| Admeto, re di Tessaglia, HWV 22: Atto I, Scena III. Aria "Luci care, addio, posate" (Alceste)" | | | | Aria | | | |
| Admeto, re di Tessaglia, HWV 22: Atto II, Scena I. Recitativo "In van ti scuoti, in vano" (Ercole) | | | | | | | |
| Admeto, re di Tessaglia, HWV 22: Atto II, Scena I. Sinfonia | | | | | | | |
| Admeto, re di Tessaglia, HWV 22: Atto II, Scena VII. Aria "Gelosia spietata Aletto" (Alceste) | | | | Aria | | | |
| Admeto, re di Tessaglia, HWV 22: Atto II, Scena VII. Recitativo "A qual fine, o Regina" (Alceste, Ercole) | | | | | | | |
| Admeto, re di Tessaglia, HWV 22: Atto III, Scena VI. Aria "Là dove gli occhi io giro" (Alceste) | | | | Aria | | | |
| Admeto: Atto II, Sinfonia: Allegro | | | | | | | |
| Admeto: Atto II, Sinfonia: Largo | | | | | | | |
| Ah! che troppo ineguali, HWV 230 | | | | Cantata | | | |
| Alcina, HWV 34: Atto I, XVIII. Aria "Si son quella" (Alcina) | | | | | | | |
| Alcina, HWV 34: Atto II, XXII. Recitative "Ah! Ruggiero crudel" (Alcina) | | | | | | | |
| Alcina, HWV 34: Atto II, XXIII. Aria "Ombre pallide, lo so, mi udite" (Alcina) | | | | | | | |
| Alcina, HWV 34: Atto II. "Ah! mio cor! Schernito sei!" (Alcina) | | | | Aria | | | |
| Astianatte | | | | Opera | | | |
| Atalanta, HWV 35: Atto I. "Care selve, ombre beate" | | | | | | | |
| Cleofide: Atto I, Sinfonia. Allegro assai | | | | | | | |
| Cleofide: Atto I, Sinfonia. Andante | | | | | | | |
| Cleofide: Atto I, Sinfonia. Minuetto - Presto - Minuetto | | | | | | | |
| Cleofide: Atto I. Aria "Se mai turbo il tuo riposo" (Cleofide) | | | | | | | |
| Cleofide: Atto II. Aria "Son qual misera colomba" (Cleofide) | | | | | | | |
| Cleofide: Atto II. Recitativo accompagnato "Qual tempesta d'affetti" (Cleofide) | | | | | | | |
| Cleofide: Sinfonia: Allegretto | | | | | | | |
| Cleofide: Sinfonia: Allegro assai | | | | | | | |
| Cleofide: Sinfonia: Allegro di molto | | | | | | | |
| Concerto grosso in B-flat major, op. 3 no. 1, HWV 312: II. Largo | | | | | | | |
| Concerto grosso in C minor, op. 6 no. 8, HWV 326: II. Grave | | | | | | | |
| Concerto in A minor, RV 445: I. Allegro | | | | | | | |
| Concerto in A minor, RV 445: II. Largo | | | | | | | |
| Concerto in A minor, RV 445: III. (Allegro) | | | | | | | |
| Concerto in C major, RV 444: I. Allegro non molto | | | | | | | |
| Concerto in C major, RV 444: II. Largo | | | | | | | |
| Concerto in C major, RV 444: III. Allegro molto | | | | | | | |
| Concerto in F major, op. 10 no. 5, RV 442 "Tutti gli istrumenti sordini": I. Allegro ma non molto | | | | | | | |
| Concerto in F major, op. 10 no. 5, RV 442 "Tutti gli istrumenti sordini": II. Largo e cantabile | | | | | | | |
| Concerto in F major, op. 10 no. 5, RV 442 "Tutti gli istrumenti sordini": III. Allegro | | | | | | | |
| Concerto in G minor, op. 10 no. 2, RV 439 "La notte": I. Largo | | | | | | | |
| Concerto in G minor, op. 10 no. 2, RV 439 "La notte": II. Presto "Fantasmi" | | | | | | | |
| Concerto in G minor, op. 10 no. 2, RV 439 "La notte": III. Largo | | | | | | | |
| Concerto in G minor, op. 10 no. 2, RV 439 "La notte": IV. Presto | | | | | | | |
| Concerto in G minor, op. 10 no. 2, RV 439 "La notte": V. Largo "Il sonno" | | | | | | | |
| Concerto in G minor, op. 10 no. 2, RV 439 "La notte": VI. Allegro | | | | | | | |
| Concerto pour flûte à bec soprano, cordes et basse continue en fa majeur, RV 312R : I. Allegro molto | | | | | | | |
| Concerto pour flûte à bec soprano, cordes et basse continue en fa majeur, RV 312R : II. Larghetto | | | | | | | |
| Concerto pour flûte à bec soprano, cordes et basse continue en fa majeur, RV 312R : III. Allegro | | | | | | | |
| Flautino Concerto in C major, RV 443: I. Allegro | | | | | | | |
| Flautino Concerto in C major, RV 443: II. Largo | | | | | | | |
| Flautino Concerto in C major, RV 443: III. Allegro molto | | | | | | | |
| Flavio, re de' longobardi, HWV 16: Act III, Scene I. Aria "Da te parto; ma concedi" (Emilia) | | | | | | | |
| Flute Concerto in C minor, RV 441: I. Allegro non molto | | | | | | | |
| Flute Concerto in C minor, RV 441: II. Largo | | | | | | | |
| Flute Concerto in C minor, RV 441: III. Allegro | | | | | | | |
| Giulio Cesare in Egitto, HWV 17: Atto III, Scena IX, 43. Duetto “Caro! (Bella!) Più amabile beltà” (Cleopatra e Cesare) | | | | | | | |
| Giulio Cesare in Egitto, HWV 17: Atto III, Scena VI, 40. Aria “Da tempeste il legno infranto” (Cleopatra) | | | | Aria | | | |
| Giulio Cesare in Egitto, HWV 17: Sinfonia | | | | Overture | | | |
| Il pianto di Maria, HWV 234 | | | | Cantata | | | |
| Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 2 "Jesus ging mit seinen Jüngern" (Evangelista, Jesus, Chorus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 3 Choral "O große Lieb" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 4 "Auf daß das Wort erfüllet werde" (Evangelista, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 5 Choral "Dein Will gescheh, Herr Gott, zugleich" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 6 "Die Schar aber und der Oberhauptmann" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 8 "Simon Petrus aber folgete Jesu nach" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 10 "Derselbige Jünger war" (Evangelista, Ancilla, Servus, Petrus, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 11 Choral "Wer hat dich so geschlagen" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 12 "Und Hannas sandte ihn gebunden" (Evangelista, Chorus, Servus, Petrus) | | - Fritz Rothschuh, Kieth Engen, Ernst Haefliger, Münchener Bach‐Chor, Münchener Chorknaben, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter
- The Brandenburg Consort, Stephen Cleobury
- English Baroque Soloists, Sir John Eliot Gardiner
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 48 more)
| | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 13 Aria (Tenor) "Ach, mein Sinn" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 14 Choral "Petrus, der nicht denkt zurück" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 15 Choral "Christus, der uns selig macht" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 16 "Da führeten sie Jesum" (Evangelista, Pilatus, Jesus, Chorus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 17 Choral "Ach großer König" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 18 "Da sprach Pilatus zu ihm" (Evangelista, Pilatus, Jesus, Chorus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 19 Arioso (Bass) "Betrachte, meine Seel" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 21 "Und die Kriegsknechte flochten" (Evangelista, Chorus, Pilatus, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 22 Choral "Durch dein Gefängnis, Gottes Sohn" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 23 "Die Juden aber schrieen" (Evangelista, Chorus, Pilatus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 24 Aria (Bass, Chorus) "Eilt, ihr angefochtnen Seelen" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 25 "Allda kreuzigten sie ihn" (Evangelista, Chorus, Pilatus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 26 Choral "In meines Herzens Grunde" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 27 "Die Kriegsknechte aber" (Evangelista, Chorus, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 28 Choral "Er nahm alles wohl in acht" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 29 "Und von Stund an" (Evangelista, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 31 "Und neiget sein Haupt" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 32 Aria (Bass, Chorus) "Mein teurer Heiland, laß dich fragen" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 33 "Und siehe da, der Vorhang" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) "Mein Herz, in dem die ganze Welt" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 36 "Die Juden aber" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 37 Choral "O hilf, Christe, Gottes Sohn" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 38 "Darnach bat Pilatum" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 40 Choral "Ach Herr, laß dein lieb Engelein" | | | | | | | |
| La verità in cimento, RV 739: Act II | | - Philippe Jaroussky, Guillemette Laurens, Sara Mingardo, Anthony Rolfe Johnson, Nathalie Stutzmann, Ensemble Matheus, Jean‐Christophe Spinosi
- Sara Mingardo, Ensemble Matheus, Jean‐Christophe Spinosi
- Gemma Bertagnolli, Ensemble Matheus, Jean‐Christophe Spinosi
- Gemma Bertagnolli, Sara Mingardo, Ensemble Matheus, Jean‐Christophe Spinosi
- (show 9 more)
| | | | | |
| La verità in cimento, RV 739: Addio caro | | | | Aria | | | |
| Lotario, HWV 26: Overture | | | | Overture | | | |
| Lotario, HWV 26: Scherza in mar la navicella (Act I, Scene 10) | | | | | | | |
| Orlando, HWV 31: Atto II, Scena VI. Recitativo "Dopo tanti perigli" / XXII. Aria "Non potrà dirmi ingrato" / Scena VII. Recitativo "Dove guidate" | | | | | | | |
