
1794 – 1795 Sonata for Piano no. 2 in A major, op. 2 no. 2: II. Largo appassionato
1794 – 1795 Sonata for Piano no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto
1794 – 1795 Sonata for Piano no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso
1794 – 1795 Sonata for Piano no. 3 in C major, op. 2 no. 3
1794 – 1795 Sonata for Piano no. 3 in C major, op. 2 no. 3: I. Allegro con brio
1794 – 1795 Sonata for Piano no. 3 in C major, op. 2 no. 3: II. Adagio
1794 – 1795 Sonata for Piano no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro
1794 – 1795 Sonata for Piano no. 3 in C major, op. 2 no. 3: IV. Allegro assai
1794 – 1795 Three choral fugues, Hess 239
1794 – 1795 Trio for Piano, Violin, and Cello no. 2 in G major, op. 1 no. 2
1794 – 1795 Two 4-part triple fugues, Hess 244
1794 – 1796 Adelaide, op. 46 (orchestrated by Spohr)
1794 – 1796 Adelaide, op. 46
1795 "Im Arm der Liebe ruht sich's wohl", WoO 159
1795 6 Minuets for Piano, WoO 10
1795 6 Minuets for Piano, WoO 10: No. 2 in G major
1795 6 Variations for Piano in G major on the Duet "Nel cor più non mi sento" from Giovanni Paisiello's opera "La molinara", WoO 70
1795 8 Variations for Piano in C major on the Romance "Une fièvre brulante" from Grétry's opera "Richard Cœur de Lion", WoO 72
1795 9 Variations for Piano in A major on the Aria "Quant'è più bello" from Giovanni Paisello's opera "La molinara", WoO 69
1795 12 Contredances for Orchestra, WoO 14: No. 3 in D major
1795 12 Contredances for Orchestra, WoO 14: No. 4 in B-flat major
1795 12 Contredances for Orchestra, WoO 14: No. 6 in C major
1795 12 German Dances, WoO 8
1795 12 German Dances, WoO 8: No. 1 in C major
1795 12 German Dances, WoO 8: No. 2 in A major
1795 12 German Dances, WoO 8: No. 3 in F major
1795 12 German Dances, WoO 8: No. 4 in B-flat major
1795 12 German Dances, WoO 8: No. 5 in E-flat major
1795 12 German Dances, WoO 8: No. 6 in G major (arr. Heifetz for violin and piano)
1795 12 German Dances, WoO 8: No. 6 in G major
1795 12 German Dances, WoO 8: No. 7 in C major
1795 12 German Dances, WoO 8: No. 8 in A major
1795 12 German Dances, WoO 8: No. 9 in F major
1795 12 German Dances, WoO 8: No. 10 in D major
1795 12 German Dances, WoO 8: No. 11 in G major
1795 12 German Dances, WoO 8: No. 12 in C major - Coda
1795 12 Minuets for Orchestra, WoO 7
1795 12 Minuets for Orchestra, WoO 7: No. 1 in D major
1795 12 Minuets for Orchestra, WoO 7: No. 2 in B-flat major
1795 12 Minuets for Orchestra, WoO 7: No. 3 in G major
1795 12 Minuets for Orchestra, WoO 7: No. 4 in E-flat major
1795 12 Minuets for Orchestra, WoO 7: No. 5 in C major
1795 12 Minuets for Orchestra, WoO 7: No. 6 in A major
1795 12 Minuets for Orchestra, WoO 7: No. 7 in D major
1795 12 Minuets for Orchestra, WoO 7: No. 8 in B-flat major
1795 12 Minuets for Orchestra, WoO 7: No. 9 in G major
1795 12 Minuets for Orchestra, WoO 7: No. 10 in E-flat major
1795 12 Minuets for Orchestra, WoO 7: No. 11 in C major
1795 12 Minuets for Orchestra, WoO 7: No. 12 in F major
1795 12 Variations for Piano in C major on the "Menuett à la Viganò" from Jakob Hailbel, tirè du ballet "Le nozze disturbate", WoO 68
1795 Bagatelle for Piano in C minor, WoO 52: Presto
1795 Fugue for Piano in C major, Hess 64
1795 Minuet in G major, WoO 10 no. 2 (arr. for violin and piano)
1795 Rondo a Capriccio for Piano in G major, op. 129 "The Rage Over the Lost Penny": Allegro vivace
1795 Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, op. 81b
1795 Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, op. 81b: I. Allegro con brio
1795 Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, op. 81b: II. Adagio
1795 Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, op. 81b: III. Rondo. Allegro
1795 Song for Voice and Piano, WoO 124: "La partenza (Der Abschied)"
1795 Trio for 2 Oboes and English Horn in C major, op. 87
1795 Trio for 2 Oboes and English Horn in C major, op. 87: I. Allegro
1795 Trio for 2 Oboes and English Horn in C major, op. 87: II. Adagio cantabile
1795 Trio for 2 Oboes and English Horn in C major, op. 87: III. Menuetto. Allegro molto. Scherzo
1795 Trio for 2 Oboes and English Horn in C major, op. 87: IV. Finale. Presto
1795 Trio for Piano, Violin, and Cello no. 1 in E-flat major, op. 1 no. 1
1795 Variations for 2 Oboes and English Horn in C major on "Là ci darem la mano" from Mozart's opera "Don Giovanni", WoO 28
1795 Zärtliche Liebe, WoO 123 "Ich liebe dich so wie du mich"
1795 – 1796 Allegretto for Piano in C minor, Hess 69
1795 – 1796 Sonata for Piano no. 20 in G major, op. 49 no. 2
1795 – 1796 Sonata for Piano no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo
1795 – 1796 Sonata for Piano no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto
1795 – 1797 Piano Sonatas, op. 49
1795 – 1797 Sonata for Piano no. 5 in C minor, op. 10 no. 1
1795 – 1797 Sonata for Piano no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio
1795 – 1797 Sonata for Piano no. 5 in C minor, op. 10 no. 1: II. Adagio molto
1795 – 1797 Sonata for Piano no. 5 in C minor, op. 10 no. 1: III. Prestissimo
1795 – 1798 Piano Sonatas, op. 10
1796 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66
1796 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 1: Variation I
1796 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II
1796 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 3: Variation III
1796 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 4: Variation IV
1796 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 5: Variation V
1796 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 6: Variation VI
1796 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 7: Variation VII
1796 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 8: Variation VIII
1796 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 9: Variation IX
1796 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 10: Variation X. Adagio
1796 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 11: Variation XI. Poco adagio quasi andante
1796 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 12: Variation XII. Allegro
1796 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66: Thema. Allegretto
1796 12 Variations in G on "See the Conqu'ring Hero Comes" From Handel's Judas Maccabaeus, WoO 45
1796 Adagio for Mandolin and Piano in E-flat major, WoO 43b: Adagio (ma non troppo)
1796 Andante and Variations, WoO 44b (for mandolin and harpsichord)
1796 Cello Sonatas nos. 1 & 2, op. 5
1796 Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, op. 16
1796 Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, op. 16: I. Grave - Allegro ma non troppo
1796 Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, op. 16: II. Andante cantabile
1796 Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, op. 16: III. Rondo. Allegro ma non troppo
1796 Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido"
1796 Sechs Deutsche Tänze (Allemandes), WoO 42
1796 Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1
1796 Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto / II. Allegro - Adagio - Presto - Tempo primo
1796 Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: III. Rondo. Allegro vivace
1796 Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2
1796 Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto e espressivo - Allegro molto più tosto presto
1796 Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro
1796 Sonatina for Mandolin and Klavier in C major, WoO 44a: Allegro
1796 Sonatina for Mandolin and Piano in C minor, WoO 43a: Adagio
1796 Song for Voice and Piano, WoO 121 "Abschiedsgesang an Wiens Bürger"
1796 Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Thema: Allegretto
1796 Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation I
1796 Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation II
1796 Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation III
1796 Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation IV
1796 Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation IX
1796 Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation V
1796 Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation VI
1796 Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation VII
1796 Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation VIII
1796 Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation X: Allegro
1796 Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XI: Adagio
1796 Twelve Variations in G major on a Theme from "Judas Maccabaeus", WoO 45: Variation XII: Allegro
1796 – 1797 12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen", WoO 71
1796 – 1797 Allegretto for Piano in C minor, WoO 53
1796 – 1797 Concerto for Piano and Orchestra no. 1 in C major, op. 15
1796 – 1797 Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio
1796 – 1797 Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo
1796 – 1797 Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando
1796 – 1797 Duo for Viola and Cello in E-flat major, WoO 32 "Duet with two obbligato eyeglasses": I. Allegro
1796 – 1797 Duo for Viola and Cello in E-flat major, WoO 32 "Duet with two obbligato eyeglasses": II. Allegretto
1796 – 1797 Piano Sonata in D major for Four Hands, op. 6
1796 – 1797 Piano Sonata in D major for Four Hands, op. 6: I. Allegro molto
1796 – 1797 Piano Sonata in D major for Four Hands, op. 6: II. Rondo. Moderato
1796 – 1797 Quartet for Piano, Violin, Viola, and Cello in E-flat major, op. 16a: I. Grave – Allegro ma non troppo
1796 – 1797 Quartet for Piano, Violin, Viola, and Cello in E-flat major, op. 16a: II. Andante cantabile
1796 – 1797 Quartet for Piano, Violin, Viola, and Cello in E-flat major, op. 16a: III. Rondo. Allegro ma non troppo
1796 – 1797 Rondo for Piano in C major, op. 51 no. 1: Moderato e grazioso
1796 – 1797 Serenade for Violin, Viola, and Cello in D major, op. 8
1796 – 1797 Serenade for Violin, Viola, and Cello in D major, op. 8: I. Marcia. Allegro - Adagio
1796 – 1797 Serenade for Violin, Viola, and Cello in D major, op. 8: II. Menuetto. Allegretto
1796 – 1797 Serenade for Violin, Viola, and Cello in D major, op. 8: III. Adagio - Scherzo. Allegro molto - Adagio - Allegro molto - Adagio
1796 – 1797 Serenade for Violin, Viola, and Cello in D major, op. 8: IV. Allegretto alla Polacca
1796 – 1797 Serenade for Violin, Viola, and Cello in D major, op. 8: V. Theme and Variation. Andante quasi Allegretto - Var. I-IV - Marcia. Allegro
1796 – 1797 Sonata for Piano no. 4 in E-flat major, op. 7
1796 – 1797 Sonata for Piano no. 4 in E-flat major, op. 7: I. Allegro molto e con brio
1796 – 1797 Sonata for Piano no. 4 in E-flat major, op. 7: II. Largo, con gran espressione
1796 – 1797 Sonata for Piano no. 4 in E-flat major, op. 7: III. Allegro
1796 – 1797 Sonata for Piano no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso
1796 – 1798 Rondos for Piano, op. 51
1796 – 1798 Sonata for Piano no. 6 in F major, op. 10 no. 2
1796 – 1798 Sonata for Piano no. 6 in F major, op. 10 no. 2: I. Allegro
1796 – 1798 Sonata for Piano no. 6 in F major, op. 10 no. 2: II. Allegretto
1796 – 1798 Sonata for Piano no. 6 in F major, op. 10 no. 2: III. Presto
1797 "Herr Graf, ich komme zu fragen", Hess 276
1797 Sonata for Piano no. 19 in G minor, op. 49 no. 1
1797 Sonata for Piano no. 19 in G minor, op. 49 no. 1: I. Andante
1797 Sonata for Piano no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro
1797 Song for Voice and Piano, WoO 122 "Kriegslied der Österreicher"
1797 Trio for Piano, Clarinet [or Violin], and Cello no. 4 in B-flat major, op. 11
1797 – 1798 3 String Trios, op. 9
1797 – 1798 March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29
1797 – 1798 Sonata for Violin and Piano no. 2 in A major, op. 12 no. 2
1797 – 1798 Sonata for Violin and Piano no. 2 in A major, op. 12 no. 2: I. Allegro vivace
1797 – 1798 Sonata for Violin and Piano no. 2 in A major, op. 12 no. 2: II. Andante più tosto allegretto
1797 – 1798 Sonata for Violin and Piano no. 2 in A major, op. 12 no. 2: III. Allegro piacevole
1797 – 1798 Sonatas for Violin and Piano, op. 12
1797 – 1798 Trio for Piano, Clarinet [or Violin], and Cello no. 4 in B-flat major, op. 11: I. Allegro con brio
1797 – 1798 Trio for Piano, Clarinet [or Violin], and Cello no. 4 in B-flat major, op. 11: II. Adagio
1797 – 1798 Trio for Piano, Clarinet [or Violin], and Cello no. 4 in B-flat major, op. 11: III. Allegretto con variazioni
1797 – 1798 Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3
1797 – 1798 Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: I. Allegro con spirito
1797 – 1798 Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: II. Adagio con espressione
1797 – 1798 Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: III. Scherzo. Allegro molto e vivace
1797 – 1798 Trio for Violin, Viola, and Cello in C minor, op. 9 no. 3: IV. Finale. Presto
1797 – 1798 Trio for Violin, Viola, and Cello in D major, op. 9 no. 2
1797 – 1798 Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: I. Allegretto
1797 – 1798 Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: II. Andante quasi Allegretto
1797 – 1798 Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: III. Menuetto. Allegro
1797 – 1798 Trio for Violin, Viola, and Cello in D major, op. 9 no. 2: IV. Rondo. Allegro
1797 – 1798 Trio for Violin, Viola, and Cello in G major, op. 9 no. 1
1797 – 1798 Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: I. Adagio - Allegro con brio
1797 – 1798 Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: II. Adagio, ma non tanto, e cantabile
1797 – 1798 Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: III. Scherzo. Allegro
1797 – 1798 Trio for Violin, Viola, and Cello in G major, op. 9 no. 1: IV. Presto
1798 Grenadier March for Mechanical Clock in F major, Hess 107
1798 Romance for Violin and Orchestra no. 2 in F major, op. 50
1798 Rondo for Piano in G major, op. 51 no. 2: Andante cantabile e grazioso
1798 Sonata for Piano no. 7 in D major, op. 10 no. 3
1798 Sonata for Piano no. 7 in D major, op. 10 no. 3: I. Presto
1798 Sonata for Piano no. 7 in D major, op. 10 no. 3: II. Largo e mesto
1798 Sonata for Piano no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro
1798 Sonata for Piano no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro
1798 Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
1798 Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio
1798 Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
1798 Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro
1798 Sonata for Piano no. 9 in E major, op. 14 no. 1
1798 Sonata for Piano no. 9 in E major, op. 14 no. 1: I. Allegro
1798 Sonata for Piano no. 9 in E major, op. 14 no. 1: II. Allegretto
1798 Sonata for Piano no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo
1798 Sonata for Violin and Piano no. 1 in D major, op. 12 no. 1
1798 Sonata for Violin and Piano no. 1 in D major, op. 12 no. 1: I. Allegro con brio
1798 Sonata for Violin and Piano no. 1 in D major, op. 12 no. 1: II. Tema con Variazioni. Andante con moto
1798 Sonata for Violin and Piano no. 1 in D major, op. 12 no. 1: III. Rondo. Allegro
1798 Sonata for Violin and Piano no. 3 in E-flat major, op. 12 no. 3
1798 Sonata for Violin and Piano no. 3 in E-flat major, op. 12 no. 3: I. Allegro con spirito
1798 Sonata for Violin and Piano no. 3 in E-flat major, op. 12 no. 3: II. Adagio con molto espressione
1798 Sonata for Violin and Piano no. 3 in E-flat major, op. 12 no. 3: III. Rondo. Allegro molto
1798 Song for Voice and Piano, WoO 125: "La Tiranna'', Canzonetta
1798 String Quartet in E major, Hess 34
1798 String Quartet in E major, Hess 34: I. Allegro moderato
1798 String Quartet in E major, Hess 34: II. Allegretto
1798 String Quartet in E major, Hess 34: III. Allegro
1798 – 1799 Musical greetings for Solo Voice(s) in C major, WoO 205 no. 1 "Baron, Baron, Baron"
1798 – 1799 Piano Sonatas, op. 14
1798 – 1799 Sonata for Piano no. 10 in G major, op. 14 no. 2
1798 – 1799 Sonata for Piano no. 10 in G major, op. 14 no. 2: I. Allegro
1798 – 1799 Sonata for Piano no. 10 in G major, op. 14 no. 2: II. Andante
1798 – 1799 Sonata for Piano no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai
1798 – 1799 Song for Voice and Piano, WoO 128: "Plaisir d'aimer"
1798 – 1800 6 String Quartets, op. 18
1798 – 1800 Quartet for 2 Violins, Viola, Cello no. 6 in B-flat major, op. 18 no. 6
1798 – 1800 Quartet for 2 Violins, Viola, Cello no. 6 in B-flat major, op. 18 no. 6: I. Allegro con brio
1798 – 1800 Quartet for 2 Violins, Viola, Cello no. 6 in B-flat major, op. 18 no. 6: II. Adagio ma non troppo
1798 – 1800 Quartet for 2 Violins, Viola, Cello no. 6 in B-flat major, op. 18 no. 6: III. Scherzo. Allegro
1798 – 1800 Quartet for 2 Violins, Viola, Cello no. 6 in B-flat major, op. 18 no. 6: IV. Adagio "La malinconia" - Allegretto quasi allegro
1798 – 1800 String Quartet no. 1 in F major, op. 18 no. 1
1798 – 1800 String Quartet no. 1 in F major, op. 18 no. 1: I. Allegro con brio
1798 – 1800 String Quartet no. 1 in F major, op. 18 no. 1: II. Adagio affettuoso ed appassionato
1798 – 1800 String Quartet no. 1 in F major, op. 18 no. 1: III. Scherzo. Allegro molto
1798 – 1800 String Quartet no. 1 in F major, op. 18 no. 1: IV. Allegro
1798 – 1800 String Quartet no. 2 in G major, op. 18 no. 2
1798 – 1800 String Quartet no. 3 in D major, op. 18 no. 3
1798 – 1800 String Quartet no. 3 in D major, op. 18 no. 3: I. Allegro
1798 – 1800 String Quartet no. 3 in D major, op. 18 no. 3: II. Andante con moto
1798 – 1800 String Quartet no. 3 in D major, op. 18 no. 3: III. Allegro
1798 – 1800 String Quartet no. 3 in D major, op. 18 no. 3: IV. Presto
1798 – 1822 Der Kuß, op. 128
1799 5 Pieces for Mechanical Clock, WoO 33: No. 1 in F major: Adagio assai
1799 5 Pieces for Mechanical Clock, WoO 33: No. 3 in G major: Allegro
1799 7 Ländler for Piano in D major, WoO 11
1799 7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest", WoO 75
1799 8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II", WoO 76
1799 10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff", WoO 73
1799 Aus Goethes Faust, op. 75 no. 3
1799 Minuet for Piano in G major, WoO 12 no. 2
1799 Quartet for 2 Violins, Viola, and Cello in F major, Hess 32 (first version of op. 18 no. 1)
1799 Septet in E-flat major, op. 20 (orchestrated by Toscanini)
1799 Septett for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, op. 20
1799 Septett for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, op. 20: I. Adagio - Allegro con brio
1799 Septett for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, op. 20: II. Adagio cantabile
1799 Septett for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, op. 20: III. Tempo di Menuetto
1799 Septett for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, op. 20: IV. Tema. Andante con Variazioni
1799 Septett for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, op. 20: V. Scherzo. Allegro molto e vivace
1799 Septett for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, op. 20: VI. Andante con molto alla Marcia - Presto
1799 String Quartet in F major, Hess 32/Op. 18 no. 1 (first version): I. Allegro con brio
1799 String Quartet in F major, Hess 32/Op. 18 no. 1 (first version): II. Adagio molto
1799 String Quartet in F major, Hess 32/Op. 18 no. 1 (first version): III. Scherzo. Allegro
1799 String Quartet in F major, Hess 32/Op. 18 no. 1 (first version): IV. Allegretto
1799 Trio in E-flat major, op. 38
1799 Trio in E-flat major, op. 38: I. Adagio - Allegro con brio
1799 Trio in E-flat major, op. 38: II. Adagio cantabile
1799 Trio in E-flat major, op. 38: III. Tempo di menuetto
1799 Trio in E-flat major, op. 38: IV. Andante con variazioni
1799 Trio in E-flat major, op. 38: V. Scherzo. Allegro molto e vivace
1799 Trio in E-flat major, op. 38: VI. Andante con moto alla marcia - Presto
1799 – 1800 5 Pieces for Mechanical Clock, WoO 33: No. 2 in G major: Scherzo. Allegro
1799 – 1800 Quartet for 2 Violins, Viola, Cello no. 4 in C minor, op. 18 no. 4
1799 – 1800 Quartet for 2 Violins, Viola, Cello no. 4 in C minor, op. 18 no. 4: I. Allegro ma non tanto
1799 – 1800 Quartet for 2 Violins, Viola, Cello no. 4 in C minor, op. 18 no. 4: II. Andante scherzoso quasi allegretto
1799 – 1800 Quartet for 2 Violins, Viola, Cello no. 4 in C minor, op. 18 no. 4: III. Menuetto. Allegretto
1799 – 1800 Quartet for 2 Violins, Viola, Cello no. 4 in C minor, op. 18 no. 4: IV. Allegro - Prestissimo
1799 – 1800 Quartet for 2 Violins, Viola, Cello no. 5 in A major, op. 18 no. 5
1799 – 1800 Quartet for 2 Violins, Viola, Cello no. 5 in A major, op. 18 no. 5: I. Allegro
1799 – 1800 Quartet for 2 Violins, Viola, Cello no. 5 in A major, op. 18 no. 5: II. Menuetto
1799 – 1800 Quartet for 2 Violins, Viola, Cello no. 5 in A major, op. 18 no. 5: III. Andante cantabile
1799 – 1800 Quartet for 2 Violins, Viola, Cello no. 5 in A major, op. 18 no. 5: IV. Allegro
1799 – 1800 Sonata for Piano no. 11 in B-flat major, op. 22
1799 – 1800 Sonata for Piano no. 11 in B-flat major, op. 22: I. Allegro con brio
1799 – 1800 Sonata for Piano no. 11 in B-flat major, op. 22: II. Adagio con molto espressione
1799 – 1800 Sonata for Piano no. 11 in B-flat major, op. 22: III. Menuetto
1799 – 1800 Sonata for Piano no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto
1799 – 1800 Sonata no. 11 in B-flat major, op. 22: II. Adagio con molto espressione (arr. David Matthews for String Quartet)
1799 – 1800 String Quartet no. 2 in G major, op. 18 no. 2: I. Allegro
1799 – 1800 String Quartet no. 2 in G major, op. 18 no. 2: II. Adagio cantabile - Allegro - Tempo I
1799 – 1800 String Quartet no. 2 in G major, op. 18 no. 2: III. Scherzo. Allegro
1799 – 1800 String Quartet no. 2 in G major, op. 18 no. 2: IV. Allegro molto, quasi Presto
1799 – 1800 Symphony no. 1 in C major, op. 21
1799 – 1800 Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio
1799 – 1800 Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
1799 – 1800 Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace
1799 – 1800 Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace
1799 – 1805 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74
1800 6 Easy Variations for Piano in G major on an Original Theme, WoO 77
1800 Bagatelle for piano in C major, Hess 73
1800 Bagatelle for piano in E-flat major, Hess 74
1800 Concerto for Piano and Orchestra no. 3 in C minor, op. 37
1800 Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio (for piano solo, Alkan)
1800 Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio
1800 Sonata for Horn and Piano in F major, op. 17
1800 Sonata for Horn and Piano in F major, op. 17: I. Allegro moderato
1800 Sonata for Horn and Piano in F major, op. 17: II. Poco adagio, quasi andante
1800 Sonata for Horn and Piano in F major, op. 17: III. Rondo. Allegro moderato
1800 – 1801 12 Contredances for Orchestra, WoO 14: No. 7 in E-flat major
1800 – 1801 12 Contredances for Orchestra, WoO 14: No. 11 in G major
1800 – 1801 Die Geschöpfe des Prometheus, op. 43: Ouverture
1800 – 1801 Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March"
1800 – 1801 Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazioni
1800 – 1801 Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": II. Scherzo. Allegro molto
1800 – 1801 Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe
1800 – 1801 Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": IV. Allegro
1800 – 1801 Sonata for Piano no. 13 in E-flat major, op. 27 no. 1
1800 – 1801 Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: I. Andante
1800 – 1801 Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace
1800 – 1801 Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione
1800 – 1801 Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: IV. Allegro vivace
1800 – 1801 Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": I. Allegro
1800 – 1801 Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": II. Adagio molto espressivo
1800 – 1801 Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": III. Scherzo. Allegro molto
1800 – 1801 Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
1800 – 1801 Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”: IV. Rondo. Allegro ma non troppo
1800 – 1801 Spring Sonata: Allegro
1800 – 1801 The Creatures of Prometheus, op. 43
1800 – 1802 Romance for Violin and Orchestra no. 1 in G major, op. 40
1800 – 1803 Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo
1800 – 1803 Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro
1801 12 Contredances for Orchestra, WoO 14: No. 2 in A major
1801 12 Contredances for Orchestra, WoO 14: No. 9 in A major
1801 12 Contredances for Orchestra, WoO 14: No. 10 in C major
1801 Adagio from the Moonlight Sonata, op. 27 no. 2 (for organ, Best)
1801 Klavieru sonāte Nr. 14 cis-moll ("Mēnesnīcas sonāte")
1801 Moonlight Sonata (orch. Stokowski)
1801 Musical joke for three voices "Lob auf den Dicken", WoO 100
1801 Quintet for 2 Violins, 2 Violas, and Cello in C major, op. 29
1801 Quintet for 2 Violins, 2 Violas, and Cello in C major, op. 29: I. Allegro moderato
1801 Quintet for 2 Violins, 2 Violas, and Cello in C major, op. 29: II. Adagio molto espressivo
1801 Quintet for 2 Violins, 2 Violas, and Cello in C major, op. 29: III. Scherzo. Allegro
1801 Quintet for 2 Violins, 2 Violas, and Cello in C major, op. 29: IV. Presto
1801 Serenade for Flute, Violin, and Viola in D major, op. 25
1801 Serenade for Flute, Violin, and Viola in D major, op. 25: I. Entrada. Allegro
1801 Serenade for Flute, Violin, and Viola in D major, op. 25: II. Tempo ordinario d'un Minuetto
1801 Serenade for Flute, Violin, and Viola in D major, op. 25: III. Allegro molto
1801 Serenade for Flute, Violin, and Viola in D major, op. 25: IV. Andante con Variazioni
1801 Serenade for Flute, Violin, and Viola in D major, op. 25: V. Allegro scherzando e vivace
1801 Serenade for Flute, Violin, and Viola in D major, op. 25: VI. Adagio - Allegro vivace e disinvolto
1801 Seven Variations in E-flat major on Mozart's "Bei Männern, welche Liebe fühlen", WoO 46
1801 Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
1801 Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
1801 Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto
1801 Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato
1801 Sonata for Piano no. 15 in D major, op. 28 "Pastorale"
1801 Sonata for Piano no. 15 in D major, op. 28 "Pastorale": I. Allegro
1801 Sonata for Piano no. 15 in D major, op. 28 "Pastorale": II. Andante
1801 Sonata for Piano no. 15 in D major, op. 28 "Pastorale": III. Scherzo. Allegro vivace
1801 Sonata for Piano no. 15 in D major, op. 28 "Pastorale": IV. Rondo. Allegro ma non troppo
1801 Sonata for Violin and Piano no. 4 in A minor, op. 23
1801 Sonata for Violin and Piano no. 4 in A minor, op. 23: I. Presto
1801 Sonata for Violin and Piano no. 4 in A minor, op. 23: II. Andante scherzoso, più allegretto
1801 Sonata for Violin and Piano no. 4 in A minor, op. 23: III. Allegro molto
1801 The Creatures of Prometheus, op. 43: I. Poco adagio
1801 The Creatures of Prometheus, op. 43: II. Adagio - Allegro con brio
1801 The Creatures of Prometheus, op. 43: III. Allegro vivace
1801 The Creatures of Prometheus, op. 43: Introduction. Allegro non troppo
1801 The Creatures of Prometheus, op. 43: IV. Maestoso - Andante
1801 The Creatures of Prometheus, op. 43: IX. Adagio
1801 The Creatures of Prometheus, op. 43: V. Adagio - Andante quasi allegro
1801 The Creatures of Prometheus, op. 43: VI. Un poco adagio - Allegro
1801 The Creatures of Prometheus, op. 43: VII. Grave
1801 The Creatures of Prometheus, op. 43: VIII. Marcia. Allegro con brio
1801 The Creatures of Prometheus, op. 43: X. Pastoral. Allegro
1801 The Creatures of Prometheus, op. 43: XI. Chorus. Andante (Gioja)
1801 The Creatures of Prometheus, op. 43: XII. Solo. Maestoso - Adagio (Gioja)
1801 The Creatures of Prometheus, op. 43: XIII. Allegro
1801 The Creatures of Prometheus, op. 43: XIV. Solo. Andante - Adagio (Signora Cassentini)
1801 The Creatures of Prometheus, op. 43: XV. Coro e Solo. Andantino - Adagio (Vigano)
1801 The Creatures of Prometheus, op. 43: XVI. Finale. Allegretto
1801 Two Piano Sonatas, op. 27
1801 – 1802 7 Bagatelles, op. 33
1801 – 1802 7 Bagatelles, op. 33: No. 1 in E-flat major. Andante grazioso, quasi allegretto
1801 – 1802 7 Bagatelles, op. 33: No. 2 in C major. Scherzo. Allegro
1801 – 1802 7 Bagatelles, op. 33: No. 3 in F major. Allegretto
1801 – 1802 7 Bagatelles, op. 33: No. 3 in F major. Allegretto (catch-all for arrangements)
1801 – 1802 7 Bagatelles, op. 33: No. 4 in A major. Andante
1801 – 1802 7 Bagatelles, op. 33: No. 5 in C major. Allegro ma non troppo
1801 – 1802 7 Bagatelles, op. 33: No. 6 in D major. Allegretto, quasi andante (Con una certa espressione parlante)
1801 – 1802 7 Bagatelles, op. 33: No. 7 in A-flat major. Presto
1801 – 1802 Italian Part-Songs WoO 99
1801 – 1802 Piano Sonatas, op. 31
1801 – 1802 Six Ländler for 2 Violins and Bass, WoO 15
1801 – 1802 Sonata for Piano no. 16 in G major, op. 31 no. 1
1801 – 1802 Sonata for Piano no. 16 in G major, op. 31 no. 1: I. Allegro vivace
1801 – 1802 Sonata for Piano no. 16 in G major, op. 31 no. 1: II. Adagio grazioso
1801 – 1802 Sonata for Piano no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto
1801 – 1802 Sonata for Piano no. 17 in D minor, op. 31 no. 2 "Tempest"
1801 – 1802 Sonata for Piano no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro
1801 – 1802 Sonata for Piano no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio
1801 – 1802 Sonata for Piano no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto
1801 – 1802 Sonata for Piano no. 18 in E-flat major, op. 31 no. 3
1801 – 1802 Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: I. Allegro
1801 – 1802 Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace
1801 – 1802 Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: III. Minuetto. Moderato e grazioso
1801 – 1802 Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco
1801 – 1802 Sonata for Violin and Piano no. 6 in A major, op. 30 no. 1
1801 – 1802 Sonata for Violin and Piano no. 6 in A major, op. 30 no. 1: I. Allegro
1801 – 1802 Sonata for Violin and Piano no. 6 in A major, op. 30 no. 1: II. Adagio molto espressivo
1801 – 1802 Sonata for Violin and Piano no. 6 in A major, op. 30 no. 1: III. Allegretto con variazioni
1801 – 1802 Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2
1801 – 1802 Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: I. Allegro con brio
1801 – 1802 Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: II. Adagio cantabile
1801 – 1802 Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro
1801 – 1802 Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: IV. Finale. Allegro
1801 – 1802 Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3
1801 – 1802 Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3: I. Allegro assai
1801 – 1802 Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3: II. Tempo di menuetto, ma molto moderato e grazioso
1801 – 1802 Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3: III. Allegro vivace
1801 – 1802 Sonatas for Violin and Piano, op. 30
1801 – 1802 Symphony no. 2 in D major, op. 36
1801 – 1802 Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio
1801 – 1802 Symphony no. 2 in D major, op. 36: II. Larghetto
1801 – 1802 Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro
1801 – 1802 Symphony no. 2 in D major, op. 36: IV. Allegro molto
1801 – 1802 Trio nach der 2. Sinfonie, op. 36
1801 – 1802 Trio nach der 2. Sinfonie, op. 36: I. Adagio. Allegro
1801 – 1802 Trio nach der 2. Sinfonie, op. 36: II. Larghetto
1801 – 1802 Trio nach der 2. Sinfonie, op. 36: III. Scherzo
1801 – 1802 Trio nach der 2. Sinfonie, op. 36: IV. Allegro molto
1801 – 1803 "Bei labbri, che Amore", WoO 99 No. 1/Hess 211
1801 – 1803 "Chi mai di questo core", WoO 99 No. 7(2)/Hess 214
1801 – 1803 "Fra tutte le pene" (2nd version), Hess 210
1801 – 1803 "Fra tutte le pene", WoO 99 No. 11(3)a/Hess 208 [Biamonti 142] (uncorrected version)
1801 – 1803 "Fra tutte le pene", WoO 99 No. 11(3)b/Hess 225
1801 – 1803 "Fra tutte le pene", WoO 99 No. 11(3)c/Hess 224
1801 – 1803 "Già la notte s'avvicina", WoO 99 No. 14a(4b)/Hess 223
1801 – 1803 "Già la notte s'avvicina", WoO 99 No. 14b(4a)/Hess 222
1801 – 1803 "Giura il nocchier", WoO 99 No. 5a(5b)/Hess 227
1801 – 1803 "Giura il nocchier", WoO 99 No. 5b/Hess 230
1801 – 1803 "Giura il nocchier", WoO 99 No. 5c(a)/Hess 221
1801 – 1803 "Ma tu tremi, o mio tesoro", WoO 99 No. 2(6)/Hess 212
1801 – 1803 "Nei campi e nelle selve", WoO 99 No. 10(7)a/Hess 217
1801 – 1803 "Nei campi e nelle selve", WoO 99 No. 10(7)b/Hess 220
1801 – 1803 "Per te d'amico aprile", WoO 99 No. 9/Hess 216
1801 – 1803 "Quella cetra ah pur tu sei", WoO 99 No. 13a(10b)/Hess 218
1801 – 1803 "Quella cetra ah pur tu sei", WoO 99 No. 13b(10c)/Hess 219
1801 – 1803 "Quella cetra ah pur tu sei", WoO 99 No. 13c(10a)/Hess 213
1801 – 1803 "Salvo tu vuoi lo sposo?", WoO 99 No. 12b/Hess 228
1801 – 1803 "Scrivo in te", WoO 99 No. 8 (11)/Hess 215
1801 – 1803 "Sei mio ben", WoO 99 No. 4/Hess 231
1802-03 Song for Voice and Piano, op. 48 no. 1 in E major: Feierlich und mit Andacht "Bitten: Gott deine Gute reicht so"
1802-03 Song for Voice and Piano, op. 48 no. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nächsten: So jemand spricht: Ich liebe Gott!"
1802-03 Song for Voice and Piano, op. 48 no. 3 in F-sharp minor: Müssig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht"
1802-03 Song for Voice and Piano, op. 48 no. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre"
1802-03 Song for Voice and Piano, op. 48 no. 5 in C major: Mit Kraft and Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!"
1802-03 Song for Voice and Piano, op. 48 no. 6 in A minor: Poco adagio "Bußlied: An dir allein, an dir hab' ich gesündigt"
1802-11 Musical joke "Graf, liebster Graf, liebstes Schaf", WoO 101
1802 "Lustig-Traurig" for Piano in C major, WoO 54
1802 6 Variations for Piano in F major on an Original Theme, op. 34: Tema. Adagio
1802 6 Variations for Piano in F major on an Original Theme, op. 34: Var II. Allegro, ma non troppo
1802 6 Variations for Piano in F major on an Original Theme, op. 34: Var III. Allegretto
1802 6 Variations for Piano in F major on an Original Theme, op. 34: Var. I
1802 6 Variations for Piano in F major on an Original Theme, op. 34: Var. IV. Tempo di Minuetto
1802 6 Variations for Piano in F major on an Original Theme, op. 34: Var. V. Marcia. Allegretto
1802 6 Variations for Piano in F major on an Original Theme, op. 34: Var. VI. Allegretto - Coda - Adagio molto
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations"
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Coda
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Finale. Alla Fuga. Allegro con brio - Andante con moto
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Introduzione col basso del tema. Allegretto vivace
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Tema
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. I
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. I - Var. XV.
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. II
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. III
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. IV
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. IX
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. V
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. VI
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. VII. Canone all'ottava
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. VIII
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. X
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. XI
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. XII
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. XIII
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. XIV. Minore
1802 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, op. 35 "Eroica Variations": Var. XV. Largo
1802 Duet for Soprano and Tenor accompanied by Orchestra, WoO 93 "Ne' giorni tuoi felici"
1802 Scene and Aria for Soprano and Orchestra, WoO 92a "No, non turbarti"
1802 Six Ländler for 2 Violins and Bass, WoO 15 no. 1 in D major
1802 Six Ländler for 2 Violins and Bass, WoO 15 no. 2 in D major
1802 Six Ländler for 2 Violins and Bass, WoO 15 no. 3 in D major
1802 Six Ländler for 2 Violins and Bass, WoO 15 no. 4 in D minor
1802 Six Ländler for 2 Violins and Bass, WoO 15 no. 5 in D minor
1802 Six Ländler for 2 Violins and Bass, WoO 15 no. 6 in D minor
1802 Theme and Variations for piano in A major, Hess 72 (incomplete sketch)
1802 Tremate, empi tremate, op. 116
1802 – 1803 7 Variations for Piano in C major on "God Save the King", WoO 78
1802 – 1803 Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”
1802 – 1803 Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto
1802 – 1803 Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazioni
1802 – 1803 Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”: III. Finale. Presto
1803-04 Der Wachtelschlag, WoO 129 "Ach, mir schallt's dorten"
1803 3 Marches for Piano 4 Hands, op. 45
1803 3 Marches for Piano 4 Hands, op. 45: No. 1 in C major. Allegro ma non troppo
1803 3 Marches for Piano 4 Hands, op. 45: No. 2 in E-flat major. Vivace
1803 3 Marches for Piano 4 Hands, op. 45: No. 3 in D major. Vivace
1803 5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred", WoO 79
1803 10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", op. 121a
1803 Andante for Piano in F major, WoO 57 "Andante favori". Andante grazioso con moto
1803 Bagatelle for Piano in C major, WoO 56: Allegretto
1803 Canon for Piano in A-flat major, Hess 275
1803 Canon for Piano in G major, Hess 274
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Choir "Doch weh!" Die frech entehren
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ia. Introduction. Grave - Adagio
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus)
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus)
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: II
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph)
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph)
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir)
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: III
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph)
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph)
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IV
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IVa. Recitative "Willkommen, Tod" (Jesus)
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen"
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: V
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus)
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte"
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Vc. Choir of Children "Was soll der Lärm bedeuten?"
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VI
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus)
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph)
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" / VId. Choir of Children "Ach! wir werden seinetwegen auch gehasst, verfolget sein" / VIe. "Meine Qual ist bald ver..." (Jesus)
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre"
1803 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VII. Choir "Preiset ihn, ihr Engelchöre"
1803 Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 "Triple Concerto"
1803 Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 "Triple Concerto": I. Allegro
1803 Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 "Triple Concerto": II. Largo
1803 Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 "Triple Concerto": III. Rondo alla Polacca
1803 Prelude for Piano in F minor, WoO 55
1803 Serenade for Flute & Piano, op. 41: I. Entrada - Allegro
1803 Serenade for Flute & Piano, op. 41: II. Tempo ordinario d'un menuetto
1803 Serenade for Flute & Piano, op. 41: III. Molto allegro
1803 Serenade for Flute & Piano, op. 41: IV. Andante con variazioni
1803 Serenade for Flute & Piano, op. 41: V. Allegro, scherzo e vivace
1803 Serenade for Flute & Piano, op. 41: VI. Adagio
1803 Serenade for Flute & Piano, op. 41: VII. Allegro vivace e disinvolto
1803 Song for Voice and Piano and A major, op. 88: Andante quasi allegretto "Das Glück der Freundschaft: Der lebt ein Leben wonniglich"
1803 Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume"
1803 – 1804 Notturno, op. 42
1803 – 1804 Sonata for Piano no. 21 in C major, op. 53 “Waldstein”
1803 – 1804 Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio
1803 – 1804 Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: II. Introduzione. Adagio molto
1803 – 1804 Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato - Prestissimo
1803 – 1804 Symphony no. 3 in E-flat major, op. 55 "Eroica"
1803 – 1804 Symphony no. 3 in E-flat major, op. 55 "Eroica" (1807 version for piano quartet)
1803 – 1804 Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio
1803 – 1804 Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio
1803 – 1804 Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai
1803 – 1804 Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai
1803 – 1804 Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace
1803 – 1804 Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace
1803 – 1804 Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto
1803 – 1804 Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto
1804 "Falstafferel, laß dich sehen!", WoO 184
1804 Sonata for Piano no. 22 in F major, op. 54
1804 Sonata for Piano no. 22 in F major, op. 54: I. Tempo di menuetto
1804 Sonata for Piano no. 22 in F major, op. 54: II. Allegretto - Più allegro
1804 – 1805 Song for Voice and Piano, op. 52 no. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet mir die Natur"
1804 – 1805 Song for Voice and Piano, op. 52 no. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land"
1804 – 1806 Sonata for Piano no. 23 in F minor, op. 57 "Appassionata"
1804 – 1806 Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai
1804 – 1806 Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto
1804 – 1806 Sonata for Piano no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo
1804 – 1807 Concerto for Piano and Orchestra no. 4 in G major, op. 58
1804 – 1807 Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato
1804 – 1807 Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto
1804 – 1807 Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace
1804 – 1808 Symphony no. 5 in C minor, op. 67
1804 – 1808 Symphony no. 5 in C minor, op. 67: I. Allegro con brio
1804 – 1808 Symphony no. 5 in C minor, op. 67: II. Andante con moto
1804 – 1808 Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
1804 – 1808 Symphony no. 5 in C minor, op. 67: IV. Allegro
1804 – 1808 Symphony no. 5 in C minor, S. 464 no. 5 (for piano solo, Liszt)
1804 – 1808 Symphony no. 5 in C minor, S. 464 no. 5: I. Allegro con brio (for piano solo, Liszt)
1804 – 1808 Symphony no. 5 in C minor, S. 464 no. 5: II. Andante con moto (for piano solo, Liszt)
1804 – 1808 Symphony no. 5 in C minor, S. 464 no. 5: III. Scherzo. Allegro (for piano solo, Liszt)
1804 – 1808 Symphony no. 5 in C minor, S. 464 no. 5: IV. Allegro (for piano solo, Liszt)
1805 An die Hoffnung, op. 32
1805 Fidelio, op. 72: Act I, Scene I, no. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
1805 Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner's Chorus "O welche Lust"
1805 Leonore, Hess 109
1805 Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline)
1805 Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore)
1805 Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco)
1805 Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline)
1805 Leonore: Act I. "Ist Fidelio noch nicht nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore)
1805 Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline)
1805 Leonore: Act I. No. 1 Aria "O wär' ich schon mit dir vereint" (Marzelline)
1805 Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline)
1805 Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline)
1805 Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
1805 Leonore: Act I. No. 5 Aria "Hat man nicht auch Gold beineben" (Rocco)
1805 Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline)
1805 Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus)
1805 Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco)
1805 Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore)
1805 Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore)
1805 Leonore: Act II. "Rocco!" (Pizarro, Rocco)
1805 Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore)
1805 Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro)
1805 Leonore: Act II. No. 7 March
1805 Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco)
1805 Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)
1805 Leonore: Act II. No. 10 Duet "Um in der Ehe froh zu leben" (Marzelline, Leonore)
1805 Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore)
1805 Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners)
1805 Leonore: Act III. "Alles ist bereit" (Rocco, Leonore, Pizarro)
1805 Leonore: Act III. "Die Waffe hab'ich mir" (Leonore)
1805 Leonore: Act III. "Er erwacht!" (Leonore, Rocco, Florestan)
1805 Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus)
1805 Leonore: Act III. "O Leonore, sprich!" (Florestan, Leonore)
1805 Leonore: Act III. "Preist mit hoher Freude Glut" (Chorus)
1805 Leonore: Act III. "Wer ein solches Weib errungen" (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus)
1805 Leonore: Act III. "Wie lange habt Ihr sie getragen?" (Don Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino)
1805 Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch Dunkel hier!" (Florestan)
1805 Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco)
1805 Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
1805 Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
1805 Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore)
1805 Leonore: Act III. No. 18 Finale ''Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando)
1805 Overture “Leonore” no. 1 in C major, op. 138
1805 Overture “Leonore” no. 2 in C major, op. 72a
1805 – 1806 Overture “Leonore” no. 3 in C major, op. 72b
1805 – 1806 String Quartet no. 7 in F major, op. 59 no. 1: I. Allegro
1805 – 1806 String Quartet no. 7 in F major, op. 59 no. 1: II. Allegretto vivace e sempre scherzando
1805 – 1806 String Quartet no. 7 in F major, op. 59 no. 1: III. Adagio molto
1805 – 1806 String Quartet no. 7 in F major, op. 59 no. 1: IV. Thème russe. Allegro
1805 – 1806 String Quartet no. 8 in E minor, op. 59 no. 2: I. Allegro
1805 – 1806 String Quartet no. 8 in E minor, op. 59 no. 2: II. Molto adagio - Si tratta questo pezzo con molto di sentimento
1805 – 1806 String Quartet no. 8 in E minor, op. 59 no. 2: III. Allegretto - Maggiore
1805 – 1806 String Quartet no. 8 in E minor, op. 59 no. 2: IV. Finale. Presto
1805 – 1806 String Quartet no. 9 in C major, op. 59 no. 3: I. Andante con moto - Allegro vivace
1805 – 1806 String Quartet no. 9 in C major, op. 59 no. 3: II. Andante con moto quasi allegretto
1805 – 1806 String Quartet no. 9 in C major, op. 59 no. 3: III. Minuetto. Grazioso
1805 – 1806 String Quartet no. 9 in C major, op. 59 no. 3: IV. Allegro molto
1806-05 – 1809-11 Song for Voice and Piano, WoO 132: "Als die Geliebte sich trennen wollte"
1806 3 String Quartets, op. 59
1806 6 Ecossaises in E-flat major, WoO 83
1806 32 Variations for Piano in C minor on an Original Theme, WoO 80
1806 Als die Geliebte sich trennen wollte. Empfindungen bei Lydiens Untreue, WoO 118
1806 Concerto for Piano and Orchestra in D major, op. 61a
1806 Concerto for Piano and Orchestra in D major, op. 61a: I. Allegro ma non troppo
1806 Concerto for Piano and Orchestra in D major, op. 61a: II. Larghetto
1806 Concerto for Piano and Orchestra in D major, op. 61a: III. Rondo
1806 Concerto for Violin and Orchestra in D major, op. 61
1806 Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo
1806 Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto
1806 Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro
1806 Ecossaises, BV B 47 (for piano, Busoni)
1806 Minuet for Piano in E-flat major, WoO 82: Moderato
1806 String Quartet no. 7 in F major, op. 59 no. 1
1806 String Quartet no. 8 in E minor, op. 59 no. 2
1806 String Quartet no. 9 in C major, op. 59 no. 3
1806 Symphony no. 4 in B-flat major, op. 60
1806 Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace
1806 Symphony no. 4 in B-flat major, op. 60: II. Adagio
1806 Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace
1806 Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo
1806 – 1807 "In questa tomba oscura", WoO 133
1807 Cantata for Mixed Chorus and Orchestra, op. 112 "Meeresstille und glückliche Fahrt"
1807 Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86
1807 Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: I. Kyrie. Andante con moto assai vivace quasi Allegretto ma non troppo
1807 Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: II. Gloria. Allegro con brio
1807 Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: III. Credo. Allegro con brio
1807 Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro
1807 Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie
1807 Ouvertüre Coriolan, op. 62
1807 – 1808 Egmont, op. 84: Overture (for brass, Frackenpohl)
1808 Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio
1808 Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
1808 Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
1808 Sonata for Cello and Piano no. 3 in A major, op. 69
1808 Sonata for Cello and Piano no. 3 in A major, op. 69: I. Allegro ma non tanto
1808 Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto
1808 Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile - Allegro vivace
1808 Song for Voice and Piano, WoO 134: "Sehnsucht"
1808 Song for voice and piano, WoO 136 "Andenken"
1808 Symphony no. 6 in F major, op. 68 "Pastorale"
1808 Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country"
1808 Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook"
1808 Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro "Happy gathering of country folk"
1808 Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro "Thunderstorm"
1808 Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm"
1808 Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”
1808 Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: I. Allegro vivace e con brio
1808 Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai e espressivo
1808 Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: III. Presto
1808 Trio for Piano, Violin, and Cello no. 6 in E-flat major, op. 70 no. 2
1808 Trio for Piano, Violin, and Cello no. 6 in E-flat major, op. 70 no. 2: I. Poco sostenuto - Allegro ma non troppo
1808 Trio for Piano, Violin, and Cello no. 6 in E-flat major, op. 70 no. 2: II. Allegretto
1808 Trio for Piano, Violin, and Cello no. 6 in E-flat major, op. 70 no. 2: III. Allegretto ma non troppo
1808 Trio for Piano, Violin, and Cello no. 6 in E-flat major, op. 70 no. 2: IV. Finale. Allegro
1808 – 1810 Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto
1809-10 – 1810-06 Egmont, op. 84
1809-10 – 1810-06 Egmont, op. 84: I. Lied From Clärchen: "Die Trommel gerühret!". Vivace
1809-10 – 1810-06 Egmont, op. 84: II. Entr'acte Music I. Andante - Allegro con brio
1809-10 – 1810-06 Egmont, op. 84: III. Entr'acte Music II. Larghetto
1809-10 – 1810-06 Egmont, op. 84: IV. Lied From Clärchen: "Freudvoll und leidvoll". Andante con moto - Allegro assai vivace
1809-10 – 1810-06 Egmont, op. 84: IX. Victory Symphony. Allegro con brio
1809-10 – 1810-06 Egmont, op. 84: Monolog "Alter Freund!" (Egmont)
1809-10 – 1810-06 Egmont, op. 84: Monolog "Es ist vorbei" (Egmont)
1809-10 – 1810-06 Egmont, op. 84: Monolog "Verschwunden ist der Kranz" (Egmont)
1809-10 – 1810-06 Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro
1809-10 – 1810-06 Egmont, op. 84: V. Entr'acte Music III. Allegro - Marcia. Vivace
1809-10 – 1810-06 Egmont, op. 84: VI. Entr'acte Music IV. Poco sostenuto e risoluto - Larghetto - Andante agitato
1809-10 – 1810-06 Egmont, op. 84: VII. Clärchen's Death. Larghetto
1809-10 – 1810-06 Egmont, op. 84: VIII. Melodrama. Poco sostenuto
1809 6 Gesänge, op. 75
1809 6 Variations for Piano in D major on an Original Theme, op. 76
1809 6 Variations for Piano in D major on an Original Theme, op. 76: Theme. Allegro risoluto
1809 6 Variations for Piano in D major on an Original Theme, op. 76: Variation 1
1809 6 Variations for Piano in D major on an Original Theme, op. 76: Variation 2
1809 6 Variations for Piano in D major on an Original Theme, op. 76: Variation 3
1809 6 Variations for Piano in D major on an Original Theme, op. 76: Variation 4
1809 6 Variations for Piano in D major on an Original Theme, op. 76: Variation 5
1809 6 Variations for Piano in D major on an Original Theme, op. 76: Variation 6
1809 An den fernen Geliebten, op. 75 no. 5
1809 Aria for Soprano and Piano, op. 82 no. 2 in D major: Adagio ma non troppo "Liebsklage: T'indendo, si, mio cor - Den stummen Felsen nur"
1809 Aria for Soprano and Piano, op. 82 no. 3 in E-flat major: Allegro "Stille Frage: Che fa il mio bene? - Darf nimmer ich dir nahen?"
1809 Aria for Soprano and Piano, op. 82 no. 4 in B-flat major: Andante con espressione "Liebes-Ungeduld: Che fa il mio bene? - So muss ich ihm entsagen"
1809 Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio additional
1809 Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor” (catch-all for arrangements)
1809 Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
1809 Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro
1809 Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
1809 Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (catch-all for arrangements)
1809 Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro
1809 Der Liebende, WoO 139
1809 Der Zufriedene, op. 75 no. 6
1809 Fantasia for Piano in G minor, op. 77
1809 Gretels Warnung, op. 75 no. 4
1809 March for Military Band in F major, WoO 18
1809 Mignon, op. 75 no. 1
1809 Neue Liebe, neues Leben, op. 75 no. 2
1809 Sonata for Piano no. 24 in F-sharp major, op. 78 "A Thérèse"
1809 Sonata for Piano no. 24 in F-sharp major, op. 78 "A Thérèse": I. Adagio cantabile - Allegro ma non troppo
1809 Sonata for Piano no. 24 in F-sharp major, op. 78 "A Thérèse": II. Allegro vivace
1809 Sonata for Piano no. 25 in G major, op. 79 "Cuckoo"
1809 Sonata for Piano no. 25 in G major, op. 79 "Cuckoo": I. Presto alla tedesca
1809 Sonata for Piano no. 25 in G major, op. 79 "Cuckoo": II. Andante espressivo
1809 Sonata for Piano no. 25 in G major, op. 79 "Cuckoo": III. Vivace
1809 Song for Voice and Piano, WoO 137: "Lied aus der Ferne"
1809 Song for Voice and Piano, WoO 138: "Der Jüngling in der Fremde"
1809 Song for Voice and Piano, WoO 139: "Der Liebende"
1809 String Quartet no. 10 in E-flat major, op. 74 "Harp"
1809 String Quartet no. 10 in E-flat major, op. 74 "Harp": I. Poco adagio - Allegro
1809 String Quartet no. 10 in E-flat major, op. 74 "Harp": II. Adagio ma non troppo
1809 String Quartet no. 10 in E-flat major, op. 74 "Harp": III. Presto
1809 String Quartet no. 10 in E-flat major, op. 74 "Harp": IV. Allegretto con variazioni
1809 – 1810 Ecossaise for Military Music in D major, WoO 22
1809 – 1810 Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux"
1809 – 1810 Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux"
1809 – 1810 Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence"
1809 – 1810 Sonata for Piano no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour"
1809 – 1822 March and Trio for Military Music in C major, WoO 20 "The Tattoo"
1810-06 March for Military Band in F major, WoO 19
1810 Ecossaise for Wind Band in G major, WoO 23 (for piano, arr. Czerny)
1810 Mit einem gemalten Band, op. 83 no. 3
1810 Polonaise for Military Music in D major, WoO 21
1810 Sehnsucht, op. 83 no. 2
1810 Wonne der Wehmut, op. 83 no. 1
1810 – 1811 String Quartet in F minor, op. 95 (for string orchestra, arr. by Mahler)
1810 – 1811 String Quartet in F minor, op. 95: I. Allegro con brio (for string orchestra, arr. by Mahler)
1810 – 1811 String Quartet in F minor, op. 95: II. Allegretto ma non troppo (for string orchestra, arr. by Mahler)
1810 – 1811 String Quartet in F minor, op. 95: III. Allegro assai vivace ma serioso (for string orchestra, arr. by Mahler)
1810 – 1811 String Quartet in F minor, op. 95: IV. Larghetto espressivo - Allegretto agitato - Allegro (for string orchestra, arr. by Mahler)
1810 – 1811 String Quartet no. 11 in F minor, op. 95
1810 – 1811 String Quartet no. 11 in F minor, op. 95: I. Allegro con brio
1810 – 1811 String Quartet no. 11 in F minor, op. 95: II. Allegretto ma non troppo
1810 – 1811 String Quartet no. 11 in F minor, op. 95: III. Allegro assai vivace ma serioso
1810 – 1811 String Quartet no. 11 in F minor, op. 95: IV. Larghetto espressivo - Allegretto agitato - Allegro
1810 – 1811 Trio for Piano, Violin, and Cello no. 7 in B-flat major, op. 97 "Archduke": I. Allegro moderato
1810 – 1811 Trio for Piano, Violin, and Cello no. 7 in B-flat major, op. 97 "Archduke": II. Scherzo. Allegro
1810 – 1811 Trio for Piano, Violin, and Cello no. 7 in B-flat major, op. 97 "Archduke": III. Andante cantabile ma però con moto
1810 – 1811 Trio for Piano, Violin, and Cello no. 7 in B-flat major, op. 97 "Archduke": IV. Allegro moderato
1810 – 1811 Trio for Piano, Violin, and Cello no. 7 in B-flat major, op. 97 “Archduke”
1810 – 1813 25 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 152
1810 – 1815 12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
1810 – 1815 20 Irish Songs for one to two Voices, Violin, Violoncello and Piano, WoO 153
1810 – 1815 26 Welsh Songs for one to two Voices, Violin, Violoncello and Piano, WoO 155
1810 – 1818 Twenty-five Scottish Songs for Voice, Violin, Violoncello and Piano, op. 108
1810 – 1822 March for Military Band in C, WoO. 20
1811 "Ewig dein", WoO 161
1811 2 German Dances for Piano, Hess 67
1811 2 German Dances for Piano, Hess 67: No. 1 in F major
1811 2 German Dances for Piano, Hess 67: No. 2 in F minor
1811 An die Geliebte, WoO 140 (2. Fassung)
1811 Chorus of Dervishes (for violin and piano, arr. Auer)
1811 Die Ruinen von Athen, op. 113
1811 Die Ruinen von Athen, op. 113: Arie mit Chor: Will unser Genius noch einen Wunsch gewähren
1811 Die Ruinen von Athen, op. 113: I. Chor "Tochter des mächtigen Zeus"
1811 Die Ruinen von Athen, op. 113: II. Duett "Ohne Verschulden Knechtschaft dulden"
1811 Die Ruinen von Athen, op. 113: III. Chor der Derwische "Du hast in deines Ärmels Falten"
1811 Die Ruinen von Athen, op. 113: IV. Marcia alla turca
1811 Die Ruinen von Athen, op. 113: Overtüre
1811 Die Ruinen von Athen, op. 113: Rezitativ: Mit reger Freude, die nie erkaltet
1811 Die Ruinen von Athen, op. 113: V. Musik hinter der Szene: Es wandelt schon das Volk im Feierkleide
1811 Die Ruinen von Athen, op. 113: VI. March "Schmückt die Altare"
1811 Die Ruinen von Athen, op. 113: VII. Chor und Arie "Wir tragen empfängliche Herzen in Busen"
1811 Die Ruinen von Athen, op. 113: VIII. Chor "Heil unserm König! Heil!"
1811 König Stephan, op. 117
1811 König Stephan, op. 117: I. Overtüre
1811 König Stephan, op. 117: II. Männerchor "Ruhend von seinem Taten"
1811 König Stephan, op. 117: III. Männerchor "Auf dunklem Irrweg in finstern Hainen"
1811 König Stephan, op. 117: IV. Siegesmarsch
1811 König Stephan, op. 117: V. Frauenchor "Wo die Unschuld Blumen streute"
1811 König Stephan, op. 117: VI. Chor "Eine neue strahlende Sonne"
1811 König Stephan, op. 117: VII. Chor "Heil! Heil unsern Enkeln"
1811 Small Waltz (Allemande) for piano in C minor, Hess 68 (incomplete)
1811 Turkish March (for violin and piano. arr Auer)
1811 – 1812 Symphony no. 7 in A major, op. 92
1811 – 1812 Symphony no. 7 in A major, op. 92, S. 464 no. 7 (for piano solo, Liszt)
1811 – 1812 Symphony no. 7 in A major, op. 92, S. 464 no. 7: I. Poco sostenuto - Vivace (for piano solo, Liszt)
1811 – 1812 Symphony no. 7 in A major, op. 92, S. 464 no. 7: II. Allegretto (for piano solo, Liszt)
1811 – 1812 Symphony no. 7 in A major, op. 92, S. 464 no. 7: III. Presto - Assai meno presto - Da capo tutto - Presto - Assai meno presto - Presto (for piano solo, Liszt)
1811 – 1812 Symphony no. 7 in A major, op. 92, S. 464 no. 7: IV. Allegro con brio (for piano solo, Liszt)
1811 – 1812 Symphony no. 7 in A major, op. 92: I. Poco sostenuto (for piano solo, Beethoven (fragment))
1811 – 1812 Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
1811 – 1812 Symphony no. 7 in A major, op. 92: II. Allegretto
1811 – 1812 Symphony no. 7 in A major, op. 92: III. Presto
1811 – 1812 Symphony no. 7 in A major, op. 92: IV. Allegro con brio
1811 – 1812 Symphony no. 7 in A major, S. 463d (for piano solo, Liszt)
1811 – 1812 Symphony no. 7 in A major, S. 463d: I. Poco sostenuto - Vivace (for piano solo, Liszt)
1811 – 1812 Symphony no. 7 in A major, S. 463d: II. Allegretto (for piano solo, Liszt)
1811 – 1812 Symphony no. 7 in A major, S. 463d: III. Presto - Assai meno presto (- Da capo tutto) - Presto - Assai meno presto - Presto (for piano solo, Liszt)
1811 – 1812 Symphony no. 7 in A major, S. 463d: IV. Allegro con brio (for piano solo, Liszt)
1811 – 1812 Symphony no. 7 Piano Version - From the First Movement (Nodame version)
1812-11 Three Equali for 4 Trombones, WoO 30: I. Andante
1812-11 Three Equali for 4 Trombones, WoO 30: II. Poco adagio
1812-11 Three Equali for 4 Trombones, WoO 30: III. Poco sostenuto
1812 Allegretto for Piano, Violin, and Cello in B-flat major, WoO 39
1812 Sonata for Violin and Piano no. 10 in G major, op. 96
1812 Sonata for Violin and Piano no. 10 in G major, op. 96: I. Allegro moderato
1812 Sonata for Violin and Piano no. 10 in G major, op. 96: II. Adagio espressivo
1812 Sonata for Violin and Piano no. 10 in G major, op. 96: III. Scherzo. Allegro
1812 Sonata for Violin and Piano no. 10 in G major, op. 96: IV. Poco allegretto
1812 Symphony no. 8 in F major, op. 93
1812 Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
1812 Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
1812 Symphony no. 8 in F major, op. 93: III. Tempo di menuetto
1812 Symphony no. 8 in F major, op. 93: IV. Allegro vivace
1812 Three Equali for 4 Trombones, WoO 30
1813 "Kurz ist der Schmerz", WoO 163
1813 Tarpeja, WoO 2b: Einzug Akt II
1813 Triumpfmarsch für Tarpeja, WoO 2a
1813 Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91
1813 Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91: I. Schlacht
1813 Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91: II. Sieges-Symphonie
1814-05 Canon for 3 male voices "Abschiedsgesang «Die Stunde schlägt»", WoO 102
1814 "Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164
1814 Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": I. Choir "Europa stet!"
1814 Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!"
1814 Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna)
1814 Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin)
1814 Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin)
1814 Cantata for 4 Solo Voices, Chous, and Orchestra, op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen"
1814 Chorus for the Allied Princes, WoO 95
1814 Elegischer Gesang, op. 118
1814 Fidelio, op. 72: Act I, Scene I, no. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline)
1814 Fidelio, op. 72: Act I, Scene I, no. 1b. "Armer Jaquino, ich war ihm sonst recht gut" (Marzelline)
1814 Fidelio, op. 72: Act I, Scene I, no. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline)
1814 Fidelio, op. 72: Act I, Scene I, no. 2b. "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore)
1814 Fidelio, op. 72: Act I, Scene I, no. 3b. "Höre, Fidelio!" (Rocco, Marzelline)
1814 Fidelio, op. 72: Act I, Scene I, no. 4. Aria "Hat man nicht auch Gold beineben" (Rocco)
1814 Fidelio, op. 72: Act I, Scene I, no. 4b. "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline)
1814 Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
1814 Fidelio, op. 72: Act I, Scene I, no. 6b. "Drei Schildwachen auf den Wall" (Pizarro, Rocco)
1814 Fidelio, op. 72: Act I, Scene II, no. 6. March
1814 Fidelio, op. 72: Act I, Scene II, no. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus)
1814 Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco)
1814 Fidelio, op. 72: Act I, Scene II, no. 9. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
1814 Fidelio, op. 72: Act I, Scene II, no. 9b. "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore)
1814 Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner's Chorus "O welche Lust"
1814 Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco)
1814 Fidelio, op. 72: Act I, Scene II, no. 10c. Duet "Noch heute! Noch heute!" (Leonore, Rocco)
1814 Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro)
1814 Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco)
1814 Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco)
1814 Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
1814 Fidelio, op. 72: Act II, Scene I, no. 11a. Introduction
1814 Fidelio, op. 72: Act II, Scene I, no. 11a. Recitative "Gott! Welch Dunkel hier!" (Florestan)
1814 Fidelio, op. 72: Act II, Scene I, no. 12a. Melodrama "Wie kalt ist es in diesem unteirdischen Gewölbe!" (Leonore, Rocco)
1814 Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore)
1814 Fidelio, op. 72: Act II, Scene I, no. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
1814 Fidelio, op. 72: Act II, Scene I, no. 13b. "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro)
1814 Fidelio, op. 72: Act II, Scene I, no. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
1814 Fidelio, op. 72: Act II, Scene I, no. 14a. "Vater Rocco!"
1814 Fidelio, op. 72: Act II, Scene I, no. 15. Duet "O namenlose Freude!" (Leonore, Florestan)
1814 Fidelio, op. 72: Act II, Scene I, no. 16a. "Du schlossest auf des Edlen Grab (Don Fernando)
1814 Fidelio, op. 72: Act II, Scene I, no. 16a. "Heil sei dem Tag" (Chorus & Soloists)
1814 Fidelio, op. 72: Act II, Scene I, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus)
1814 Fidelio, op. 72: Act II, Scene I, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Fernando)
1814 Fidelio, op. 72: Act II, Scene I, no. 16d. "O Gott! O welch ein Augenblick!" (Soloists & Chorus)
1814 Fidelio, op. 72: Act II, Scene I, no. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco)
1814 Fidelio, op. 72: Overture (1814 version, sometimes Op. 72c)
1814 Fidelio: Act II, No. 12. "Er erwacht, sagst du?" (Rocco, Leonore, Florestan)
1814 Ich bin der Herr von zu, Du bist der Herr von von, WoO 199
1814 Polonaise for Piano in C major, op. 89: Alla polacca, vivace
1814 Rural Cantata for 4 Voices accompanied by Piano, WoO 103
1814 Sonata for Piano no. 27 in E minor, op. 90
1814 Sonata for Piano no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
1814 Sonata for Piano no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen
1814 Song for Voice and Piano, WoO 143: "Des Kriegers Abschied"
1814 Song of Farewell for Tenor and 2 Basses, WoO 102
1814 – 1815 Sonata for Violin and Piano no. 10 in G major, op. 96: I. Allegro moderato additional
1814 – 1815 Sonata for Violin and Piano no. 10 in G major, op. 96: II. Adagio espressivo additional
1814 – 1815 Sonata for Violin and Piano no. 10 in G major, op. 96: III. Scherzo. Allegro additional
1814 – 1815 Sonata for Violin and Piano no. 10 in G major, op. 96: IV. Poco allegretto additional
1814 – 1815 Zur Namensfeier, op. 115
1815 "Brauchle, Linke", WoO 167
1815 "Es ist vollbracht" finale song for Bass, Chorus, and Orchestra, WoO 97 (from Treitschke's "Die Ehrenpforten")
1815 "Glück zum neuen Jahr!", WoO 165
1815 "Kurz ist der Schmerz", WoO 166
1815 Cello Sonatas nos. 4 & 5, op. 102
1815 Leonore Prohaska, WoO 96: I. Chorus of Warriors "Wir bauen und sterben"
1815 Leonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) "Es blüht eine Blume im Garten mein"
1815 Leonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend "Du, dem sie gewunden"
1815 Leonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung
1815 Leonore Prohaska, WoO. 96
1815 Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1
1815 Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: I. Andante - Allegro vivace
1815 Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: II. Adagio - Tempo d'andante - Allegro vivace
1815 Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2
1815 Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio
1815 Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto
1815 Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato
1815 Song for Voice and Piano, op. 94: "An die Hoffnung"
1815 – 1816 Sehnsucht, WoO 146
1816-06 March for Military Music in D major, WoO 24
1816 "Ars longa, vita brevis", WoO 170
1816 "Das Reden", WoO 168 No. 2
1816 "Das Schweigen", WoO 168 No. 1
1816 "Ich küsse Sie", WoO 169
1816 An die ferne Geliebte, op. 98
1816 An die ferne Geliebte, op. 98: No. 1. Auf dem Hügel sitz' ich, spähend
1816 An die ferne Geliebte, op. 98: No. 2. Wo die Berge so blau
1816 An die ferne Geliebte, op. 98: No. 3. Leichte Segler in den Höhen
1816 An die ferne Geliebte, op. 98: No. 4. Diese Wolken in den Höhen
1816 An die ferne Geliebte, op. 98: No. 5. Es kehret der Maien, es blühet die Au
1816 An die ferne Geliebte, op. 98: No. 6. Nimm sie hin denn, Diese Lieder
1816 Sonata for Piano no. 28 in A major, op. 101
1816 Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo
1816 Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia
1816 Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto
1816 Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro
1816 Sonata no. 28 in A major, op. 101 (arr. David Matthews for String Quartet)
1816 Sonata no. 28 in A major, op. 101: I. Etwas lebhaft un mit der innigsten Empfindung (arr. David Matthews for String Quartet)
1816 Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmässig (arr. David Matthews for String Quartet)
1816 Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (arr. David Matthews for String Quartet)
1816 Sonata no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu seht und mit Entschlossenheit (arr. David Matthews for String Quartet)
1816 Song for Voice and Piano, WoO 145: "Das Geheimnis"
1816 Song for Voice and Piano, WoO 147: "Ruf vom Berge"
1817-01 Musical greetings for Solo Voice(s) in A minor, WoO 205 no. 3 "O Adjutant"
1817-07 Musical greetings for Solo Voice(s) in C major, WoO 205 no. 4 "Wo? Wo?"
1817 "The Monk's Song" for 3 a cappella Male Voices from Schiller's play "William Tell", WoO 104
1817 Fugue for 2 Violins, 2 Violas, and Cello in D major, op. 137: Allegretto
1817 Prelude and Fugue, fragment for string quintet in D minor, Hess 40
1817 – 1818 Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier"
1817 – 1818 Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": I. Allegro
1817 – 1818 Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": II. Scherzo. Assai vivace
1817 – 1818 Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": III. Adagio sostenuto. Appassionato e molto con sentimento
1817 – 1818 Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": IV. Largo - Allegro risoluto
1817 – 1818 Sonata no. 29 in B-flat major, op. 106 "Hammer-Klavier" (orch. Weingartner)
1817 – 1818 Sonata no. 29 in B-flat major, op. 106 "Hammer-Klavier": I. Allegro (orch. Weingartner)
1817 – 1818 Sonata no. 29 in B-flat major, op. 106 "Hammer-Klavier": II. Scherzo. Assai vivace (orch. Weingartner)
1817 – 1818 Sonata no. 29 in B-flat major, op. 106 "Hammer-Klavier": III. Adagio sostenuto (orch. Weingartner)
1817 – 1818 Sonata no. 29 in B-flat major, op. 106 "Hammer-Klavier": IV. Largo - Allegro risoluto (orch. Weingartner)
1818 "Ich bitt' dich, schreib mir die Es-Skala auf", WoO 172
1818 Ich bin bereit..., WoO 201
1818 O Hoffnung, theme in G major, WoO 200
1818 Piece for Piano in B-flat major, WoO 60
1818 Twenty-Five Scottish Songs, op. 108: No. 1, "Music, Love and Wine"
1818 Twenty-Five Scottish Songs, op. 108: No. 2, "Sunset"
1818 Twenty-Five Scottish Songs, op. 108: No. 3, "O Sweet Were the Hours"
1818 Twenty-Five Scottish Songs, op. 108: No. 4, "The Maid of Isla"
1818 Twenty-Five Scottish Songs, op. 108: No. 5, "The Sweetest Lad Was Laimie"
1818 Twenty-Five Scottish Songs, op. 108: No. 6, "Dim, Dim Is My Eye"
1818 Twenty-Five Scottish Songs, op. 108: No. 7, "Bonnie, Laddie, Highland Laddie"
1818 Twenty-Five Scottish Songs, op. 108: No. 8, "The Lovely Lass of Inverness"
1818 Twenty-Five Scottish Songs, op. 108: No. 9, "Behold My Love How Green the Groves"
1818 Twenty-Five Scottish Songs, op. 108: No. 10, "Sympathy"
1818 Twenty-Five Scottish Songs, op. 108: No. 11, "O, Thou Art the Lad of My Heart"
1818 Twenty-Five Scottish Songs, op. 108: No. 12, "O, Had My Fate Been Join'd With Thine"
1818 Twenty-Five Scottish Songs, op. 108: No. 13, "Come Fill, Fill, My Good Fellow"
1818 Twenty-Five Scottish Songs, op. 108: No. 14, "O, How Can I Be Blithe and Glad"
1818 Twenty-Five Scottish Songs, op. 108: No. 15, "O Cruel Was My Father"
1818 Twenty-Five Scottish Songs, op. 108: No. 16, "Could This Ill World Have Been Contriv'd"
1818 Twenty-Five Scottish Songs, op. 108: No. 17, "O Mary, at Thy Window Be"
1818 Twenty-Five Scottish Songs, op. 108: No. 18, "Enchantress, Farewell"
1818 Twenty-Five Scottish Songs, op. 108: No. 19, "O Swiftly Glides the Bonny Boat"
1818 Twenty-Five Scottish Songs, op. 108: No. 20, "Faithfu' Johnie"
1818 Twenty-Five Scottish Songs, op. 108: No. 21, "Jeanie's Distress"
1818 Twenty-Five Scottish Songs, op. 108: No. 22, "The Highland Watch"
1818 Twenty-Five Scottish Songs, op. 108: No. 23, "The Shepherd's Song"
1818 Twenty-Five Scottish Songs, op. 108: No. 24, "Again, My Dyre"
1818 Twenty-Five Scottish Songs, op. 108: No. 25, "Sally in Our Alley"
1818 – 1819 National Airs with Variations for Flute and Piano, op. 105
1818 – 1819 National Airs with Variations for Flute and Piano, op. 105: 1. Air écossais, "The Cottage Maid": Tema. Andantno quasi Allegretto - Var. I-II - Var. III. Allegro - Tempo I
1818 – 1819 National Airs with Variations for Flute and Piano, op. 105: 2. Air écossais in C minor, "Von edlem Geschlecht war Shinkin": Tema. Allegretto scherzoso - Var. I-II - Var. III. Allegretto - Allegro
1818 – 1819 National Airs with Variations for Flute and Piano, op. 105: 3. Air autrichien in C major, "A Schüsserl und a Reindl": Tema. Andantino - Var. I-IV - Var. V. Adagio sostenuto, ma non troppo - Var. VI. Andante con moto
1818 – 1819 National Airs with Variations for Flute and Piano, op. 105: 4. Air écossais in E-flat major, "The Last Rose of Summer": Tema. Andante espressivo assai - Var. I-III
1818 – 1819 National Airs with Variations for Flute and Piano, op. 105: 5. Air écossais in E-flat major, "Chiling O'Guiry": Tema. Allegretto spiritoso - Var. I-II - Var. III. Allegro assai
1818 – 1819 National Airs with Variations for Flute and Piano, op. 105: 6. Air écossais in D major, "Paddy Whack": Tema. Allegretto più tosto vivace - Var. I-IV
1818 – 1820 10 National Airs with Variations, op. 107: No. 1 Air tirolien in E-flat major "l bin a Tiroler Bua": Tema. Moderato - Var. I-III - Var. IV. Allegro
1818 – 1820 10 National Airs with Variations, op. 107: No. 2 Air écossais in F major "Bonnie Laddie, Highland Laddie": Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro
1818 – 1820 10 National Airs with Variations, op. 107: No. 3 Volkslied aus Kleinrussland in G major: Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I
1818 – 1820 10 National Airs with Variations, op. 107: No. 4 Air écossais in F major "St. Patrick's Day": Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I
1818 – 1820 10 National Airs with Variations, op. 107: No. 5 Air tirolien in F major "A Madel, ja a Madel": Tema. Moderato - Var. I-II - Var. III. Maestoso - Allegro
1818 – 1820 10 National Airs with Variations, op. 107: No. 6 Air écossais in E-flat major "Peggy's Daughter": Tema. Andante commodo - Var. I-III - Var. IV. Vivace
1818 – 1820 10 National Airs with Variations, op. 107: No. 7 Air russe in A minor "Schöne Minka": Tema. Andante - Var. I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante commodo - Poco vivace
1818 – 1820 10 National Airs with Variations, op. 107: No. 8 Air écossais in D major "O Mary at they window be": Tema. Andantino quasi Allegretto - Var. I-III - Var. IV. Un poco più mosso - Allegro assai
1818 – 1820 10 National Airs with Variations, op. 107: No. 9 Air écossais in E-flat major "Oh, Thou art the Lad of my Heart": Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace
1818 – 1820 10 National Airs with Variations, op. 107: No. 10 Air écossais in G minor "The Highland Watch": Tema. Spiritoso e marziale - Var. I-II - Var. III. Più moto - Var. IV. Adagio espressivo - Var. V. Allegro
1818 – 1820 National Airs with Variations for Flute and Piano, op. 107
1819-03 Musical greetings for Solo Voice(s) in D major, WoO 205 no. 5 "Erfüllung, Erfüllung"
1819 "Alles Gute", WoO 179
1819 "Glaube und hoffe!", WoO 174
1819 "Glück zum neuen Jahr!", WoO 176
1819 "Hol' euch der Teufel! B'hüt' euch Gott!", WoO 173
1819 Eleven Viennese Dances, WoO 17 "Mödlinger Tänze"
1819 Eleven Viennese Dances, WoO 17: No. 1. Waltz
1819 Eleven Viennese Dances, WoO 17: No. 2. Minuet
1819 Eleven Viennese Dances, WoO 17: No. 3. Waltz
1819 Eleven Viennese Dances, WoO 17: No. 4. Minuet
1819 Eleven Viennese Dances, WoO 17: No. 5. Minuet
1819 Eleven Viennese Dances, WoO 17: No. 6. Ländler
1819 Eleven Viennese Dances, WoO 17: No. 7. Minuet
1819 Eleven Viennese Dances, WoO 17: No. 8. Ländler
1819 Eleven Viennese Dances, WoO 17: No. 9. Minuet
1819 Eleven Viennese Dances, WoO 17: No. 10. Waltz
1819 Eleven Viennese Dances, WoO 17: No. 11. Waltz
1819 Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Tema. Vivace
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. I. Alla marcia maestoso
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. II. Poco allegro
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. III. L'istesso tempo
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. IV. Un poco più vivace
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. IX. Allegro pesante e risoluto
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. V. Allegro vivace
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VI. Allegro ma non troppo e serioso
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VII. Un poco più allegro
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VIII. Poco vivace
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. X. Presto
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XI. Allegretto
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XII. Un poco più moto
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIII. Vivace
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIV. Grave e maestoso
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIX. Presto
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XV. Presto scherzando
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVI. Allegro
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVII. Allegro
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVIII. Poco moderato
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XX. Andante
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXI. Allegro con brio
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXII. Allegro molto
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIII. Allegro assai
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIV. Fughetta. Andante
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIX. Adagio ma non troppo
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXV. Allegro
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVI. Piacevole
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVII. Vivace
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVIII. Allegro
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXX. Andante, sempre cantabile
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXI. Largo, molto espressivo
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXII. Fuga. Allegro - Poco adagio
1819 – 1823 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXIII. Tempo di Menuetto moderato
1819 – 1823 Missa solemnis D-Dur, op. 123
1819 – 1823 Missa Solemnis D-Dur, op. 123: I. Kyrie
1819 – 1823 Missa Solemnis D-Dur, op. 123: Ia. Kyrie: Kyrie eleison
1819 – 1823 Missa Solemnis D-Dur, op. 123: Ib. Kyrie: Christe eleison
1819 – 1823 Missa Solemnis D-Dur, op. 123: Ic. Kyrie: Kyrie eleison
1819 – 1823 Missa Solemnis D-Dur, op. 123: II. Gloria
1819 – 1823 Missa solemnis D-Dur, op. 123: IIa. Gloria: Allegro vivace: Gloria in excelsis Deo
1819 – 1823 Missa solemnis D-Dur, op. 123: IIb. Gloria. Gratias agimus
1819 – 1823 Missa solemnis D-Dur, op. 123: IIc. Gloria: Allegro vivace: Qui tollis peccata mundi, miserere nobis
1819 – 1823 Missa solemnis D-Dur, op. 123: IId. Gloria: Allegro vivace: Quoniam tu solus Sanctus
1819 – 1823 Missa Solemnis D-Dur, op. 123: III. Credo
1819 – 1823 Missa solemnis D-Dur, op. 123: IIIa. Credo: Allegro ma non troppo: Credo in unum Deum
1819 – 1823 Missa solemnis D-Dur, op. 123: IIIb. Credo: Allegro ma non troppo: Et incarnatus est
1819 – 1823 Missa solemnis D-Dur, op. 123: IIIc. Credo: Allegro ma non troppo: Et resurrexit - Et ascendit in coelum
1819 – 1823 Missa Solemnis D-Dur, op. 123: IV. Sanctus
1819 – 1823 Missa solemnis D-Dur, op. 123: IVa. Sanctus: Adagio: Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth
1819 – 1823 Missa solemnis D-Dur, op. 123: IVc. Sanctus: Adagio: Praeludium
1819 – 1823 Missa Solemnis D-Dur, op. 123: V. Agnus Dei
1819 – 1823 Missa solemnis D-Dur, op. 123: Va. Agnus Dei: Adagio: Agnus Dei, qui tollis peccata mundi
1819 – 1823 Missa solemnis D-Dur, op. 123: Vb. Agnus Dei: Allegretto vivace: Dona nobis pacem
1819 – 1823 Missa solemnis D-Dur, op. 123: Vc. Agnus Dei: Allegro assai – Recit. – Tempo I – Presto – Tempo I: Agnus Dei, miserere
1819 – 1823 Missa solemnis D-Dur, op. 123: Vd. Agnus Dei: Adagio: Agnus Dei - Dona nobis pacem
1820-03 Song for Voice and Piano, WoO 130: "Gedenke mein!"
1820-03 Song for Voice and Piano, WoO 150: "Abendlied unterm gestirnten Himmel"
1820 "Hoffmann, sei ja kein Hofmann", WoO 180
1820 "Sankt Petrus war ein Fels!", WoO 175
1820 "Signor Abate!", WoO 178
1820 Canon for 6 "Bester Magistrat, Ihr friert", WoO 177
1820 Folksong for voice and piano trio, Hess 133 "Das liebe Kätzchen"
1820 Folksong for voice and piano, Hess 134 "Der Knabe auf dem Berge"
1820 Sonata for Piano no. 30 in E major, op. 109
1820 Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo
1820 Sonata for Piano no. 30 in E major, op. 109: II. Prestissimo
1820 Sonata for Piano no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo (Theme with variations)
1820 Sonata for Piano no. 30 in E major, op. 109: III. Tema. Gesangvoll, mit innigster Empfindung (Theme)
1820 Sonata for Piano no. 30 in E major, op. 109: III. Variation I. Molto espressivo
1820 Sonata for Piano no. 30 in E major, op. 109: III. Variation II. Leggiermente
1820 Sonata for Piano no. 30 in E major, op. 109: III. Variation III. Allegro vivace
1820 Sonata for Piano no. 30 in E major, op. 109: III. Variation IV. Etwas langsamer als das Thema
1820 Sonata for Piano no. 30 in E major, op. 109: III. Variation V. Allegro, ma non troppo
1820 Sonata for Piano no. 30 in E major, op. 109: III. Variation VI. Tempo I del tema (Cantabile)
1820 – 1821 Piece for Piano in C major: Little Concert Finale, Hess 65
1820 – 1822 11 Bagatelles, op. 119: No. 1 in G minor: Allegretto
1820 – 1822 11 Bagatelles, op. 119: No. 2 in C major: Andante con moto
1820 – 1822 11 Bagatelles, op. 119: No. 3 in D major: à l'Allemande
1820 – 1822 11 Bagatelles, op. 119: No. 4 in A major: Andante cantabile
1820 – 1822 11 Bagatelles, op. 119: No. 5 in C minor: Risoluto
1820 – 1822 11 Bagatelles, op. 119: No. 6 in G major: Andante - Allegretto
1820 – 1822 11 Bagatelles, op. 119: No. 7 in C major: Allegro ma non troppo
1820 – 1822 11 Bagatelles, op. 119: No. 8 in C major: Moderato
1820 – 1822 11 Bagatelles, op. 119: No. 9 in A minor: Vivace moderato
1820 – 1822 11 Bagatelles, op. 119: No. 10 in A major: Allegramente
1820 – 1822 11 Bagatelles, op. 119: No. 11 in B-flat major: Andante, ma non troppo
1821 "O Tobias!", WoO 182
1821 Allegretto for Piano in B minor, WoO 61
1821 Sonata for Piano no. 31 in A-flat major, op. 110
1821 Sonata for Piano no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo
1821 Sonata for Piano no. 31 in A-flat major, op. 110: II. Allegro molto
1821 Sonata for Piano no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro ma non troppo
1821 – 1822 Sonata for Piano no. 32 in C minor, op. 111
1821 – 1822 Sonata for Piano no. 32 in C minor, op. 111: I. Maestoso – Allegro con brio ed appassionato
1821 – 1822 Sonata for Piano no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile
1822-09 Die Weihe des Hauses, op. 124: Overture
1822 Allegretto for Piano in C minor, Hess 69 additional
1822 Allemande for Piano in A major, WoO 81 additional
1822 Die Weihe des Hauses, op. 124
1822 Die Weihe des Hauses: Chor: Wir tragen empfängliche Herzen im Busen / Arie mit Chor: Will unser Genius noch einen Wunsch
1822 Die Weihe des Hauses: No. 1 Unsichtbarer Chor. Folge dem mächtigen Ruf der Ehre!
1822 Die Weihe des Hauses: No. 2 Duett. Ohne Verschulden Knechtschaft dulden
1822 Die Weihe des Hauses: No. 3 Chor der Derwische
1822 Die Weihe des Hauses: No. 4 Marcia alla turca
1822 Die Weihe des Hauses: No. 5 Chor mit Sopran-Solo WoO 98. Wo sich die Pulse jugendlich jagen. Laßt uns im Tanze
1822 Die Weihe des Hauses: No. 6 Marsch mit Chor, op. 114 Schmückt die Altäre!
1822 Die Weihe des Hauses: No. 7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) Rezi
1822 Die Weihe des Hauses: No. 9 Chor. Heil unserm Kaiser!
1822 Die Weihe des Hauses: Rezitativ: Mit reger Freude, die nie erkaltet
1822 Duet for 2 Violins in A major, WoO 34
1822 Gratulations-Menuett, WoO 3
1822 Opferlied, op. 121b (first version, for soprano, choir and orchestra)
1822 Opferlied, op. 121b (second version, for three soloists, choir and orchestra)
1822 Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, op. 122
1822 The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) "Wo sich die Pulse jugendlich jagen" - "Laßt uns im Tanze"
1822 – 1824 Symphony no. 9 in D minor, op. 125 "Choral" (arranged by Mahler for large orchestra)
1822 – 1824 Symphony no. 9 in D minor, op. 125 "Choral", S. 464 no. 9 (for piano, Liszt)
1822 – 1824 Symphony no. 9 in D minor, op. 125 "Choral", S. 464 no. 9: I. Allegro ma non troppo, un poco maestoso (for piano, Liszt)
1822 – 1824 Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso (arranged by Mahler for large orchestra)
1822 – 1824 Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto (arranged by Mahler for large orchestra)
1822 – 1824 Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo (arranged by Mahler for large orchestra)
1822 – 1824 Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto - Allegro assai (arranged by Mahler for large orchestra)
1822 – 1824 Symphony no. 9 in D minor, op. 125 “Choral”
1822 – 1824 Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso
1822 – 1824 Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto
1822 – 1824 Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
1822 – 1824 Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai
1823-01 Song for Voice and Piano, WoO 151: "Der edle Mensche sei hülfreich und gut"
1823 "Bester Herr Graf, Sie sind ein Schaf!", WoO 183
1823 "Das Schöne zum Guten!", WoO 202
1823 "Edel sei der Mensch", WoO 185
1823 Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106
1823 – 1824 "Orange Mécanique" Symphonie No. 9
1823 – 1824 "Suicide Scherzo" - Symphony no. 9 in D minor, op. 125: II. Molto vivace (abridged)
1823 – 1824 9eme symphonie en D Mineur, op. 125 (Christian Dior)
1823 – 1824 March from A Clockwork Orange (Beethoven: Ninth Symphony: Fourth Movement, abridged)
1823 – 1824 Ninth Symphony: Second Movement (electronic version of Beethoven's Symphony no. 9 in D minor, op. 125: II)
1823 – 1824 Orange mécanique - symphonie No.9 marche
1823 – 1824 String Quartet no. 12 in E-flat major, op. 127 (orchestrated by Davis and Matthews)
1823 – 1824 String Quartet no. 12 in E-flat major, op. 127
1823 – 1824 String Quartet no. 12 in E-flat major, op. 127: I. Maestoso - Allegro
1823 – 1824 String Quartet no. 12 in E-flat major, op. 127: II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I
1823 – 1824 String Quartet no. 12 in E-flat major, op. 127: III. Scherzando. Vivace
1823 – 1824 String Quartet no. 12 in E-flat major, op. 127: IV. Allegro - Allegro comodo
1823 – 1824 Symphony no. 9 in D minor, op. 125 "Choral", S. 464 no. 9: II. Molto vivace - Presto - Da capo tutto - Coda - Presto (for piano, Liszt)
1823 – 1824 Symphony no. 9 in D minor, op. 125 "Choral", S. 464 no. 9: III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio (for piano, Liszt)
1823 – 1824 Symphony no. 9 in D minor, op. 125 "Choral", S. 464 no. 9: IV. Presto – Allegro assai "Ode to Joy" (for piano, Liszt)
1823 – 1824 Symphony no. 9 in D minor, op. 125, S. 657 "Choral" (for two pianos, Liszt)
1823 – 1824 Symphony no. 9 in D minor, op. 125, S. 657 "Choral": I. Allegro ma non troppo, un poco maestoso (for two pianos, Liszt)
1823 – 1824 Symphony no. 9 in D minor, op. 125, S. 657 "Choral": II. Molto vivace (for two pianos, Liszt)
1823 – 1824 Symphony no. 9 in D minor, op. 125, S. 657 "Choral": III. Adagio molto e cantabile — Andante moderato (for two pianos, Liszt)
1823 – 1824 Symphony no. 9 in D minor, op. 125, S. 657 "Choral": IV. Finale. Presto (for two pianos, Liszt)
1824-09 Musical greetings for Solo Voice(s) in E major, WoO 205 no. 7 "Tobias pater noster gäßler. Tobias pater noster gäßlerischer, bierhäußlerischer Musikalischer Philister!"
1824 "Schwenke dich ohne Schwänke!", WoO 187
1824 "Te solo adoro", WoO 186
1824 6 Bagatelles, op. 126: No. 1 in G major: Andante con moto cantabile e compiacevole
1824 6 Bagatelles, op. 126: No. 2 in G minor: Allegro
1824 6 Bagatelles, op. 126: No. 3 in E-flat major: Andante cantabile e grazioso
1824 6 Bagatelles, op. 126: No. 4 in B minor: Presto
1824 6 Bagatelles, op. 126: No. 5 in G major: Quasi Allegretto
1824 6 Bagatelles, op. 126: No. 6 in E-flat major: Presto - Andante amabile e con moto - Tempo
1824 Ode an die Freude
1824 Sketch for Piano in C major, Hess 57 (unfinished)
1824 Song of Fellowship for 2 Solo Voices and 3-Part Chorus accompanied by 6 Wind Instruments, op. 122 additional
1824 Waltz for Piano in E-flat major, WoO 84
1824 – 1826 String Quartet no. 15 in A minor, op. 132
1824 – 1826 String Quartet no. 15 in A minor, op. 132: I. Assai sostenuto - Allegro
1824 – 1826 String Quartet no. 15 in A minor, op. 132: II. Allegro ma non tanto
1824 – 1826 String Quartet no. 15 in A minor, op. 132: III. A Convalescent's Holy Song of Thanksgiving to the Deity, in the Lydian Mode. Molto adagio - Andante - Molto adagio - Andante - Molto adagio. Mit innigster Empfindung
1824 – 1826 String Quartet no. 15 in A minor, op. 132: IV. Alla Marcia, vivace assai - Più allegro
1824 – 1826 String Quartet no. 15 in A minor, op. 132: V. Allegro appassionato - Presto
1825-09 Musical joke, WoO 204 "Holz, Holz, geigt die Quartette so"
1825 "Ars longa, vita brevis", WoO 192
1825 "Ars longa, vita brevis", WoO 193
1825 "Das Schöne zu dem Guten!", WoO 203
1825 "Doktor sperrt das Tor dem Tod", WoO 189
1825 "Freu dich des Lebens!", WoO 195
1825 "Gott ist eine feste Burg", WoO 188
1825 "Ich war hier, Doktor, ich war hier", WoO 190
1825 "Kühl, nicht lau", WoO 191
1825 "Si non per portas, per muros", WoO 194
1825 Allegretto quasi andante for Piano, WoO 61a
1825 Canon (probably for 2 Violins) in A major, WoO 35
1825 Écossaise for Piano in E-flat major, WoO 86
1825 Große Fuge for String Quartet in B-flat major, op. 133
1825 Große Fugue, op. 133 (orchestrated by Weingartner)
1825 Waltz for Piano in D major, WoO 85
1825 – 1826 String Quartet no. 13 in B-flat major, op. 130
1825 – 1826 String Quartet no. 13 in B-flat major, op. 130: I. Adagio ma non troppo - Allegro
1825 – 1826 String Quartet no. 13 in B-flat major, op. 130: II. Presto
1825 – 1826 String Quartet no. 13 in B-flat major, op. 130: III. Andante con moto, ma non troppo
1825 – 1826 String Quartet no. 13 in B-flat major, op. 130: IV. Alla danza tedesca. Allegro assai
1825 – 1826 String Quartet no. 13 in B-flat major, op. 130: V. Cavatina. Adagio molto espressivo
1825 – 1826 String Quartet no. 13 in B-flat major, op. 130: VI. Finale. Allegro
1825 – 1826 String Quartet no. 14 in C-sharp minor, op. 131
1825 – 1826 String Quartet no. 14 in C-sharp minor, op. 131: I. Adagio, ma non troppo e molto espressivo
1825 – 1826 String Quartet no. 14 in C-sharp minor, op. 131: I. Adagio, ma non troppo e molto espressivo (catch-all for arrangements)
1825 – 1826 String Quartet no. 14 in C-sharp minor, op. 131: II. Allegro molto vivace
1825 – 1826 String Quartet no. 14 in C-sharp minor, op. 131: II. Allegro molto vivace (catch-all for arrangements)
1825 – 1826 String Quartet no. 14 in C-sharp minor, op. 131: III. Allegro moderato
1825 – 1826 String Quartet no. 14 in C-sharp minor, op. 131: III. Allegro moderato (catch-all for arrangements)
1825 – 1826 String Quartet no. 14 in C-sharp minor, op. 131: IV. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto (catch-all for arrangements)
1825 – 1826 String Quartet no. 14 in C-sharp minor, op. 131: IV. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto
1825 – 1826 String Quartet no. 14 in C-sharp minor, op. 131: V. Presto - Molto poco adagio (catch-all for arrangements)
1825 – 1826 String Quartet no. 14 in C-sharp minor, op. 131: V. Presto - Molto poco adagio
1825 – 1826 String Quartet no. 14 in C-sharp minor, op. 131: VI. Adagio quasi un poco andante
1825 – 1826 String Quartet no. 14 in C-sharp minor, op. 131: VI. Adagio quasi un poco andante (catch-all for arrangements)
1825 – 1826 String Quartet no. 14 in C-sharp minor, op. 131: VII. Allegro
1825 – 1826 String Quartet no. 14 in C-sharp minor, op. 131: VII. Allegro (catch-all for arrangements)
1826-10 Musical greetings for Solo Voice(s) in C major, WoO 205 no. 10: "Erster aller Tobiasse"
1826-11 Piece for piano in C major, WoO 62 ("Letzter musikalischer Gedanke")
1826 "Da ist das Werk", WoO 197
1826 "Es muß sein!", WoO 196
1826 "Esel aller Esel", Hess 277
1826 "Wir irren allesamt", WoO 198
1826 Große Fugue for 2 Pianos in B-flat major, op. 134
1826 String Quartet no. 16 in F major, op. 135
1826 String Quartet no. 16 in F major, op. 135: I. Allegretto
1826 String Quartet no. 16 in F major, op. 135: II. Vivace
1826 String Quartet no. 16 in F major, op. 135: III. Lento assai, e cantante tranquillo
1826 String Quartet no. 16 in F major, op. 135: IV. Grave, ma non troppo tratto - Allegro
– 1794 Cello Sonata in E-flat major, op. 64
– 1794 Cello Sonata in E-flat major, op. 64: I. Allegro con brio
– 1794 Cello Sonata in E-flat major, op. 64: II. Andante
– 1794 Cello Sonata in E-flat major, op. 64: III. Menuetto. Allegretto
– 1794 Cello Sonata in E-flat major, op. 64: IV. Adagio
– 1794 Cello Sonata in E-flat major, op. 64: V. Menuetto. Moderato
– 1794 Cello Sonata in E-flat major, op. 64: VI. Finale. Allegro
– 1794 Trio for Violin, Viola, and Cello in E-flat major, op. 3
– 1794 Trio for Violin, Viola, and Cello in E-flat major, op. 3: I. Allegro con brio
– 1794 Trio for Violin, Viola, and Cello in E-flat major, op. 3: II. Andante
– 1794 Trio for Violin, Viola, and Cello in E-flat major, op. 3: III. Menuetto. Allegretto
– 1794 Trio for Violin, Viola, and Cello in E-flat major, op. 3: IV. Adagio
– 1794 Trio for Violin, Viola, and Cello in E-flat major, op. 3: V. Menuetto. Moderato
– 1794 Trio for Violin, Viola, and Cello in E-flat major, op. 3: VI. Finale. Allegro
– 1795 Minuet for 2 Violins and Bass, WoO 9: No. 1 in E-flat major
– 1795 Minuet for 2 Violins and Bass, WoO 9: No. 2 in G major
– 1795 Minuet for 2 Violins and Bass, WoO 9: No. 3 in C major
– 1795 Minuet for 2 Violins and Bass, WoO 9: No. 4 in F major
– 1795 Minuet for 2 Violins and Bass, WoO 9: No. 5 in D major
– 1795 Minuet for 2 Violins and Bass, WoO 9: No. 6 in G major
"Ah, rammenta", WoO 99 No. 6
"E pur fra le tempeste", WoO 99 No. 3/Hess 232
"Salvo tu vuoi lo sposo", WoO 99 No. 12a
2 Marches for Military Band, WoO 18-19
2 Sonatinas for Piano, Anh. 5
2 Sonatinas for Piano, Anh.5: 1. Sonatina in G
2 Sonatinas for Piano, Anh.5: 1. Sonatina in G: I. Moderato
2 Sonatinas for Piano, Anh.5: 1. Sonatina in G: II. Romanze
2 Sonatinas for Piano, Anh.5: 2. Sonatina in F
2 Sonatinas for Piano, Anh.5: 2. Sonatina in F: I. Allegro assai
2 Sonatinas for Piano, Anh.5: 2. Sonatina in F: II. Rondo: allegro
3 Gesänge von Goethe, op. 83
3 Small Sketches for Study, Biamonti 69
5 Lieder, op. 82
5 Lieder, op. 82: I. Hoffnung
5 Lieder, op. 82: II. Liebes-Klage
5 Lieder, op. 82: III. Arietta buffa
5 Lieder, op. 82: IV. Arietta assai seriosa
5 Lieder, op. 82: V. Lebensgenuß (Duett)
5 Pieces for Mechanical Clock, WoO 33
5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred": Thema: Tempo moderato -
5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred": Variation 1
5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred": Variation 2
5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred": Variation 3
5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred": Variation 4
5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred": Variation 5
6 Bagatelles, op. 126
6 Easy Variations for Piano in G major on an Original Theme: Thema: Andante, quasi allegretto
6 Easy Variations for Piano in G major on an Original Theme: Variation 1
6 Easy Variations for Piano in G major on an Original Theme: Variation 2
6 Easy Variations for Piano in G major on an Original Theme: Variation 3
6 Easy Variations for Piano in G major on an Original Theme: Variation 4
6 Easy Variations for Piano in G major on an Original Theme: Variation 5
6 Easy Variations for Piano in G major on an Original Theme: Variation 6
6 Ecossaises in E-flat major, WoO 83: No. 1
6 Ecossaises in E-flat major, WoO 83: No. 2
6 Ecossaises in E-flat major, WoO 83: No. 3
6 Ecossaises in E-flat major, WoO 83: No. 4
6 Ecossaises in E-flat major, WoO 83: No. 5
6 Ecossaises in E-flat major, WoO 83: No. 6
6 Lieder, op. 48
6 Menuets for Orchestra WoO 10 No. 1 in C major
6 Menuets for Orchestra WoO 10 No. 3 in E-flat major
6 Menuets for Orchestra WoO 10 No. 4 in B-flat major
6 Menuets for Orchestra WoO 10 No. 5 in D major
6 Menuets for Orchestra WoO 10 No. 6 in C major
6 Minuets for 2 Violins and Bass, WoO 9
6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Thema
6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 1
6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 2
6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 3
6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 4
6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 5
6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74: Variation 6
6 Variations for Piano in F major on an Original Theme, op. 34
6 Variations on "Nel cor più non mi sento" in G major, WoO 70: Thema [Andantino]
6 Variations on "Nel cor più non mi sento" in G major, WoO 70: Variation I
6 Variations on "Nel cor più non mi sento" in G major, WoO 70: Variation II
6 Variations on "Nel cor più non mi sento" in G major, WoO 70: Variation III
6 Variations on "Nel cor più non mi sento" in G major, WoO 70: Variation IV
6 Variations on "Nel cor più non mi sento" in G major, WoO 70: Variation V
6 Variations on "Nel cor più non mi sento" in G major, WoO 70: Variation VI
7 Ländler in D major WoO 11 No. 1
7 Ländler in D major WoO 11 No. 2
7 Ländler in D major WoO 11 No. 3
7 Ländler in D major WoO 11 No. 4
7 Ländler in D major WoO 11 No. 5
7 Ländler in D major WoO 11 No. 6
7 Ländler in D major WoO 11 No. 7
7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest": Thema: Allegretto
7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest": Variation 1
7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest": Variation 2
7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest": Variation 3
7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest": Variation 4
7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest": Variation 5
7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest": Variation 6
7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest": Variation 7: Allegro - Allegro molto
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 1: Variation I
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 2: Variation II
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 3: Variation III
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 4: Variation IV
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 5: Variation V. Si prenda il tempo un poco più vivace
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 6: Variation VI. Adagio
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 7: Variation VII. Allegro ma non troppo
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante
8 Lieder, op. 52
8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Thema
8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 1
8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 2
8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 3
8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 4
8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 5
8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 6
8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 7
8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67: Variation 8
8 Variations for Piano in C major on the Romance "Une fièvre brulante" from Grétry's opera "Richard Cœur de Lion": Thema: Allegretto -
8 Variations for Piano in C major on the Romance "Une fièvre brulante" from Grétry's opera "Richard Cœur de Lion": Variation 1
8 Variations for Piano in C major on the Romance "Une fièvre brulante" from Grétry's opera "Richard Cœur de Lion": Variation 2
8 Variations for Piano in C major on the Romance "Une fièvre brulante" from Grétry's opera "Richard Cœur de Lion": Variation 3
8 Variations for Piano in C major on the Romance "Une fièvre brulante" from Grétry's opera "Richard Cœur de Lion": Variation 4
8 Variations for Piano in C major on the Romance "Une fièvre brulante" from Grétry's opera "Richard Cœur de Lion": Variation 5
8 Variations for Piano in C major on the Romance "Une fièvre brulante" from Grétry's opera "Richard Cœur de Lion": Variation 6
8 Variations for Piano in C major on the Romance "Une fièvre brulante" from Grétry's opera "Richard Cœur de Lion": Variation 7
8 Variations for Piano in C major on the Romance "Une fièvre brulante" from Grétry's opera "Richard Cœur de Lion": Variation 8: Allegro - Presto
8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II": Tema: Allegro risoluto
8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II": Variation 1
8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II": Variation 2
8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II": Variation 3
8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II": Variation 4
8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II": Variation 5
8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II": Variation 6 (Presto)
9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Thema. Maestoso
9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 1
9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 2
9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 3
9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 4
9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 5
9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 6
9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 7
9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 8
9 Variations for Piano on a March by Ernst Christoph Dressler, WoO 63: Variation 9
10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff": Thema: Andante con moto
10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff": Variation 1
10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff": Variation 2
10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff": Variation 3
10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff": Variation 4
10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff": Variation 5
10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff": Variation 6
10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff": Variation 7
10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff": Variation 8
10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff": Variation 9
10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff": Variation 10: Allegretto (alla Austriaca) - Tempo 1
10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", op. 121a: Allegretto
10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", op. 121a: Introduction
10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", op. 121a: Thema
10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", op. 121a: Variation I
10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", op. 121a: Variation II
10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", op. 121a: Variation III
10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", op. 121a: Variation IV
10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", op. 121a: Variation IX
10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", op. 121a: Variation V
10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", op. 121a: Variation VI
10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", op. 121a: Variation VII
10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", op. 121a: Variation VIII
10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", op. 121a: Variation X
11 New Bagatelles, op. 119 (arr. David Matthews for string quartet)
11 New Bagatelles, op. 119: No. 1. Allegretto (arr. David Matthews for string quartet)
11 New Bagatelles, op. 119: No. 2. Andante con moto (arr. David Matthews for string quartet)
11 New Bagatelles, op. 119: No. 3. À l’allemande (arr. David Matthews for string quartet)
11 New Bagatelles, op. 119: No. 4. Andante cantabile (arr. David Matthews for string quartet)
11 New Bagatelles, op. 119: No. 5. Risoluto (arr. David Matthews for string quartet)
11 New Bagatelles, op. 119: No. 6. Andante/Allegretto (arr. David Matthews for string quartet)
11 New Bagatelles, op. 119: No. 7. Allegro, ma non troppo (arr. David Matthews for string quartet)
11 New Bagatelles, op. 119: No. 8. Moderato cantabile (arr. David Matthews for string quartet)
11 New Bagatelles, op. 119: No. 9. Vivace moderato (arr. David Matthews for string quartet)
11 New Bagatelles, op. 119: No. 10. Allegramente (arr. David Matthews for string quartet)
11 New Bagatelles, op. 119: No. 11. Andante, ma non troppo (arr. David Matthews for string quartet)
12 Deutsche Tänze WoO 13 No. 1 in D major
12 Deutsche Tänze WoO 13 No. 2 in B-flat major
12 Deutsche Tänze WoO 13 No. 3 in G major
12 Deutsche Tänze WoO 13 No. 4 in D major
12 Deutsche Tänze WoO 13 No. 5 in F major
12 Deutsche Tänze WoO 13 No. 6 in B-flat major
12 Deutsche Tänze WoO 13 No. 7 in D major
12 Deutsche Tänze WoO 13 No. 8 in G major
12 Deutsche Tänze WoO 13 No. 9 in E-flat major
12 Deutsche Tänze WoO 13 No. 10 in C major
12 Deutsche Tänze WoO 13 No. 11 in A major
12 Deutsche Tänze WoO 13 No. 12 in D major
12 German Dances for Piano, Hess 100 (dances for orchestra WoO 8, for piano)
12 Irish Songs WoO 154: No. 1, "The Elfin Fairies"
12 Irish Songs WoO 154: No. 2, "O Harp of Erin"
12 Irish Songs WoO 154: No. 3, "The Farewell Song"
12 Irish Songs WoO 154: No. 4, "The Pulse of an Irishman"
12 Irish Songs WoO 154: No. 5, "Oh! Who, My Dear Dermot"
12 Irish Songs WoO 154: No. 6, "Put Round the Bright Wine"
12 Irish Songs WoO 154: No. 7, "From Garyone, My Happy Home"
12 Irish Songs WoO 154: No. 8, "Save Me From the Grace and Wise"
12 Irish Songs WoO 154: No. 9, "Oh! Would I Were but That Sweet Linnet!"
12 Irish Songs WoO 154: No. 10, "The Hero May Perish"
12 Irish Songs WoO 154: No. 11, "The Soldier in a Foreign Land"
12 Irish Songs WoO 154: No. 12, "He Promised Me at Parting"
12 Irish Songs, WoO 154
12 Minuets for Piano, Hess 101 (minuets for orchestra WoO 7, for piano)
12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen": Thema: Allegretto
12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen": Variation 1
12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen": Variation 2
12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen": Variation 3
12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen": Variation 4
12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen": Variation 5
12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen": Variation 6
12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen": Variation 7
12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen": Variation 8
12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen": Variation 9
12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen": Variation 10
12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen": Variation 11
12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen": Variation 12
12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Thema. Allegretto
12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 1
12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 2
12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 3
12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 4
12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 5
12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 6
12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 7
12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 8
12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 9
12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 10
12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 11
12 Variations for Piano in C major on “Menuett à la Viganò” from Hailbel’s “Le nozze disturbate”, WoO 68: Variation 12
20 Irish Songs WoO 153: No. 1 "When eve's last rays in twilight" (duet)
20 Irish Songs WoO 153: No. 2, "No Riches From His Scanty Store"
20 Irish Songs WoO 153: No. 3, "The British Light Dragoons"
20 Irish Songs WoO 153: No. 4 "Since greybeards inpourm us that youth will decay"
20 Irish Songs WoO 153: No. 5 "I dream'd I lay where flowers were springing" (duet)
20 Irish Songs WoO 153: No. 6, "Sad and Luckless Was the Season"
20 Irish Songs WoO 153: No. 7 "O soothe me, my lyre"
20 Irish Songs WoO 153: No. 8 Farewell mirth and hilarity: "Norah of Balamagairy"
20 Irish Songs WoO 153: No. 9, "The Kiss, Dear Maid, Thy Lip Has Left"
20 Irish Songs WoO 153: No. 10 "The hapless soldier" (duet)
20 Irish Songs WoO 153: No. 11, "When Far From the Home"
20 Irish Songs WoO 153: No. 12, "I'll Praise the Saints"
20 Irish Songs WoO 153: No. 13, "'Tis Sunshine at Last"
20 Irish Songs WoO 153: No. 14, "Paddy O'Rafferty"
20 Irish Songs WoO 153: No. 15 "'t is but in vain, pour nothing thrives"
20 Irish Songs WoO 153: No. 16, "O Might I but My Patrick Love"
20 Irish Songs WoO 153: No. 17 "Come, Darby dear, easy, be easy"
20 Irish Songs WoO 153: No. 18, "No More, My Mary"
20 Irish Songs WoO 153: No. 19, "Judy, Lovely, Matchless Creature"
20 Irish Songs WoO 153: No. 20 "Thy ship must sail, my Henry dear"
25 Irish Songs WoO 152
25 Irish Songs, WoO 152: No. 1, "The Return to Ulster"
25 Irish Songs, WoO 152: No. 2 "Sweet power of song" (duet)
25 Irish Songs, WoO 152: No. 3, "Once More I Hail Thee"
25 Irish Songs, WoO 152: No. 4, "The Morning Air Plays on My Face"
25 Irish Songs, WoO 152: No. 5 "On the massacre of Glencoe"
25 Irish Songs, WoO 152: No. 6 "What shall I do to shew how much I love her?" (duet)
25 Irish Songs, WoO 152: No. 7, "His Boat Comes on the Sunny Tide"
25 Irish Songs, WoO 152: No. 8 "Come draw we round a cheerful ring"
25 Irish Songs, WoO 152: No. 9, "The Soldier's Dream"
25 Irish Songs, WoO 152: No. 10 "The deserter"
25 Irish Songs, WoO 152: No. 11 "Thou emblem of faith"
25 Irish Songs, WoO 152: No. 12, "English Bulls"
25 Irish Songs, WoO 152: No. 13 "Musing on the roaring ocean"
25 Irish Songs, WoO 152: No. 14, "Dermot and Shelah"
25 Irish Songs, WoO 152: No. 15 "Let brain-spinning swains"
25 Irish Songs, WoO 152: No. 16, "Hide Not Thy Anguish"
25 Irish Songs, WoO 152: No. 17 "In vain to this desert" (duet)
25 Irish Songs, WoO 152: No. 18, "They Bid Me Slight My Dermot Dear"
25 Irish Songs, WoO 152: No. 19 "Wife, children and friends" (duet)
25 Irish Songs, WoO 152: No. 20 "Farewell bliss and farewell Nancy" (duet)
25 Irish Songs, WoO 152: No. 21 "Morning a cruel turmoiler is"
25 Irish Songs, WoO 152: No. 22, "From Garyone, My Happy Home"
25 Irish Songs, WoO 152: No. 23 "The wand'ring gypsy"
25 Irish Songs, WoO 152: No. 24 "The Traugh welcome"
25 Irish Songs, WoO 152: No. 25, "Oh Harp of Erin"
26 Welsh Songs WoO 155, No. 1, "Sion, the Son of Evan"
26 Welsh Songs WoO 155, No. 2, "The Monks of Bangor's March"
26 Welsh Songs WoO 155, No. 3, "The Cottage Maid"
26 Welsh Songs WoO 155, No. 4, "Love Without Hope"
26 Welsh Songs WoO 155, No. 5, "The Golden Robe"
26 Welsh Songs WoO 155, No. 6, "The Fair Maid of Mona"
26 Welsh Songs WoO 155, No. 7, "O Let the Night My Blushes Hide"
26 Welsh Songs WoO 155, No. 8, "Farewell, Thou Noisy Town"
26 Welsh Songs WoO 155, No. 9, "To the Aeolian Harp"
26 Welsh Songs WoO 155, No. 10, "Ned Pugh's Farewell"
26 Welsh Songs WoO 155, No. 11, "Merch Megan, or Peggy's Daughter"
26 Welsh Songs WoO 155, No. 12, "Waken, Lords and Ladies Gay"
26 Welsh Songs WoO 155, No. 13, "Helpless Woman"
26 Welsh Songs WoO 155, No. 14, "The Dream"
26 Welsh Songs WoO 155, No. 15, "When Mortals All to Rest Retire"
26 Welsh Songs WoO 155, No. 16, "The Damsels of Cardigan"
26 Welsh Songs WoO 155, No. 17, "The Dairy House"
26 Welsh Songs WoO 155, No. 18, "Sweet Richard"
26 Welsh Songs WoO 155, No. 19, "The Vale of Clwyd"
26 Welsh Songs WoO 155, No. 20, "To the Blackbird"
26 Welsh Songs WoO 155, No. 21, "Cupid's Kindness"
26 Welsh Songs WoO 155, No. 22, "Constancy"
26 Welsh Songs WoO 155, No. 23, "The Old Strain"
26 Welsh Songs WoO 155, No. 24, "Three Hundred Pounds"
26 Welsh Songs WoO 155, No. 25, "The Parting Kiss"
26 Welsh Songs WoO 155, No. 26, "Good Night"
32 Variations for Piano in C minor on an Original Theme, WoO 80: Tema. Allegretto
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 1
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 2
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 3
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 4
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 5
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 6
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 7
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 8
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 9. Espressivo
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 10
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 11
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 12. Maggiore
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 13
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 14
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 15
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 16
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 17. Minore
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 18
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 19
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 20
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 21
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 22
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 23
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 24
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 25. Leggieramente
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 26
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 27
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 28
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 29
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 30
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 31
32 Variations for Piano in C minor on an Original Theme, WoO 80: Variation 32
A Fifth of Beethoven
Abertura leonora
Adelaïde von Beethoven, S. 466 (for solo piano, Liszt, final version)
Adelaïde von Beethoven, S. 466: I. Einsam wandelt dein Freund
Adelaïde von Beethoven, S. 466: II. Einst, o Wunder!
Adelaïde, S. 466a (for solo piano, Liszt, first version)
Adélaïde, S. 466b (for solo piano, Liszt, second version)
Adieu to the Piano, Anh. 15
Alegato contra las armas
Alle Menschen san ma zwider
An die ferne Geliebte, S. 469 (for solo piano, Liszt)
An die ferne Geliebte, S. 469: No. 1. Auf dem Hügel sitz ich spähend (for solo piano, Liszt)
An die ferne Geliebte, S. 469: No. 2. Wo die Berge so blau (for solo piano, Liszt)
An die ferne Geliebte, S. 469: No. 3. Leichte Segler in den Höhen (for solo piano, Liszt)
An die ferne Geliebte, S. 469: No. 4. Diese Wolken in den Höhen (for solo piano, Liszt)
An die ferne Geliebte, S. 469: No. 5. Es kehret der Maien (for solo piano, Liszt)
An die ferne Geliebte, S. 469: No. 6. Nimm sie hin denn dieser Lieder (for solo piano, Liszt)
Andante and Variations, WoO 44b (catch-all for arrangements)
Andante for Piano in C major, Biamonti 52
Andenken, WoO 136 "Ich denke dein"
Angelic Hymns: Moonlight
Anglaise in D major, H. 61
Aria for Soprano and Orchestra, WoO 92 - "Primo Amore"
Aria for Soprano and Piano, op. 82 no. 1 in A major: Allegro moderato "Hoffnung: Dimmi ben mio - Nimmer den lieben dem Herzen"
Aria for Soprano and Strings, WoO 92a "No, non turbati"
Aria from "Die schöne Schüsterin" for Soprano and Orchestra, WoO 91 No. 2 "Soll ein Schuh nicht drücken"
Aria from "Die schöne Schüsterin" for Tenor and Orchestra, WoO 91 No. 1 "O welch ein Leben!"
Aria with Chorus in B-flat major, WoO 94 "Germania"
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (catch-all for arrangements)
Bagatelle for Piano in C major, WoO 54 “Lustig-Traurig”
Bass Solo (performed on the "Live in San Francisco" album)
Beethoven Chased by Rossini
Beethoven Riffs On
Beethovens Lieder von Goethe, S. 468
Beethovens Lieder von Goethe, S. 468: No. 1. Mignon (for solo piano, Liszt)
Beethovens Lieder von Goethe, S. 468: No. 2. Mit einem gemalten Bande (for solo piano, Liszt)
Beethovens Lieder von Goethe, S. 468: No. 3. Freudvoll und leidvoll (for solo piano, Liszt)
Beethovens Lieder von Goethe, S. 468: No. 4. Es war einmal ein König (for solo piano, Liszt)
Beethovens Lieder von Goethe, S. 468: No. 5. Wonne der Wehmut (for solo piano, Liszt)
Beethovens Lieder von Goethe, S. 468: No. 6. Die Trommel gerühret (for solo piano, Liszt)
Beethovens Septett, S. 465 (for solo piano, Liszt)
Beethovens Septett, S. 465: I. Adagio - Allegro con brio (for solo piano, Liszt)
Beethovens Septett, S. 465: II. Adagio cantabile (for solo piano, Liszt)
Beethovens Septett, S. 465: III. Tempo di menuetto (for solo piano, Liszt)
Beethovens Septett, S. 465: IV. Andante con variazioni (for solo piano, Liszt)
Beethovens Septett, S. 465: V. Scherzo: Allegro molto e vivace - Trio - Scherzo da capo (for solo piano, Liszt)
Beethovens Septett, S. 465: VI. Andante con moto alla marcia - Presto (for solo piano, Liszt)
Benedictus from Missa solemnis (for violin and orchestra, Busoni)
Cadenza for the Allegro of Mozart's Piano Concerto no. 20, WoO 58 no. 1
Cadenza for the Rondo of Mozart's Piano Concerto no. 20, WoO 58 no. 2
Canon for 2 "Ewig dein", WoO 161
Canon for 2 "Glück zum neuen Jahr", WoO 165
Canon for 2 "Rasch tritt der Tod den Menschen an", WoO 104
Canon for 2 Instruments in G major, Hess 274
Canon for 2 Male Voices and 2 Double Basses "Kühl, nicht lau", WoO 191
Canon for 2, Anglaise in D major for piano, Hess 61
Canon for 3 "Ars longa, vita brevis", WoO 192
Canon for 3 "Bester Graf, Sie sind ein Schaf", WoO 183
Canon for 3 "Edel sei der Mensch, hülfreich und gut", WoO 185
Canon for 3 "Falstafferel", WoO 184
Canon for 3 "Freundschaft ist der Quell wahrer Glückseligkeit", WoO 164
Canon for 3 "Gedenket heute an Baden", WoO 181 No. 1
Canon for 3 "Hol' euch der Teufel! B'hüt euch Gott!", WoO 173
Canon for 3 "Ich Küsse Sie", WoO 169
Canon for 3 "Kurz ist der Schmerz, und ewig ist die Freude", WoO 163
Canon for 3 "Wir irren allesamt", WoO 198
Canon for 4 "Brauchle, Linke", WoO 167
Canon for 4 "Es muss sein", WoO 196
Canon for 4 "Freu dich des Lebens", WoO 195
Canon for 4 "Gehabt euch wohl", WoO 181 No. 2
Canon for 4 "Ich bitt' dich, schreib' mir die Es-Scala auf", WoO 172
Canon for 4 "Im Arm der Liebe ruht sich's wohl", WoO 159
Canon for 4 "O Tobias!", WoO 182
Canon for 4 "Seiner Kaiserlichen Hoheit... Alles Gute, alles Schöne", WoO 179
Canon for 4 voices "Ta ta ta, lieber Mälzel", WoO 162 (spurious)
Canon for 5 "Glaube und hoffe", WoO 174
Canon in 4 parts "Glück fehl' dir vor allem", WoO 171
Canonlike movement for 4 "Auf einen, welche Hoffmann geheissen", WoO 180
Cantata on the Accession of Emperor Leopold II, WoO 88: I. Recitative & Chorus "Er schlummert, laßt sanft den großen Fürsten ruhen!" (soprano)
Cantata on the Accession of Emperor Leopold II, WoO 88: II. Aria "Fließe, Wonnezähren, fließe!" (soprano)
Cantata on the Accession of Emperor Leopold II, WoO 88: III. Recitative "Ihr staunt, Völker der Erde!" (bass)
Cantata on the Accession of Emperor Leopold II, WoO 88: IV. Recitative "Wie bebt mein Herz vor Wonne!" (tenor)
Cantata on the Accession of Emperor Leopold II, WoO 88: V. Chorus "Heil! Stürzet nieder, Millionen" (solo quartet)
Chœur des derviches tourneurs (for piano, Saint‐Saëns)
Chor auf die verbündeten Fürsten. WoO 95 "Ihr weisen Gründer"
Concerto for Violin and Orchestra in C major, WoO 5 (completed by Manén)
Concerto for Violin and Orchestra in C major, WoO 5 (fragment)
Concerto for Violin and Orchestra in C major: Allegro con brio (fragment completion: Wilfried Fischer) (candenza: Takaya Urakawa)
Concerto for Violin and Orchestra in D major, op. 61 (arr. clarinet, Pletnev)
Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo (arr. clarinet, Pletnev)
Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto (arr. clarinet, Pletnev)
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (arr. clarinet, Pletnev)
Das Geheimnis: Wo blüht das Blümchen, das nie verblüht
Die Himmel rühmen
Dig It Ludvig additional
Drei Equali WoO 30
Duet for Soprano and Tenor, op. 82 no. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verbluhen"
Duet for Soprano, Tenor and Orchestra, WoO 93 "Nei giorni tuoi felice"
Duo for clarinet & bassoon in B-flat major, WoO 27 no. 3
Duo for clarinet & bassoon in B-flat major, WoO 27 no. 3: I. Allegro sostenuto
Duo for clarinet & bassoon in B-flat major, WoO 27 no. 3: II. Aria con variazioni. Andantino con moto
Duo for clarinet & bassoon in C major, WoO 27 no. 1
Duo for clarinet & bassoon in C major, WoO 27 no. 1: I. Allegro commodo
Duo for clarinet & bassoon in C major, WoO 27 no. 1: II. Larghetto sostenuto
Duo for clarinet & bassoon in C major, WoO 27 no. 1: III. Rondo: Allegretto
Duo for clarinet & bassoon in F major, WoO 27 no. 2
Duo for clarinet & bassoon in F major, WoO 27 no. 2: I. Allegro affettuoso
Duo for clarinet & bassoon in F major, WoO 27 no. 2: II. Aria: Larghetto
Duo for clarinet & bassoon in F major, WoO 27 no. 2: III. Rondo: Allegretto moderato
Duo for Viola and Cello in E-flat major, WoO 32 "Duet with two obbligato eyeglasses"
Duo in E-flat for viola and cello: I. Allegro
Duo in E-flat for viola and cello: II. Minuetto
Ecossaise for Piano
END OF THE CENTURY additional
Erlkönig, WoO 131
Euroopa hümn
Every Little Wish
Exercise for Piano in C major, Hess 59
Fidelio, op. 72 (1814 version)
Fidelio, op. 72: Act I, Scene I, no. 1. "Der arme Jaquino dauert mich beinahe" (Marzelline)
Fidelio, op. 72: Act I, Scene I, no. 2. "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore)
Fidelio, op. 72: Act I, Scene I, no. 4. "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline)
Fidelio, op. 72: Act I, Scene II, no. 6. "Depeschen?" (Pizarro, Rocco)
Fidelio, op. 72: Act I, Scene II, no. 7b. "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco)
Fidelio, op. 72: Act I, Scene II, no. 9. "Vater Rocco, ich ersuchte Euch schon" (Leonore, Marzelline, Rocco)
Fidelio, op. 72: Act I, Scene II, no. 10. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco)
Fidelio, op. 72: Act II, Scene I, no. 11. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan)
Fidelio, op. 72: Act II, Scene I, no. 12. "Er erwacht" (Leonore, Rocco, Florestan)
Fidelio, op. 72: Act II, Scene I, no. 12. Duet "Nur hurtig fort" (Rocco, Leonore)
Fidelio, op. 72: Act II, Scene I, no. 12. Melodrama "Wie kalt ist es in diesem unterirdischen Gewölbe!" (Leonore, Rocco)
Fidelio, op. 72: Act II, Scene I, no. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro)
Fidelio, op. 72: Act II, Scene I, no. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco)
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco)
Fidelio, op. 72: Act II, Scene I, no. 16. "Du schlossest auf des Edlen Grab (Don Fernando, Leonore, Florestan, Marzelline, Rocco, Chor, Jaquino)
Fidelio, op. 72: Act II, Scene I, no. 16. "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Leonore, Marzelline)
Fidelio, op. 72: Akt I
Fidelio, op. 72: Akt II
Fidelio: Act I, No. 1. "Der arme Jaquino!" (Marzeline)
Fidelio: Act I, No. 3. "Marzelline, ist Fidelio noch nicht zurückgekommen?" (Rocco, Mazeline, Leonore)
Fidelio: Act I, No. 3. Quartet "Mir ist so wunderbar" (Mazeline, Leonore, Rocco, Jaquino)
Fidelio: Act I, No. 4. Aria "Höre, Fidelio!" (Rocco, Marzeline. Leonore)
Fidelio: Act I, No. 5. "Ihr könnt das leicht sagen" (Leonore, Rocco, Mrzeline)
Fidelio: Act I, No. 6. "Hauptmann! drei Schildwachen auf den Wall!" (Pizzarro, Rocco)
Fidelio: Act I, No. 7. "Hauptmann! Besteigen Sie mit einem Trompeter" (Pizzarro, Rocco)
Fidelio: Act I, No. 9. "Aber Marzelline..." (Jaquino, Marzeline, Rocco, Leonore)
Fidelio: Act I, No. 10. "Leb' wohl, du warmes Sonnenlicht" (Geganfenen, Marzeline, Leonore, Jaquino, Pizarro, Rocco)
Fidelio: Act I. "Ach! Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro)
Fidelio: Act I. "Leb'wohl, du warmes Sonnenlicht" (Prisoners, Marzelline, Leonore, Pizarro, Jaquino, Rocco)
Fidelio: Act I. Aria. "Komm Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco)
Fidelio: Act I. No. 9 Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore, Marzelline)
Fidelio: Act I. No. 10 Finale "O welche Lust" (Prisoners)
Fidelio: Act I. Recitative and Duet "Nun sprecht, wie ging's?" (Leonore, Rocco)
Fidelio: Act II, No. 11. Recitative and Aria "Gott! Welch Dunkel hier!" (Florestan)
Fidelio: Act II, No. 12. Melodrama and Duet "Wie kalt ist es in diesem unterirdischen Gewölbe!" (Leonore, Rocco)
Fidelio: Act II, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
Fidelio: Act II, No. 14. "Vater, Rocco" (Jaquino, Rocco, Leonore, Florestan, Pizarro)
Fidelio: Act II, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
Fidelio: Act II, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan)
Fidelio: Act II, No. 16. Finale "Heil sei dem Tag" (Chor der Gefangenen und des Volkes, Fernando, Rocco, Pizarro, Leonore, Marzeline, Jaquino)
Fidelio: Act II. "Des besten Königs Wink und Wille" (Fernando, People, Prisoners, Rocco, Pizarro, Marzelline)
Fidelio: Act II. "In des Lebens Frühlingstagen" (Florestan)
Fidelio: Act II. "Wer ein holdes Weib errungen" (Chorus, Leonore, Florestan)
Fidelio: Act II. No. 11 Recitative and Aria "Gott! Welch'dunkel hier!" (Florestan)
Fidelio: Act II. No. 16 Finale "Heil sei dem Tag!" (People)
Fidelio: Akt I. "Ach wär ich schon"
Fidelio: I Akt. "Komm Hoffnung"
Finale from Symphony no. 5 (arr. Woodhouse)
For Lisa
Geistliche Lieder, S. 467 (for solo piano, Liszt)
Geistliche Lieder, S. 467: No. 1. Gottes Macht und Vorsehung (for solo piano, Liszt)
Geistliche Lieder, S. 467: No. 2. Bitten (for solo piano, Liszt)
Geistliche Lieder, S. 467: No. 3. Busslied (for solo piano, Liszt)
Geistliche Lieder, S. 467: No. 4. Vom Tode (for solo piano, Liszt)
Geistliche Lieder, S. 467: No. 5. Die Liebe des Nachsten (for solo piano, Liszt)
Geistliche Lieder, S. 467: No. 6. Die Ehre Gottes aus der Natur (for solo piano, Liszt)
German Dances Rondo
German Dances: Rondo (arr. Knabl)
Große Fugue, op. 133 (catch-all for all orchestrations)
Guds lov i naturen
Himno a la alegría
Hymn to Joy
In questa tomba oscura, WoO 133 (orchestrated by Faris)
Instrumental Canon for 2 in A-flat major, Hess 275
Introduction
Joke or Riddle, canon for 4 "Das ist das Werk, sorgt um das Geld!", WoO 197
Joy!
Joyful Joyful
Joyful Joyful, We Adore Thee (Ode To Joy)
Kuihtuu ruusu kauneinkin
La Pince à linge
March for piano (after WoO 29), Hess 87
Marche funèbre de la Symphonie héroïque de Beethoven, S. 463e
Marche turque des Ruines d'Athènes, S. 388a (for piano, arr. Liszt)
Mehrstimmige italienische Gesänge, WoO 99: Bei labbri che amore (Soprano, Tenor)
Mehrstimmige italienische Gesänge, WoO 99: Chi mai di questo (Soprano, Tenor, Bass)
Mehrstimmige italienische Gesänge, WoO 99: E pur fra le tempeste (Tenor, Piano)
Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor, Bass)
Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Soprano, Alto, Tenor)
Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene I (Tenor, Bass)
Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor, Bass)
Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Soprano, Alto, Tenor)
Mehrstimmige italienische Gesänge, WoO 99: Fra tutte le pene II (Tenor, Bass)
Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Alto, Tenor, Bass)
Mehrstimmige italienische Gesänge, WoO 99: Gia la notte (Soprano, Alto, Tenor, Bass)
Mehrstimmige italienische Gesänge, WoO 99: Giura il nocchier (Soprano, Alto, Bass)
Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in B-flat major (Soprano, Alto, Tenor, Bass)
Mehrstimmige italienische Gesänge, WoO 99: Guira il nocchier, in C major (Soprano, Alto, Tenor, Bass)
Mehrstimmige italienische Gesänge, WoO 99: Ma tu tremi (Soprano, Alto, Tenor)
Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve I (Soprano, Alto, Tenor, Bass)
Mehrstimmige italienische Gesänge, WoO 99: Nei Campi e nelle selve II (Soprano, Alto, Tenor, Bass)
Mehrstimmige italienische Gesänge, WoO 99: Per te d'amico aprile (Soprano, Alto, Bass)
Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei (Soprano, Tenor, Bass)
Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in F major (Soprano, Alto, Tenor, Bass)
Mehrstimmige italienische Gesänge, WoO 99: Quella cetra ah pur tu sei, in G major (Soprano, Alto, Tenor, Bass)
Mehrstimmige italienische Gesänge, WoO 99: Salvo tu voi lo sposo? (Soprano, Tenor)
Mehrstimmige italienische Gesänge, WoO 99: Scrivo in te (Soprano, Tenor)
Mehrstimmige italienische Gesänge, WoO 99: Sei mio ben (Soprano, Tenor)
Menuet en sol mineur
Minuet for Piano in C major, Biamonti 74
Minuet for Piano in F major, Biamonti 66
Minuet in G major, WoO 10 no. 2 (for strings)
Minuet in G major, WoO 10 no. 2 (catch-all for arrangements)
Minueto em sol maior
Minuetto de la 7ème sonate de Beethoven
Missa solemnis D-Dur, op. 123: IIe. Gloria: Allegro vivace: In gloria Dei Patris. Amen
Missa solemnis D-Dur, op. 123: IIf. Gloria: Allegro vivace: Amen, Amen, in gloria Dei Petris / Quoniam tu solus Sanctus
Missa solemnis D-Dur, op. 123: IIId. Credo: Allegro ma non troppo: Et vitam venturi saeculi
Missa solemnis D-Dur, op. 123: IIIe. Credo: Allegro ma non troppo: Amen, et vitam venturi saeculi. Amen
Missa solemnis D-Dur, op. 123: IVb. Sanctus: Adagio: Pleni sunt coeli et terra
Missa solemnis D-Dur, op. 123: IVd. Sanctus: Adagio: Benedictus, qui venit in nomine Domini
Moonlight (The Piano Guys)
Mu palve tõusku
Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Coda
Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Deutscher Gesang
Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Jagdlied
Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Kriegslied
Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): March
Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Minnelied
Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Tanzlied
Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Trinklied
Musical greetings for Solo Voice(s) in C major, WoO 205 no. 2 "Allein, allein, allein, jedoch. Silentium!"
Musical greetings for Solo Voice(s) in C major, WoO 205 no. 9 "Bester Tobias"
Musical greetings for Solo Voice(s) in D major, WoO 205 no. 8 "Tobias Tobias"
Musical greetings for Solo Voice(s) in F major, WoO 205 no. 6 "Scheut euch nicht"
Musical Joke "Herr Graf, ich komme zu fragen", Hess 276
Musical joke for three voices and choir "Esel aller Esel, hi ha", Hess 277
Notturno, op. 42: I. Marcia
Notturno, op. 42: II. Adagio
Notturno, op. 42: III. Menuetto
Notturno, op. 42: IV. Adagio - Scherzo
Notturno, op. 42: V. Allegretto alla Polacca
Notturno, op. 42: VI. Andante quasi Allegretto
Notturno, op. 42: VII. Marcia
Oh Sweet Were the Hours
Opus 132
Ouvertüre zu "Egmont" (arr. Posch for band)
Piano Sonata in D major no. 15 Opus 28 - Largo Appassionata
Piano Trio in E-flat major, Hess 47: Allegro con brio
Piano Trio in E-flat major, op. 63
Piano Trio in E-flat major, op. 63: Allegro con brio
Piano Trio in E-flat major, op. 63: Andante
Piano Trio in E-flat major, op. 63: Finale: Presto
Piano Trio in E-flat major, op. 63: Menuetto & Trio
Piano Trios nos. 5 & 6, op. 70
Piece for piano in A major (Kafka Miscellany, folio 41v)
Piece for piano in A major (Kafka Miscellany, folio 47v)
Piece for piano in A major (Kafka Miscellany, folio 160r)
Piece for piano in C major (Kafka Miscellany, folio 119v)
Piece for piano in G major (Fischhof Miscellany, folio 53v)
Prestissimo in C minor (original finale of sonata, op. 10 no. 1)
Quartet for 2 Violins, Viola, Cello no. 4 in C minor, op. 18 no. 4 (arr. H. Ulrich and R. Wittmann for piano duet)
Quartet for 2 Violins, Viola, Cello no. 4 in C minor, op. 18 no. 4: I. Allegro ma non tanto (arr. H. Ulrich and R. Wittmann for piano duet)
Quartet for 2 Violins, Viola, Cello no. 4 in C minor, op. 18 no. 4: II. Andante scherzoso quasi allegretto (arr. H. Ulrich and R. Wittmann for piano duet)
Quartet for 2 Violins, Viola, Cello no. 4 in C minor, op. 18 no. 4: III. Menuetto. Allegretto (arr. H. Ulrich and R. Wittmann for piano duet)
Quartet for 2 Violins, Viola, Cello no. 4 in C minor, op. 18 no. 4: IV. Allegro - Prestissimo (arr. H. Ulrich and R. Wittmann for piano duet)
Quartet for 2 Violins, Viola, Cello no. 6 in B-flat major, op. 18 no. 6 (arr. H. Ulrich and R. Wittmann for piano duet)
Quartet for 2 Violins, Viola, Cello no. 6 in B-flat major, op. 18 no. 6: I. Allegro con brio (arr. H. Ulrich and R. Wittmann for piano duet)
Quartet for 2 Violins, Viola, Cello no. 6 in B-flat major, op. 18 no. 6: II. Adagio ma non troppo (arr. H. Ulrich and R. Wittmann for piano duet)
Quartet for 2 Violins, Viola, Cello no. 6 in B-flat major, op. 18 no. 6: III. Scherzo. Allegro (arr. H. Ulrich and R. Wittmann for piano duet)
Quartet for 2 Violins, Viola, Cello no. 6 in B-flat major, op. 18 no. 6: IV. Adagio "La malinconia" - Allegretto quasi allegro (arr. H. Ulrich and R. Wittmann for piano duet)
Quintet for 2 Violins, 2 Violas, and Cello in E-flat major, op. 4 (arranged for bassoon, clarinet and strings): I. Allegro con brio
Quintet for 2 Violins, 2 Violas, and Cello in E-flat major, op. 4 (arranged for bassoon, clarinet and strings): II. Andante
Quintet for 2 Violins, 2 Violas, and Cello in E-flat major, op. 4 (arranged for bassoon, clarinet and strings): III. Menuetto. Più allegretto
Quintet for 2 Violins, 2 Violas, and Cello in E-flat major, op. 4 (arranged for bassoon, clarinet and strings): IV. Presto
Quintet for Piano and String Trio in E-flat major, op. 16
Quintet in E-flat major for three horns, oboe, and bassoon, Hess 19
Quintet in E-flat major for three horns, oboe, and bassoon, Hess 19: I. Allegro
Quintet in E-flat major for three horns, oboe, and bassoon, Hess 19: II. Adagio maestoso
Quintet in E-flat major for three horns, oboe, and bassoon, Hess 19: III. Menuetto. Allegretto
Riddle Canon "Das Schweigen: «Lerne schweigen, o Freund»", WoO 168 No. 1
Riddle Canon for 2 "Auf einen, welcher Schwenke geheissen: «Schwenke dich ohne»", WoO 187
Riddle Canon for 2 "Gott ist eine feste Burg", WoO 188
Riddle Canon for 2 "Languisco e moro", Hess 229
Riddle Canon for 2 "Sankt Petrus war ein Fels" "Bernardus war ein Sankt", WoO 175
Riddle Canon for 2 "Signor abate", WoO 178
Riddle Canon for 3 "Das Reden: «Rede, wenn's um einen Freund dir gilt»", WoO 168 No. 2
Riddle Canon for 4 "Tugend ist kein leerer Name", WoO 181 No. 3
Romance
Romance for Violin and Orchestra no. 1 in G major, op. 40 (catch-all for arrangements)
Rondo
Rondo a capriccio, op. 129 "Die Wut über den verlorenen Groschen" (orch. Erwin Schulhoff)
Rondo in B-flat major, Kinsky-Halm Anh. 6
Scherzo for piano (after Piano Trio, op. 1/2), Hess 98
Septet in E-flat major, op. 20: I. Adagio - Allegro con brio (orchestrated by Toscanini)
Septet in E-flat major, op. 20: II. Adagio cantabile (orchestrated by Toscanini)
Septet in E-flat major, op. 20: III. Tempo di menuetto (orchestrated by Toscanini)
Septet in E-flat major, op. 20: IV. Tema con variazioni: Andante (orchestrated by Toscanini)
Septet in E-flat major, op. 20: V. Scherzo: Allegro molto e vivace (orchestrated by Toscanini)
Septet in E-flat major, op. 20: VI. Andante con molto alla Marcia - Presto (orchestrated by Toscanini)
Serenade in the Moonshine additional
Seufzer eines Ungeliebten und Gegenliebe, WoO 118
Seven 3-part simple fugues in strict counterpoint, Hess 237
Seven British Folksongs, WoO 158/b
Seven British Folksongs, WoO 158/b, "Adieu, My Lov'd Harp"
Seven British Folksongs, WoO 158/b, "Castle O'Neill"
Seven British Folksongs, WoO 158/b, "Erin! O Erin!"
Seven British Folksongs, WoO 158/b, "Lament for Owen Roe O'Neill"
Seven British Folksongs, WoO 158/b, "O Mary, ye's be clad in silk"
Seven British Folksongs, WoO 158/b, "Oh, Ono Chrio (O Was Not I a Weary Wight!)"
Seven British Folksongs, WoO 158/b, "Red Gleam The Sun on Yon Hill Tab"
Six Assorted Folksongs, WoO 158/c, "Air de Colin (Non, non, Colette n'est point trompeuse)"
Six Assorted Folksongs, WoO 158/c, "Bonnie Wee Thing"
Six Assorted Folksongs, WoO 158/c, "From thee, Eliza, I must go"
Six Assorted Folksongs, WoO 158/c, "Mark Yonder Pomp of Costly Fashion"
Six Assorted Folksongs, WoO 158/c, "untitled"
Six Assorted Folksongs, WoO 158/c, "When my Hero in Court Appears"
Small Menuet for piano in D major (Kafka Miscellany 39r)
Sonata claro de luna (fragmento)
Sonata for Cello and Piano in F major, op. 17
Sonata for Cello and Piano in F major, op. 17: I. Allegro moderato
Sonata for Cello and Piano in F major, op. 17: II. Poco adagio, quasi andante
Sonata for Cello and Piano in F major, op. 17: III. Rondo. Allegro moderato
Sonata for Horn and Piano in F major, op. 17 (for basset horn and fortepiano, arr. Friedlowsky)
Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile (catch all for arrangements)
Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazioni: Andante
Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazioni: Variation 1
Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazioni: Variation 2
Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazioni: Variation 3
Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazioni: Variation 4
Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazioni: Variation 5
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (catch-all for arrangements)
Sonata in A minor
Sonatina, WoO 44 no. 1
Song for the Monks from Schiller's "William Tell": "Ich war hier, Doktor, ich war hier", WoO 190
Song for Voice and Piano in F major, op. 100 "Merkenstein: Merkenstein! Wo ich wandle denk ich dein": Massig, jedoch nicht schleppend
Song for Voice and Piano in G major, op. 99 "Der Mann von Wort: sagtest, Freund, an diesen Ort komm ich zurück"
Song for Voice and Piano, Hess 151: "Traute Henriette"
Song for Voice and Piano, op. 52 no. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise tut"
Song for Voice and Piano, op. 52 no. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust"
Song for Voice and Piano, op. 52 no. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann"
Song for Voice and Piano, WoO 109: "Trinklied"
Song for Voice and Piano, WoO 110: "Elegie auf den Tod eines Pudels"
Song for Voice and Piano, WoO 111: "Punschlied, Scherzlieder"
Song for Voice and Piano, WoO 115: "An Minna"
Song for Voice and Piano, WoO 120: "Man strebt die Flamme zu verhehlen"
Song for Voice and Piano, WoO 126: "Opferlied"
Song for Voice and Piano, WoO 127: "Neue Liebe, neues Leben" (J.W. von Goethe)
Song for Voice and Piano, WoO 135: "Die laute Klage"
Song for Voice and Piano, WoO 139: "Der Liebende" (Reissig)
Song for Voice and Piano, WoO 140: "An die Geliebte" (1st version)
Song for Voice and Piano, WoO 140: "An die Geliebte" (2nd version)
Song for Voice and Piano, WoO 141: "Der Gesang der Nachtigall" (J.G. Herder)
Song for Voice and Piano, WoO 142: "Der Bardengeist" (F.R. Hermann)
Song for Voice and Piano, WoO 144: "Merkenstein"
Song for Voice and Piano, WoO 148: "So oder so"
Song for Voice and Piano, WoO 149 "Resignation"
Song for Voice, monodical Chorus and Piano, WoO 117: "Der freie Mann"
Song of Brotherhood
Songs of Different Peoples, WoO 158/1, No. 1, "Ridder Stings Runer (Denmark)"
Songs of Different Peoples, WoO 158/1, No. 4, "Wann I in Der Früh Aufsteh (Tyrol)"
Songs of Different Peoples, WoO 158/1, No. 7, "Wer Solche Buema Afipackt (Tyrol)"
Songs of Different Peoples, WoO 158/1, No. 8, "Ih Mag Di Nit Nehma, Du Töppeter Hecht (Tyrol)"
Songs of Different Peoples, WoO 158/1, No. 9, "Oj, Oj Upilem Sie W Karczmie (Poland)"
Songs of Different Peoples, WoO 158/1, No. 10, "Poszla Baba Po Popiol (Poland)"
Songs of Different Peoples, WoO 158/1, No. 12, "Seus Lindos Olhos (Portugal)"
Songs of Different Peoples, WoO 158/1, No. 13, "Im Walde Sind Viele Mücklein Geboren (Russia)"
Songs of Different Peoples, WoO 158/1, No. 14, "Ach Bächlein, Bächlein, Kühle Wasser (Russia)"
Songs of Different Peoples, WoO 158/1, No. 15, "Unsere Mädchen Gingen in Den Wald (Russia)"
Songs of Different Peoples, WoO 158/1, No. 17, "Vaggvisa (Sweeden)"
Songs of Different Peoples, WoO 158/1, No. 18, "Un Ä Bergli Bin I Gesässe (Switzerland)"
Songs of Different Peoples, WoO 158/1, No. 20, "Bolero a Due - Como La Mariposa (Spain)"
Songs of Different Peoples, WoO 158/1, No. 22, "Magyar Szüretölö Ënek (Hungary)"
Songs of Different Peoples, WoO 158/1, No. 24, "Air De Colin, Le Devin Du Village"
Songs of Different Peoples, WoO 158/1, No. 27, "Air Français (France)"
String Quartet no. 1 in F major, op. 18 no. 1 (arr. H. Ulrich and R. Wittmann for piano duet)
String Quartet no. 1 in F major, op. 18 no. 1: I. Allegro con brio (arr. H. Ulrich and R. Wittmann for piano duet)
String Quartet no. 1 in F major, op. 18 no. 1: II. Adagio affettuoso ed appassionato (arr. H. Ulrich and R. Wittmann for piano duet)
String Quartet no. 1 in F major, op. 18 no. 1: III. Scherzo. Allegro molto (arr. H. Ulrich and R. Wittmann for piano duet)
String Quartet no. 1 in F major, op. 18 no. 1: IV. Allegro (arr. H. Ulrich and R. Wittmann for piano duet)
String Quartet no. 8 in E minor, op. 59 no. 2: III. Allegretto (for piano solo, Balakirev)
String Quartet no. 13 in B-flat major, op. 130: V. Cavatina (for piano solo, Alkan)
String Quartet no. 13 in B-flat major, op. 130: V. Cavatina (for piano solo, Balakirev)
String Quintet in C minor, op. 104
String Quintet in C minor, op. 104: I. Allegro con brio
String Quintet in C minor, op. 104: II. Andante cantabile, con variazioni
String Quintet in C minor, op. 104: III. Menuetto: Quasi allegro
String Quintet in C minor, op. 104: IV. Prestissimo
String Quintet in E-flat major, op. 4
String Quintet in E-flat major, op. 4: I. Allegro con brio
String Quintet in E-flat major, op. 4: II. Andante
String Quintet in E-flat major, op. 4: III. Menuetto più Allegretto – Trio
String Quintet in E-flat major, op. 4: IV. Presto
Svētā nakts, ak izlej tu
Symphony no. 1 in C major, op. 21, S. 464 no. 1 (for piano solo, Liszt)
Symphony no. 1 in C major, op. 21, S. 464 no. 1: I. Adagio molto - Allegro con brio (for piano solo, Liszt)
Symphony no. 1 in C major, op. 21, S. 464 no. 1: II. Andante cantabile con moto (for piano solo, Liszt)
Symphony no. 1 in C major, op. 21, S. 464 no. 1: III. Menuetto. Allegro molto e vivace - Trio - Menuetto da capo (for piano solo, Liszt)
Symphony no. 1 in C major, op. 21, S. 464 no. 1: IV. Adagio - Allegro molto e vivace (for piano solo, Liszt)
Symphony no. 2 in C minor
Symphony no. 2 in D major, op. 36, S. 464 no. 2 (for piano solo, Liszt)
Symphony no. 2 in D major, op. 36, S. 464 no. 2: I. Adagio molto - Allegro con brio (for piano solo, Liszt)
Symphony no. 2 in D major, op. 36, S. 464 no. 2: II. Larghetto (for piano solo, Liszt)
Symphony no. 2 in D major, op. 36, S. 464 no. 2: III. Scherzo. Allegro - Trio - Scherzo da capo (for piano solo, Liszt)
Symphony no. 2 in D major, op. 36, S. 464 no. 2: IV. Allegro molto (for piano solo, Liszt)
Symphony no. 3 in E-flat major, op. 55 "Eroica", S. 464 no. 3 (for piano solo, Liszt)
Symphony no. 3 in E-flat major, op. 55 "Eroica", S. 464 no. 3: I. Allegro con brio (for piano solo, Liszt)
Symphony no. 3 in E-flat major, op. 55 "Eroica", S. 464 no. 3: II. Marcia funebre. Adagio assai (for piano solo, Liszt)
Symphony no. 3 in E-flat major, op. 55 "Eroica", S. 464 no. 3: III. Scherzo. Allegro vivace - Trio (- Scherzo) (for piano solo, Liszt)
Symphony no. 3 in E-flat major, op. 55 "Eroica", S. 464 no. 3: IV. Finale. Allegro molto - Poco andante - Presto (for piano solo, Liszt)
Symphony no. 4 in B-flat major, op. 60, S. 464 no. 4 (for piano solo, Liszt)
Symphony no. 4 in B-flat major, op. 60, S. 464 no. 4: I. Adagio - Allegro vivace (for piano solo, Liszt)
Symphony no. 4 in B-flat major, op. 60, S. 464 no. 4: II. Adagio (for piano solo, Liszt)
Symphony no. 4 in B-flat major, op. 60, S. 464 no. 4: III. Allegro vivace (for piano solo, Liszt)
Symphony no. 4 in B-flat major, op. 60, S. 464 no. 4: IV. Allegro ma non troppo (for piano solo, Liszt)
Symphony no. 5 in C minor, op. 67 (for brass, Frackenpohl)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (for brass, Frackenpohl)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (catch all for arrangements)
Symphony no. 5 in C minor, op. 67: II. Andante con moto (for brass, Frackenpohl)
Symphony no. 5 in C minor, op. 67: III. Allegro (for brass, Frackenpohl)
Symphony no. 5 in C minor, op. 67: IV. Allegro (for brass, Frackenpohl)
Symphony no. 5 in C minor, S. 463a (for piano solo, Liszt)
Symphony no. 5 in C minor, S. 463a: I. Allegro con brio (for piano solo, Liszt)
Symphony no. 5 in C minor, S. 463a: II. Andante con moto (- Più mosso - Tempo I) (for piano solo, Liszt)
Symphony no. 5 in C minor, S. 463a: III. Scherzo (- Trio - Scherzo - Trio - Scherzo) (for piano solo, Liszt)
Symphony no. 5 in C minor, S. 463a: IV. Allegro - Tempo I. Scherzo - Allegro - Presto (for piano solo, Liszt)
Symphony no. 6 in F major, op. 68 "Pastoral", S. 464 no. 6 (for piano solo, Liszt)
Symphony no. 6 in F major, op. 68 "Pastoral", S. 464 no. 6: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo (for piano solo, Liszt)
Symphony no. 6 in F major, op. 68 "Pastoral", S. 464 no. 6: II. Szene am Bach. Andante molto moto (for piano solo, Liszt)
Symphony no. 6 in F major, op. 68 "Pastoral", S. 464 no. 6: III. Lustiges Zusammensein der Landleute. Allegro 3/4 - Allegro 2/4 - Da capo tutto - Tempo I (for piano solo, Liszt)
Symphony no. 6 in F major, op. 68 "Pastoral", S. 464 no. 6: IV. Donner - Sturm. Allegro (for piano solo, Liszt)
Symphony no. 6 in F major, op. 68 "Pastoral", S. 464 no. 6: V. Hirtengesang "Frohe dankbare Gefühle nach dem Sturm". Allegretto (for piano solo, Liszt)
Symphony no. 6 in F major, op. 68 "Pastorale" (for string sextet, M.G. Fischer)
Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country" (for string sextet, M.G. Fischer)
Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" (for string sextet, M.G. Fischer)
Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro "Happy gathering of country folk" (for string sextet, M.G. Fischer)
Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro "Thunderstorm" (for string sextet, M.G. Fischer)
Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm" (for string sextet, M.G. Fischer)
Symphony no. 6 in F major, S. 463b "Pastorale" (for piano solo, Liszt)
Symphony no. 6 in F major, S. 463b "Pastorale": I. Exposition des sentimens à l'aspect des campagnes riantes. Allegro ma non troppo (for piano solo, Liszt)
Symphony no. 6 in F major, S. 463b "Pastorale": II. Scène au bord du ruisseau. Andante molto moto (for piano solo, Liszt)
Symphony no. 6 in F major, S. 463b "Pastorale": III. Scherzo. Lustige Zusammensein der Landleute - Allegro - Allegro - Da capo, tutto - Tempo I (for piano solo, Liszt)
Symphony no. 6 in F major, S. 463b "Pastorale": IV. Grande tempête. Allegro (for piano solo, Liszt)
Symphony no. 6 in F major, S. 463b "Pastorale": V. Sentiments de joie et de reconnaissance après la tempête. Allegretto (for piano solo, Liszt)
Symphony no. 6 in F major, S. 463c "Pastorale" (for piano solo, Liszt)
Symphony no. 6 in F major, S. 463c "Pastorale": V. Hirtengesang "Frohe, dankbare Gefühle nach dem Sturm". Allegretto (for piano solo, Liszt)
Symphony no. 7 in A major, op. 92 (catch-all for arrangements)
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace (catch-all for arrangements)
Symphony no. 7 in A major, op. 92: II. Allegretto (catch-all for arrangements)
Symphony no. 7 in A major, op. 92: III. Presto (catch-all for arrangements)
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (catch-all for arrangements)
Symphony no. 8 in F major, op. 93, S. 464 no. 8 (for piano solo, Liszt)
Symphony no. 8 in F major, op. 93, S. 464 no. 8: I. Allegro vivace e con brio (for piano solo, Liszt)
Symphony no. 8 in F major, op. 93, S. 464 no. 8: II. Allegretto scherzando (for piano solo, Liszt)
Symphony no. 8 in F major, op. 93, S. 464 no. 8: III. Tempo di menuetto (- Trio - Menuetto) (for piano solo, Liszt)
Symphony no. 8 in F major, op. 93, S. 464 no. 8: IV. Allegro vivace (for piano solo, Liszt)
Symphony no. 10 in E-flat major: I. Andante - Allegro - Andante
Tā debess izteic
Take the 5th
The 5th
The Anthem of Europe
The Silent League
This Is the End (Beethoven’s “Symphony no. 5”)
Three duos for clarinet & bassoon, WoO 27
Tout l'amour (que j'ai pour toi)
Tout l’amour (Passion Flower)
Trio no. 2 for Clarinet, Bassoon and Piano: I. Allegro
Triple Concerto
Tuppars tungor
Turkish March from Beethoven's "The Ruins of Athens" (for piano, arr. Rubinstein)
Twelve Scottish Folksongs, WoO 156
Twelve Scottish Folksongs, WoO 156: No. 1, "The Banner of Buccleuch"
Twelve Scottish Folksongs, WoO 156: No. 2, "Duncan Cray"
Twelve Scottish Folksongs, WoO 156: No. 3, "Up! Quit Thy Bower"
Twelve Scottish Folksongs, WoO 156: No. 4, "Ye Shepherds of This Pleasant Vale"
Twelve Scottish Folksongs, WoO 156: No. 5, "Cease Your Funning"
Twelve Scottish Folksongs, WoO 156: No. 6, "Highland Harry"
Twelve Scottish Folksongs, WoO 156: No. 7, "Polly Stewart"
Twelve Scottish Folksongs, WoO 156: No. 8, "Womankind"
Twelve Scottish Folksongs, WoO 156: No. 9, "Lochnagar"
Twelve Scottish Folksongs, WoO 156: No. 10, "Glencoe"
Twelve Scottish Folksongs, WoO 156: No. 11, "Auld Lang Syne"
Twelve Scottish Folksongs, WoO 156: No. 12, "The Quaker's Wife"
Twelve Various Folksongs, WoO 157: No. 1, "God Save the King"
Twelve Various Folksongs, WoO 157: No. 2, "The Soldier"
Twelve Various Folksongs, WoO 157: No. 3, "Charlie Is My Darling"
Twelve Various Folksongs, WoO 157: No. 4, "O Sanctissima"
Twelve Various Folksongs, WoO 157: No. 5, "The Miller of Dee"
Twelve Various Folksongs, WoO 157: No. 6, "A Health to the Brave"
Twelve Various Folksongs, WoO 157: No. 7, "Robin Adair"
Twelve Various Folksongs, WoO 157: No. 8, "By the Side of the Shannon"
Twelve Various Folksongs, WoO 157: No. 9, "Highlander's Lament"
Twelve Various Folksongs, WoO 157: No. 10, "Sir Johnnie Cope"
Twelve Various Folksongs, WoO 157: No. 11, "The Wandering Minstrel"
Twelve Various Folksongs, WoO 157: No. 12, "La Gondoletta"
Twenty-Five Scottish Songs, op. 108
Twenty-Three Continental Folksongs, WoO 158/a, No. 2, "Horch Auf, Mein Leibchen" (Germany)
Twenty-Three Continental Folksongs, WoO 158/a, No. 3, "Wegen Meiner Bleib d'Fräula" (Germany)
Twenty-Three Continental Folksongs, WoO 158/a, No. 5, "I Bin a Tyroler Bua" (Tyrol)
Twenty-Three Continental Folksongs, WoO 158/a, No. 6, "A Madel, Ja a Madel" (Tyrol)
Twenty-Three Continental Folksongs, WoO 158/a, No. 11, "Yo No Quiero Embarcarme" (Portugal)
Twenty-Three Continental Folksongs, WoO 158/a, No. 16, "Schöne Minka, ich Muss Scheiden" (Ukraine)
Twenty-Three Continental Folksongs, WoO 158/a, No. 19, "Una Paloma Blanca" (Spain)
Twenty-Three Continental Folksongs, WoO 158/a, No. 21, "La Tiranna Se Embarca" (Spain)
Twenty-Three Continental Folksongs, WoO 158/a, No. 23, "Da brava, Catina" (Venetian)
Wellington's Victory, op. 91 (for brass, McNeff)
Wellington's Victory, op. 91: I. Battle (for brass, McNeff)
Wellington's Victory, op. 91: II. Symphony of Triumph (for brass, McNeff)
Ziemlich lebhaft for Piano in B-flat major, WoO 60
ZOOっとたいそう
エリーゼのために (フォーバブルボウズ)
ピアノとチェロのためのソナタ 第3番 (ベートーベン) より
君の名を
地球交響曲-合唱- (Hanjuku Hero 4: The 7 Hanjuku Heroes)
愛的音訊
月光 (Mondscheinsonate+drumloops)
熱情的花朵
dedication
Memento Vitae
instrument arranger
1807 Concerto for Piano and Orchestra in D major, op. 61a piano
1807 Concerto for Piano and Orchestra in D major, op. 61a: I. Allegro ma non troppo piano
1807 Concerto for Piano and Orchestra in D major, op. 61a: II. Larghetto piano
1807 Concerto for Piano and Orchestra in D major, op. 61a: III. Rondo piano
1826 Große Fugue for 2 Pianos in B-flat major, op. 134 piano
– 1815 Symphony no. 7 in A major, op. 92: I. Poco sostenuto (for piano solo, Beethoven (fragment)) piano
lyricist
Symphony no. 9 in D minor, op. 125 “Choral” additional
previous attribution
Trio for three flutes in G major (spurious): I. Allegro
Trio for three flutes in G major (spurious): II. Andante
Trio for three flutes in G major (spurious): III. Rondo, allegretto
Trio for three flutes in G major, Bia. Appendix II/64
revised by
1798 – 1822 Bagatelle for Piano in C minor, WoO 52: Presto
1803 Song for Voice and Piano, WoO 124: "La partenza (Der Abschied)"
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ia. Introduction. Grave - Adagio
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus)
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus)
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: II
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph)
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph)
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir)
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: III
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph)
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph)
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IV
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IVa. Recitative "Willkommen, Tod" (Jesus)
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen"
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: V
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus)
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte"
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Vc. Choir of Children "Was soll der Lärm bedeuten?"
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VI
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus)
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph)
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" / VId. Choir of Children "Ach! wir werden seinetwegen auch gehasst, verfolget sein" / VIe. "Meine Qual ist bald ver..." (Jesus)
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre"
1804 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VII. Choir "Preiset ihn, ihr Engelchöre"
1809 Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio
1809 Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
1814 Fidelio, op. 72: Act I, Scene I, no. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
1822 Bagatelle for Piano in C major, WoO 56: Allegretto
samples from artist
Flight of the Killa Bees RZA 1:30
RZA Intro RZA 1:20